| Media 1: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Paul Bunyan, op. 17: Introduction | Benjamin Britten | 1:12 | |
| 2 | 2 | Paul Bunyan, op. 17, Prologue: "Since the Birth Of the Earth" | Benjamin Britten | 3:34 | |
| 3 | 3 | Paul Bunyan, op. 17, Prologue: "no. No. We Do Not Want Life To Be Slow" | Benjamin Britten | 0:45 | |
| 4 | 4 | Paul Bunyan, op. 17, Prologue: "Ooh! Ooh! O How Terrible To Be As Old Fashioned As a Tree" | Benjamin Britten | 1:46 | |
| 5 | 5 | Paul Bunyan, op. 17, Prologue: "You Are All To Leave Here" | Benjamin Britten | 2:34 | |
| 6 | 6 | Paul Bunyan, op. 17, Prologue: "It Isn't Very Often the Conservatives Are Wrong" | Benjamin Britten | 3:11 | |
| 7 | 7 | Paul Bunyan, op. 17, Prologue: First Ballad Interlude: "The Cold Wind Blew Through the Crooked Thorn" | Benjamin Britten | 2:57 | |
| 8 | 8 | Paul Bunyan, op. 17, Act 1: Bunyan's Greeting | Benjamin Britten | 2:50 | |
| 9 | 9 | Paul Bunyan, op. 17, Act 1: Call Of Lumberjacks | Benjamin Britten | 0:32 | |
| 10 | 10 | Paul Bunyan, op. 17, Act 1: Lumberjacks' Chorus: "My Birthplace Was in Sweden" | Benjamin Britten | 1:58 | |
| 11 | 11 | Paul Bunyan, op. 17, Act 1: Bunyan's Welcome | Benjamin Britten | 0:21 | |
| 12 | 12 | Paul Bunyan, op. 17, Act 1: Quartet Of Swedes: "Swedish Born and Swedish Bred" | Benjamin Britten | 1:17 | |
| 13 | 13 | Paul Bunyan, op. 17, Act 1: Western Union Boy's Song: "A Telegram From Oversea" | Benjamin Britten | 1:38 | |
| 14 | 14 | Paul Bunyan, op. 17, Act 1: Cooks' Duet: "Sam For Soups. Ben For Beans" | Benjamin Britten | 3:36 | |
| 15 | 15 | Paul Bunyan, op. 17, Act 1: Animal Trio: "Ah! Miaou! The Single Creature Lives a Partial Life" | Benjamin Britten | 1:44 | |
| 16 | 16 | Paul Bunyan, op. 17, Act 1: Bunyan's Goodnight (1) | Benjamin Britten | 0:34 | |
| 17 | 17 | Paul Bunyan, op. 17, Act 1: Exit Of Lumberjacks: "Down the Line...Timberrr" | Benjamin Britten | 0:47 | |
| 18 | 18 | Paul Bunyan, op. 17, Act 1: The Blues: "Gold in the North Came the Blizzard To Say" | Benjamin Britten | 4:25 | |
| 19 | 19 | Paul Bunyan, op. 17, Act 1: Bunyan's Goodnight (2) | Benjamin Britten | 0:53 | |
| 20 | 20 | Paul Bunyan, op. 17, Act 1: Second Ballad Interlude: "The Spring Came and the Summer and Fall" | Benjamin Britten | 3:30 | |
| 21 | 21 | Paul Bunyan, op. 17, Act 1: Food Chorus: "Do I Look the Sort Of Fellow" | Benjamin Britten | 4:03 | |
| 22 | 22 | Paul Bunyan, op. 17, Act 1: Chorus Accusation: "There Now Look What You Have Done" | Benjamin Britten | 0:40 | |
| 23 | 23 | Paul Bunyan, op. 17, Act 1: Slim's Song: "In Fair Days and Foul...I Come From Open Spaces" | Benjamin Britten | 3:08 | |
| 24 | 24 | Paul Bunyan, op. 17, Act 1: Bunyan's Return: "Look, the Chief Is Back" | Benjamin Britten | 1:03 | |
| 25 | 25 | Paul Bunyan, op. 17, Act 1: Inkslinger's Song: "It Was Out in the Stick" | Benjamin Britten | 4:51 | |
| 26 | 26 | Paul Bunyan, op. 17, Act 1: Entrance Of Chorus | Benjamin Britten | 0:48 | |
| 27 | 27 | Paul Bunyan, op. 17, Act 1: Tiny's Entrance | Benjamin Britten | 1:28 | |
| 28 | 28 | Paul Bunyan, op. 17, Act 1: Tiny's Song: "Ah!...Whether the Sun Shine Upon Children Playing" | Benjamin Britten | 4:06 | |
| 29 | 29 | Paul Bunyan, op. 17, Act 1: Inkslinger's Regret: "All the Little Brooks Of Love" | Benjamin Britten | 2:00 | |
| 30 | 30 | Paul Bunyan, op. 17, Act 1: Bunyan's Goodnight (3) | Benjamin Britten | 2:04 | |
| Media 2: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Paul Bunyan, op. 17, Act 2: Bunyan's Good Morning | Benjamin Britten | 3:15 | |
| 2 | 2 | Paul Bunyan, op. 17, Act 2: Shears' Song: "It Has Always Been My Dream" | Benjamin Britten | 0:46 | |
| 3 | 3 | Paul Bunyan, op. 17, Act 2: Bunyan's Warning | Benjamin Britten | 0:26 | |
| 4 | 4 | Paul Bunyan, op. 17, Act 2: Farmers' Song: "The Shanty | Benjamin Britten | 2:11 | |
| 5 | 5 | Paul Bunyan, op. 17, Act 2: Farmers' Exit | Benjamin Britten | 1:14 | |
| 6 | 6 | Paul Bunyan, op. 17, Act 2: The Mocking Of Hel Helson: "Heron, Heron Winging By" | Benjamin Britten | 6:13 | |
| 7 | 7 | Paul Bunyan, op. 17, Act 2: Fido's Sympathy: "Won't You Tell Me What's the Matter?" | Benjamin Britten | 0:43 | |
| 8 | 8 | Paul Bunyan, op. 17, Act 2: Cats' Creed: "Let Man the Romantic in Vision Espy" | Benjamin Britten | 1:49 | |
| 9 | 9 | Paul Bunyan, op. 17, Act 2: The Fight: "What Is It? What's Happening?" | Benjamin Britten | 1:27 | |
| 10 | 10 | Paul Bunyan, op. 17, Act 2: Love Duet: "Move, Move From the Trysting Stone" | Benjamin Britten | 2:29 | |
| 11 | 11 | Paul Bunyan, op. 17, Act 2: Mock Funeral March: "Take Away the Body and Lay It On the Ice" | Benjamin Britten | 4:45 | |
| 12 | 12 | Paul Bunyan, op. 17, Act 2: Hymn: "O Great Day Of Discovery!" | Benjamin Britten | 3:06 | |
| 13 | 13 | Paul Bunyan, op. 17, Act 2: Third Ballad Interlude: "So Helson Smiled and Bunyan Smiled" | Benjamin Britten | 2:06 | |
| 14 | 14 | Paul Bunyan, op. 17, Act 2: The Christmas Party: "Rah! Another Slice Of Turkey" | Benjamin Britten | 1:56 | |
| 15 | 15 | Paul Bunyan, op. 17, Act 2: "Dear Friends, With Your Leave" | Benjamin Britten | 1:03 | |
| 16 | 16 | Paul Bunyan, op. 17, Act 2: "Carry Her Over the Water" | Benjamin Britten | 1:21 | |
| 17 | 17 | Paul Bunyan, op. 17, Act 2: "Where We Are Is Not Very Far" | Benjamin Britten | 2:15 | |
| 18 | 18 | Paul Bunyan, op. 17, Act 2: "A Telegram From Hollywood" | Benjamin Britten | 1:29 | |
| 19 | 19 | Paul Bunyan, op. 17, Act 2: "We Always Knew That One Day You" | Benjamin Britten | 1:36 | |
| 20 | 20 | Paul Bunyan, op. 17, Act 2: Bunyan's Farewell | Benjamin Britten | 2:13 | |
| 21 | 21 | Paul Bunyan, op. 17, Act 2: Litany: "The Campfire Embers Are Black and Cold" | Benjamin Britten | 6:01 | |
| 22 | 22 | Paul Bunyan, op. 17, Appendix: Overture | Benjamin Britten | 5:01 | |
| 23 | 23 | Paul Bunyan, op. 17, Appendix: Inkslinger's Love Song | Benjamin Britten | 3:38 | |
| 24 | 24 | Paul Bunyan, op. 17, Appendix: Lullaby Of Dream Shadows | Benjamin Britten | 9:00 | |
| Media 3: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Peter Grimes, op. 33, Prologue: "Peter Grimes!" | Benjamin Britten | 1:28 | |
| 2 | 2 | Peter Grimes, op. 33, Prologue: "You sailed your boat" | Benjamin Britten | 3:04 | |
| 3 | 3 | Peter Grimes, op. 33, Prologue: "Peter Grimes, I here advise you!" | Benjamin Britten | 2:10 | |
| 4 | 4 | Peter Grimes, op. 33, Prologue: "The truth...the pity..." | Benjamin Britten | 1:54 | |
| 5 | 5 | Peter Grimes, op. 33, Prologue: Interlude I: On the beach | Benjamin Britten | 2:58 | |
| 6 | 6 | Peter Grimes, op. 33, Act 1: "Oh, hang at open doors" | Benjamin Britten | 5:35 | |
| 7 | 7 | Peter Grimes, op. 33, Act 1: "Hi! give us a hand" | Benjamin Britten | 3:19 | |
| 8 | 8 | Peter Grimes, op. 33, Act 1: "I have to go from pub to pub" | Benjamin Britten | 1:58 | |
| 9 | 9 | Peter Grimes, op. 33, Act 1: "Let her among you" | Benjamin Britten | 3:09 | |
| 10 | 10 | Peter Grimes, op. 33, Act 1: "Look, the storm cone!" | Benjamin Britten | 2:41 | |
| 11 | 11 | Peter Grimes, op. 33, Act 1: "And do you prefer the storm" | Benjamin Britten | 4:57 | |
| 12 | 12 | Peter Grimes, op. 33, Act 1: "What harbour shelters peace" | Benjamin Britten | 1:12 | |
| 13 | 13 | Peter Grimes, op. 33, Act 1: Interlude II: The Storm | Benjamin Britten | 4:08 | |
| 14 | 14 | Peter Grimes, op. 33, Act 1: "Past time to close!" | Benjamin Britten | 4:22 | |
| 15 | 15 | Peter Grimes, op. 33, Act 1: "We live and let live" | Benjamin Britten | 1:58 | |
| 16 | 16 | Peter Grimes, op. 33, Act 1: "Have you heard?" | Benjamin Britten | 1:23 | |
| 17 | 17 | Peter Grimes, op. 33, Act 1: "Now the Great Bear and Pleiades" | Benjamin Britten | 3:40 | |
| 18 | 18 | Peter Grimes, op. 33, Act 1: "Old Joe has gone fishing" | Benjamin Britten | 2:28 | |
| 19 | 19 | Peter Grimes, op. 33, Act 1: "The bridge is down, we half swam over" | Benjamin Britten | 1:39 | |
| 20 | 20 | Peter Grimes, op. 33, Act 2: Interlude III: Sunday morning by the beach | Benjamin Britten | 2:25 | |
| 21 | 21 | Peter Grimes, op. 33, Act 2: "Glitter of waves" | Benjamin Britten | 5:41 | |
| 22 | 22 | Peter Grimes, op. 33, Act 2: "Let this be a holiday" | Benjamin Britten | 3:00 | |
| 23 | 23 | Peter Grimes, op. 33, Act 2: "This unrelenting work" | Benjamin Britten | 4:41 | |
| 24 | 24 | Peter Grimes, op. 33, Act 2: "Fool to let it come to this!" | Benjamin Britten | 2:18 | |
| 25 | 25 | Peter Grimes, op. 33, Act 2: "What is it?" | Benjamin Britten | 1:03 | |
| 26 | 26 | Peter Grimes, op. 33, Act 2: "People!...No! I will speak!" | Benjamin Britten | 2:13 | |
| Media 4: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Peter Grimes, op. 33, Act 2: "We planned that their lives" | Benjamin Britten | 2:27 | |
| 2 | 2 | Peter Grimes, op. 33, Act 2: "Swallow! Shall we go" | Benjamin Britten | 0:44 | |
| 3 | 3 | Peter Grimes, op. 33, Act 2: "Now is gossip put on trial" | Benjamin Britten | 2:12 | |
| 4 | 4 | Peter Grimes, op. 33, Act 2: "From the gutter" | Benjamin Britten | 4:35 | |
| 5 | 5 | Peter Grimes, op. 33, Act 2: Interlude IV: Passacaglia | Benjamin Britten | 5:27 | |
| 6 | 6 | Peter Grimes, op. 33, Act 2: "Go there!" | Benjamin Britten | 7:18 | |
| 7 | 7 | Peter Grimes, op. 33, Act 2: "Now!...Now!" | Benjamin Britten | 2:09 | |
| 8 | 8 | Peter Grimes, op. 33, Act 2: "Peter Grimes! Nobody here?" | Benjamin Britten | 3:07 | |
| 9 | 9 | Peter Grimes, op. 33, Act 3: Interlude V: Evening | Benjamin Britten | 4:19 | |
| 10 | 10 | Peter Grimes, op. 33, Act 3: "Assign your prettiness to me" | Benjamin Britten | 2:36 | |
| 11 | 11 | Peter Grimes, op. 33, Act 3: "Pah!" | Benjamin Britten | 2:49 | |
| 12 | 12 | Peter Grimes, op. 33, Act 3: "Come along, Doctor!" | Benjamin Britten | 3:19 | |
| 13 | 13 | Peter Grimes, op. 33, Act 3: "Embroidery in childhood" | Benjamin Britten | 5:09 | |
| 14 | 14 | Peter Grimes, op. 33, Act 3: "Mr.Swallow!" | Benjamin Britten | 2:00 | |
| 15 | 15 | Peter Grimes, op. 33, Act 3: "Who holds himself apart" | Benjamin Britten | 3:45 | |
| 16 | 16 | Peter Grimes, op. 33, Act 3: Interlude VI: Fog | Benjamin Britten | 2:36 | |
| 17 | 17 | Peter Grimes, op. 33, Act 3: "Grimes! Grimes!" | Benjamin Britten | 4:56 | |
| 18 | 18 | Peter Grimes, op. 33, Act 3: "Peter, we've come to take you home" | Benjamin Britten | 2:29 | |
| 19 | 19 | Peter Grimes, op. 33, Act 3: "To those who pass the Borough" | Benjamin Britten | 5:01 | |
| Media 5: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: Rome is now ruled by the Etruscan upstart | Benjamin Britten | 2:39 | |
| 2 | 2 | The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: It is an axiom among kings | Benjamin Britten | 2:33 | |
| 3 | 3 | The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: Here the thirsty evening | Benjamin Britten | 2:54 | |
| 4 | 4 | The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: Who reaches heaven first | Benjamin Britten | 2:33 | |
| 5 | 5 | The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: Maria was unmasked at a masked ball | Benjamin Britten | 4:14 | |
| 6 | 6 | The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: Collatinus is politically astute | Benjamin Britten | 4:29 | |
| 7 | 7 | The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: There goes a happy man! | Benjamin Britten | 4:15 | |
| 8 | 8 | The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: Tarquinius does not dare | Benjamin Britten | 2:27 | |
| 9 | 9 | The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: My horse! My horse! tarquinius does not wait | Benjamin Britten | 3:06 | |
| 10 | 10 | The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: Their spinning | Benjamin Britten | 5:19 | |
| 11 | 11 | The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: Listen! I heard a knock | Benjamin Britten | 2:35 | |
| 12 | 12 | The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: Time treads upon the hands of women | Benjamin Britten | 3:42 | |
| 13 | 13 | The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 1: The oatmeal slippers of sleep | Benjamin Britten | 7:36 | |
| Media 6: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 2: The prosperity of the Etruscans | Benjamin Britten | 7:19 | |
| 2 | 2 | The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 2: She sleeps as a rose | Benjamin Britten | 5:26 | |
| 3 | 3 | The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 2: Within this frail crucible of light | Benjamin Britten | 4:26 | |
| 4 | 4 | The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 2: Lucretia!...What do you want? | Benjamin Britten | 5:57 | |
| 5 | 5 | The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 2: Interlude: Here in this scene | Benjamin Britten | 4:07 | |
| 6 | 6 | The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 2: Oh! What a lovely day! | Benjamin Britten | 4:27 | |
| 7 | 7 | The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 2: We'll leave the orchids for Lucretia | Benjamin Britten | 4:59 | |
| 8 | 8 | The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 2: Flowers bring to every year | Benjamin Britten | 3:24 | |
| 9 | 9 | The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 2: You were right | Benjamin Britten | 3:52 | |
| 10 | 10 | The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 2: Lucretia! Lucretia! | Benjamin Britten | 2:57 | |
| 11 | 11 | The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 2: Last night Tarquinius ravished me | Benjamin Britten | 3:30 | |
| 12 | 12 | The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 2: This dead hand lets fall | Benjamin Britten | 4:09 | |
| 13 | 13 | The Rape of Lucretia, op. 37, Lib. Ronald Duncan, Act 2: Epilogue: Is it all? | Benjamin Britten | 5:20 | |
| Media 7: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Albert Herring, op. 39, Act 1: Flor | Benjamin Britten | 1:55 | |
| 2 | 2 | Albert Herring, op. 39, Act 1: Doctor Jessop's midwife | Benjamin Britten | 2:17 | |
| 3 | 3 | Albert Herring, op. 39, Act 1: I hope we're not too early, Florence? | Benjamin Britten | 2:31 | |
| 4 | 4 | Albert Herring, op. 39, Act 1: Stuffy! | Benjamin Britten | 2:43 | |
| 5 | 5 | Albert Herring, op. 39, Act 1: Now then! Notebook, Florence! | Benjamin Britten | 2:47 | |
| 6 | 6 | Albert Herring, op. 39, Act 1: The first suggestion on my list | Benjamin Britten | 4:36 | |
| 7 | 7 | Albert Herring, op. 39, Act 1: Is this all you can bring? | Benjamin Britten | 2:59 | |
| 8 | 8 | Albert Herring, op. 39, Act 1: Beggin' your pardon | Benjamin Britten | 6:12 | |
| 9 | 9 | Albert Herring, op. 39, Act 1: Right! We'll have him! | Benjamin Britten | 3:04 | |
| 10 | 10 | Albert Herring, op. 39, Act 1: Interlude | Benjamin Britten | 3:13 | |
| 11 | 11 | Albert Herring, op. 39, Act 1: Bounce me high | Benjamin Britten | 2:30 | |
| 12 | 12 | Albert Herring, op. 39, Act 1: Shop! Hi! Albert! | Benjamin Britten | 2:17 | |
| 13 | 13 | Albert Herring, op. 39, Act 1: Tickling a trout | Benjamin Britten | 3:02 | |
| 14 | 14 | Albert Herring, op. 39, Act 1: Meet me at a quarter past eight | Benjamin Britten | 3:04 | |
| 15 | 15 | Albert Herring, op. 39, Act 1: He's much too busy | Benjamin Britten | 3:36 | |
| 16 | 16 | Albert Herring, op. 39, Act 1: Good morning, young man | Benjamin Britten | 1:34 | |
| 17 | 17 | Albert Herring, op. 39, Act 1: We bring great news to you | Benjamin Britten | 4:51 | |
| 18 | 18 | Albert Herring, op. 39, Act 2: Isn't he here? | Benjamin Britten | 2:18 | |
| 19 | 19 | Albert Herring, op. 39, Act 2: For three precious weeks | Benjamin Britten | 3:32 | |
| 20 | 20 | Albert Herring, op. 39, Act 2: Quickly! Quickly, come along! | Benjamin Britten | 4:48 | |
| 21 | 21 | Albert Herring, op. 39, Act 2: Here they are, dears! | Benjamin Britten | 2:26 | |
| 22 | 22 | Albert Herring, op. 39, Act 2: My flowers are few | Benjamin Britten | 2:35 | |
| Media 8: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Albert Herring, op. 39, Act 2: I'm full of happiness | Benjamin Britten | 3:30 | |
| 2 | 2 | Albert Herring, op. 39, Act 2: As representing the local Council | Benjamin Britten | 1:48 | |
| 3 | 3 | Albert Herring, op. 39, Act 2: My heart leaps up with joy | Benjamin Britten | 1:59 | |
| 4 | 4 | Albert Herring, op. 39, Act 2: Er | Benjamin Britten | 2:40 | |
| 5 | 5 | Albert Herring, op. 39, Act 2: Well tried, Albert! | Benjamin Britten | 3:07 | |
| 6 | 6 | Albert Herring, op. 39, Act 2: Interlude | Benjamin Britten | 6:55 | |
| 7 | 7 | Albert Herring, op. 39, Act 2: Albert the Good! | Benjamin Britten | 7:26 | |
| 8 | 8 | Albert Herring, op. 39, Act 2: You oughtn't to whistle! | Benjamin Britten | 4:01 | |
| 9 | 9 | Albert Herring, op. 39, Act 2: Heaven helps those who help themselves! | Benjamin Britten | 7:59 | |
| 10 | 10 | Albert Herring, op. 39, Act 3: Introduction | Benjamin Britten | 2:20 | |
| 11 | 11 | Albert Herring, op. 39, Act 3: Is she asleep? | Benjamin Britten | 3:32 | |
| 12 | 12 | Albert Herring, op. 39, Act 3: I'm hungry, I'm tired | Benjamin Britten | 1:19 | |
