Media 1: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Sinfonia da Requiem, for orchestra, Op. 20: 1. Lacrymosa | Benjamin Britten | 9:19 | | 1-1 | I. Lacrymosa | Benjamin Britten | 9:19 |
2 | 2 | Sinfonia da Requiem, for orchestra, Op. 20: 2. Dies irae | Benjamin Britten | 4:50 | | 1-2 | II. Dies Irae | Benjamin Britten | 4:50 |
3 | 3 | Sinfonia da Requiem, for orchestra, Op. 20: 3. Requiem aeternam | Benjamin Britten | 7:26 | | 1-3 | III. Requiem Aeternam | Benjamin Britten | 7:20 |
4 | 4 | Sea Interludes (4) from Peter Grimes, for orchestra, Op. 33a: Dawn | Benjamin Britten | 3:44 | | 1-4 | Dawn | Benjamin Britten | 3:44 |
5 | 5 | Sea Interludes (4) from Peter Grimes, for orchestra, Op. 33a: Sunday Morning | Benjamin Britten | 3:44 | | 1-5 | Sunday Morning | Benjamin Britten | 3:44 |
6 | 6 | Sea Interludes (4) from Peter Grimes, for orchestra, Op. 33a: Moonlight | Benjamin Britten | 4:35 | | 1-6 | Moonlight | Benjamin Britten | 4:35 |
7 | 7 | Sea Interludes (4) from Peter Grimes, for orchestra, Op. 33a: Passacaglia, for orchestra, Op. 33b (from "Peter Grimes") | Benjamin Britten | 7:57 | | 1-7 | Passacaglia | Benjamin Britten | 7:57 |
8 | 8 | Sea Interludes (4) from Peter Grimes, for orchestra, Op. 33a: Storm | Benjamin Britten | 4:24 | | 1-8 | Storm | Benjamin Britten | 4:16 |
9 | 9 | Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Theme (Allegro maestoso e largamente) | Benjamin Britten | 1:56 | | 4-8 | Four Sea Interludes And Passacaglia From 'Peter Grimes' Op.33 | Royal Liverpool Philharmonic Orchestra, Libor Pešek | |
10 | 10 | Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation A: Flutes and piccolo | Benjamin Britten | 0:35 | | 9-23 | The Young Person's Guide To The Orchestra Op.34 | Royal Liverpool Philharmonic Orchestra, Libor Pešek | |
11 | 11 | Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation B: Oboes (Lento) | Benjamin Britten | 1:07 | | 2-1 | Canadian Carnival Op.19 | City Of Birmingham Symphony Orchestra, Sir Simon Rattle | 14:02 |
12 | 12 | Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation C: Clarinets (Moderato) | Benjamin Britten | 0:39 | | 2-2 – 2-13 | Diversions For Piano (Left Hand) And Orchestra Op.21 | Peter Donohoe, City Of Birmingham Symphony Orchestra, Sir Simon Rattle | |
13 | 13 | Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation D: Bassoons (Allegro alla marcia) | Benjamin Britten | 0:57 | | 2-14 | Scottish Ballad Op.26 | Peter Donohoe, Philip Fowke, City Of Birmingham Symphony Orchestra, Sir Simon Rattle | 15:14 |
14 | 14 | Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation E: Violins (Brillante: alla polacca) | Benjamin Britten | 0:36 | | 2-15 | An American Overture | City Of Birmingham Symphony Orchestra, Sir Simon Rattle | 10:26 |
15 | 15 | Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation F: Violas (Meno mosso) | Benjamin Britten | 1:16 | | 2-16 | Occasional Overture | City Of Birmingham Symphony Orchestra, Sir Simon Rattle | 7:11 |
16 | 16 | Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation G: Cellos | Benjamin Britten | 0:59 | | 2-17 | The Building of the House | CBSO Chorus, City Of Birmingham Symphony Orchestra, Sir Simon Rattle | 5:02 |
17 | 17 | Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation H: Double basses (Comminciando lento ma poco accel. al Allegro) | Benjamin Britten | 1:02 | | 1-4 | Piano Concerto | Leif Ove Andsnes, City Of Birmingham Symphony Orchestra, Paavo Järvi | 35:32 |