| 13 | 13 | Albert Herring, op. 39, Act 3: Give me a decent murder with a corpse! | Benjamin Britten | 1:09 | |
| 14 | 14 | Albert Herring, op. 39, Act 3: Have you found him? | Benjamin Britten | 4:42 | |
| 15 | 15 | Albert Herring, op. 39, Act 3: Fools! Fools! Blundering fools! | Benjamin Britten | 2:22 | |
| 16 | 16 | Albert Herring, op. 39, Act 3: In the midst of life is death | Benjamin Britten | 4:22 | |
| 17 | 17 | Albert Herring, op. 39, Act 3: Albert! | Benjamin Britten | 0:40 | |
| 18 | 18 | Albert Herring, op. 39, Act 3: I'm sorry about that | Benjamin Britten | 2:13 | |
| 19 | 19 | Albert Herring, op. 39, Act 3: I can't remember everything | Benjamin Britten | 6:10 | |
| 20 | 20 | Albert Herring, op. 39, Act 3: Albert's come back to stay | Benjamin Britten | 0:40 | |
| Media 9: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Billy Budd, op. 50, Act 1: I am an old man who has experienced much | Benjamin Britten | 5:02 | |
| 2 | 2 | Billy Budd, op. 50, Act 1: Pull, my bantams! | Benjamin Britten | 6:59 | |
| 3 | 3 | Billy Budd, op. 50, Act 1: Guard boat! Indomitable! | Benjamin Britten | 3:16 | |
| 4 | 4 | Billy Budd, op. 50, Act 1: First man forward! | Benjamin Britten | 2:25 | |
| 5 | 5 | Billy Budd, op. 50, Act 1: Your name? Billy Budd, sir | Benjamin Britten | 2:42 | |
| 6 | 6 | Billy Budd, op. 50, Act 1: Billy Budd, king of the birds! | Benjamin Britten | 2:31 | |
| 7 | 7 | Billy Budd, op. 50, Act 1: I heard, your honour! | Benjamin Britten | 3:38 | |
| 8 | 8 | Billy Budd, op. 50, Act 1: Come along kid! Come along! | Benjamin Britten | 3:37 | |
| 9 | 9 | Billy Budd, op. 50, Act 1: Christ, the poor chap! | Benjamin Britten | 1:25 | |
| 10 | 10 | Billy Budd, op. 50, Act 1: What's that? What's those whistles? | Benjamin Britten | 1:15 | |
| 11 | 11 | Billy Budd, op. 50, Act 1: Starry Vere we call him | Benjamin Britten | 2:20 | |
| 12 | 12 | Billy Budd, op. 50, Act 1: Boy! My compliments to Mr. Redburn | Benjamin Britten | 3:45 | |
| 13 | 13 | Billy Budd, op. 50, Act 1: Gentlemen, the King! | Benjamin Britten | 5:32 | |
| 14 | 14 | Billy Budd, op. 50, Act 1: Ay, at Spithead the men may have had their grievances | Benjamin Britten | 1:05 | |
| 15 | 15 | Billy Budd, op. 50, Act 1: We are, sir. Claggart is an able one | Benjamin Britten | 6:52 | |
| 16 | 16 | Billy Budd, op. 50, Act 1: Blow, blow, blow | Benjamin Britten | 2:39 | |
| 17 | 17 | Billy Budd, op. 50, Act 1: We're off to Samoa by way of Genoa | Benjamin Britten | 3:38 | |
| 18 | 18 | Billy Budd, op. 50, Act 1: Hi! You a... a... a... | Benjamin Britten | 2:58 | |
| 19 | 19 | Billy Budd, op. 50, Act 1: Over the water...Handsomely done | Benjamin Britten | 6:48 | |
| 20 | 20 | Billy Budd, op. 50, Act 1: Come here. Remember your promise | Benjamin Britten | 4:43 | |
| 21 | 21 | Billy Budd, op. 50, Act 1: Billy! Hist! Billy Budd! | Benjamin Britten | 4:04 | |
| 22 | 22 | Billy Budd, op. 50, Act 1: Dansker, old friend, glad to see you | Benjamin Britten | 4:44 | |
| Media 10: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Billy Budd, op. 50, Act 2: I don't like the look of the mist, Mr. Redburn | Benjamin Britten | 2:16 | |
| 2 | 2 | Billy Budd, op. 50, Act 2: With great regret I must disturb your honour | Benjamin Britten | 1:06 | |
| 3 | 3 | Billy Budd, op. 50, Act 2: Deck ahoy! Enemy sail on starboard bow | Benjamin Britten | 3:23 | |
| 4 | 4 | Billy Budd, op. 50, Act 2: Who'll volunteer to board 'em | Benjamin Britten | 7:47 | |
| 5 | 5 | Billy Budd, op. 50, Act 2: There you are again, Master | Benjamin Britten | 4:49 | |
| 6 | 6 | Billy Budd, op. 50, Act 2: O this cursed mist | Benjamin Britten | 4:15 | |
| 7 | 7 | Billy Budd, op. 50, Act 2: Claggart, John Claggart, beware! | Benjamin Britten | 3:32 | |
| 8 | 8 | Billy Budd, op. 50, Act 2: Master | Benjamin Britten | 3:23 | |
| 9 | 9 | Billy Budd, op. 50, Act 2: God o' mercy! Here, help me! | Benjamin Britten | 2:13 | |
| 10 | 10 | Billy Budd, op. 50, Act 2: Gentlemen, William Budd here has killed | Benjamin Britten | 1:33 | |
| 11 | 11 | Billy Budd, op. 50, Act 2: William Budd, you are accused by Captain Vere | Benjamin Britten | 5:32 | |
| 12 | 12 | Billy Budd, op. 50, Act 2: Poor fellow, who could save him? | Benjamin Britten | 4:22 | |
| 13 | 13 | Billy Budd, op. 50, Act 2: I accept their verdict | Benjamin Britten | 5:32 | |
| 14 | 14 | Billy Budd, op. 50, Act 2: Look! Through the port | Benjamin Britten | 5:35 | |
| 15 | 15 | Billy Budd, op. 50, Act 2: Here! Baby! Dansker, old friend | Benjamin Britten | 4:02 | |
| 16 | 16 | Billy Budd, op. 50, Act 2: And farewell to ye | Benjamin Britten | 4:35 | |
| 17 | 17 | Billy Budd, op. 50, Act 2: Interlude | Benjamin Britten | 3:06 | |
| 18 | 18 | Billy Budd, op. 50, Act 2: According to the articles of War | Benjamin Britten | 1:51 | |
| 19 | 19 | Billy Budd, op. 50, Act 2: Down all hands! And see that they do | Benjamin Britten | 2:21 | |
| 20 | 20 | Billy Budd, op. 50, Act 2: We committed his body to the deep | Benjamin Britten | 4:39 | |
| Media 11: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Gloriana, op. 53, Act 1 Scene 1: I. Prelude | Benjamin Britten | 2:20 | |
| 2 | 2 | Gloriana, op. 53, Act 1 Scene 1: II. The Tornament | Benjamin Britten | 4:19 | |
| 3 | 3 | Gloriana, op. 53, Act 1 Scene 1: III. Recitative & Fight | Benjamin Britten | 1:25 | |
| 4 | 4 | Gloriana, op. 53, Act 1 Scene 1: IV. Entrance of the Queen | Benjamin Britten | 1:30 | |
| 5 | 5 | Gloriana, op. 53, Act 1 Scene 1: V. Recitative | Benjamin Britten | 1:08 | |
| 6 | 6 | Gloriana, op. 53, Act 1 Scene 1: VI. The two Lords' Explanation | Benjamin Britten | 1:24 | |
| 7 | 7 | Gloriana, op. 53, Act 1 Scene 1: VII. Raleigh's Song | Benjamin Britten | 1:43 | |
| 8 | 8 | Gloriana, op. 53, Act 1 Scene 1: VIII. Ensemble of Reconciliation | Benjamin Britten | 4:53 | |
| 9 | 9 | Gloriana, op. 53, Act 1 Scene 1: IX. Recitative & Final March | Benjamin Britten | 1:29 | |
| 10 | 10 | Gloriana, op. 53, Act 1 Scene 2: X. Prelude & Dialogue | Benjamin Britten | 2:02 | |
| 11 | 11 | Gloriana, op. 53, Act 1 Scene 2: 1I. The Queen's Song | Benjamin Britten | 1:57 | |
| 12 | 12 | Gloriana, op. 53, Act 1 Scene 2: 1II. Cecil's Song of Government | Benjamin Britten | 1:56 | |
| 13 | 13 | Gloriana, op. 53, Act 1 Scene 2: 1III. Recitative & Essex's Entry | Benjamin Britten | 2:36 | |
| 14 | 14 | Gloriana, op. 53, Act 1 Scene 2: 1IV. First Lute Song | Benjamin Britten | 1:59 | |
| 15 | 15 | Gloriana, op. 53, Act 1 Scene 2: 1V. Second Lute Song | Benjamin Britten | 3:44 | |
| 16 | 16 | Gloriana, op. 53, Act 1 Scene 2: 1VI. The First Duet for the Queen & Essex | Benjamin Britten | 4:13 | |
| 17 | 17 | Gloriana, op. 53, Act 1 Scene 2: 1VII. Soliloquy & Prayer | Benjamin Britten | 5:10 | |
| 18 | 18 | Gloriana, op. 53, Act 2 Scene 1: 1VIII. Prelude & Welcome | Benjamin Britten | 4:03 | |
| 19 | 19 | Gloriana, op. 53, Act 2 Scene 1: 1IX. The Masque | Benjamin Britten | 11:48 | |
| 20 | 20 | Gloriana, op. 53, Act 2 Scene 1: 20. Finale | Benjamin Britten | 2:52 | |
| 21 | 21 | Gloriana, op. 53, Act 2 Scene 2: 2I. Prelude & Song | Benjamin Britten | 2:14 | |
| 22 | 22 | Gloriana, op. 53, Act 2 Scene 2: 2II. Duet | Benjamin Britten | 1:25 | |
| 23 | 23 | Gloriana, op. 53, Act 2 Scene 2: 2III. Double Duet | Benjamin Britten | 1:47 | |
| 24 | 24 | Gloriana, op. 53, Act 2 Scene 2: 2IV. Quartet | Benjamin Britten | 3:38 | |
| Media 12: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Gloriana, op. 53, Act 2 Scene 3: 2V. Pavane | Benjamin Britten | 2:10 | |
| 2 | 2 | Gloriana, op. 53, Act 2 Scene 3: 2VI. Conversation | Benjamin Britten | 1:21 | |
| 3 | 3 | Gloriana, op. 53, Act 2 Scene 3: 2VII. Galliard | Benjamin Britten | 1:50 | |
| 4 | 4 | Gloriana, op. 53, Act 2 Scene 3: 2VIII. Conversation & the Queen's Entrance | Benjamin Britten | 1:04 | |
| 5 | 5 | Gloriana, op. 53, Act 2 Scene 3: 2IX. Lavolta | Benjamin Britten | 1:25 | |
| 6 | 6 | Gloriana, op. 53, Act 2 Scene 3: 30. Conversation | Benjamin Britten | 0:49 | |
| 7 | 7 | Gloriana, op. 53, Act 2 Scene 3: 3I. Morris dance | Benjamin Britten | 1:04 | |
| 8 | 8 | Gloriana, op. 53, Act 2 Scene 3: 3II. Recitative | Benjamin Britten | 0:25 | |
| 9 | 9 | Gloriana, op. 53, Act 2 Scene 3: 3III. The Queen's Burlesque | Benjamin Britten | 1:49 | |
| 10 | 10 | Gloriana, op. 53, Act 2 Scene 3: 3IV. Quartet | Benjamin Britten | 2:51 | |
| 11 | 11 | Gloriana, op. 53, Act 2 Scene 3: 3V. March | Benjamin Britten | 0:47 | |
| 12 | 12 | Gloriana, op. 53, Act 2 Scene 3: 3VI. The Queen's Announcement | Benjamin Britten | 2:05 | |
| 13 | 13 | Gloriana, op. 53, Act 2 Scene 3: 3VII. Ensemble | Benjamin Britten | 3:09 | |
| 14 | 14 | Gloriana, op. 53, Act 2 Scene 3: 3VIII. Coranto | Benjamin Britten | 1:16 | |
| 15 | 15 | Gloriana, op. 53, Act 3 Scene 1: 3IX. Prelude & Chatter | Benjamin Britten | 2:55 | |
| 16 | 16 | Gloriana, op. 53, Act 3 Scene 1: 40. Essex's Intrusion | Benjamin Britten | 0:57 | |
| 17 | 17 | Gloriana, op. 53, Act 3 Scene 1: 4I. The Second Duet of the Queen & Essex | Benjamin Britten | 8:01 | |
| 18 | 18 | Gloriana, op. 53, Act 3 Scene 1: 4II. The Dressing-Table Song | Benjamin Britten | 2:46 | |
| 19 | 19 | Gloriana, op. 53, Act 3 Scene 1: 4III. The Entrance of Cecil | Benjamin Britten | 1:04 | |
| 20 | 20 | Gloriana, op. 53, Act 3 Scene 1: 4IV. Cecil's Report | Benjamin Britten | 0:48 | |
| 21 | 21 | Gloriana, op. 53, Act 3 Scene 1: 4V. Discussion | Benjamin Britten | 0:58 | |
| 22 | 22 | Gloriana, op. 53, Act 3 Scene 1: 4VI. The Queen's Decision | Benjamin Britten | 1:38 | |
| 23 | 23 | Gloriana, op. 53, Act 3 Scene 2: 4VII. Ballad: Rondo | Benjamin Britten | 10:35 | |
| 24 | 24 | Gloriana, op. 53, Act 3 Scene 3: 4VIII. Prelude & Verdict | Benjamin Britten | 6:16 | |
| 25 | 25 | Gloriana, op. 53, Act 3 Scene 3: 4IX. Cecil's Warning | Benjamin Britten | 0:57 | |
| 26 | 26 | Gloriana, op. 53, Act 3 Scene 3: 50. The Queen's Dilemma | Benjamin Britten | 1:30 | |
| 27 | 27 | Gloriana, op. 53, Act 3 Scene 3: 5I. Trio | Benjamin Britten | 2:31 | |
| 28 | 28 | Gloriana, op. 53, Act 3 Scene 3: 5II. Lady Essex's Pleading | Benjamin Britten | 2:36 | |
| 29 | 29 | Gloriana, op. 53, Act 3 Scene 3: 5III. Penepole Rich's Pleading | Benjamin Britten | 1:41 | |
| 30 | 30 | Gloriana, op. 53, Act 3 Scene 3: 5IV. Epilogue | Benjamin Britten | 8:51 | |
| Media 13: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | The Turn of the Screw, op. 54, Act One: Prologue | Benjamin Britten | 2:48 | |
| 2 | 2 | The Turn of the Screw, op. 54, Act One: Theme: Scene 1: The Journey | Benjamin Britten | 3:26 | |
| 3 | 3 | The Turn of the Screw, op. 54, Act One: Interlude: Variation I: Scene 2: The Welcome | Benjamin Britten | 4:08 | |
| 4 | 4 | The Turn of the Screw, op. 54, Act One: Interlude: Variation II: Scene 3: The Letter | Benjamin Britten | 3:52 | |
| 5 | 5 | The Turn of the Screw, op. 54, Act One: Interlude: Variation III: Scene 4: The Tower | Benjamin Britten | 5:50 | |
| 6 | 6 | The Turn of the Screw, op. 54, Act One: Interlude: Variation IV: Scene 5: The Window | Benjamin Britten | 9:59 | |
| 7 | 7 | The Turn of the Screw, op. 54, Act One: Interlude: Variation V: Scene 6: The Lesson | Benjamin Britten | 4:45 | |
| 8 | 8 | The Turn of the Screw, op. 54, Act One: Interlude: Variation VI: Scene 7: The Lake | Benjamin Britten | 6:37 | |
| 9 | 9 | The Turn of the Screw, op. 54, Act One: Interlude: Variation VII: Scene 8: At Night | Benjamin Britten | 10:45 | |
| Media 14: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | The Turn of the Screw, op. 54, Act Two: Interlude: Variation VIII: Scene 1: Colloquy and So- lioquy | Benjamin Britten | 8:36 | |
| 2 | 2 | The Turn of the Screw, op. 54, Act Two: Interlude: Variation IX: Scene 2: The Bells | Benjamin Britten | 8:30 | |
| 3 | 3 | The Turn of the Screw, op. 54, Act Two: Interlude: Variation X: Scene 3: Miss Jessel | Benjamin Britten | 6:20 | |
| 4 | 4 | The Turn of the Screw, op. 54, Act Two: Interlude: Variation XI: Scene 4: The Bedroom | Benjamin Britten | 5:58 | |
| 5 | 5 | The Turn of the Screw, op. 54, Act Two: Interlude: Variation XII: Scene 5: Quint | Benjamin Britten | 2:07 | |
| 6 | 6 | The Turn of the Screw, op. 54, Act Two: Interlude: Variation XIII: Scene 6: The Piano | Benjamin Britten | 4:52 | |
| 7 | 7 | The Turn of the Screw, op. 54, Act Two: Interlude: Variation XIV: Scene 7: Flora | Benjamin Britten | 4:54 | |
| 8 | 8 | The Turn of the Screw, op. 54, Act Two: Interlude: Variation XV: Scene 8: Miles | Benjamin Britten | 11:43 | |
| Media 15: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | A Midsummer Night's Dream, op. 64, Act 1: "Over hill, over dale" | Benjamin Britten | 4:04 | |
| 2 | 2 | A Midsummer Night's Dream, op. 64, Act 1: "Oberon is passing fell and wrath" | Benjamin Britten | 3:06 | |
| 3 | 3 | A Midsummer Night's Dream, op. 64, Act 1: "Well, go thy way" | Benjamin Britten | 3:25 | |
| 4 | 4 | A Midsummer Night's Dream, op. 64, Act 1: "How now my love?" | Benjamin Britten | 4:33 | |
| 5 | 5 | A Midsummer Night's Dream, op. 64, Act 1: "Be it on lion, bear, or wolf, or bull" | Benjamin Britten | 3:40 | |
| 6 | 6 | A Midsummer Night's Dream, op. 64, Act 1: "Welcome wanderer!" | Benjamin Britten | 4:30 | |
| 7 | 7 | A Midsummer Night's Dream, op. 64, Act 1: "Is all our company her?" | Benjamin Britten | 7:37 | |
| 8 | 8 | A Midsummer Night's Dream, op. 64, Act 1: "Fair love, you faint with wand'ring in the wood" | Benjamin Britten | 2:41 | |
| 9 | 9 | A Midsummer Night's Dream, op. 64, Act 1: "Through the forest have I gone" | Benjamin Britten | 1:45 | |
| 10 | 10 | A Midsummer Night's Dream, op. 64, Act 1: "Stay, though thou kill me, sweet Demetrius" | Benjamin Britten | 5:15 | |
| 11 | 11 | A Midsummer Night's Dream, op. 64, Act 1: "Come, now a roundel and a fairy song" | Benjamin Britten | 1:59 | |
| 12 | 12 | A Midsummer Night's Dream, op. 64, Act 1: "You spotted snakes with double tongue" | Benjamin Britten | 2:14 | |
| 13 | 13 | A Midsummer Night's Dream, op. 64, Act 1: "What thou seest when thou dost wake" | Benjamin Britten | 1:47 | |
| 14 | 14 | A Midsummer Night's Dream, op. 64, Act 2: Introduction: The wood | Benjamin Britten | 3:20 | |
| 15 | 15 | A Midsummer Night's Dream, op. 64, Act 2: "Are we all met?" | Benjamin Britten | 7:36 | |
| 16 | 16 | A Midsummer Night's Dream, op. 64, Act 2: "I see their knavery" | Benjamin Britten | 3:05 | |
| 17 | 17 | A Midsummer Night's Dream, op. 64, Act 2: "Be kind and courteous to this gentleman" | Benjamin Britten | 1:17 | |
| 18 | 18 | A Midsummer Night's Dream, op. 64, Act 2: "Hail, mortal, hail!" | Benjamin Britten | 5:14 | |
| 19 | 19 | A Midsummer Night's Dream, op. 64, Act 2: "I have a reas'nable good ear in music" | Benjamin Britten | 3:39 | |
| 20 | 20 | A Midsummer Night's Dream, op. 64, Act 2: "How now, mad spirit?" | Benjamin Britten | 3:06 | |
| Media 16: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | A Midsummer Night's Dream, op. 64, Act 2: "Flower of this purple dye" | Benjamin Britten | 6:32 | |
| 2 | 2 | A Midsummer Night's Dream, op. 64, Act 2: "Puppet? Why so?" | Benjamin Britten | 3:05 | |
| 3 | 3 | A Midsummer Night's Dream, op. 64, Act 2: "This is thy negligence" | Benjamin Britten | 2:10 | |
| 4 | 4 | A Midsummer Night's Dream, op. 64, Act 2: "Up and down, up and down" | Benjamin Britten | 6:02 | |
| 5 | 5 | A Midsummer Night's Dream, op. 64, Act 2: "On the ground, sleep sound" | Benjamin Britten | 3:05 | |
| 6 | 6 | A Midsummer Night's Dream, op. 64, Act 3: "My gentle Robin, see'st thou this sweet sight?" | Benjamin Britten | 7:12 | |
| 7 | 7 | A Midsummer Night's Dream, op. 64, Act 3: "Helena! Hermi! Demetrius! Lysander!" | Benjamin Britten | 4:46 | |
| 8 | 8 | A Midsummer Night's Dream, op. 64, Act 3: "When my cue comes, call me" | Benjamin Britten | 3:37 | |
| 9 | 9 | A Midsummer Night's Dream, op. 64, Act 3: "Have you sent to Bottom's house?" | Benjamin Britten | 3:10 | |
| 10 | 10 | A Midsummer Night's Dream, op. 64, Act 3: "Now, fair Hippolyta" | Benjamin Britten | 7:25 | |
| 11 | 11 | A Midsummer Night's Dream, op. 64, Act 3: "If we offend, it is with our good will" | Benjamin Britten | 1:20 | |
| 12 | 12 | A Midsummer Night's Dream, op. 64, Act 3: "Gentles, perchance you wonder at this show" | Benjamin Britten | 1:16 | |
| 13 | 13 | A Midsummer Night's Dream, op. 64, Act 3: "In this same interlude it doth befall" | Benjamin Britten | 1:11 | |
| 14 | 14 | A Midsummer Night's Dream, op. 64, Act 3: "O grim-look'd night, O night with hue so black" | Benjamin Britten | 1:52 | |
| 15 | 15 | A Midsummer Night's Dream, op. 64, Act 3: "O wall, full often hast thou heard my moans" | Benjamin Britten | 2:30 | |
| 16 | 16 | A Midsummer Night's Dream, op. 64, Act 3: "You ladies, you whose gentle hearts do fear" | Benjamin Britten | 0:47 | |
| 17 | 17 | A Midsummer Night's Dream, op. 64, Act 3: "This lanthorn doth the horned moon present" | Benjamin Britten | 1:51 | |
| 18 | 18 | A Midsummer Night's Dream, op. 64, Act 3: "Sweet moon, I thank thee for thy sunny beams" | Benjamin Britten | 1:52 | |
| 19 | 19 | A Midsummer Night's Dream, op. 64, Act 3: "Asleep, my love?" | Benjamin Britten | 2:32 | |
| 20 | 20 | A Midsummer Night's Dream, op. 64, Act 3: "Come, your Bergomask" | Benjamin Britten | 2:46 | |
| 21 | 21 | A Midsummer Night's Dream, op. 64, Act 3: "Now the hungry lion roars" | Benjamin Britten | 5:04 | |
| Media 17: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Owen Wingrave, op. 85, Act 1: Prelude | Benjamin Britten | 2:59 | |
| 2 | 2 | Owen Wingrave, op. 85, Act 1: You've got your maps there? | Benjamin Britten | 12:36 | |
| 3 | 3 | Owen Wingrave, op. 85, Act 1: At last it's out | Benjamin Britten | 6:19 | |
| 4 | 4 | Owen Wingrave, op. 85, Act 1: Your sherry, Mrs. Coyle | Benjamin Britten | 11:23 | |
| 5 | 5 | Owen Wingrave, op. 85, Act 1: Oh, how unforeseen | Benjamin Britten | 10:25 | |
| 6 | 6 | Owen Wingrave, op. 85, Act 1: Sirrah! How dare you! | Benjamin Britten | 4:03 | |
| 7 | 7 | Owen Wingrave, op. 85, Act 1: Coyle, I wish I had not come | Benjamin Britten | 7:01 | |
| 8 | 8 | Owen Wingrave, op. 85, Act 1: May God bless the Queen | Benjamin Britten | 8:22 | |
| Media 18: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Owen Wingrave, op. 85, Act 2: There was a boy, a Wingrave born | Benjamin Britten | 6:54 | |
| 2 | 2 | Owen Wingrave, op. 85, Act 2: I envy you, this fine old house | Benjamin Britten | 2:37 | |
| 3 | 3 | Owen Wingrave, op. 85, Act 2: Paramore shall welcome woe! | Benjamin Britten | 7:03 | |
| 4 | 4 | Owen Wingrave, op. 85, Act 2: And with his friend young Lechmere played | Benjamin Britten | 4:38 | |
| 5 | 5 | Owen Wingrave, op. 85, Act 2: Now you may save your scornful looks | Benjamin Britten | 5:38 | |
| 6 | 6 | Owen Wingrave, op. 85, Act 2: Ah, Owen, what shall I do? | Benjamin Britten | 7:41 | |
| 7 | 7 | Owen Wingrave, op. 85, Act 2: Is that you, Coyle? | Benjamin Britten | 2:58 | |
| 8 | 8 | Owen Wingrave, op. 85, Act 2: Come in...It's me, Lechmere | Benjamin Britten | 5:02 | |
| Media 19: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 1: My mind beats on | Benjamin Britten | 4:58 | |
| 2 | 2 | Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 1: Who's that? A foreigner, a traveller no doubt | Benjamin Britten | 4:53 | |
| 3 | 3 | Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 1: Hey there, hey there, you! | Benjamin Britten | 3:48 | |
| 4 | 4 | Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 1: Serenissima...Low-lying clouds, unending grey | Benjamin Britten | 2:55 | |
| 5 | 5 | Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 1: Overture: Venice | Benjamin Britten | 2:36 | |
| 6 | 6 | Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 1: Ah, Serenissima! | Benjamin Britten | 5:20 | |
| 7 | 7 | Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 1: Mysterious gondola | Benjamin Britten | 1:42 | |
| 8 | 8 | Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 1: We are delighted to greet the signore | Benjamin Britten | 4:09 | |
| 9 | 9 | Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 1: Was I wrong to come? | Benjamin Britten | 6:13 | |
| 10 | 10 | Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 1: There is indeed in every artist's nature | Benjamin Britten | 2:41 | |
| 11 | 11 | Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 1: Children's games: Adziu, Adziu | Benjamin Britten | 10:05 | |
| 12 | 12 | Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 1: Aou'! Stagando, aou' | Benjamin Britten | 4:51 | |
| 13 | 13 | Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 1: Naturally, Signore, I understand | Benjamin Britten | 7:56 | |
| 14 | 14 | Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 1: Here will I stay, here dedicate my days | Benjamin Britten | 9:43 | |
| 15 | 15 | Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 1: First, the race! | Benjamin Britten | 5:07 | |
| 16 | 16 | Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 1: The boy, Tadzio, shall inspire me | Benjamin Britten | 4:25 | |
| Media 20: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 2: So, it has come to this | Benjamin Britten | 4:40 | |
| 2 | 2 | Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 2: Guardate, Signore! | Benjamin Britten | 2:20 | |
| 3 | 3 | Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 2: Do I detect a scent? | Benjamin Britten | 6:24 | |
| 4 | 4 | Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 2: Careful search now leads me to them | Benjamin Britten | 7:48 | |
| 5 | 5 | Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 2: This way for the players, Signori | Benjamin Britten | 4:26 | |
| 6 | 6 | Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 2: Fiorir rose in mezo al giasso | Benjamin Britten | 4:11 | |
| 7 | 7 | Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 2: One moment, if you please | Benjamin Britten | 2:01 | |
| 8 | 8 | Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 2: In these last years | Benjamin Britten | 2:56 | |
| 9 | 9 | Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 2: So it is true | Benjamin Britten | 4:24 | |
| 10 | 10 | Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 2: Receive the stranger god | Benjamin Britten | 3:45 | |
| 11 | 11 | Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 2: The empty beach: Do what you will with me | Benjamin Britten | 2:00 | |
| 12 | 12 | Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 2: Yes! A very wise decision | Benjamin Britten | 2:23 | |
| 13 | 13 | Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 2: Hurrah for the Piazza | Benjamin Britten | 2:54 | |
| 14 | 14 | Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 2: Chaos, chaos and sickness | Benjamin Britten | 4:23 | |
| 15 | 15 | Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 2: The wind still blows from the land | Benjamin Britten | 4:17 | |
| 16 | 16 | Death in Venice, op. 88, Lib. Myfanwy Piper (1911-1997) after T.Mann, Act 2: Interlude: Ah, no! | Benjamin Britten | 5:09 | |
| Media 21: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | The Beggar's Opera, Realised Britten, op. 43, Prologue: If poverty be a title to poetry | Benjamin Britten | 0:55 | |
| 2 | 2 | The Beggar's Opera, Realised Britten, op. 43, Prologue: Overture | Benjamin Britten | 4:30 | |
| 3 | 3 | The Beggar's Opera, Realised Britten, op. 43, Act 1: Through all the employments of life | Benjamin Britten | 1:56 | |
| 4 | 4 | The Beggar's Opera, Realised Britten, op. 43, Act 1: 'Tis woman seduces all mankind | Benjamin Britten | 2:08 | |
| 5 | 5 | The Beggar's Opera, Realised Britten, op. 43, Act 1: Women are bitter bad judges...If any wench Venus' girdle wear | Benjamin Britten | 1:34 | |
| 6 | 6 | The Beggar's Opera, Realised Britten, op. 43, Act 1: If Love the virgin's heart invade | Benjamin Britten | 2:06 | |
| 7 | 7 | The Beggar's Opera, Realised Britten, op. 43, Act 1: A maid is like the golden ore | Benjamin Britten | 1:25 | |
| 8 | 8 | The Beggar's Opera, Realised Britten, op. 43, Act 1: I know as well...Virgins are like the fair flower in its lustre | Benjamin Britten | 2:27 | |
| 9 | 9 | The Beggar's Opera, Realised Britten, op. 43, Act 1: Our Polly is a sad slut | Benjamin Britten | 1:14 | |
| 10 | 10 | The Beggar's Opera, Realised Britten, op. 43, Act 1: Can love be controll'd by advice | Benjamin Britten | 1:14 | |
| 11 | 11 | The Beggar's Opera, Realised Britten, op. 43, Act 1: The girl shows...O Polly, you might have toyed... | Benjamin Britten | 2:35 | |
| 12 | 12 | The Beggar's Opera, Realised Britten, op. 43, Act 1: I, like a ship in storms, was tossed | Benjamin Britten | 0:50 | |
| 13 | 13 | The Beggar's Opera, Realised Britten, op. 43, Act 1: A fox may steal your hens, sir | Benjamin Britten | 1:33 | |
| 14 | 14 | The Beggar's Opera, Realised Britten, op. 43, Act 1: O ponder well...The turtle thus with plaintive cryingbe not severe | Benjamin Britten | 2:44 | |
| 15 | 15 | The Beggar's Opera, Realised Britten, op. 43, Act 1: Now I am a wretch indeed...Pretty Polly say | Benjamin Britten | 2:57 | |
| 16 | 16 | The Beggar's Opera, Realised Britten, op. 43, Act 1: My heart was so free | Benjamin Britten | 0:32 | |
| 17 | 17 | The Beggar's Opera, Realised Britten, op. 43, Act 1: Were I laid on Greenland's coast | Benjamin Britten | 1:56 | |
| 18 | 18 | The Beggar's Opera, Realised Britten, op. 43, Act 1: O! what pain it is to part! | Benjamin Britten | 1:00 | |
| 19 | 19 | The Beggar's Opera, Realised Britten, op. 43, Act 1: The miser thus a shilling sees | Benjamin Britten | 2:54 | |
| 20 | 20 | The Beggar's Opera, Realised Britten, op. 43, Act 1: "And Now Our Scene Changes...Fill Ev'ry Glass" | Benjamin Britten | 1:58 | |
| 21 | 21 | The Beggar's Opera, Realised Britten, op. 43, Act 2: Success attend you...Let us take the road | Benjamin Britten | 1:38 | |
| 22 | 22 | The Beggar's Opera, Realised Britten, op. 43, Act 2: If the heart of a man is depressed with cares | Benjamin Britten | 2:14 | |
| 23 | 23 | The Beggar's Opera, Realised Britten, op. 43, Act 2: Dear Mrs Coaxer, you're welcome...Youth's the season | Benjamin Britten | 4:21 | |
| 24 | 24 | The Beggar's Opera, Realised Britten, op. 43, Act 2: It is your own choice...Before the barn door crowing | Benjamin Britten | 1:00 | |
| 25 | 25 | The Beggar's Opera, Realised Britten, op. 43, Act 2: But to be sure...The gamesters...At the tree I shall | Benjamin Britten | 2:26 | |
| Media 22: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | The Beggar's Opera, Realised Britten, op. 43, Act 2: Noble Captain...Man may escape from rope and gun gunwelcome once more | Benjamin Britten | 3:51 | |
| 2 | 2 | The Beggar's Opera, Realised Britten, op. 43, Act 2: Thus when a good housewife sees a rat | Benjamin Britten | 0:45 | |
| 3 | 3 | The Beggar's Opera, Realised Britten, op. 43, Act 2: It is the pleasure...How cruel are the traitors | Benjamin Britten | 1:55 | |
| 4 | 4 | The Beggar's Opera, Realised Britten, op. 43, Act 2: The first time at the looking-glass | Benjamin Britten | 1:06 | |
| 5 | 5 | The Beggar's Opera, Realised Britten, op. 43, Act 2: Fortune be with you, Lucy | Benjamin Britten | 0:29 | |
| 6 | 6 | The Beggar's Opera, Realised Britten, op. 43, Act 2: When you censure the age | Benjamin Britten | 0:48 | |
| 7 | 7 | The Beggar's Opera, Realised Britten, op. 43, Act 2: Is then his fate decreed, sir? | Benjamin Britten | 2:18 | |
| 8 | 8 | The Beggar's Opera, Realised Britten, op. 43, Act 2: O Macheath!...Thus when the swallow | Benjamin Britten | 1:48 | |
| 9 | 9 | The Beggar's Opera, Realised Britten, op. 43, Act 2: Shall I not claim my own?...How happy could I be... | Benjamin Britten | 1:12 | |
| 10 | 10 | The Beggar's Opera, Realised Britten, op. 43, Act 2: Really, Miss Peachum, you expose yourself...Cease... | Benjamin Britten | 3:03 | |
| 11 | 11 | The Beggar's Opera, Realised Britten, op. 43, Act 2: Why how now, Madam Flirt? | Benjamin Britten | 0:52 | |
| 12 | 12 | The Beggar's Opera, Realised Britten, op. 43, Act 2: No pow'r on earth can e'er divide | Benjamin Britten | 1:47 | |
| 13 | 13 | The Beggar's Opera, Realised Britten, op. 43, Act 3: But all scores have a reckoning | Benjamin Britten | 0:44 | |
| 14 | 14 | The Beggar's Opera, Realised Britten, op. 43, Act 3: Dear, sir, mention not my education...When young at the bar... | Benjamin Britten | 2:53 | |
| 15 | 15 | The Beggar's Opera, Realised Britten, op. 43, Act 3: Ungrateful Macheath! | Benjamin Britten | 1:26 | |
| 16 | 16 | The Beggar's Opera, Realised Britten, op. 43, Act 3: Thus gamesters united in friendship | Benjamin Britten | 1:38 | |
| 17 | 17 | The Beggar's Opera, Realised Britten, op. 43, Act 3: And Macheath, at liberty and at large...The modes... | Benjamin Britten | 2:47 | |
| 18 | 18 | The Beggar's Opera, Realised Britten, op. 43, Act 3: And those two good old friends | Benjamin Britten | 0:23 | |
| 19 | 19 | The Beggar's Opera, Realised Britten, op. 43, Act 3: Bring us then more liquor!...What Gudgeons are we... | Benjamin Britten | 1:39 | |
| 20 | 20 | The Beggar's Opera, Realised Britten, op. 43, Act 3: In the days of my youth | Benjamin Britten | 2:31 | |
| 21 | 21 | The Beggar's Opera, Realised Britten, op. 43, Act 3: Jealousy, rage, love and fear...I'm like a skiff | Benjamin Britten | 2:31 | |
| 22 | 22 | The Beggar's Opera, Realised Britten, op. 43, Act 3: A curse attends a woman's love | Benjamin Britten | 1:30 | |
| 23 | 23 | The Beggar's Opera, Realised Britten, op. 43, Act 3: But perhaps he hath a heart...Among the men coquets | Benjamin Britten | 0:39 | |
| 24 | 24 | The Beggar's Opera, Realised Britten, op. 43, Act 3: Come, sweet lass, let's banish sorrow | Benjamin Britten | 1:06 | |
| 25 | 25 | The Beggar's Opera, Realised Britten, op. 43, Act 3: What do I see! Oh! Macheath...Hither, dear husband | Benjamin Britten | 1:42 | |
| 26 | 26 | The Beggar's Opera, Realised Britten, op. 43, Act 3: Which way shall I turn me | Benjamin Britten | 0:39 | |
| 27 | 27 | The Beggar's Opera, Realised Britten, op. 43, Act 3: Dear, dear father...When my hero in court appears | Benjamin Britten | 1:49 | |
| 28 | 28 | The Beggar's Opera, Realised Britten, op. 43, Act 3: Oh sir, if Peachum's heart...When he holds up | Benjamin Britten | 1:58 | |
| 29 | 29 | The Beggar's Opera, Realised Britten, op. 43, Act 3: Ourselves, like the great | Benjamin Britten | 0:38 | |
| 30 | 30 | The Beggar's Opera, Realised Britten, op. 43, Act 3: We are ready, sir...The charge is prepared | Benjamin Britten | 1:58 | |
| 31 | 31 | The Beggar's Opera, Realised Britten, op. 43, Act 3: O cruel, cruel case | Benjamin Britten | 5:14 | |
| 32 | 32 | The Beggar's Opera, Realised Britten, op. 43, Act 3: Would I might be hanged! | Benjamin Britten | 2:36 | |
| 33 | 33 | The Beggar's Opera, Realised Britten, op. 43, Act 3: Thus I stand like the Turk | Benjamin Britten | 1:51 | |
| Media 23: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Noye's Fludde, op. 59, The Chester Miracle Play set to music: Lord Jesus, think on me | Benjamin Britten | 3:06 | |
| 2 | 2 | Noye's Fludde, op. 59, The Chester Miracle Play set to music: I God, that all this worlde hath wroughte | Benjamin Britten | 2:05 | |
| 3 | 3 | Noye's Fludde, op. 59, The Chester Miracle Play set to music: Have done, you men and wemen all | Benjamin Britten | 2:39 | |
| 4 | 4 | Noye's Fludde, op. 59, The Chester Miracle Play set to music: Now in the name of God I will begyne | Benjamin Britten | 4:18 | |
| 5 | 5 | Noye's Fludde, op. 59, The Chester Miracle Play set to music: Noye, Noye, take thou thy company | Benjamin Britten | 6:07 | |
| 6 | 6 | Noye's Fludde, op. 59, The Chester Miracle Play set to music: Wiffe, come in! why standes thou their? | Benjamin Britten | 5:09 | |
| 7 | 7 | Noye's Fludde, op. 59, The Chester Miracle Play set to music: Ha! Children, me thinkes my botte removes | Benjamin Britten | 8:18 | |
| 8 | 8 | Noye's Fludde, op. 59, The Chester Miracle Play set to music: Now forty dayes are fullie gone | Benjamin Britten | 5:10 | |
| 9 | 9 | Noye's Fludde, op. 59, The Chester Miracle Play set to music: Noye, take thy wife anone | Benjamin Britten | 2:39 | |
| 10 | 10 | Noye's Fludde, op. 59, The Chester Miracle Play set to music: Noye, heare I behette thee a heste | Benjamin Britten | 1:15 | |
| 11 | 11 | Noye's Fludde, op. 59, The Chester Miracle Play set to music: The spacious firmament on high | Benjamin Britten | 7:17 | |
| 12 | 12 | The Golden Vanity: A Vaudeville for boys & piano, op. 78, After the old English ballad: There was a ship came from the North Country | Benjamin Britten | 6:12 | |
| 13 | 13 | The Golden Vanity: A Vaudeville for boys & piano, op. 78, After the old English ballad: Then up spake the cabin-boy | Benjamin Britten | 3:19 | |
| 14 | 14 | The Golden Vanity: A Vaudeville for boys & piano, op. 78, After the old English ballad: Casting his clothes off, he dived into the sea | Benjamin Britten | 4:39 | |
| 15 | 15 | The Golden Vanity: A Vaudeville for boys & piano, op. 78, After the old English ballad: They laid him on the deck | Benjamin Britten | 3:18 | |
| Media 24: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Curlew River, op. 71: "Te lúcis ante términum" | Benjamin Britten | 7:19 | |
| 2 | 2 | Curlew River, op. 71: "I am the ferryman" | Benjamin Britten | 3:09 | |
| 3 | 3 | Curlew River, op. 71: "I come from the Westland" | Benjamin Britten | 4:36 | |
| 4 | 4 | Curlew River, op. 71: "But first may I ask you" | Benjamin Britten | 2:42 | |
| 5 | 5 | Curlew River, op. 71: "Clear as a sky without a cloud" | Benjamin Britten | 2:22 | |
| 6 | 6 | Curlew River, op. 71: "Near the Black Mountains there I dwelt" | Benjamin Britten | 2:19 | |
| 7 | 7 | Curlew River, op. 71: "A thousand leagues may sunder" | Benjamin Britten | 3:20 | |
| 8 | 8 | Curlew River, op. 71: "Ignorant man!" | Benjamin Britten | 2:11 | |
| 9 | 9 | Curlew River, op. 71: "I beg your pardon, living in this famous place" | Benjamin Britten | 4:52 | |
| 10 | 10 | Curlew River, op. 71: "Curlew River, smoothly flowing" | Benjamin Britten | 2:14 | |