18 | 18 | Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation I: Harp (Maestoso) | Benjamin Britten | 0:49 | | 5-7 | Violin Concerto | Ida Haendel, Bournemouth Symphony Orchestra, Paavo Berglund | 31:05 |
19 | 19 | Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation J: Horns (L'istesso tempo) | Benjamin Britten | 0:52 | | 8 | Young Apollo | Peter Donohoe, Felix Kok, Jeremy Ballard, Peter Cole, Michal Kaznowski, City Of Birmingham Symphony Orchestra, Sir Simon Rattle | 7:37 |
20 | 20 | Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation K: Trumpets (Vivace) | Benjamin Britten | 0:30 | | 1-4 | Simple Symphony | Det Norske Kammerorkester, Iona Brown | 17:51 |
21 | 21 | Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation L: Trombones and bass tuba (Allegro pomposo) | Benjamin Britten | 1:06 | | 5-15 | Variations On A Theme By Frank Bridge | Det Norske Kammerorkester, Iona Brown | 26:58 |
22 | 22 | Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Variation M: Percussion (Moderato) | Benjamin Britten | 1:58 | | 16 | Prelude And Fugue | Det Norske Kammerorkester, Iona Brown | 8:55 |
23 | 23 | Young Person's Guide to the Orchestra (Variations and Fugue on a Theme of Purcell), for speaker ad lib & orchestra, Op. 34: Fugue (Allegro molto) | Benjamin Britten | 2:45 | | 17 | Lachrymae | Lars Anders Tomter, Det Norske Kammerorkester, Iona Brown | 16:20 |
Media 2: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Canadian Carnival, for orchestra, Op. 19 | Benjamin Britten | 14:08 | | 1-9 | Symphonic Suite From 'Gloriana' | Royal Liverpool Philharmonic Orchestra, Takuo Yuasa | 25:54 |
2 | 2 | Diversions, for piano, left hand & orchestra, Op. 21: Theme | Benjamin Britten | 1:18 | 89.7943 | 10-14 | Cello Symphony | Steven Isserlis, City Of London Sinfonia, Richard Hickox | 37:38 |
3 | 3 | Diversions, for piano, left hand & orchestra, Op. 21: Variation 1: Recitative | Benjamin Britten | 1:38 | 146.9195 | 15 | Men Of Goodwill | Minnesota Orchestra, Sir Neville Marriner | 8:30 |
4 | 4 | Diversions, for piano, left hand & orchestra, Op. 21: Variation 2: Romance | Benjamin Britten | 1:20 | 164.1039 | 1-3 | Sinfonietta | Britten Sinfonia, Daniel Harding | 14:40 |
5 | 5 | Diversions, for piano, left hand & orchestra, Op. 21: Variation 3: March | Benjamin Britten | 1:14 | 148.9668 | 4 | Russian Funeral | City Of Birmingham Symphony Orchestra, Sir Simon Rattle | 5:36 |
6 | 6 | Diversions, for piano, left hand & orchestra, Op. 21: Variation 4: Arabesque | Benjamin Britten | 1:50 | 103.2724 | 5-9 | Suite On English Folk Tunes: 'A Time There Was...' | Peter Walden, City Of Birmingham Symphony Orchestra, Sir Simon Rattle | 14:43 |
7 | 7 | Diversions, for piano, left hand & orchestra, Op. 21: Variation 5: Chant | Benjamin Britten | 1:47 | 90.0611 | 10-14 | Matinées Musicales | English Chamber Orchestra, Alexander Gibson | 15:43 |
8 | 8 | Diversions, for piano, left hand & orchestra, Op. 21: Variation 6: Nocturne | Benjamin Britten | 2:00 | 147.41 | 15-19 | Soirées Musicales | English Chamber Orchestra, Alexander Gibson | 11:01 |
9 | 9 | Diversions, for piano, left hand & orchestra, Op. 21: Variation 7: Badinerie | Benjamin Britten | 1:20 | 142.8743 | 20-24 | Rossini Suite | The Choir Of Paisley Abbey, Scottish Chamber Orchestra, Steuart Bedford | 9:37 |
10 | 10 | Diversions, for piano, left hand & orchestra, Op. 21: Variation 8: Burlesque | Benjamin Britten | 1:36 | 123.0863 | CD7 | The Prince Of The Pagodas (Beg.) | London Sinfonietta, Oliver Knussen | |
11 | 11 | Diversions, for piano, left hand & orchestra, Op. 21: Variation 9: Toccata 1 - Toccata 2 - Cadenza | Benjamin Britten | 2:48 | 133.2192 | CD8 | The Prince Of The Pagodas (Concl.) | London Sinfonietta, Oliver Knussen | 40:57 |
12 | 12 | Diversions, for piano, left hand & orchestra, Op. 21: Variation 10: Adagio | Benjamin Britten | 4:00 | 90.1366 | 1 | Rhapsody For String Quartet | Endellion String Quartet | 7:06 |
13 | 13 | Diversions, for piano, left hand & orchestra, Op. 21: Variation 11: Finale (Tarantella) | Benjamin Britten | 2:33 | | 2-4 | Quartettino | Endellion String Quartet | 15:31 |
14 | 14 | Scottish Ballad, for 2 pianos & orchestra, Op. 26 | Benjamin Britten | 15:23 | | 5 | Elegy For Solo Viola | Garfield Jackson | 7:25 |
15 | 15 | Occasional Overture, for orchestra in C major, Op. 38 (withdrawn) | Benjamin Britten | 7:18 | | 6-8 | String Quartet In D | Endellion String Quartet | 19:48 |
16 | 16 | An American Overture | Benjamin Britten | 10:35 | | 9 | Phantasy In F Minor For String Quartet | Nicholas Logie, Endellion String Quartet | 10:59 |
17 | 17 | The Building of the House, overture for chorus & orchestra, Op. 79 | Benjamin Britten | 5:02 | 150.8162 | 1 | Phantasy For Oboe And String Trio | Endellion String Quartet | 13:17 |
Media 3: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Piano Concerto in D major, Op. 13: 1. Toccata | Benjamin Britten | 12:31 | | 2-4 | Three Divertimenti | Endellion String Quartet | 9:52 |
2 | 2 | Piano Concerto in D major, Op. 13: 2. Waltz | Benjamin Britten | 5:10 | | 5 | Alla Marcia | Endellion String Quartet | 3:23 |
3 | 3 | Piano Concerto in D major, Op. 13: 3. Impromptu | Benjamin Britten | 8:47 | | 6-9 | String Quartet No. 1 | Endellion String Quartet | 26:58 |
4 | 4 | Piano Concerto in D major, Op. 13: 4. March | Benjamin Britten | 9:09 | | 1-3 | String Quartet No. 2 | Endellion String Quartet | 29:18 |
5 | 5 | Violin Concerto in D minor, Op. 15: 1. Moderato con moto | Benjamin Britten | 8:33 | | 4-8 | String Quartet No. 3 | Endellion String Quartet | 26:02 |
6 | 6 | Violin Concerto in D minor, Op. 15: 2. Vivace | Benjamin Britten | 8:26 | | 1-9 | Cello Suite No. 1 | Truls Mørk | 25:21 |
7 | 7 | Violin Concerto in D minor, Op. 15: 3. Passacaglia (Andante lento - Un poco meno mosso) | Benjamin Britten | 14:12 | | 10-14 | Cello Suite No. 2 | Truls Mørk | 23:53 |
8 | 8 | Young Apollo, for piano, string quartet & strings, Op. 16 (withdrawn by composer) | Benjamin Britten | 7:37 | | 15-23 | Cello Suite No. 3 | Truls Mørk | 23:28 |
Media 4: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Simple Symphony, for string orchestra, Op. 4: 1. Boisterous Bourrée | Benjamin Britten | 2:55 | | 1-4 | Holiday Diary | Stephen Hough | 16:59 |
2 | 2 | Simple Symphony, for string orchestra, Op. 4: 2. Playful Pizzicato | Benjamin Britten | 3:22 | | 5-7 | Three Character Pieces | Stephen Hough | 7:04 |
3 | 3 | Simple Symphony, for string orchestra, Op. 4: 3. Sentimental Sarabande | Benjamin Britten | 8:30 | | 8 | Night Piece (Notturno) | Stephen Hough | 5:22 |
4 | 4 | Simple Symphony, for string orchestra, Op. 4: 4. Frolicsome Finale | Benjamin Britten | 3:03 | | 9-10 | From Sonatina Romantica | Stephen Hough | 7:31 |