| 11 | 11 | Curlew River, op. 71: "Today is an important day" | Benjamin Britten | 5:32 | |
| 12 | 12 | Curlew River, op. 71: "Look! While you were listening to my story" | Benjamin Britten | 2:44 | |
| 13 | 13 | Curlew River, op. 71: "Ferryman, tell me, when did it happen" | Benjamin Britten | 6:22 | |
| 14 | 14 | Curlew River, op. 71: "Hoping, I wander'd on" | Benjamin Britten | 3:30 | |
| 15 | 15 | Curlew River, op. 71: "He whose life was full of promise" | Benjamin Britten | 2:22 | |
| 16 | 16 | Curlew River, op. 71: "The moon has risen" | Benjamin Britten | 5:55 | |
| 17 | 17 | Curlew River, op. 71: "Go your way in peace, mother" | Benjamin Britten | 2:30 | |
| 18 | 18 | Curlew River, op. 71: "Good souls, we have shown you here" | Benjamin Britten | 5:14 | |
| Media 25: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | The Burning Fiery Furnace, op. 77: Salus aeterna | Benjamin Britten | 2:34 | |
| 2 | 2 | The Burning Fiery Furnace, op. 77: Good people, in His holy name | Benjamin Britten | 5:01 | |
| 3 | 3 | The Burning Fiery Furnace, op. 77: By the Royal Command | Benjamin Britten | 4:43 | |
| 4 | 4 | The Burning Fiery Furnace, op. 77: Adept in magic | Benjamin Britten | 4:01 | |
| 5 | 5 | The Burning Fiery Furnace, op. 77: The waters of Babylon | Benjamin Britten | 3:12 | |
| 6 | 6 | The Burning Fiery Furnace, op. 77: Sirs, what is this? | Benjamin Britten | 7:02 | |
| 7 | 7 | The Burning Fiery Furnace, op. 77: We do not lack enemies | Benjamin Britten | 5:07 | |
| 8 | 8 | The Burning Fiery Furnace, op. 77: By the Royal Decree | Benjamin Britten | 4:09 | |
| 9 | 9 | The Burning Fiery Furnace, op. 77: Procession | Benjamin Britten | 3:09 | |
| 10 | 10 | The Burning Fiery Furnace, op. 77: Merodak! Lord of creation | Benjamin Britten | 4:56 | |
| 11 | 11 | The Burning Fiery Furnace, op. 77: Bring them here before my Majesty | Benjamin Britten | 2:42 | |
| 12 | 12 | The Burning Fiery Furnace, op. 77: O King, Nebuchadnezzar | Benjamin Britten | 2:09 | |
| 13 | 13 | The Burning Fiery Furnace, op. 77: O all ye works of the Lord | Benjamin Britten | 3:02 | |
| 14 | 14 | The Burning Fiery Furnace, op. 77: Shadrach, Meshach, Abednego | Benjamin Britten | 3:35 | |
| 15 | 15 | The Burning Fiery Furnace, op. 77: O ye Winter and Summer | Benjamin Britten | 3:41 | |
| 16 | 16 | The Burning Fiery Furnace, op. 77: Good people, we have shown you here | Benjamin Britten | 4:32 | |
| Media 26: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | The Prodigal Son: Third Parable for Church Performance: Jam lucis orto sidere | Benjamin Britten | 2:49 | |
| 2 | 2 | The Prodigal Son: Third Parable for Church Performance: Ah you people | Benjamin Britten | 3:56 | |
| 3 | 3 | The Prodigal Son: Third Parable for Church Performance: The ceremony | Benjamin Britten | 2:15 | |
| 4 | 4 | The Prodigal Son: Third Parable for Church Performance: I am father to you all | Benjamin Britten | 6:39 | |
| 5 | 5 | The Prodigal Son: Third Parable for Church Performance: Forgive my asking you | Benjamin Britten | 5:03 | |
| 6 | 6 | The Prodigal Son: Third Parable for Church Performance: Father, may I speak to you? | Benjamin Britten | 4:23 | |
| 7 | 7 | The Prodigal Son: Third Parable for Church Performance: Take your due portion | Benjamin Britten | 4:16 | |
| 8 | 8 | The Prodigal Son: Third Parable for Church Performance: Go, if you must go | Benjamin Britten | 3:35 | |
| 9 | 9 | The Prodigal Son: Third Parable for Church Performance: Welcome, welcome stranger! | Benjamin Britten | 1:21 | |
| 10 | 10 | The Prodigal Son: Third Parable for Church Performance: You are tired from a long journey | Benjamin Britten | 2:55 | |
| 11 | 11 | The Prodigal Son: Third Parable for Church Performance: Nights are days | Benjamin Britten | 4:41 | |
| 12 | 12 | The Prodigal Son: Third Parable for Church Performance: You have gambled and lost | Benjamin Britten | 5:22 | |
| 13 | 13 | The Prodigal Son: Third Parable for Church Performance: Now | Benjamin Britten | 1:26 | |
| 14 | 14 | The Prodigal Son: Third Parable for Church Performance: With joy I sowed | Benjamin Britten | 5:06 | |
| 15 | 15 | The Prodigal Son: Third Parable for Church Performance: My son | Benjamin Britten | 3:25 | |
| 16 | 16 | The Prodigal Son: Third Parable for Church Performance: O sing unto the Lord | Benjamin Britten | 6:08 | |
| 17 | 17 | The Prodigal Son: Third Parable for Church Performance: My children, you have seen | Benjamin Britten | 5:10 | |
| Media 27: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | The Little Sweep (Let's make an opera), op. 45: Sweep! Sweep! | Benjamin Britten | 2:01 | |
| 2 | 2 | The Little Sweep (Let's make an opera), op. 45: Sweep this chimney | Benjamin Britten | 1:59 | |
| 3 | 3 | The Little Sweep (Let's make an opera), op. 45: Now, little white boy! | Benjamin Britten | 4:04 | |
| 4 | 4 | The Little Sweep (Let's make an opera), op. 45: Pull the rope gently until he is free! | Benjamin Britten | 1:43 | |
| 5 | 5 | The Little Sweep (Let's make an opera), op. 45: Is he wounded? | Benjamin Britten | 1:29 | |
| 6 | 6 | The Little Sweep (Let's make an opera), op. 45: Sooty tracks | Benjamin Britten | 2:24 | |
| 7 | 7 | The Little Sweep (Let's make an opera), op. 45: Run, poor sweep-boy | Benjamin Britten | 4:19 | |
| 8 | 8 | The Little Sweep (Let's make an opera), op. 45: The kettles are singing | Benjamin Britten | 2:46 | |
| 9 | 9 | The Little Sweep (Let's make an opera), op. 45: O why do you weep | Benjamin Britten | 3:07 | |
| 10 | 10 | The Little Sweep (Let's make an opera), op. 45: Ah!...Blackguards! | Benjamin Britten | 4:17 | |
| 11 | 11 | The Little Sweep (Let's make an opera), op. 45: Help! Help! She's collapsed! | Benjamin Britten | 2:07 | |
| 12 | 12 | The Little Sweep (Let's make an opera), op. 45: The owl, wide-winging through the sky | Benjamin Britten | 4:06 | |
| 13 | 13 | The Little Sweep (Let's make an opera), op. 45: Soon the coach will carry you away | Benjamin Britten | 2:29 | |
| 14 | 14 | The Little Sweep (Let's make an opera), op. 45: Morning, Sammy! Lovely weather | Benjamin Britten | 1:51 | |
| 15 | 15 | The Little Sweep (Let's make an opera), op. 45: Ready, Alfred? | Benjamin Britten | 2:52 | |
| 16 | 16 | The Little Sweep (Let's make an opera), op. 45: Coaching song: The horses are champing | Benjamin Britten | 2:26 | |
| 17 | 17 | The Children's Crusade, op. 82 | Benjamin Britten | 19:01 | |
| Media 28: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | The Prince of the Pagodas, op. 57, Act 1: Prelude | Benjamin Britten | 2:21 | |
| 2 | 2 | The Prince of the Pagodas, op. 57, Act 1: The Fool and the Dwarf | Benjamin Britten | 1:21 | |
| 3 | 3 | The Prince of the Pagodas, op. 57, Act 1: The Emperor: March | Benjamin Britten | 1:30 | |
| 4 | 4 | The Prince of the Pagodas, op. 57, Act 1: Gavotte | Benjamin Britten | 2:36 | |
| 5 | 5 | The Prince of the Pagodas, op. 57, Act 1: The Four Kings | Benjamin Britten | 1:21 | |
| 6 | 6 | The Prince of the Pagodas, op. 57, Act 1: The King of the North | Benjamin Britten | 1:18 | |
| 7 | 7 | The Prince of the Pagodas, op. 57, Act 1: The King of the East | Benjamin Britten | 2:31 | |
| 8 | 8 | The Prince of the Pagodas, op. 57, Act 1: The King of the West | Benjamin Britten | 1:07 | |
| 9 | 9 | The Prince of the Pagodas, op. 57, Act 1: The King of the South | Benjamin Britten | 1:43 | |
| 10 | 10 | The Prince of the Pagodas, op. 57, Act 1: Belle Epine | Benjamin Britten | 2:27 | |
| 11 | 11 | The Prince of the Pagodas, op. 57, Act 1: Belle Rose | Benjamin Britten | 6:10 | |
| 12 | 12 | The Prince of the Pagodas, op. 57, Act 1: The Kings and Belle Rose | Benjamin Britten | 1:26 | |
| 13 | 13 | The Prince of the Pagodas, op. 57, Act 1: Triumph of Belle Epine | Benjamin Britten | 1:53 | |
| 14 | 14 | The Prince of the Pagodas, op. 57, Act 1: Rage of the Kings | Benjamin Britten | 1:41 | |
| 15 | 15 | The Prince of the Pagodas, op. 57, Act 1: The Four Frogs | Benjamin Britten | 2:58 | |
| 16 | 16 | The Prince of the Pagodas, op. 57, Act 2 Scene 1: Air | Benjamin Britten | 5:36 | |
| 17 | 17 | The Prince of the Pagodas, op. 57, Act 2 Scene 1: Water | Benjamin Britten | 7:14 | |
| 18 | 18 | The Prince of the Pagodas, op. 57, Act 2 Scene 1: Fire | Benjamin Britten | 5:59 | |
| 19 | 19 | The Prince of the Pagodas, op. 57, Act 2 Scene 2: Belle Rose in Pagoda-Land | Benjamin Britten | 2:06 | |
| 20 | 20 | The Prince of the Pagodas, op. 57, Act 2 Scene 2: The Pagodas | Benjamin Britten | 3:03 | |
| 21 | 21 | The Prince of the Pagodas, op. 57, Act 2 Scene 2: The Salamander | Benjamin Britten | 3:02 | |
| 22 | 22 | The Prince of the Pagodas, op. 57, Act 2 Scene 2: The Prince and Belle Rose | Benjamin Britten | 5:56 | |
| Media 29: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | The Prince of the Pagodas, op. 57, Act 3 Scene 1: Belle Epine as Empress | Benjamin Britten | 2:44 | |
| 2 | 2 | The Prince of the Pagodas, op. 57, Act 3 Scene 1: The Old Emperor | Benjamin Britten | 2:52 | |
| 3 | 3 | The Prince of the Pagodas, op. 57, Act 3 Scene 1: Belle Rose and the Salamander | Benjamin Britten | 1:34 | |
| 4 | 4 | The Prince of the Pagodas, op. 57, Act 3 Scene 1: Transition | Benjamin Britten | 3:08 | |
| 5 | 5 | The Prince of the Pagodas, op. 57, Act 3 Scene 2: The Pagoda Palace | Benjamin Britten | 1:37 | |
| 6 | 6 | The Prince of the Pagodas, op. 57, Act 3 Scene 2: Pas de Six | Benjamin Britten | 2:03 | |
| 7 | 7 | The Prince of the Pagodas, op. 57, Act 3 Scene 2: Variation 1 | Benjamin Britten | 3:44 | |
| 8 | 8 | The Prince of the Pagodas, op. 57, Act 3 Scene 2: Variation 2 | Benjamin Britten | 1:06 | |
| 9 | 9 | The Prince of the Pagodas, op. 57, Act 3 Scene 2: Variation 3 | Benjamin Britten | 1:09 | |
| 10 | 10 | The Prince of the Pagodas, op. 57, Act 3 Scene 2: Pas de Trois | Benjamin Britten | 1:25 | |
| 11 | 11 | The Prince of the Pagodas, op. 57, Act 3 Scene 2: Pas de Deux | Benjamin Britten | 4:06 | |
| 12 | 12 | The Prince of the Pagodas, op. 57, Act 3 Scene 2: Variation 4 | Benjamin Britten | 1:11 | |
| 13 | 13 | The Prince of the Pagodas, op. 57, Act 3 Scene 2: Variation 5 | Benjamin Britten | 2:16 | |
| 14 | 14 | The Prince of the Pagodas, op. 57, Act 3 Scene 2: Finale | Benjamin Britten | 6:11 | |
| 15 | 15 | Plymouth Town | Benjamin Britten | 26:49 | |
| Media 30: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Night Mail: Title Music | Benjamin Britten | 0:47 | |
| 2 | 2 | Night Mail: Percussion Sequence | Benjamin Britten | 0:56 | |
| 3 | 3 | Night Mail: End Sequence | Benjamin Britten | 4:08 | |
| 4 | 4 | The Tocher (Rossini Suite): I. Allegro Brillante | Benjamin Britten | 1:54 | |
| 5 | 5 | The Tocher (Rossini Suite): II. Allegretto | Benjamin Britten | 2:21 | |
| 6 | 6 | The Tocher (Rossini Suite): III. Allegretto | Benjamin Britten | 2:02 | |
| 7 | 7 | The Tocher (Rossini Suite): IV. Bolero: Allegro Moderato | Benjamin Britten | 2:01 | |
| 8 | 8 | The Tocher (Rossini Suite): V. Allegro Con Brio | Benjamin Britten | 1:19 | |
| 9 | 9 | The King's Stamp, Part 1: Allegro Molto Alla Marcia | Benjamin Britten | 0:39 | |
| 10 | 10 | The King's Stamp, Part 1: Allegro: Opening Door | Benjamin Britten | 2:21 | |
| 11 | 11 | The King's Stamp, Part 1: Allegretto: Messenger Boy | Benjamin Britten | 0:41 | |
| 12 | 12 | The King's Stamp, Part 1: Lento ma non troppo: Entry To Lithograph Works | Benjamin Britten | 1:47 | |
| 13 | 13 | The King's Stamp, Part 1: Allegro Moderato: Stamp Factory: Machine Starts | Benjamin Britten | 2:48 | |
| 14 | 14 | The King's Stamp, Part 2: Minuet: Andante Lento | Benjamin Britten | 0:56 | |
| 15 | 15 | The King's Stamp, Part 2: Allegretto: Train Sequence | Benjamin Britten | 1:37 | |
| 16 | 16 | The King's Stamp, Part 2: Allegretto: Parliament: The Stamp Bill | Benjamin Britten | 0:53 | |
| 17 | 17 | The King's Stamp, Part 2: Allegro | Benjamin Britten | 1:12 | |
| 18 | 18 | The King's Stamp, Part 2: Allegro Moderato alla Marcia | Benjamin Britten | 1:18 | |
| 19 | 19 | Negroes: Music from GPO Film: Allegro appassionato | Benjamin Britten | 3:01 | |
| 20 | 20 | Negroes: Music from GPO Film: II. Allegro | Benjamin Britten | 1:04 | |
| 21 | 21 | Negroes: Music from GPO Film: III. Allegro ritmico | Benjamin Britten | 1:04 | |
| 22 | 22 | Negroes: Music from GPO Film: IV. Andante con moto | Benjamin Britten | 1:09 | |
| 23 | 23 | Negroes: Music from GPO Film: "The Slaves Were the Absolute Property Of Their Masters" | Benjamin Britten | 0:58 | |
| 24 | 24 | Negroes: Music from GPO Film: V. Andante lento -"The More Advanced Thinkers in Europe" | Benjamin Britten | 1:32 | |
| 25 | 25 | Negroes: Music from GPO Film: VI. Andante con molto moto | Benjamin Britten | 3:26 | |
| 26 | 26 | Negroes: Music from GPO Film: VII. Allegro ritmico | Benjamin Britten | 0:50 | |
| 27 | 27 | The Way To The Sea: Introduction | Benjamin Britten | 0:34 | |
| 28 | 28 | The Way To The Sea: Romans | Benjamin Britten | 0:39 | |
| 29 | 29 | The Way To The Sea: Alfred | Benjamin Britten | 0:48 | |
| 30 | 30 | The Way To The Sea: "There Is, At This Point Of The Haven" | Benjamin Britten | 1:28 | |
| 31 | 31 | The Way To The Sea: "The Eighteenth Century" | Benjamin Britten | 1:19 | |
| 32 | 32 | The Way To The Sea: "Nelson Has Gone" | Benjamin Britten | 0:56 | |
| 33 | 33 | The Way To The Sea: "169 Trains A Week" | Benjamin Britten | 0:41 | |
| 34 | 34 | The Way To The Sea: "The Line Waits" | Benjamin Britten | 2:56 | |
| 35 | 35 | The Way To The Sea: "Here Is A Harbour" | Benjamin Britten | 3:01 | |
| 36 | 36 | The Way To The Sea: "We Seek A Spectacle" | Benjamin Britten | 1:16 | |
| 37 | 37 | The Way To The Sea: Allegro molto: alla marcia | Benjamin Britten | 1:54 | |
| 38 | 38 | Telegrams | Benjamin Britten | 2:30 | |
| 39 | 39 | Peace Of Britain | Benjamin Britten | 1:31 | |
| 40 | 40 | Men Behind The Meters: Title Music | Benjamin Britten | 0:22 | |
| 41 | 41 | Men Behind The Meters: Andantino: "I Dreamt That I Dwelt in Marble Halls" | Benjamin Britten | 1:33 | |
| 42 | 42 | Men Behind The Meters: Allegro Moderato: 1935 Sequence | Benjamin Britten | 1:17 | |
| 43 | 43 | Coal Face: I. Andante: "A Sterile Landscape" | Benjamin Britten | 0:40 | |
| 44 | 44 | Coal Face: II. "Coal Mining Is the Basic Industry Of Britain" | Benjamin Britten | 1:11 | |
| 45 | 45 | Coal Face: III. Andante: "The Chief Coal-Producing Centres" | Benjamin Britten | 0:42 | |
| 46 | 46 | Coal Face: IV. "Yorkshire and Lancashire" | Benjamin Britten | 1:01 | |
| 47 | 47 | Coal Face: V. Moderato: "The Temp'rature Often Reaches" | Benjamin Britten | 0:29 | |
| 48 | 48 | Coal Face: VI. Andante: "The Seven and a Half Hour Shift" | Benjamin Britten | 0:48 | |
| 49 | 49 | Coal Face: VII. Ad Libitum Sempre: "One Thirty A.M." | Benjamin Britten | 0:50 | |
| 50 | 50 | Coal Face: VIII. Allegro ma non troppo: "In Many Pits" | Benjamin Britten | 1:05 | |
| 51 | 51 | Coal Face: IX. Allegro molto: "The Shift Is Finished" | Benjamin Britten | 2:03 | |
| 52 | 52 | Coal Face: X. "Making Up Coal Trains" | Benjamin Britten | 2:27 | |
| 53 | 53 | Coal Face: 1I. Allegro: "Coal Mining Is the Basic Industry" | Benjamin Britten | 0:14 | |
| 54 | 54 | Coal Face: 1II. Andante: "There Are the Miners" | Benjamin Britten | 0:23 | |
| 55 | 55 | When You're Feeling Like Expressing Your Affection | Benjamin Britten | 0:54 | |
| Media 31: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Love From A Stranger, Love From A tranger: I. Title Music | Benjamin Britten | 1:13 | |
| 2 | 2 | Love From A Stranger, Love From A tranger: II. Traffic Music | Benjamin Britten | 1:33 | |
| 3 | 3 | Love From A Stranger, Love From A tranger: III. Brighton | Benjamin Britten | 0:43 | |
| 4 | 4 | Love From A Stranger, Love From A tranger: IV. Love Music | Benjamin Britten | 2:47 | |
| 5 | 5 | Love From A Stranger, Love From A tranger: V. Channel Crossing | Benjamin Britten | 3:16 | |
| 6 | 6 | Love From A Stranger, Love From A tranger: VI. End Titles | Benjamin Britten | 0:53 | |
| 7 | 7 | Johnson Over Jordan (Suite): Overture | Benjamin Britten | 3:34 | |
| 8 | 8 | Johnson Over Jordan (Suite): Introduction | Benjamin Britten | 1:41 | |
| 9 | 9 | Johnson Over Jordan (Suite): Incinerators' Ballet | Benjamin Britten | 3:01 | |
| 10 | 10 | Johnson Over Jordan (Suite): The Spider and the Fly | Benjamin Britten | 3:44 | |
| 11 | 11 | Johnson Over Jordan (Suite): Approach of Death | Benjamin Britten | 1:01 | |
| 12 | 12 | Johnson Over Jordan (Suite): End Music | Benjamin Britten | 2:35 | |
| 13 | 13 | The Rescue Of Penelope, Part 1: Eight Years Have Passed | Benjamin Britten | 1:25 | |
| 14 | 14 | The Rescue Of Penelope, Part 1: Yet Not All Reached Their Homes | Benjamin Britten | 0:54 | |
| 15 | 15 | The Rescue Of Penelope, Part 1: Worse Still, The Island | Benjamin Britten | 2:59 | |
| 16 | 16 | The Rescue Of Penelope, Part 1: Children Have Died Of Want | Benjamin Britten | 2:30 | |
| 17 | 17 | The Rescue Of Penelope, Part 1: Yet Some Trust in An End | Benjamin Britten | 1:24 | |
| 18 | 18 | The Rescue Of Penelope, Part 1: Your Prayer Is Answered, Penelope | Benjamin Britten | 3:17 | |