5 | 5 | Variations on a Theme by Frank Bridge, for strings, Op. 10: Introduction and Theme | Benjamin Britten | 2:08 | | 11 | Twelve Variations On A Theme | Stephen Hough | 8:40 |
6 | 6 | Variations on a Theme by Frank Bridge, for strings, Op. 10: Variation 1: Adagio | Benjamin Britten | 2:24 | | 12-16 | Five Waltzes | Stephen Hough | 10:55 |
7 | 7 | Variations on a Theme by Frank Bridge, for strings, Op. 10: Variation 2: March | Benjamin Britten | 1:09 | | 17-18 | Two Lullabies | Stephen Hough, Ronan O'Hora | 5:41 |
8 | 8 | Variations on a Theme by Frank Bridge, for strings, Op. 10: Variation 3: Romance | Benjamin Britten | 1:41 | | 19 | Mazurka Elegiaca | Stephen Hough, Ronan O'Hora | 8:21 |
9 | 9 | Variations on a Theme by Frank Bridge, for strings, Op. 10: Variation 4: Aria italiana | Benjamin Britten | 1:21 | | 20-21 | Introduction & Rondo Alla Burlesca | Stephen Hough, Ronan O'Hora | 9:05 |
10 | 10 | Variations on a Theme by Frank Bridge, for strings, Op. 10: Variation 5: Bourrée classique | Benjamin Britten | 1:18 | | 1-5 | Suite For Violin And Piano | Alexander Barantschik, John Adey | 15:56 |
11 | 11 | Variations on a Theme by Frank Bridge, for strings, Op. 10: Variation 6: Wiener Walzer | Benjamin Britten | 3:00 | | 6-10 | Cello Sonata | Moray Welsh, John Lenehan | 22:13 |
12 | 12 | Variations on a Theme by Frank Bridge, for strings, Op. 10: Variation 7: Moto perpetuo | Benjamin Britten | 1:09 | | 11-16 | Six Metamorphoses After Ovid For Solo Oboe | Roy Carter | 14:14 |
13 | 13 | Variations on a Theme by Frank Bridge, for strings, Op. 10: Variation 8: Funeral March | Benjamin Britten | 3:42 | | 17-25 | Nocturnal After John Dowland | Julian Bream | 19:21 |
14 | 14 | Variations on a Theme by Frank Bridge, for strings, Op. 10: Variation 9: Chant | Benjamin Britten | 1:44 | | 1-18 | War Requiem (Beg.) | Elisabeth Söderström, Robert Tear, Thomas Allen, Mark Blatchly, The Choir Of Christ Church Cathedral, CBSO Chorus, City Of Birmingham Symphony Orchestra, Sir Simon Rattle | 0:41 |
15 | 15 | Variations on a Theme by Frank Bridge, for strings, Op. 10: Variation 10: Fugue and Finale | Benjamin Britten | 7:24 | | 1-3 | War Requiem (Concl.) | Elisabeth Söderström, Robert Tear, Thomas Allen, Mark Blatchly, The Choir Of Christ Church Cathedral, CBSO Chorus, City Of Birmingham Symphony Orchestra, Sir Simon Rattle | 22:46 |
16 | 16 | Prelude & Fugue, for 18 strings, Op. 29 | Benjamin Britten | 8:55 | | 4-15 | Spring Symphony | Sheila Armstrong, Janet Baker, Robert Tear, St. Clement Danes Grammar School Boys' Choir, London Symphony Orchestra, André Previn | 44:40 |
17 | 17 | Lachrymae, reflections on a song of Dowland, for viola & string orchestra, Op. 48a | Benjamin Britten | 16:20 | | 1-3 | Hymn to St Cecilia | The King's College Choir Of Cambridge, David Willcocks | 11:29 |
Media 5: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a: 1. The Tournament | Benjamin Britten | 4:13 | | 4-15 | A Ceremony of Carols | The King's College Choir Of Cambridge, David Willcocks | 22:28 |
2 | 2 | Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a: 2. The Lute Song | Benjamin Britten | 4:43 | | 16-20 | Missa Brevis | The King's College Choir Of Cambridge, David Willcocks | 10:07 |
3 | 3 | Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a: 3. The Courtly Dances. March | Benjamin Britten | 0:48 | | 21 | Festival Te Deum | The King's College Choir Of Cambridge, Philip Ledger | 6:27 |