| 19 | 19 | The Rescue Of Penelope, Part 1: Long Suffering Odysseus | Benjamin Britten | 3:06 | |
| 20 | 20 | The Rescue Of Penelope, Part 1: Listen. The Voices Of The Gods | Benjamin Britten | 2:06 | |
| 21 | 21 | The Rescue Of Penelope, Part 2: I, Athene, Rise To The Edge Of Night | Benjamin Britten | 2:06 | |
| 22 | 22 | The Rescue Of Penelope, Part 2: When I See The Sorrow Of Mortal Odysseus | Benjamin Britten | 2:21 | |
| 23 | 23 | The Rescue Of Penelope, Part 2: How Loud The Spring Sounds All Of A Sudden | Benjamin Britten | 1:30 | |
| 24 | 24 | The Rescue Of Penelope, Part 2: Bold: Telemachus, Watch The Shadow On The Wall! | Benjamin Britten | 0:56 | |
| 25 | 25 | The Rescue Of Penelope, Part 2: There It Is Before You | Benjamin Britten | 2:35 | |
| 26 | 26 | The Rescue Of Penelope, Part 2: Listen, Lords Of Ithaca | Benjamin Britten | 1:25 | |
| 27 | 27 | The Rescue Of Penelope, Part 2: Telemachus, Be Swift! | Benjamin Britten | 2:13 | |
| 28 | 28 | The Rescue Of Penelope, Part 2: Now There Is Silence | Benjamin Britten | 5:15 | |
| Media 32: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | The Company Of Heaven: I. Chaos | Benjamin Britten | 6:58 | |
| 2 | 2 | The Company Of Heaven: II. The Morning Stars | Benjamin Britten | 2:42 | |
| 3 | 3 | The Company Of Heaven: III. Angels Appear To Jacob, Elisha and Mary | Benjamin Britten | 5:25 | |
| 4 | 4 | The Company Of Heaven: IV. Christ, The Fair Glory | Benjamin Britten | 3:53 | |
| 5 | 5 | The Company Of Heaven: V. War in Heaven | Benjamin Britten | 3:14 | |
| 6 | 6 | The Company Of Heaven: VI. Heaven Is Here | Benjamin Britten | 6:17 | |
| 7 | 7 | The Company Of Heaven: VII. A Thousand, Thousand Gleaming Fires | Benjamin Britten | 4:15 | |
| 8 | 8 | The Company Of Heaven: VIII. Funeral March For A Boy | Benjamin Britten | 4:22 | |
| 9 | 9 | The Company Of Heaven: IX. Whoso Dwelleth Under The Defence Of The Most High | Benjamin Britten | 4:06 | |
| 10 | 10 | The Company Of Heaven: X. There Came Out Also At This Time | Benjamin Britten | 3:17 | |
| 11 | 11 | The Company Of Heaven: 1I. Ye Watchers And Ye Holy Ones | Benjamin Britten | 5:07 | |
| 12 | 12 | The Sword in The Stone | Benjamin Britten | 13:47 | |
| 13 | 13 | Russian Funeral: march for brass and percussion (1936) | Benjamin Britten | 7:01 | |
| 14 | 14 | Fanfare: 'The Eagle has Two Heads' | Benjamin Britten | 1:21 | |
| 15 | 15 | On The Frontier: The Clock On The Wall (Instrumental Arrangement by Daryl Runswick) | Benjamin Britten | 4:23 | |
| 16 | 16 | This Way To The Tomb: Boogie-Woogie (Instrumental Arrangement by Daryl Runswick) | Benjamin Britten | 2:53 | |
| Media 33: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | War Requiem, op. 66, Requiem aeternam: Requiem aeternam | Benjamin Britten | 5:55 | |
| 2 | 2 | War Requiem, op. 66, Requiem aeternam: What passing bells for these who die as cattle? | Benjamin Britten | 3:40 | |
| 3 | 3 | War Requiem, op. 66, Dies Irae: Dies irae | Benjamin Britten | 3:38 | |
| 4 | 4 | War Requiem, op. 66, Dies Irae: Bugles sang, saddening the evening air | Benjamin Britten | 2:35 | |
| 5 | 5 | War Requiem, op. 66, Dies Irae: Liber scriptus proferetur | Benjamin Britten | 2:57 | |
| 6 | 6 | War Requiem, op. 66, Dies Irae: Out there, we've walked quite friendly up to Death | Benjamin Britten | 1:57 | |
| 7 | 7 | War Requiem, op. 66, Dies Irae: Recordare Jesu pie | Benjamin Britten | 4:49 | |
| 8 | 8 | War Requiem, op. 66, Dies Irae: Be slowly lifted up | Benjamin Britten | 1:51 | |
| 9 | 9 | War Requiem, op. 66, Dies Irae: Dies irae | Benjamin Britten | 1:13 | |
| 10 | 10 | War Requiem, op. 66, Dies Irae: Lacrimosa dies illa | Benjamin Britten | 1:54 | |
| 11 | 11 | War Requiem, op. 66, Offertorium: Move him into the sun | Benjamin Britten | 4:50 | |
| 12 | 12 | War Requiem, op. 66, Offertorium: Domine Jesu Christe | Benjamin Britten | 3:33 | |
| 13 | 13 | War Requiem, op. 66, Offertorium: So Abraham rose, and clave the wood | Benjamin Britten | 6:10 | |
| 14 | 14 | War Requiem, op. 66, Sanctus: Sanctus, sanctus, sanctus | Benjamin Britten | 6:01 | |
| 15 | 15 | War Requiem, op. 66, Sanctus: After the blast of lightning from the East | Benjamin Britten | 3:50 | |
| 16 | 16 | War Requiem, op. 66, Agnus Dei: One ever hangs where shelled roads part | Benjamin Britten | 3:40 | |
| 17 | 17 | War Requiem, op. 66, Libera me: Libera me, Domine | Benjamin Britten | 7:36 | |
| 18 | 18 | War Requiem, op. 66, Libera me: It seemed that out of battle I escaped | Benjamin Britten | 9:36 | |
| 19 | 19 | War Requiem, op. 66, Libera me: Let us sleep now...In paradisum | Benjamin Britten | 5:37 | |
| Media 34: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Spring Symphony, op. 44: I. Introduction: Shine out | Benjamin Britten | 8:53 | |
| 2 | 2 | Spring Symphony, op. 44: II. The merry cuckoo | Benjamin Britten | 1:57 | |
| 3 | 3 | Spring Symphony, op. 44: III. Spring, the sweet Spring | Benjamin Britten | 1:50 | |
| 4 | 4 | Spring Symphony, op. 44: IV. The driving boy | Benjamin Britten | 2:04 | |
| 5 | 5 | Spring Symphony, op. 44: V. The morning star | Benjamin Britten | 3:09 | |
| 6 | 6 | Spring Symphony, op. 44: VI. Welcome Maids of Honour | Benjamin Britten | 2:40 | |
| 7 | 7 | Spring Symphony, op. 44: VII. Waters above! | Benjamin Britten | 2:34 | |
| 8 | 8 | Spring Symphony, op. 44: VIII. Out on the lawn I lie in bed | Benjamin Britten | 6:08 | |
| 9 | 9 | Spring Symphony, op. 44: IX. When will my May come | Benjamin Britten | 2:28 | |
| 10 | 10 | Spring Symphony, op. 44: X. Fair and fair | Benjamin Britten | 2:12 | |
| 11 | 11 | Spring Symphony, op. 44: 1I. Sound the flute! | Benjamin Britten | 1:18 | |
| 12 | 12 | Spring Symphony, op. 44: 1II. Finale: London, to thee I do present | Benjamin Britten | 7:29 | |
| 13 | 13 | Cantata Academica, (Carmen basiliense) op. 62: I. Bonorum summun omnium II: Quae bene beateque | Benjamin Britten | 2:56 | |
| 14 | 14 | Cantata Academica, (Carmen basiliense) op. 62: III. At huius caelestis...V: Tum vero Aeneas Sylvius virtus | Benjamin Britten | 3:24 | |
| 15 | 15 | Cantata Academica, (Carmen basiliense) op. 62: VI: Et gubernacula. VII: Ut ad longaeva tempora | Benjamin Britten | 3:40 | |
| 16 | 16 | Cantata Academica, (Carmen basiliense) op. 62: VIII: Docendi ac discendi | Benjamin Britten | 3:32 | |
| 17 | 17 | Cantata Academica, (Carmen basiliense) op. 62: IX. Rhenana erga omnes. X: Ut instissime XI: O cives.. | Benjamin Britten | 4:34 | |
| 18 | 18 | Cantata Academica, (Carmen basiliense) op. 62: XII. Nos autem cuncti. XIII. Vigeatque academia libera | Benjamin Britten | 2:48 | |
| 19 | 19 | Hymn to St. Cecilia (1942), op. 27: In a garden shady | Benjamin Britten | 2:48 | |
| 20 | 20 | Hymn to St. Cecilia (1942), op. 27: I cannot grow | Benjamin Britten | 1:55 | |
| 21 | 21 | Hymn to St. Cecilia (1942), op. 27: O ear whose creatures | Benjamin Britten | 5:55 | |
| Media 35: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Saint Nicolas, op. 42: Introduction | Benjamin Britten | 5:16 | |
| 2 | 2 | Saint Nicolas, op. 42: The birth of Nicolas | Benjamin Britten | 2:25 | |
| 3 | 3 | Saint Nicolas, op. 42: Nicolas devotes himself to God | Benjamin Britten | 4:20 | |
| 4 | 4 | Saint Nicolas, op. 42: He journeys to Palestine | Benjamin Britten | 7:34 | |
| 5 | 5 | Saint Nicolas, op. 42: He comes to Myra and is chosen Bishop | Benjamin Britten | 6:51 | |
| 6 | 6 | Saint Nicolas, op. 42: Nicolas from prison | Benjamin Britten | 3:03 | |
| 7 | 7 | Saint Nicolas, op. 42: Nicolas and the Pickled Boys | Benjamin Britten | 6:28 | |
| 8 | 8 | Saint Nicolas, op. 42: His piety and marvellous works | Benjamin Britten | 5:09 | |
| 9 | 9 | Saint Nicolas, op. 42: The death of Nicolas | Benjamin Britten | 6:25 | |
| 10 | 10 | 5 Flower Songs, op. 47: I. To Daffodils | Benjamin Britten | 1:52 | |
| 11 | 11 | 5 Flower Songs, op. 47: II. The Succession of the Four Sweet Months | Benjamin Britten | 2:07 | |
| 12 | 12 | 5 Flower Songs, op. 47: III. Marsh Flowers | Benjamin Britten | 1:57 | |
| 13 | 13 | 5 Flower Songs, op. 47: IV. The Evening Primrose | Benjamin Britten | 2:52 | |
| 14 | 14 | 5 Flower Songs, op. 47: V. Ballad of Green Broom | Benjamin Britten | 2:05 | |
| 15 | 15 | Cantata Misericordium, op. 69 | Benjamin Britten | 19:48 | |
| Media 36: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | A boy was born, op. 3: A Boy Was Born (theme) | Benjamin Britten | 2:03 | |
| 2 | 2 | A boy was born, op. 3: Variation 1: Lullay, Jesu | Benjamin Britten | 4:16 | |
| 3 | 3 | A boy was born, op. 3: Variation 2: Herod | Benjamin Britten | 2:12 | |
| 4 | 4 | A boy was born, op. 3: Variation 3: Jesu As Thou Art Our Saviour | Benjamin Britten | 2:32 | |
| 5 | 5 | A boy was born, op. 3: Variation 4: The Three Kings | Benjamin Britten | 3:36 | |
| 6 | 6 | A boy was born, op. 3: Variation 5: in the Bleak Mid-Winter | Benjamin Britten | 4:51 | |
| 7 | 7 | A boy was born, op. 3: Variation 6: Finale: Noel! | Benjamin Britten | 8:51 | |
| 8 | 8 | Corpus Christi Carol | Benjamin Britten | 2:17 | |
| 9 | 9 | A Wealden Trio: Christmas Song of the Women | Benjamin Britten | 2:29 | |
| 10 | 10 | The Sycamore Tree | Benjamin Britten | 1:34 | |
| 11 | 11 | A Shepherd's Carol (1944) | Benjamin Britten | 4:01 | |
| 12 | 12 | Christ's Nativity: Christmas Suite For Chorus: Christ's Nativity | Benjamin Britten | 2:36 | |
| 13 | 13 | Christ's Nativity: Christmas Suite For Chorus: Sweet Was The Song | Benjamin Britten | 3:14 | |
| 14 | 14 | Christ's Nativity: Christmas Suite For Chorus: Preparations | Benjamin Britten | 3:32 | |
| 15 | 15 | Christ's Nativity: Christmas Suite For Chorus: New Prince, New Pomp | Benjamin Britten | 4:33 | |
| 16 | 16 | Christ's Nativity: Christmas Suite For Chorus: Carol Of King Cnut | Benjamin Britten | 2:17 | |
| 17 | 17 | Ceremony of Carols, op. 28: Procession | Benjamin Britten | 1:21 | |
| 18 | 18 | Ceremony of Carols, op. 28: Wolcom Yule! | Benjamin Britten | 1:25 | |
| 19 | 19 | Ceremony of Carols, op. 28: There is no rose | Benjamin Britten | 2:15 | |
| 20 | 20 | Ceremony of Carols, op. 28: That yongë child | Benjamin Britten | 1:38 | |
| 21 | 21 | Ceremony of Carols, op. 28: Balulalow | Benjamin Britten | 1:24 | |
| 22 | 22 | Ceremony of Carols, op. 28: As dew in Aprille | Benjamin Britten | 1:06 | |
| 23 | 23 | Ceremony of Carols, op. 28: This little Babe | Benjamin Britten | 1:28 | |
| 24 | 24 | Ceremony of Carols, op. 28: Interlude | Benjamin Britten | 3:13 | |
| 25 | 25 | Ceremony of Carols, op. 28: In freezing winter night | Benjamin Britten | 4:01 | |
| 26 | 26 | Ceremony of Carols, op. 28: Spring Carol | Benjamin Britten | 1:07 | |
| 27 | 27 | Ceremony of Carols, op. 28: Deo Gracias | Benjamin Britten | 1:14 | |
| 28 | 28 | Ceremony of Carols, op. 28: Recession | Benjamin Britten | 1:18 | |
| 29 | 29 | The Holly and the Ivy: Coll.-sharp, arr. Britten | Benjamin Britten | 4:46 | |
| Media 37: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Songs From "Friday Afternoons", op. 7: Begone, dull care | Benjamin Britten | 0:58 | |
| 2 | 2 | Songs From "Friday Afternoons", op. 7: A tragic story | Benjamin Britten | 1:36 | |
| 3 | 3 | Songs From "Friday Afternoons", op. 7: Cuckoo! | Benjamin Britten | 1:38 | |
| 4 | 4 | Songs From "Friday Afternoons", op. 7: A New Year carol | Benjamin Britten | 2:02 | |
| 5 | 5 | Songs From "Friday Afternoons", op. 7: I mun be married on Sunday | Benjamin Britten | 1:11 | |
| 6 | 6 | Songs From "Friday Afternoons", op. 7: There was a man of Newington | Benjamin Britten | 0:33 | |
| 7 | 7 | Songs From "Friday Afternoons", op. 7: Fishing song | Benjamin Britten | 2:09 | |
| 8 | 8 | Songs From "Friday Afternoons", op. 7: The useful plough | Benjamin Britten | 2:22 | |
| 9 | 9 | Songs From "Friday Afternoons", op. 7: Jazz-man | Benjamin Britten | 0:47 | |
| 10 | 10 | Songs From "Friday Afternoons", op. 7: There was a monkey | Benjamin Britten | 1:30 | |
| 11 | 11 | Songs From "Friday Afternoons", op. 7: Old Abram Brown | Benjamin Britten | 3:31 | |
| 12 | 12 | Songs From "Friday Afternoons", op. 7: Ee-Oh! (Anon) | Benjamin Britten | 2:46 | |
| 13 | 13 | Psalm 150 for voices & orchestra, op. 67 | Benjamin Britten | 5:05 | |
| 14 | 14 | Three Two-Part Songs (1932): I. The Ride-by-Nights | Benjamin Britten | 0:58 | |
| 15 | 15 | Three Two-Part Songs (1932): 2 The Rainbow | Benjamin Britten | 2:52 | |
| 16 | 16 | Three Two-Part Songs (1932): III. The Ship Of Rio | Benjamin Britten | 1:28 | |
| 17 | 17 | 2 Two-Part Songs: I. I Lov'd a Lass | Benjamin Britten | 3:27 | |
| 18 | 18 | 2 Two-Part Songs: II. Lift Boy | Benjamin Britten | 2:57 | |
| 19 | 19 | The Birds | Benjamin Britten | 1:48 | |
| 20 | 20 | A Hymn to the Virgin | Benjamin Britten | 3:18 | |
| 21 | 21 | Jubilate Deo in E-flat | Benjamin Britten | 2:51 | |
| 22 | 22 | Te Deum in C (1934) | Benjamin Britten | 7:56 | |
| 23 | 23 | Advance Democracy | Benjamin Britten | 3:16 | |
| 24 | 24 | Deus in Adjutorium Meum (Psalm 70) | Benjamin Britten | 4:55 | |
| 25 | 25 | AMDG: Heaven-Haven | Benjamin Britten | 1:51 | |
| 26 | 26 | AMDG: O deus, ego amo te | Benjamin Britten | 2:01 | |
| 27 | 27 | AMDG: Rosa Mystica | Benjamin Britten | 4:05 | |
| 28 | 28 | AMDG: The Soldier | Benjamin Britten | 2:16 | |
| 29 | 29 | AMDG: Prayer II | Benjamin Britten | 4:35 | |
| 30 | 30 | AMDG: God's Grandeur | Benjamin Britten | 2:49 | |
| 31 | 31 | AMDG: Prayer I | Benjamin Britten | 2:05 | |
| Media 38: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Rejoice in the Lamb, op. 30: Rejoice in God, O ye Tongues | Benjamin Britten | 3:55 | |
| 2 | 2 | Rejoice in the Lamb, op. 30: For I will consider my cat Jeoffrey | Benjamin Britten | 2:06 | |
| 3 | 3 | Rejoice in the Lamb, op. 30: For the mouse is a creature of great personal valour | Benjamin Britten | 1:01 | |
| 4 | 4 | Rejoice in the Lamb, op. 30: For the flowers are great blessings | Benjamin Britten | 2:05 | |
| 5 | 5 | Rejoice in the Lamb, op. 30: For I am under the same accusation | Benjamin Britten | 2:28 | |
| 6 | 6 | Rejoice in the Lamb, op. 30: For H is a spirit | Benjamin Britten | 4:24 | |
| 7 | 7 | The Ballad of Little Musgrave and Lady Barnard | Benjamin Britten | 10:01 | |
| 8 | 8 | Chorale (after an old French carol) | Benjamin Britten | 4:12 | |
| 9 | 9 | Festival Te Deum, op. 32 (1944) | Benjamin Britten | 6:03 | |
| 10 | 10 | A Wedding Anthem, op. 46 | Benjamin Britten | 9:05 | |
| 11 | 11 | A Hymn to St. Peter op. 56a | Benjamin Britten | 5:28 | |
| 12 | 12 | Antiphon, op. 56b | Benjamin Britten | 5:26 | |
| 13 | 13 | Missa brevis, op. 63: I. Kyrie eleison | Benjamin Britten | 2:00 | |
| 14 | 14 | Missa brevis, op. 63: II. Gloria in excelsis Deo | Benjamin Britten | 2:46 | |
| 15 | 15 | Missa brevis, op. 63: III. Sanctus...Benedictus | Benjamin Britten | 3:09 | |
| 16 | 16 | Missa brevis, op. 63: IV. Agnus Dei | Benjamin Britten | 2:25 | |
| Media 39: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Jubilate Deo in C (1961) | Benjamin Britten | 2:44 | |
| 2 | 2 | Venite Exultemus Domino | Benjamin Britten | 5:35 | |
| 3 | 3 | A Hymn of St. Columba, 'Regis regum rectissimi' | Benjamin Britten | 2:43 | |
| 4 | 4 | God Save The Queen: Arr. Benjamin Britten | Benjamin Britten | 2:40 | |
| 5 | 5 | Voices For Today | Benjamin Britten | 9:43 | |
| 6 | 6 | Sacred and Profane: Eight Medieval Lyrics, op. 91: I. St. Godric's Hymn | Benjamin Britten | 1:43 | |
| 7 | 7 | Sacred and Profane: Eight Medieval Lyrics, op. 91: II. I Mon Waxe Wod | Benjamin Britten | 0:49 | |
| 8 | 8 | Sacred and Profane: Eight Medieval Lyrics, op. 91: III. Lenten is come | Benjamin Britten | 2:31 | |
| 9 | 9 | Sacred and Profane: Eight Medieval Lyrics, op. 91: IV. The Long Night | Benjamin Britten | 1:30 | |
| 10 | 10 | Sacred and Profane: Eight Medieval Lyrics, op. 91: V. Yif Ic of Luve Can | Benjamin Britten | 2:28 | |
| 11 | 11 | Sacred and Profane: Eight Medieval Lyrics, op. 91: VI. Carol | Benjamin Britten | 1:28 | |
| 12 | 12 | Sacred and Profane: Eight Medieval Lyrics, op. 91: VII. Ye that Pasen By | Benjamin Britten | 1:40 | |
| 13 | 13 | Sacred and Profane: Eight Medieval Lyrics, op. 91: VIII. A Death | Benjamin Britten | 2:51 | |
| 14 | 14 | Welcome Ode, op. 95 | Benjamin Britten | 7:40 | |
| 15 | 15 | Praise We Great Men: "Praise We Great Men" | Benjamin Britten | 3:26 | |
| 16 | 16 | Praise We Great Men: "Praise We The Just" | Benjamin Britten | 2:22 | |
| 17 | 17 | Praise We Great Men: Coda | Benjamin Britten | 1:22 | |
| Media 40: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Quatre Chansons Françaises: I. Les Nuits de Juin | Benjamin Britten | 2:50 | |
| 2 | 2 | Quatre Chansons Françaises: II. Sagesse | Benjamin Britten | 2:49 | |
| 3 | 3 | Quatre Chansons Françaises: III. L'Enfance | Benjamin Britten | 4:31 | |
| 4 | 4 | Quatre Chansons Françaises: IV. Chanson d'Automne | Benjamin Britten | 2:27 | |
| 5 | 5 | Now Sleeps the Crimson Petal | Benjamin Britten | 2:54 | |
| 6 | 6 | Our Hunting Fathers, op. 8: I. Prologue | Benjamin Britten | 2:00 | |
| 7 | 7 | Our Hunting Fathers, op. 8: II. Rats Away! | Benjamin Britten | 4:40 | |
| 8 | 8 | Our Hunting Fathers, op. 8: III. Messalina | Benjamin Britten | 6:55 | |
| 9 | 9 | Our Hunting Fathers, op. 8: IV. Dance Of Death (Hawking For The Partridge) | Benjamin Britten | 6:29 | |
| 10 | 10 | Our Hunting Fathers, op. 8: V. Epilogue & Funeral March | Benjamin Britten | 6:07 | |
| 11 | 11 | Ballad Of Heroes, op. 14: I. Funeral March | Benjamin Britten | 5:37 | |
| 12 | 12 | Ballad Of Heroes, op. 14: II. Scherzo | Benjamin Britten | 4:24 | |
| 13 | 13 | Ballad Of Heroes, op. 14: III. Recitative & Choral | Benjamin Britten | 6:10 | |
| 14 | 14 | Serenade for tenor, horn & strings, op. 31: Prologue | Benjamin Britten | 1:23 | |
| 15 | 15 | Serenade for tenor, horn & strings, op. 31: Pastoral: The Day's Grown Old | Benjamin Britten | 3:37 | |
| 16 | 16 | Serenade for tenor, horn & strings, op. 31: Nocturne: The Splendour Falls on Castle Walls | Benjamin Britten | 3:23 | |
| 17 | 17 | Serenade for tenor, horn & strings, op. 31: Elegy: O Rose, Thou Art Sick | Benjamin Britten | 4:07 | |
| 18 | 18 | Serenade for tenor, horn & strings, op. 31: Dirge: This Ae Night | Benjamin Britten | 3:46 | |
| 19 | 19 | Serenade for tenor, horn & strings, op. 31: Hymn: Queen and Huntress Chaste and Fair | Benjamin Britten | 2:04 | |
| 20 | 20 | Serenade for tenor, horn & strings, op. 31: Sonnet: O Soft Embalmer of the Still Midnight | Benjamin Britten | 4:10 | |
| 21 | 21 | Serenade for tenor, horn & strings, op. 31: Epilogue | Benjamin Britten | 1:33 | |
| Media 41: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Les Illuminations, op. 18: I. Fanfare | Benjamin Britten | 1:52 | |
| 2 | 2 | Les Illuminations, op. 18: II. Villes | Benjamin Britten | 2:32 | |
| 3 | 3 | Les Illuminations, op. 18: IIIa. Phrase | Benjamin Britten | 0:57 | |
| 4 | 4 | Les Illuminations, op. 18: IIIb. Antique | Benjamin Britten | 2:10 | |
| 5 | 5 | Les Illuminations, op. 18: IV. Royauté | Benjamin Britten | 1:37 | |
| 6 | 6 | Les Illuminations, op. 18: V. Marine | Benjamin Britten | 1:02 | |
| 7 | 7 | Les Illuminations, op. 18: VI. Interlude | Benjamin Britten | 2:22 | |
| 8 | 8 | Les Illuminations, op. 18: VII. Being beauteous | Benjamin Britten | 4:05 | |
| 9 | 9 | Les Illuminations, op. 18: VIII. Parade | Benjamin Britten | 2:48 | |
| 10 | 10 | Les Illuminations, op. 18: IX. Départ | Benjamin Britten | 2:41 | |
| 11 | 11 | Les Illuminations, op. 18: Phrase | Benjamin Britten | 0:53 | |
| 12 | 12 | Les Illuminations, op. 18: Aube | Benjamin Britten | 5:00 | |
| 13 | 13 | Les Illuminations, op. 18: A Une Raison | Benjamin Britten | 2:36 | |
| 14 | 14 | Nocturne, op. 60: I. "On A Poet's Lips I Slept" | Benjamin Britten | 3:22 | |
| 15 | 15 | Nocturne, op. 60: II. "Below The Thunders Of The Upper Deep" | Benjamin Britten | 3:18 | |
| 16 | 16 | Nocturne, op. 60: III. "Encintured With A Twine Of Leaves" | Benjamin Britten | 2:12 | |
| 17 | 17 | Nocturne, op. 60: IV. "Midnight's Bell Goes Ting, Ting, Ting" | Benjamin Britten | 2:30 | |
| 18 | 18 | Nocturne, op. 60: V. "But That Night When On My Bed I Lay" | Benjamin Britten | 3:03 | |
| 19 | 19 | Nocturne, op. 60: VI. "She Sleeps On Soft, Last Breaths" | Benjamin Britten | 4:31 | |
| 20 | 20 | Nocturne, op. 60: VII. "What Is More Gentle Than A Wind in Summer?" | Benjamin Britten | 3:28 | |
| 21 | 21 | Nocturne, op. 60: VIII. "When Most I Wink, Then Do Mine Eyes Best See" | Benjamin Britten | 4:01 | |
| 22 | 22 | Phaedra, op. 93: In May, in brilliant Athens | Benjamin Britten | 6:37 | |
| 23 | 23 | Phaedra, op. 93: Oh Gods of wrath | Benjamin Britten | 2:51 | |
| 24 | 24 | Phaedra, op. 93: My time's too short, your highness | Benjamin Britten | 6:03 | |
| Media 42: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Canticle I, My beloved is mine op. 40 | Benjamin Britten | 7:01 | |
| 2 | 2 | Canticle II, Abraham and Isaac, op. 51 | Benjamin Britten | 15:52 | |
| 3 | 3 | Canticle III, Still falls the rain, op. 55 | Benjamin Britten | 11:04 | |
| 4 | 4 | Canticle IV: Journey of the Magi, op. 86 | Benjamin Britten | 10:31 | |
| 5 | 5 | Canticle V: The Death of Saint Narcissus, op. 89: Words by T.S. Eliot | Benjamin Britten | 7:14 | |
| 6 | 6 | A Birthday Hansel, op. 89 | Benjamin Britten | 16:16 | |
| 7 | 7 | Sweeter than roses: Ed. Britten | Benjamin Britten | 3:31 | |
| Media 43: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | The Heart Of The Matter: I. Prologue: Fanfare: Song: "Where Are the Seeds Of Universal Fire" | Benjamin Britten | 3:06 | |
| 2 | 2 | The Heart Of The Matter: II. Reading: "The Earth Of My Heart Was Broken: Fanfare | Benjamin Britten | 1:46 | |
| 3 | 3 | The Heart Of The Matter: III. Song: "We Are the Darkness" | Benjamin Britten | 1:33 | |
| 4 | 4 | The Heart Of The Matter: IV. Reading: "In Such a Heat Of the Earth" | Benjamin Britten | 2:54 | |
| 5 | 5 | The Heart Of The Matter: V. Canticle III: "Still Falls the Rain" | Benjamin Britten | 11:51 | |
| 6 | 6 | The Heart Of The Matter: VI. Reading: "I See Christ's Wounds Weep in the Rose On the Wall" | Benjamin Britten | 2:19 | |
| 7 | 7 | The Heart Of The Matter: VII. Epilogue: Fanfare: Song: "So, Out Of the Dark" | Benjamin Britten | 3:10 | |
| 8 | 8 | Tit For Tat: I. A song of enchantment | Benjamin Britten | 2:27 | |
| 9 | 9 | Tit For Tat: II. Autumn | Benjamin Britten | 1:14 | |
| 10 | 10 | Tit For Tat: III. Silver | Benjamin Britten | 1:45 | |
| 11 | 11 | Tit For Tat: IV. Vigil | Benjamin Britten | 1:45 | |
| 12 | 12 | Tit For Tat: V. Tit for tat | Benjamin Britten | 1:32 | |
| 13 | 13 | On this island, op. 11: I. Let the Florid Music Praise! | Benjamin Britten | 3:34 | |
| 14 | 14 | On this island, op. 11: II. Now the Leaves Are Falling Fast | Benjamin Britten | 1:57 | |
| 15 | 15 | On this island, op. 11: III. Seascape | Benjamin Britten | 2:20 | |
| 16 | 16 | On this island, op. 11: IV. Nocturne | Benjamin Britten | 3:43 | |
| 17 | 17 | On this island, op. 11: V. As It Is, Plenty | Benjamin Britten | 1:45 | |
| 18 | 18 | Four Cabaret Songs: Calypso | Benjamin Britten | 2:14 | |
| 19 | 19 | Four Cabaret Songs: O Tell Me the Truth About Love | Benjamin Britten | 5:24 | |
| 20 | 20 | Four Cabaret Songs: Johnny | Benjamin Britten | 5:02 | |
| 21 | 21 | Four Cabaret Songs: Funeral Blues | Benjamin Britten | 2:51 | |
| 22 | 22 | Seven Sonnets of Michelangelo, op. 22: Sonetto XVI | Benjamin Britten | 2:02 | |
| 23 | 23 | Seven Sonnets of Michelangelo, op. 22: Sonetto XXXI | Benjamin Britten | 1:24 | |
| 24 | 24 | Seven Sonnets of Michelangelo, op. 22: Sonetto XXX | Benjamin Britten | 3:17 | |
| 25 | 25 | Seven Sonnets of Michelangelo, op. 22: Sonetto LV | Benjamin Britten | 1:49 | |
| 26 | 26 | Seven Sonnets of Michelangelo, op. 22: Sonetto XXXVIII | Benjamin Britten | 1:56 | |
| 27 | 27 | Seven Sonnets of Michelangelo, op. 22: Sonetto XXXII | Benjamin Britten | 1:22 | |
| 28 | 28 | Seven Sonnets of Michelangelo, op. 22: Sonetto XXIV | Benjamin Britten | 4:56 | |
| Media 44: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | The Holy Sonnets of John Donne, op. 35: I. Oh, my blacke Soule! | Benjamin Britten | 3:20 | |
| 2 | 2 | The Holy Sonnets of John Donne, op. 35: II. Batter my heart | Benjamin Britten | 1:21 | |
| 3 | 3 | The Holy Sonnets of John Donne, op. 35: III. Oh might those sighes and teares | Benjamin Britten | 3:00 | |
| 4 | 4 | The Holy Sonnets of John Donne, op. 35: IV. Oh, to vex me | Benjamin Britten | 1:09 | |
| 5 | 5 | The Holy Sonnets of John Donne, op. 35: V. What if this present | Benjamin Britten | 2:51 | |
| 6 | 6 | The Holy Sonnets of John Donne, op. 35: VI. Since she whom I loved | Benjamin Britten | 3:27 | |
| 7 | 7 | The Holy Sonnets of John Donne, op. 35: VII. At the round earth's imagined corners | Benjamin Britten | 2:34 | |
| 8 | 8 | The Holy Sonnets of John Donne, op. 35: VIII. Thou hast made me | Benjamin Britten | 1:32 | |
| 9 | 9 | The Holy Sonnets of John Donne, op. 35: IX. Death, be not proud | Benjamin Britten | 3:56 | |
| 10 | 10 | A Charm of Lullabies, op. 41: I. Cradle Song | Benjamin Britten | 2:14 | |
| 11 | 11 | A Charm of Lullabies, op. 41: II. The Highland Bales | Benjamin Britten | 2:06 | |
| 12 | 12 | A Charm of Lullabies, op. 41: III. Sephestia's Lullaby | Benjamin Britten | 2:15 | |
| 13 | 13 | A Charm of Lullabies, op. 41: IV. A Charm | Benjamin Britten | 1:28 | |
| 14 | 14 | A Charm of Lullabies, op. 41: V. The Nurse's Song | Benjamin Britten | 4:21 | |
| 15 | 15 | Winter Words, op. 52: At day-close in November | Benjamin Britten | 1:40 | |
| 16 | 16 | Winter Words, op. 52: Midnight on the Great Western | Benjamin Britten | 4:29 | |
| 17 | 17 | Winter Words, op. 52: Wagtail and baby | Benjamin Britten | 1:59 | |
| 18 | 18 | Winter Words, op. 52: The little old table | Benjamin Britten | 1:24 | |
| 19 | 19 | Winter Words, op. 52: The choirmaster's burial | Benjamin Britten | 3:46 | |
| 20 | 20 | Winter Words, op. 52: Proud songsters | Benjamin Britten | 1:10 | |
| 21 | 21 | Winter Words, op. 52: At the railway station, Upway | Benjamin Britten | 2:42 | |
| 22 | 22 | Winter Words, op. 52: Before life and after | Benjamin Britten | 3:18 | |
| 23 | 23 | If It's Ever Spring Again | Benjamin Britten | 2:38 | |
| 24 | 24 | The Children and Sir Nameless | Benjamin Britten | 3:01 | |
| 25 | 25 | Songs From The Chinese, op. 58: I. The Big Chariot | Benjamin Britten | 1:55 | |
| 26 | 26 | Songs From The Chinese, op. 58: II. The Old Lute | Benjamin Britten | 2:41 | |
| 27 | 27 | Songs From The Chinese, op. 58: III. The Autumn Wind | Benjamin Britten | 1:12 | |
| 28 | 28 | Songs From The Chinese, op. 58: IV. The Herd-Boy | Benjamin Britten | 1:18 | |
| 29 | 29 | Songs From The Chinese, op. 58: V. Depression | Benjamin Britten | 1:35 | |
| 30 | 30 | Songs From The Chinese, op. 58: VI. Dance Song | Benjamin Britten | 0:58 | |
| Media 45: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | 6 Hölderlin Fragments, op. 61: I. Menschenbeifall | Benjamin Britten | 1:22 | |
| 2 | 2 | 6 Hölderlin Fragments, op. 61: II. Die Heimat | Benjamin Britten | 1:56 | |
| 3 | 3 | 6 Hölderlin Fragments, op. 61: III. Sokrates und Alcibiades | Benjamin Britten | 2:18 | |
| 4 | 4 | 6 Hölderlin Fragments, op. 61: IV. Die Jugend | Benjamin Britten | 1:50 | |
| 5 | 5 | 6 Hölderlin Fragments, op. 61: V. Hälfte des Lebens | Benjamin Britten | 2:02 | |
| 6 | 6 | 6 Hölderlin Fragments, op. 61: VI. Die Linien des Lebens | Benjamin Britten | 2:25 | |
| 7 | 7 | Songs & Proverbs of William Blake, op. 74: The Pride of the Peacock...London | Benjamin Britten | 3:08 | |
| 8 | 8 | Songs & Proverbs of William Blake, op. 74: Prisons are built...The Chimney Sweeper | Benjamin Britten | 2:51 | |
| 9 | 9 | Songs & Proverbs of William Blake, op. 74: The Bird anest...A Poison Tree | Benjamin Britten | 4:28 | |
| 10 | 10 | Songs & Proverbs of William Blake, op. 74: Think in the morning...The Tyger | Benjamin Britten | 2:34 | |
| 11 | 11 | Songs & Proverbs of William Blake, op. 74: The Tygers of wrath...The Fly | Benjamin Britten | 2:49 | |
| 12 | 12 | Songs & Proverbs of William Blake, op. 74: The hours of folly...Ah, Sun Flower | Benjamin Britten | 4:16 | |
| 13 | 13 | Songs & Proverbs of William Blake, op. 74: To see a world...Every night and every morn | Benjamin Britten | 3:28 | |
| 14 | 14 | The Poet's Echo, op. 76: I. Echo ("Ekho") | Benjamin Britten | 2:38 | |
| 15 | 15 | The Poet's Echo, op. 76: II. My Heart ("Ya dumal, serdtse pozabilo") | Benjamin Britten | 1:40 | |
| 16 | 16 | The Poet's Echo, op. 76: III. Angel ("Angel") | Benjamin Britten | 2:16 | |
| 17 | 17 | The Poet's Echo, op. 76: IV. The Nightingale and the Rose ("Solovyei i roza") | Benjamin Britten | 4:32 | |
| 18 | 18 | The Poet's Echo, op. 76: V. Epigram (Epigramma) | Benjamin Britten | 0:46 | |
| 19 | 19 | The Poet's Echo, op. 76: VI. Lines Written During a Sleepless Night ("Stikhi sochinyonniye nochyu vo vremya bessonnitsi") | Benjamin Britten | 4:16 | |
| 20 | 20 | Who Are These Children?, op. 84: I. A Riddle (The Earth) | Benjamin Britten | 1:03 | |
| 21 | 21 | Who Are These Children?, op. 84: II. A Laddie's Sang | Benjamin Britten | 0:55 | |
| 22 | 22 | Who Are These Children?, op. 84: III. Nightmare | Benjamin Britten | 2:42 | |
| 23 | 23 | Who Are These Children?, op. 84: IV. Black Day | Benjamin Britten | 0:36 | |
| 24 | 24 | Who Are These Children?, op. 84: V. Bed-time | Benjamin Britten | 0:58 | |
| 25 | 25 | Who Are These Children?, op. 84: VI. Slaughter | Benjamin Britten | 1:32 | |
| 26 | 26 | Who Are These Children?, op. 84: VII. Riddle (The Child You Were) | Benjamin Britten | 0:39 | |
| 27 | 27 | Who Are These Children?, op. 84: VIII. The Larky Lad | Benjamin Britten | 0:33 | |
| 28 | 28 | Who Are These Children?, op. 84: IX. Who are these children? | Benjamin Britten | 2:00 | |
| 29 | 29 | Who Are These Children?, op. 84: X. Supper | Benjamin Britten | 1:12 | |
| 30 | 30 | Who Are These Children?, op. 84: 1I. The Children | Benjamin Britten | 3:59 | |
| 31 | 31 | Who Are These Children?, op. 84: 1II. The Auld Aik | Benjamin Britten | 1:40 | |
| 32 | 32 | Dawtie's Devotion | Benjamin Britten | 1:27 | |
| 33 | 33 | The Gully | Benjamin Britten | 1:04 | |
| 34 | 34 | Tradition | Benjamin Britten | 1:03 | |
| Media 46: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Beware! | Benjamin Britten | 1:06 | |
| 2 | 2 | O That I Had Ne'er Been Married | Benjamin Britten | 1:23 | |
| 3 | 3 | Epitaph: The Clerk | Benjamin Britten | 1:08 | |
| 4 | 4 | Of A' the Airts the Wind Can Blaw | Benjamin Britten | 1:00 | |
| 5 | 5 | A Dirge | Benjamin Britten | 1:11 | |
| 6 | 6 | Prithee | Benjamin Britten | 1:49 | |
| 7 | 7 | The Joy Of Grief | Benjamin Britten | 1:00 | |
| 8 | 8 | Virtue in Deeds Not Words | Benjamin Britten | 1:09 | |
| 9 | 9 | From "Lucy" | Benjamin Britten | 1:22 | |
| 10 | 10 | Dans les Bois | Benjamin Britten | 1:40 | |
| 11 | 11 | Lilian | Benjamin Britten | 2:57 | |
| 12 | 12 | Diaphenia | Benjamin Britten | 1:54 | |
| 13 | 13 | The Owl | Benjamin Britten | 1:24 | |
| 14 | 14 | Witches' Song | Benjamin Britten | 0:41 | |
| 15 | 15 | O Why Did E're My Thought Aspire | Benjamin Britten | 1:30 | |
| 16 | 16 | Chamber Music V | Benjamin Britten | 1:13 | |
| 17 | 17 | Song: Take O Take Those Lips Away | Benjamin Britten | 0:57 | |
| 18 | 18 | Two Ballads For Two Voices & Piano: I. Mother Comfort | Benjamin Britten | 3:38 | |
| 19 | 19 | Two Ballads For Two Voices & Piano: II. Underneath the Abject Willow | Benjamin Britten | 2:05 | |
| 20 | 20 | A Poison Tree | Benjamin Britten | 2:37 | |
| 21 | 21 | Not Even Summer Yet | Benjamin Britten | 1:46 | |
| 22 | 22 | The Red Cockatoo | Benjamin Britten | 0:39 | |
| 23 | 23 | Fish in The Unruffled Lakes, Fish In The Unruffled Lake: To Lie-flat On the Back | Benjamin Britten | 2:23 | |
| 24 | 24 | Fish in The Unruffled Lakes, Fish In The Unruffled Lake: Night Covers Up the Rigid Land | Benjamin Britten | 2:32 | |
| 25 | 25 | Fish in The Unruffled Lakes, Fish In The Unruffled Lake: The Sun Shines Down | Benjamin Britten | 2:07 | |
| 26 | 26 | Fish in The Unruffled Lakes, Fish In The Unruffled Lake: Fish In the Unruffled Lakes | Benjamin Britten | 2:48 | |
| 27 | 27 | Fish in The Unruffled Lakes, Fish In The Unruffled Lake: What's In Your Mind? | Benjamin Britten | 2:07 | |
| 28 | 28 | Fish in The Unruffled Lakes, Fish In The Unruffled Lake: Underneath the Abject Willow | Benjamin Britten | 1:40 | |
| 29 | 29 | Wild With Passion | Benjamin Britten | 2:25 | |
| 30 | 30 | If Thou Wilt Ease Thine Heart | Benjamin Britten | 1:44 | |
| 31 | 31 | Cradle Song ("Sleep, My Darling, Sleep") | Benjamin Britten | 3:02 | |
| 32 | 32 | Birthday Song For Erwin | Benjamin Britten | 1:18 | |
| 33 | 33 | Um Mitternacht | Benjamin Britten | 4:01 | |
| 34 | 34 | The Bitter Withy | Benjamin Britten | 5:07 | |
| 35 | 35 | King Herod and the Cock | Benjamin Britten | 1:22 | |
| 36 | 36 | Fancie | Benjamin Britten | 1:03 | |
| 37 | 37 | The Oxen | Benjamin Britten | 2:53 | |
| 38 | 38 | May | Benjamin Britten | 1:20 | |
| 39 | 39 | The Twelve Apostles | Benjamin Britten | 6:12 | |
| Media 47: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | The Foggy Foggy Dew: Arr. Benjamin Britten | Benjamin Britten | 2:32 | |
| 2 | 2 | Sally in Our Alley | Benjamin Britten | 4:11 | |
| 3 | 3 | Tom Bowling: Arr. Britten | Benjamin Britten | 4:29 | |
| 4 | 4 | The Lincolnshire Poacher | Benjamin Britten | 2:02 | |
| 5 | 5 | A Brisk Young Widow: Arr. Britten | Benjamin Britten | 2:00 | |
| 6 | 6 | O Waly Waly | Benjamin Britten | 3:32 | |
| 7 | 7 | Sweet Polly Oliver | Benjamin Britten | 2:29 | |
| 8 | 8 | Early One Morning: Arr. Benjamin Britten | Benjamin Britten | 2:58 | |
| 9 | 9 | The Bonny Earl o'Moray: arr. Benjamin Britten | Benjamin Britten | 2:29 | |
| 10 | 10 | The Ash Grove | Benjamin Britten | 2:46 | |
| 11 | 11 | Come You Not From Newcastle | Benjamin Britten | 1:14 | |
| 12 | 12 | Le Roi S En Va-T En Chasse | Benjamin Britten | 2:11 | |
| 13 | 13 | La Belle est au jardin d'amour | Benjamin Britten | 2:49 | |