4 | 4 | Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a: 3. The Courtly Dances. Coranto | Benjamin Britten | 1:07 | | 22-28 | Rejoice In The Lamb | The King's College Choir Of Cambridge, Philip Ledger | 16:30 |
5 | 5 | Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a: 3. The Courtly Dances. Pavane | Benjamin Britten | 2:16 | | 29 | Te Deum In C | The King's College Choir Of Cambridge, Philip Ledger | 7:59 |
6 | 6 | Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a: 3. The Courtly Dances. Morris Dance | Benjamin Britten | 1:02 | | 30 | Jubilate Deo | The King's College Choir Of Cambridge, Philip Ledger | 2:29 |
7 | 7 | Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a: 3. The Courtly Dances. Galliard | Benjamin Britten | 1:54 | | 1 | A Hymn To The Virgin | Robert Tear, Bruce Russell, Andrew Davis, Ian Hare, Cambridge Girls' Choir, The Academy Of St. Martin-in-the-Fields, David Willcocks | 3:25 |
8 | 8 | Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a: 3. The Courtly Dances. Lavolta | Benjamin Britten | 2:07 | | 2-10 | Saint Nicolas | Philip Ledger, Bruce Russell, Andrew Davis, Ian Hare, Cambridge Girls' Choir, The Academy Of St. Martin-in-the-Fields, David Willcocks | 50:30 |
9 | 9 | Gloriana, symphonic suite for tenor (or oboe) & orchestra, Op. 53a: 4. Gloriana moritura | Benjamin Britten | 7:46 | | 11 | Hymn To St Peter | Philip Ledger, Bruce Russell, Andrew Davis, Ian Hare, Cambridge Girls' Choir, The Academy Of St. Martin-in-the-Fields, David Willcocks | 5:33 |
10 | 10 | Cello Symphony, for cello & orchestra, Op. 68: 1. Allegro maestoso | Benjamin Britten | 13:25 | | 12 | A Hymn Of St Columba | Philip Ledger, Bruce Russell, Andrew Davis, Ian Hare, Cambridge Girls' Choir, The Academy Of St. Martin-in-the-Fields, David Willcocks | 2:41 |
11 | 11 | Cello Symphony, for cello & orchestra, Op. 68: 2. Presto inquieto | Benjamin Britten | 4:00 | | 13-20 | Sacred And Profane | Vasari Singers, Jeremy Backhouse | 15:25 |
12 | 12 | Cello Symphony, for cello & orchestra, Op. 68: 3. Adagio | Benjamin Britten | 8:45 | | 1-19 | The Little Sweep | Finchley Children's Music Group, Choral Scholars of King's College, Cambridge, The Medici Quartet, Philip Ledger | 44:10 |
13 | 13 | Cello Symphony, for cello & orchestra, Op. 68: Cadenza | Benjamin Britten | 3:21 | | 20-26 | A Boy Was Born | London Sinfonietta Chorus, Choristers Of St Paul's Cathedral Choir, Terry Edwards | 29:17 |
14 | 14 | Cello Symphony, for cello & orchestra, Op. 68: 4. Passacaglia (Andante allegro) | Benjamin Britten | 8:12 | | 27 | A Shepard's Carol | London Sinfonietta Chorus, Terry Edwards | 4:07 |
15 | 15 | Men of Goodwill, variations on a carol for orchestra | Benjamin Britten | 8:30 | | 1-14 | Noye's Fludde | Coull Quartet, Endymion Ensemble, John Alley, Ian Watson, Richard Hickox, Alan Harwood | 47:20 |
Media 6: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Sinfonietta, for chamber orchestra, Op. 1: 1. Poco presto ed agitato | Benjamin Britten | 4:13 | | 15-21 | AMDG | London Sinfonietta Chorus, Terry Edwards | 20:01 |
2 | 2 | Sinfonietta, for chamber orchestra, Op. 1: 2. Andante lento | Benjamin Britten | 6:38 | | 22 | The Ballad Of Little Musgrave And Lady Barnard | The Baccholian Singers Of London | 9:57 |
3 | 3 | Sinfonietta, for chamber orchestra, Op. 1: 3. Tarantella: Presto vivace | Benjamin Britten | 3:55 | | 1-11 | The Company Of Heaven | Peter Barkworth, Sheila Allen, Cathryn Pope, Dan Dressen, Christopher Herrick, London Philharmonic Choir, Philip Brunelle | 49:35 |