| 14 | 14 | The Minstrel Boy | Benjamin Britten | 1:56 | |
| 15 | 15 | How Sweet The Answer | Benjamin Britten | 2:08 | |
| 16 | 16 | The Last Rose Of Summer | Benjamin Britten | 3:54 | |
| 17 | 17 | Avenging and Bright | Benjamin Britten | 1:27 | |
| 18 | 18 | Oft in The Stilly Night | Benjamin Britten | 2:35 | |
| 19 | 19 | The Miller Of Dee | Benjamin Britten | 1:45 | |
| 20 | 20 | Ca The Yowes | Benjamin Britten | 3:51 | |
| 21 | 21 | The Plough Boy | Benjamin Britten | 1:56 | |
| 22 | 22 | The Sally Gardens: Arr. Britten | Benjamin Britten | 3:00 | |
| 23 | 23 | Little Sir William: Arr. Britten | Benjamin Britten | 2:35 | |
| 24 | 24 | Oliver Cromwell | Benjamin Britten | 0:38 | |
| 25 | 25 | Heigh Ho! Heigh Ho!: Trans. Rogers, Arr. Britten | Benjamin Britten | 2:08 | |
| 26 | 26 | There's None To Soothe: Arr. Britten | Benjamin Britten | 2:14 | |
| 27 | 27 | Il est quelqu'un sur terre: Arr. Britten | Benjamin Britten | 4:02 | |
| 28 | 28 | Folk Song Arrangemens (British Isles): O can ye sew cushions? | Benjamin Britten | 2:10 | |
| 29 | 29 | The Trees They Grow So High: arr. Britten | Benjamin Britten | 3:37 | |
| 30 | 30 | Voici le Printemps | Benjamin Britten | 1:42 | |
| 31 | 31 | Fileuse | Benjamin Britten | 1:38 | |
| 32 | 32 | Quand j'étais chez mon pere | Benjamin Britten | 1:48 | |
| Media 48: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | I Will Give My Love An Apple | Benjamin Britten | 1:46 | |
| 2 | 2 | The Sailor-Boy | Benjamin Britten | 1:37 | |
| 3 | 3 | Master Kilby | Benjamin Britten | 2:04 | |
| 4 | 4 | The Soldier and The Sailor | Benjamin Britten | 2:20 | |
| 5 | 5 | The Shooting Of His Dear | Benjamin Britten | 2:44 | |
| 6 | 6 | Bonny At Morn | Benjamin Britten | 3:15 | |
| 7 | 7 | Greensleeves | Benjamin Britten | 1:54 | |
| 8 | 8 | I Wonder As I Wander | Benjamin Britten | 3:54 | |
| 9 | 9 | The Crocodile | Benjamin Britten | 4:43 | |
| 10 | 10 | Pray Goody | Benjamin Britten | 0:44 | |
| 11 | 11 | At The Mid Hour Of Night | Benjamin Britten | 2:44 | |
| 12 | 12 | Dear Harp Of My Country! (Kate Tyrrel) | Benjamin Britten | 2:25 | |
| 13 | 13 | O The Sight Entrancing | Benjamin Britten | 2:08 | |
| 14 | 14 | Sail On, Sail On | Benjamin Britten | 2:25 | |
| 15 | 15 | Rich And Rare | Benjamin Britten | 3:05 | |
| 16 | 16 | La Noel Passée | Benjamin Britten | 3:50 | |
| 17 | 17 | Eho! Eho! | Benjamin Britten | 1:56 | |
| 18 | 18 | The Holly And The Ivy | Benjamin Britten | 2:23 | |
| 19 | 19 | Soldier, Won't You Marry Me? | Benjamin Britten | 1:40 | |
| 20 | 20 | The Deaf Woman's Courtship | Benjamin Britten | 1:14 | |
| 21 | 21 | The Stream in The Valley | Benjamin Britten | 2:31 | |
| 22 | 22 | Unidentified Folk Song Setting | Benjamin Britten | 3:29 | |
| 23 | 23 | Lord! I Married Me a Wife | Benjamin Britten | 1:14 | |
| 24 | 24 | She's Like The Swallow | Benjamin Britten | 2:42 | |
| 25 | 25 | Lemady | Benjamin Britten | 1:24 | |
| 26 | 26 | Bugeilio'r Gwenith Gwyn ("I Was Lonely and Forlorn") | Benjamin Britten | 2:19 | |
| 27 | 27 | Dafyd Y Garreg Wen (David Of The White Rock) | Benjamin Britten | 3:04 | |
| 28 | 28 | The False Knight Upon The Road | Benjamin Britten | 3:39 | |
| 29 | 29 | Bird Scarer's Song | Benjamin Britten | 0:57 | |
| Media 49: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Sinfonietta, op. 1: I. Poco presto ed agitato | Benjamin Britten | 3:59 | |
| 2 | 2 | Sinfonietta, op. 1: II. Variations, Andante lento | Benjamin Britten | 6:18 | |
| 3 | 3 | Sinfonietta, op. 1: III. Tarantella, Presto vivace | Benjamin Britten | 4:13 | |
| 4 | 4 | Simple Symphony, op. 4: I. Boisterous Bourrée | Benjamin Britten | 3:25 | |
| 5 | 5 | Simple Symphony, op. 4: II. Playful Pizzicato | Benjamin Britten | 3:03 | |
| 6 | 6 | Simple Symphony, op. 4: III. Sentimental Saraband | Benjamin Britten | 7:54 | |
| 7 | 7 | Simple Symphony, op. 4: IV. Frolicsome Finale | Benjamin Britten | 2:59 | |
| 8 | 8 | Variations on a theme of Frank Bridge, op. 10: I. Introduction & Theme | Benjamin Britten | 1:57 | |
| 9 | 9 | Variations on a theme of Frank Bridge, op. 10: II. Adagio | Benjamin Britten | 2:24 | |
| 10 | 10 | Variations on a theme of Frank Bridge, op. 10: III. March | Benjamin Britten | 1:07 | |
| 11 | 11 | Variations on a theme of Frank Bridge, op. 10: IV. Romance | Benjamin Britten | 1:37 | |
| 12 | 12 | Variations on a theme of Frank Bridge, op. 10: V. Aria Italiana | Benjamin Britten | 1:19 | |
| 13 | 13 | Variations on a theme of Frank Bridge, op. 10: VI. Bourrée Classique | Benjamin Britten | 1:17 | |
| 14 | 14 | Variations on a theme of Frank Bridge, op. 10: VII. Wiener Waltzer | Benjamin Britten | 2:41 | |
| 15 | 15 | Variations on a theme of Frank Bridge, op. 10: VIII. Moto Perpetuo | Benjamin Britten | 1:10 | |
| 16 | 16 | Variations on a theme of Frank Bridge, op. 10: IX. Funeral March | Benjamin Britten | 3:58 | |
| 17 | 17 | Variations on a theme of Frank Bridge, op. 10: X. Chant | Benjamin Britten | 1:39 | |
| 18 | 18 | Variations on a theme of Frank Bridge, op. 10: 1I. Fugue & Finale | Benjamin Britten | 7:35 | |
| 19 | 19 | Soirées musicales, op. 9: I. March | Benjamin Britten | 1:21 | |
| 20 | 20 | Soirées musicales, op. 9: II. Canzonetta | Benjamin Britten | 2:23 | |
| 21 | 21 | Soirées musicales, op. 9: III. Tirolese | Benjamin Britten | 2:04 | |
| 22 | 22 | Soirées musicales, op. 9: IV. Bolero | Benjamin Britten | 1:49 | |
| 23 | 23 | Soirées musicales, op. 9: V. Tarantella | Benjamin Britten | 2:00 | |
| 24 | 24 | Matinées musicales, op. 24: I. March | Benjamin Britten | 2:33 | |
| 25 | 25 | Matinées musicales, op. 24: II. Nocturne | Benjamin Britten | 3:00 | |
| 26 | 26 | Matinées musicales, op. 24: III. Waltz | Benjamin Britten | 1:52 | |
| 27 | 27 | Matinées musicales, op. 24: IV. Pantomime | Benjamin Britten | 2:51 | |
| 28 | 28 | Matinées musicales, op. 24: V. Moto Perpetuo | Benjamin Britten | 3:01 | |
| Media 50: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Rondo Concertante (1930): I. Allegro Molto | Benjamin Britten | 5:37 | |
| 2 | 2 | Rondo Concertante (1930): II. Lento | Benjamin Britten | 9:24 | |
| 3 | 3 | Untitled Fragment (1930) for Strings | Benjamin Britten | 2:44 | |
| 4 | 4 | Two Portraits For String Orchestra: I. D. Layton: Poco Presto | Benjamin Britten | 9:12 | |
| 5 | 5 | Two Portraits For String Orchestra: II. E.B.B.: Poco Lento | Benjamin Britten | 5:48 | |
| 6 | 6 | Double Concerto For Violin, Viola & Orchestra: I. Allegro Ma Non Troppo | Benjamin Britten | 6:06 | |
| 7 | 7 | Double Concerto For Violin, Viola & Orchestra: II. Rhapsody. Poco Lento | Benjamin Britten | 7:25 | |
| 8 | 8 | Double Concerto For Violin, Viola & Orchestra: III. Allegro Scherzando. Allegro Non Troppo | Benjamin Britten | 8:07 | |
| 9 | 9 | Movements For a Clarinet Concerto (c1942): 1. | Benjamin Britten | 5:29 | |
| 10 | 10 | Movements For a Clarinet Concerto (c1942): 2. | Benjamin Britten | 7:13 | |
| 11 | 11 | Movements For a Clarinet Concerto (c1942): 3. | Benjamin Britten | 5:05 | |
| Media 51: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Piano Concerto, op. 13: I. Toccata | Benjamin Britten | 12:01 | |
| 2 | 2 | Piano Concerto, op. 13: II. Waltz | Benjamin Britten | 5:06 | |
| 3 | 3 | Piano Concerto, op. 13: III. Impromptu | Benjamin Britten | 8:07 | |
| 4 | 4 | Piano Concerto, op. 13: IV. March | Benjamin Britten | 8:51 | |
| 5 | 5 | Violin Concerto, op. 15: I. Moderato con moto | Benjamin Britten | 9:18 | |
| 6 | 6 | Violin Concerto, op. 15: II. Vivace | Benjamin Britten | 9:19 | |
| 7 | 7 | Violin Concerto, op. 15: III. Passacaglia; Andante lento | Benjamin Britten | 13:38 | |
| Media 52: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Mont Juic: Suite of Catalan Dances, op. 12: I. Lament: Andante Moderato | Benjamin Britten | 4:46 | |
| 2 | 2 | Mont Juic: Suite of Catalan Dances, op. 12: II. Allegro Molto | Benjamin Britten | 2:26 | |
| 3 | 3 | Young Apollo, op. 16 | Benjamin Britten | 7:35 | |
| 4 | 4 | Canadian Carnival, op. 19 | Benjamin Britten | 14:00 | |
| 5 | 5 | Sinfonia da Requiem, op. 20: Lacrymosa | Benjamin Britten | 8:47 | |
| 6 | 6 | Sinfonia da Requiem, op. 20: Dies Irae | Benjamin Britten | 5:04 | |
| 7 | 7 | Sinfonia da Requiem, op. 20: Requiem aeternam | Benjamin Britten | 6:40 | |
| 8 | 8 | Diversions for piano (left hand) & orchestra, op. 21: Theme | Benjamin Britten | 1:07 | |
| 9 | 9 | Diversions for piano (left hand) & orchestra, op. 21: Variation I: Recitative | Benjamin Britten | 1:30 | |
| 10 | 10 | Diversions for piano (left hand) & orchestra, op. 21: Variation II: Romance | Benjamin Britten | 1:28 | |
| 11 | 11 | Diversions for piano (left hand) & orchestra, op. 21: Variation III: March | Benjamin Britten | 1:18 | |
| 12 | 12 | Diversions for piano (left hand) & orchestra, op. 21: Variation IV: Arabesque | Benjamin Britten | 1:35 | |
| 13 | 13 | Diversions for piano (left hand) & orchestra, op. 21: Variation V: Chant | Benjamin Britten | 1:46 | |
| 14 | 14 | Diversions for piano (left hand) & orchestra, op. 21: Variation VI: Nocturne | Benjamin Britten | 2:05 | |
| 15 | 15 | Diversions for piano (left hand) & orchestra, op. 21: Variation VII: Badinerie | Benjamin Britten | 1:25 | |
| 16 | 16 | Diversions for piano (left hand) & orchestra, op. 21: Variation VIII: Burlesque | Benjamin Britten | 1:50 | |
| 17 | 17 | Diversions for piano (left hand) & orchestra, op. 21: Variation IXa -Toccata I | Benjamin Britten | 0:48 | |
| 18 | 18 | Diversions for piano (left hand) & orchestra, op. 21: Variation IXb: Toccata II | Benjamin Britten | 2:01 | |
| 19 | 19 | Diversions for piano (left hand) & orchestra, op. 21: Variation X: Adagio | Benjamin Britten | 4:17 | |
| 20 | 20 | Diversions for piano (left hand) & orchestra, op. 21: Variation XI: Tarantella | Benjamin Britten | 2:39 | |
| Media 53: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Scottish Ballad, op. 26, for two pianos and orchestra | Benjamin Britten | 14:53 | |
| 2 | 2 | An American Overture, op. 27 | Benjamin Britten | 10:27 | |
| 3 | 3 | Prelude and Fugue for 18-part string orchestra, op. 29 | Benjamin Britten | 9:13 | |
| 4 | 4 | The Young Person's Guide to the Orchestra, op.34, without spoken text: Theme: Allegro maestoso e largamente | Benjamin Britten | 1:56 | |
| 5 | 5 | The Young Person's Guide to the Orchestra, op.34, without spoken text: Variation A: Flutes & Piccolo: Presto | Benjamin Britten | 0:32 | |
| 6 | 6 | The Young Person's Guide to the Orchestra, op.34, without spoken text: Variation B: Oboes: Lento | Benjamin Britten | 1:04 | |
| 7 | 7 | The Young Person's Guide to the Orchestra, op.34, without spoken text: Variation C: Clarinets: Moderato | Benjamin Britten | 0:37 | |
| 8 | 8 | The Young Person's Guide to the Orchestra, op.34, without spoken text: Variation D: Bassoons: Allegro alla marcia | Benjamin Britten | 0:53 | |
| 9 | 9 | The Young Person's Guide to the Orchestra, op.34, without spoken text: Variation E: Violins: Brillante | Benjamin Britten | 0:36 | |
| 10 | 10 | The Young Person's Guide to the Orchestra, op.34, without spoken text: Variation F: Violas: Meno mosso | Benjamin Britten | 0:59 | |
| 11 | 11 | The Young Person's Guide to the Orchestra, op.34, without spoken text: Variation G: Cellos | Benjamin Britten | 1:17 | |
| 12 | 12 | The Young Person's Guide to the Orchestra, op.34, without spoken text: Variation H: Double Basses: Cominciando lento ma poco a poco accelerando | Benjamin Britten | 0:58 | |
| 13 | 13 | The Young Person's Guide to the Orchestra, op.34, without spoken text: Variation I: Harp: Maestoso | Benjamin Britten | 0:49 | |
| 14 | 14 | The Young Person's Guide to the Orchestra, op.34, without spoken text: Variation J: Horns: L'istesso tempo | Benjamin Britten | 0:44 | |
| 15 | 15 | The Young Person's Guide to the Orchestra, op.34, without spoken text: Variation K: Trumpets: Vivace | Benjamin Britten | 0:33 | |
| 16 | 16 | The Young Person's Guide to the Orchestra, op.34, without spoken text: Variation L: Trombones & Bass Tuba: Allegro pomposo | Benjamin Britten | 0:58 | |
| 17 | 17 | The Young Person's Guide to the Orchestra, op.34, without spoken text: Variation M: Percussion: Moderato | Benjamin Britten | 1:47 | |
| 18 | 18 | The Young Person's Guide to the Orchestra, op.34, without spoken text: Fugue: Allegro molto | Benjamin Britten | 2:46 | |
| 19 | 19 | Men Of Goodwill: Variations On A Christmas Carol | Benjamin Britten | 8:30 | |
| 20 | 20 | Sellinger's Round: variations for keyboard, Variations on an Elizabethan Theme: Variation 4 | Benjamin Britten | 1:57 | |
| 21 | 21 | Occasional Overture, op. 38 | Benjamin Britten | 7:12 | |
| Media 54: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Symphony For Cello And Orchestra, op. 68: Allegro maestoso | Benjamin Britten | 12:32 | |
| 2 | 2 | Symphony For Cello And Orchestra, op. 68: Presto inquieto | Benjamin Britten | 3:40 | |
| 3 | 3 | Symphony For Cello And Orchestra, op. 68: Adagio | Benjamin Britten | 10:33 | |
| 4 | 4 | Symphony For Cello And Orchestra, op. 68: Passacaglia | Benjamin Britten | 7:24 | |
| 5 | 5 | In Memoriam Dennis Brain (c1958), In Memorium Dennis Brain (c1958): Introduction | Benjamin Britten | 1:42 | |
| 6 | 6 | In Memoriam Dennis Brain (c1958), In Memorium Dennis Brain (c1958): Allegro | Benjamin Britten | 2:11 | |
| 7 | 7 | The Building Of The House: Overture, op. 79 | Benjamin Britten | 5:25 | |
| 8 | 8 | Suite On English Folk Tunes: "A Time There Was...", op. 90: I. Cakes And Ale | Benjamin Britten | 2:33 | |
| 9 | 9 | Suite On English Folk Tunes: "A Time There Was...", op. 90: II. The Bitter Withy | Benjamin Britten | 2:56 | |
| 10 | 10 | Suite On English Folk Tunes: "A Time There Was...", op. 90: III. Hankin Booby | Benjamin Britten | 2:30 | |
| 11 | 11 | Suite On English Folk Tunes: "A Time There Was...", op. 90: IV. Hunt The Squirrel | Benjamin Britten | 1:18 | |
| 12 | 12 | Suite On English Folk Tunes: "A Time There Was...", op. 90: V. Lord Melbourne | Benjamin Britten | 5:27 | |
| 13 | 13 | Lachrymae, op. 48a (Reflections On A Song Of John Dowland) | Benjamin Britten | 16:18 | |
| Media 55: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Reflection (1930) | Benjamin Britten | 3:37 | |
| 2 | 2 | Elegy | Benjamin Britten | 6:16 | |
| 3 | 3 | Lachrymae, op. 48 (Reflections on a song of Dowland) | Benjamin Britten | 13:47 | |
| 4 | 4 | Suite, op. 6 for Violin & Piano: Introduction: Andante Maestoso | Benjamin Britten | 0:41 | |
| 5 | 5 | Suite, op. 6 for Violin & Piano: I. March: Allegro alla Marcia | Benjamin Britten | 2:48 | |
| 6 | 6 | Suite, op. 6 for Violin & Piano: II. Moto Perpetuo: Allegro Molto e Con Fuoco | Benjamin Britten | 3:11 | |
| 7 | 7 | Suite, op. 6 for Violin & Piano: III. Lullaby: Lento Tranquillo | Benjamin Britten | 4:39 | |
| 8 | 8 | Suite, op. 6 for Violin & Piano: IV. Waltz: Alla Valse: Vivace e Rubato | Benjamin Britten | 4:24 | |
| 9 | 9 | Reveille (1937) | Benjamin Britten | 4:37 | |
| 10 | 10 | 2 Insect Pieces: I. The Grasshopper | Benjamin Britten | 3:30 | |
| 11 | 11 | 2 Insect Pieces: II. The Wasp | Benjamin Britten | 1:56 | |
| 12 | 12 | Temporal Variations | Benjamin Britten | 14:29 | |
| 13 | 13 | 6 Metamorphoses after Ovid, op. 49: I. Pan | Benjamin Britten | 1:59 | |
| 14 | 14 | 6 Metamorphoses after Ovid, op. 49: II. Phaeton | Benjamin Britten | 1:20 | |
| 15 | 15 | 6 Metamorphoses after Ovid, op. 49: III. Niobe | Benjamin Britten | 1:57 | |
| 16 | 16 | 6 Metamorphoses after Ovid, op. 49: IV. Bacchus | Benjamin Britten | 1:51 | |
| 17 | 17 | 6 Metamorphoses after Ovid, op. 49: V. Narcissus | Benjamin Britten | 2:57 | |
| 18 | 18 | 6 Metamorphoses after Ovid, op. 49: VI. Arethusa | Benjamin Britten | 2:16 | |
| Media 56: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Suite For Cello no. 1, op. 72: I. Canto primo (sostenuto e largamente) | Benjamin Britten | 2:22 | 184.5703 |
| 2 | 2 | Suite For Cello no. 1, op. 72: Fuga: Andante moderato | Benjamin Britten | 3:52 | 143.5376 |
| 3 | 3 | Suite For Cello no. 1, op. 72: Lamento: Lento rubato | Benjamin Britten | 2:46 | 143.0322 |
| 4 | 4 | Suite For Cello no. 1, op. 72: II. Canto secondo (Sostenuto) | Benjamin Britten | 1:04 | 143.9506 |
| 5 | 5 | Suite For Cello no. 1, op. 72: Serenata: Allegretto: pizzicato | Benjamin Britten | 2:28 | 143.2794 |
| 6 | 6 | Suite For Cello no. 1, op. 72: Marcia: Alla marcia moderato | Benjamin Britten | 3:23 | 105.9892 |
| 7 | 7 | Suite For Cello no. 1, op. 72: III. Canto terzo (Sostenuto) | Benjamin Britten | 2:09 | 107.2682 |
| 8 | 8 | Suite For Cello no. 1, op. 72: Bordone: Moderato quasi recitativo | Benjamin Britten | 3:06 | 178.2059 |
| 9 | 9 | Suite For Cello no. 1, op. 72: Moto perpetuo e canto quarto: Presto | Benjamin Britten | 2:59 | 129.6841 |
| 10 | 10 | Suite For Cello no. 2, op. 80: Declamato: Largo | Benjamin Britten | 4:29 | 152.4216 |
| 11 | 11 | Suite For Cello no. 2, op. 80: Fuga: Andante | Benjamin Britten | 4:37 | 123.1925 |
| 12 | 12 | Suite For Cello no. 2, op. 80: Scherzo: Allegro molto | Benjamin Britten | 1:54 | 129.179 |
| 13 | 13 | Suite For Cello no. 2, op. 80: Andante lento | Benjamin Britten | 5:25 | 135.6832 |
| 14 | 14 | Suite For Cello no. 2, op. 80: Ciaconna: Allegro | Benjamin Britten | 7:17 | 101.4537 |
| 15 | 15 | Sonata in C For Cello And Piano op. 65: I. Dialogo | Benjamin Britten | 6:52 | 135.9964 |
| 16 | 16 | Sonata in C For Cello And Piano op. 65: II. Scherzo: pizzicato | Benjamin Britten | 2:29 | 142.5138 |
| 17 | 17 | Sonata in C For Cello And Piano op. 65: III. Elegia | Benjamin Britten | 5:59 | 120.4239 |
| 18 | 18 | Sonata in C For Cello And Piano op. 65: IV. Marcia | Benjamin Britten | 2:09 | 143.6573 |
| 19 | 19 | Sonata in C For Cello And Piano op. 65: V. Moto perpetuo | Benjamin Britten | 2:38 | 117.977 |
| Media 57: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Third Suite for Cello, op. 87: I. Introduzione: Lento | Benjamin Britten | 2:51 | |
| 2 | 2 | Third Suite for Cello, op. 87: II. Marcia: Allegro | Benjamin Britten | 1:41 | |
| 3 | 3 | Third Suite for Cello, op. 87: III. Canto: Con moto | Benjamin Britten | 1:44 | |
| 4 | 4 | Third Suite for Cello, op. 87: IV. Barcarola: Lento | Benjamin Britten | 1:35 | |
| 5 | 5 | Third Suite for Cello, op. 87: V. Dialogo: Allegretto | Benjamin Britten | 1:39 | |
| 6 | 6 | Third Suite for Cello, op. 87: VI. Fuga: Andante espressivo | Benjamin Britten | 2:39 | |
| 7 | 7 | Third Suite for Cello, op. 87: VII. Recitativo: Fantastico | Benjamin Britten | 1:28 | |
| 8 | 8 | Third Suite for Cello, op. 87: VIII. Moto perpetuo: Presto | Benjamin Britten | 0:48 | |
| 9 | 9 | Third Suite for Cello, op. 87: IX. Passacaglia: Lento solenne | Benjamin Britten | 9:47 | |
| 10 | 10 | Nocturnal after John Dowland, op. 70: I. Musingly (Meditativo) | Benjamin Britten | 2:39 | |
| 11 | 11 | Nocturnal after John Dowland, op. 70: II. Agitated (Molto agitativo) | Benjamin Britten | 0:46 | |
| 12 | 12 | Nocturnal after John Dowland, op. 70: III. Restless (Inquieto) | Benjamin Britten | 1:30 | |
| 13 | 13 | Nocturnal after John Dowland, op. 70: IV. Uneasy (Ansioso) | Benjamin Britten | 1:28 | |
| 14 | 14 | Nocturnal after John Dowland, op. 70: V. March-like (Quasi una marcia) | Benjamin Britten | 1:39 | |
| 15 | 15 | Nocturnal after John Dowland, op. 70: VI. Dreaming (Sognanti) | Benjamin Britten | 1:54 | |
| 16 | 16 | Nocturnal after John Dowland, op. 70: VII. Gently Rocking (Cullante) | Benjamin Britten | 1:10 | |
| 17 | 17 | Nocturnal after John Dowland, op. 70: VIII. Passacaglia (Misurato) | Benjamin Britten | 5:10 | |
| 18 | 18 | Nocturnal after John Dowland, op. 70: IX. Slow and Quiet (Tranquillo) | Benjamin Britten | 3:10 | |
| 19 | 19 | Suite for harp, op. 83: I. Overture | Benjamin Britten | 2:34 | |
| 20 | 20 | Suite for harp, op. 83: II. Toccata | Benjamin Britten | 1:19 | |
| 21 | 21 | Suite for harp, op. 83: III. Nocturne | Benjamin Britten | 2:49 | |
| 22 | 22 | Suite for harp, op. 83: IV. Fugue | Benjamin Britten | 1:02 | |
| 23 | 23 | Suite for harp, op. 83: V. Hymn | Benjamin Britten | 4:32 | |
| 24 | 24 | String Quartet no. 3, op. 94: I. Duets | Benjamin Britten | 5:35 | |
| 25 | 25 | String Quartet no. 3, op. 94: II. Ostinato | Benjamin Britten | 3:31 | |
| 26 | 26 | String Quartet no. 3, op. 94: III. Solo | Benjamin Britten | 5:59 | |
| 27 | 27 | String Quartet no. 3, op. 94: IV. Burlesque | Benjamin Britten | 2:14 | |
| 28 | 28 | String Quartet no. 3, op. 94: V. Recitative & Passacaglia | Benjamin Britten | 8:17 | |
| 29 | 29 | Tema "Sacher" for Cello Solo Lento maestoso: Largament | Benjamin Britten | 1:16 | |
| Media 58: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | String Quartet in F (1928): I. Allegro vivace e con brio | Benjamin Britten | 6:35 | |
| 2 | 2 | String Quartet in F (1928): II. Andante | Benjamin Britten | 3:55 | |
| 3 | 3 | String Quartet in F (1928): III. Allegro vivace | Benjamin Britten | 3:26 | |
| 4 | 4 | String Quartet in F (1928): IV. Allegro molto | Benjamin Britten | 4:29 | |
| 5 | 5 | Miniature Suite (1929): I. Novelette | Benjamin Britten | 2:59 | |
| 6 | 6 | Miniature Suite (1929): II. Menuetto | Benjamin Britten | 3:08 | |
| 7 | 7 | Miniature Suite (1929): III. Romanza | Benjamin Britten | 1:57 | |
| 8 | 8 | Miniature Suite (1929): IV. Gavotte | Benjamin Britten | 2:06 | |
| 9 | 9 | Rhapsody (1929) for String Quartet | Benjamin Britten | 6:59 | 164.65 |
| 10 | 10 | Quartettino (1930): I. Andante: Allegro Molto e Con Fuoco | Benjamin Britten | 5:59 | 99.2023 |
| 11 | 11 | Quartettino (1930): II. Poco Adagio Ma Con Moto | Benjamin Britten | 6:23 | 123.3387 |
| 12 | 12 | Quartettino (1930): III. Allegro Molto Vivace | Benjamin Britten | 3:01 | 165.053 |
| 13 | 13 | Phantasy in F minor (1932) for String Quintet | Benjamin Britten | 11:01 | |
| 14 | 14 | Alla Marcia for String Quartet | Benjamin Britten | 3:16 | 83.7475 |
| 15 | 15 | Three Divertimenti for String Quartet: I. March: Allegro Maestoso | Benjamin Britten | 3:44 | 125.7349 |
| 16 | 16 | Three Divertimenti for String Quartet: II. Waltz: Allegretto | Benjamin Britten | 2:45 | 163.1922 |
| 17 | 17 | Three Divertimenti for String Quartet: III. Burlesque: Presto | Benjamin Britten | 3:23 | 99.7682 |
| Media 59: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | String Quartet in D major (1931): I. Allegro maestoso | Benjamin Britten | 8:00 | |
| 2 | 2 | String Quartet in D major (1931): II. Lento ed espressivo | Benjamin Britten | 5:16 | |
| 3 | 3 | String Quartet in D major (1931): III. Allegro giocoso | Benjamin Britten | 4:28 | |
| 4 | 4 | String Quartet no. 1 in D, op. 25: I. Andante sostenuto | Benjamin Britten | 7:46 | |
| 5 | 5 | String Quartet no. 1 in D, op. 25: II. Allegretto con slancio | Benjamin Britten | 2:49 | |
| 6 | 6 | String Quartet no. 1 in D, op. 25: III. Andante calmo | Benjamin Britten | 9:19 | |
| 7 | 7 | String Quartet no. 1 in D, op. 25: IV. Molto vivace | Benjamin Britten | 3:39 | |
| 8 | 8 | String Quartet no. 2 in C, op. 36: I. Allegro calmo senza rigore | Benjamin Britten | 8:42 | |
| 9 | 9 | String Quartet no. 2 in C, op. 36: II. Vivace | Benjamin Britten | 3:28 | |
| 10 | 10 | String Quartet no. 2 in C, op. 36: III. Chacony: Sostenuto | Benjamin Britten | 15:31 | |
| Media 60: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Phantasy, (Quartet for Oboe, violin, viola and cello) | Benjamin Britten | 13:04 | |
| 2 | 2 | Alpine Suite for Recorder Trio: I. Arrival At Zermatt | Benjamin Britten | 0:49 | |
| 3 | 3 | Alpine Suite for Recorder Trio: II. Swiss Clock (Romance) | Benjamin Britten | 1:02 | |
| 4 | 4 | Alpine Suite for Recorder Trio: III. Nursery Slopes | Benjamin Britten | 1:17 | |
| 5 | 5 | Alpine Suite for Recorder Trio: IV. Alpine Scene | Benjamin Britten | 1:54 | |
| 6 | 6 | Alpine Suite for Recorder Trio: V. Moto Perpetuo: Down the Piste | Benjamin Britten | 0:53 | |
| 7 | 7 | Alpine Suite for Recorder Trio: VI. Farewell to Zermatt | Benjamin Britten | 1:54 | |
| 8 | 8 | Scherzo for Recorder Quartet (1954) | Benjamin Britten | 2:13 | |
| 9 | 9 | Timpani Piece For Jimmy | Benjamin Britten | 1:24 | |
| 10 | 10 | Fanfare for St. Edmundsbury (1959) for three trumpets | Benjamin Britten | 3:09 | |
| 11 | 11 | Voluntary on "Tallis' Lamentations" (c 1940) | Benjamin Britten | 3:36 | |
| 12 | 12 | Prelude On "They Walk Alone" (1938) | Benjamin Britten | 3:07 | |
| 13 | 13 | Village Organist's Piece (c 1940) | Benjamin Britten | 3:07 | |
| 14 | 14 | Prelude & Fugue on a theme of Vittoria | Benjamin Britten | 4:28 | |
| 15 | 15 | Gemini Variations (Quartet for 2 players), op. 73: Theme | Benjamin Britten | 1:19 | |
| 16 | 16 | Gemini Variations (Quartet for 2 players), op. 73: Variations 1-12 | Benjamin Britten | 8:45 | |
| 17 | 17 | Gemini Variations (Quartet for 2 players), op. 73: Fugue | Benjamin Britten | 4:46 | |
| 18 | 18 | Introduction And Rondo Alla Burlesca Opus 23 no. 1 | Benjamin Britten | 8:49 | |
| 19 | 19 | Mazurka Elegiaca Opus 23 no. 2 | Benjamin Britten | 6:23 | |
| Media 61: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Five Waltzes (1923-5): I. Rather Fast and Nervous | Benjamin Britten | 1:10 | |
| 2 | 2 | Five Waltzes (1923-5): II. Quick, With Wit | Benjamin Britten | 1:39 | |
| 3 | 3 | Five Waltzes (1923-5): III. Dramatic | Benjamin Britten | 1:41 | |
| 4 | 4 | Five Waltzes (1923-5): IV. Rhythmic, Not Fast | Benjamin Britten | 3:30 | |
| 5 | 5 | Five Waltzes (1923-5): V. Variations: Quiet and Simple | Benjamin Britten | 2:59 | |
| 6 | 6 | A Little Idyll | Benjamin Britten | 2:33 | |
| 7 | 7 | Three Character Pieces (1930): I. John (Poco Allegro Vivace) | Benjamin Britten | 1:58 | |
| 8 | 8 | Three Character Pieces (1930): II. Daphne (Poco Andante Grazioso) | Benjamin Britten | 2:07 | |
| 9 | 9 | Three Character Pieces (1930): III. Michael (Poco Presto e Molto Capriccioso) | Benjamin Britten | 3:02 | |
| 10 | 10 | Twelve Variations On A Theme (1931) | Benjamin Britten | 8:44 | |
| 11 | 11 | Two Lullabies For Piano Duo (1936): I. Lullaby | Benjamin Britten | 3:21 | |
| 12 | 12 | Two Lullabies For Piano Duo (1936): II. Lullaby For A Retired Colonel | Benjamin Britten | 2:24 | |
| 13 | 13 | Holiday Diary, op. 5: I. Early Morning Bathe | Benjamin Britten | 2:05 | |
| 14 | 14 | Holiday Diary, op. 5: II. Sailing | Benjamin Britten | 5:14 | |
| 15 | 15 | Holiday Diary, op. 5: III. Fun-fair | Benjamin Britten | 2:40 | |
| 16 | 16 | Holiday Diary, op. 5: IV. Night | Benjamin Britten | 7:00 | |
| 17 | 17 | Sonatina Romantica (1940), Sonatina Romantica: Moderato | Benjamin Britten | 4:41 | |
| 18 | 18 | Sonatina Romantica (1940), Sonatina Romantica: Nocturne | Benjamin Britten | 2:54 | |
| 19 | 19 | Night Piece (Notturno) | Benjamin Britten | 5:25 | |
| 20 | 20 | Variations For Piano Solo (1965): I. Like an Improvisation | Benjamin Britten | 1:14 | |
| 21 | 21 | Variations For Piano Solo (1965): 2. | Benjamin Britten | 1:19 | |
| 22 | 22 | Variations For Piano Solo (1965): III. Quick and Light | Benjamin Britten | 0:49 | |
| 23 | 23 | Variations For Piano Solo (1965): 4. | Benjamin Britten | 1:00 | |
| 24 | 24 | Variations For Piano Solo (1965): V. Quietly | Benjamin Britten | 1:17 | |
| 25 | 25 | Variations For Piano Solo (1965): VI. Quick | Benjamin Britten | 0:54 | |
| Media 62: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Musicians Discuss Benjamin Britten | Benjamin Britten | 5:43 | |
| 2 | 2 | Musicians Discuss Benjamin Britten | Benjamin Britten | 5:27 | |
| 3 | 3 | Musicians Discuss Benjamin Britten | Benjamin Britten | 17:58 | |
| 4 | 4 | Musicians Discuss Benjamin Britten | Benjamin Britten | 11:43 | |
| 5 | 5 | Musicians Discuss Benjamin Britten | Benjamin Britten | 15:08 | |
| 6 | 6 | Musicians Discuss Benjamin Britten | Benjamin Britten | 2:42 | |
| 7 | 7 | Musicians Discuss Benjamin Britten | Benjamin Britten | 16:59 | |
| 8 | 8 | Musicians Discuss Benjamin Britten | Benjamin Britten | 4:15 | |
| Media 63: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | War Requiem, op. 66: Requiem aeternam | Benjamin Britten | 7:22 | |
| 2 | 2 | War Requiem, op. 66: Dies Irae | Benjamin Britten | 9:46 | |
| 3 | 3 | War Requiem, op. 66: Dies Irae | Benjamin Britten | 2:05 | |
| 4 | 4 | War Requiem, op. 66: Dies Irae | Benjamin Britten | 4:39 | |
| 5 | 5 | War Requiem, op. 66: Offertorium | Benjamin Britten | 8:24 | |
| 6 | 6 | War Requiem, op. 66: Sanctus | Benjamin Britten | 6:16 | |
| 7 | 7 | War Requiem, op. 66: Sanctus | Benjamin Britten | 0:19 | |
| 8 | 8 | War Requiem, op. 66: Agnus Dei | Benjamin Britten | 1:07 | |
| 9 | 9 | War Requiem, op. 66: Libera me | Benjamin Britten | 1:12 | |
| 10 | 10 | War Requiem, op. 66: Libera me | Benjamin Britten | 5:22 | |
| 11 | 11 | War Requiem, op. 66: Libera me | Benjamin Britten | 3:18 | |
| Media 64: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Serenade for tenor, horn & strings, op. 31: Prologue | Benjamin Britten | 1:11 | |
| 2 | 2 | Serenade for tenor, horn & strings, op. 31: Pastoral: The Day's Grown Old | Benjamin Britten | 3:54 | |
| 3 | 3 | Serenade for tenor, horn & strings, op. 31: Nocturne: The Splendour Falls on Castle Walls | Benjamin Britten | 3:17 | |
| 4 | 4 | Serenade for tenor, horn & strings, op. 31: Elegy: O Rose, Thou Art Sick | Benjamin Britten | 4:19 | |
| 5 | 5 | Serenade for tenor, horn & strings, op. 31: Dirge: This Ae Night | Benjamin Britten | 4:11 | |
| 6 | 6 | Serenade for tenor, horn & strings, op. 31: Hymn: Queen and Huntress Chaste and Fair | Benjamin Britten | 2:00 | |
| 7 | 7 | Serenade for tenor, horn & strings, op. 31: Sonnet: O Soft Embalmer of the Still Midnight | Benjamin Britten | 4:01 | |
| 8 | 8 | Serenade for tenor, horn & strings, op. 31: Epilogue | Benjamin Britten | 1:19 | |
| 9 | 9 | Introduction and Rondo alla burlesca, op. 23, no. 1 | Benjamin Britten | 8:56 | |
| 10 | 10 | Mazurka elegiaca, op. 23, no. 2 | Benjamin Britten | 7:35 | |
| 11 | 11 | Sinfonia da Requiem, op. 20: Lacrymosa | Benjamin Britten | 8:20 | |
| 12 | 12 | Sinfonia da Requiem, op. 20: Dies Irae | Benjamin Britten | 5:20 | |
| 13 | 13 | Sinfonia da Requiem, op. 20: Requiem aeternam | Benjamin Britten | 6:08 | |
| 14 | 14 | Four Sea Interludes from "Peter Grimes", op. 33a: I. Dawn | Benjamin Britten | 3:12 | |
| 15 | 15 | Four Sea Interludes from "Peter Grimes", op. 33a: II. Sunday Morning | Benjamin Britten | 3:32 | |
| 16 | 16 | Four Sea Interludes from "Peter Grimes", op. 33a: III. Moonlight | Benjamin Britten | 3:44 | |
| 17 | 17 | Four Sea Interludes from "Peter Grimes", op. 33a: IV. Storm | Benjamin Britten | 3:55 | |
| 18 | 18 | Passacaglia, from "Peter Grimes", op. 33b | Benjamin Britten | 6:56 | |
| Media 65: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Canticle II, Abraham and Isaac, op. 51 | Benjamin Britten | 16:19 | |
| 2 | 2 | Songs From "Friday Afternoons", op. 7: I mun be married on Sunday | Benjamin Britten | 1:18 | |
| 3 | 3 | Songs From "Friday Afternoons", op. 7: Cuckoo! | Benjamin Britten | 0:54 | |
| 4 | 4 | Songs From "Friday Afternoons", op. 7: Fishing song | Benjamin Britten | 2:07 | |
| 5 | 5 | Songs From "Friday Afternoons", op. 7: There was a monkey | Benjamin Britten | 1:27 | |
| 6 | 6 | Songs From "Friday Afternoons", op. 7: A New Year carol | Benjamin Britten | 2:04 | |
| 7 | 7 | On this island, op. 11: I. Let the Florid Music Praise! | Benjamin Britten | 3:41 | |
| 8 | 8 | Four Cabaret Songs: Funeral Blues | Benjamin Britten | 2:02 | |
| 9 | 9 | Four Cabaret Songs: O Tell Me the Truth About Love | Benjamin Britten | 1:38 | |
| 10 | 10 | Sweet Was The Song | Benjamin Britten | 3:06 | |
| 11 | 11 | Missa brevis, op. 63: I. Kyrie eleison | Benjamin Britten | 2:02 | |
| 12 | 12 | Missa brevis, op. 63: II. Gloria in excelsis Deo | Benjamin Britten | 3:00 | |
| 13 | 13 | Missa brevis, op. 63: III. Sanctus...Benedictus | Benjamin Britten | 3:12 | |
| 14 | 14 | Missa brevis, op. 63: IV. Agnus Dei | Benjamin Britten | 2:02 | |
| 15 | 15 | Piano Concerto, op. 13, 1938 Version: III. Recitative & Aria (original 3rd movement) | Benjamin Britten | 9:33 | |
| 16 | 16 | Our Hunting Fathers, op. 8: I. Prologue | Benjamin Britten | 2:00 | |
| 17 | 17 | Our Hunting Fathers, op. 8: II. Rats Away! | Benjamin Britten | 4:27 | |
| 18 | 18 | Our Hunting Fathers, op. 8: III. Messalina | Benjamin Britten | 6:36 | |
| 19 | 19 | Our Hunting Fathers, op. 8: IV. Dance Of Death (Hawking For The Partridge) | Benjamin Britten | 6:03 | |
| 20 | 20 | Our Hunting Fathers, op. 8: V. Epilogue & Funeral March | Benjamin Britten | 6:45 | |
| Media 66: DVD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | The Burning Fiery Furnace, op. 77: Procession | Benjamin Britten | 5:48 | |
| 2 | 2 | The 1967 Recording Of "The Burning Fiery Furnace": II. The Opening Procession | Benjamin Britten | 3:17 | |
| 3 | 3 | The Burning Fiery Furnace, op. 77: By the Royal Command | Benjamin Britten | 8:13 | |
| 4 | 4 | The Burning Fiery Furnace, op. 77: Great King Of Babylon! | Benjamin Britten | 3:45 | |
| 5 | 5 | The 1967 Recording Of "The Burning Fiery Furnace": V. The Village Speaks | Benjamin Britten | 1:50 | |
| 6 | 6 | The Burning Fiery Furnace, op. 77: The Stars Are Against Me! | Benjamin Britten | 5:39 | |
| 7 | 7 | The Burning Fiery Furnace, op. 77: Procession | Benjamin Britten | 4:16 | |
| 8 | 8 | The 1967 Recording Of "The Burning Fiery Furnace": VIII. James Blades & The Percussion | Benjamin Britten | 2:00 | |
| 9 | 9 | The 1967 Recording Of "The Burning Fiery Furnace": IX. The Instrumental Procession Re-Take & James Blades Re-Visited | Benjamin Britten | 6:48 | |
| 10 | 10 | The 1967 Recording Of "The Burning Fiery Furnace": X. The God Of Gold | Benjamin Britten | 5:57 | |
| 11 | 11 | The 1967 Recording Of "The Burning Fiery Furnace": 1I. Culshaw Reflects On Recording Techniques | Benjamin Britten | 1:16 | |
| 12 | 12 | The 1967 Recording Of "The Burning Fiery Furnace": 1II. The Burning Fiery Furnace & The Angel | Benjamin Britten | 4:52 | |
| 13 | 13 | The 1967 Recording Of "The Burning Fiery Furnace": 1III. End Credits | Benjamin Britten | 0:22 | |
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