4 | 4 | Russian Funeral, for brass & percussion | Benjamin Britten | 5:41 | 84.6008 | 12-14 | Ballad Of Heroes | Alison Hargan, Mary King, Robert Tear, Willard White, City Of Birmingham Symphony Orchestra Chorus, City Of Birmingham Symphony Orchestra, Sir Simon Rattle | 16:13 |
5 | 5 | Suite on English folk tunes (A time there was), for orchestra, Op. 90: 1. Cakes and Ale | Benjamin Britten | 2:32 | | 15-17 | Praise We Great Men | Alison Hargan, Mary King, Robert Tear, Willard White, City Of Birmingham Symphony Orchestra Chorus, City Of Birmingham Symphony Orchestra, Sir Simon Rattle | 7:09 |
6 | 6 | Suite on English folk tunes (A time there was), for orchestra, Op. 90: 2. The Bitter Withy | Benjamin Britten | 2:56 | | 1-10 | Les Illuminations | Heather Harper, Northern Sinfonia, Sir Neville Marriner | 21:47 |
7 | 7 | Suite on English folk tunes (A time there was), for orchestra, Op. 90: 3. Hankin Booby | Benjamin Britten | 2:30 | | 11-18 | Serenade For Tenor, Horn And Strings | Neil Mackie, Barry Tuckwell, Scottish Chamber Orchestra, Steuart Bedford | 23:21 |
8 | 8 | Suite on English folk tunes (A time there was), for orchestra, Op. 90: 4. Hunt the Squirrel | Benjamin Britten | 1:18 | 148.0481 | 19 | Now Sleeps The Crimson Petal | Neil Mackie, Barry Tuckwell, Scottish Chamber Orchestra, Steuart Bedford | 2:53 |
9 | 9 | Suite on English folk tunes (A time there was), for orchestra, Op. 90: 5. Lord Melbourne | Benjamin Britten | 5:29 | | 20-27 | Nocturne | Robert Tear, English Chamber Orchestra, Jeffrey Tate | 27:27 |
10 | 10 | Matinées musicales (Rossini Suite No.2), for orchestra, Op. 24: March | Benjamin Britten | 2:48 | | 1-4 | Quatre Chansons Françaises | Jill Gomez, City Of Birmingham Symphony Orchestra, Sir Simon Rattle | 12:37 |
11 | 11 | Matinées musicales (Rossini Suite No.2), for orchestra, Op. 24: Nocturne | Benjamin Britten | 4:31 | | 5-9 | Our Hunting Fathers | Elisabeth Söderström, The Welsh National Opera Orchestra, Richard Armstrong | 26:14 |
12 | 12 | Matinées musicales (Rossini Suite No.2), for orchestra, Op. 24: Waltz | Benjamin Britten | 1:58 | | 10-13 | Folksongs Arrangements | Elisabeth Söderström, The Welsh National Opera Orchestra, Richard Armstrong | 7:19 |
13 | 13 | Matinées musicales (Rossini Suite No.2), for orchestra, Op. 24: Pantomime | Benjamin Britten | 3:37 | | 14-16 | Phaedra | Felicity Palmer, Jane Salmon, Melvyn Tan, Endymion Ensemble, John Whitfield | 15:59 |
14 | 14 | Matinées musicales (Rossini Suite No.2), for orchestra, Op. 24: Moto perpetuo | Benjamin Britten | 2:54 | | 17-21 | Five French Folksong Arrangements | Felicity Palmer, Jane Salmon, Melvyn Tan, Endymion Ensemble, John Whitfield | 11:42 |
15 | 15 | Soirées Musicales (Rossini Suite 1), suite for orchestra, Op. 9: March | Benjamin Britten | 1:31 | | 1-7 | Seven Sonnets of Michelangelo | Peter Pears, Benjamin Britten | 16:10 |
16 | 16 | Soirées Musicales (Rossini Suite 1), suite for orchestra, Op. 9: Canzonetta | Benjamin Britten | 3:04 | | 8-16 | Holy Sonnets of John Donne | Peter Pears, Benjamin Britten | 23:49 |
17 | 17 | Soirées Musicales (Rossini Suite 1), suite for orchestra, Op. 9: Tirolese | Benjamin Britten | 2:07 | | 17:21 | On This Island | Robert Tear, Philip Ledger | 12:28 |
18 | 18 | Soirées Musicales (Rossini Suite 1), suite for orchestra, Op. 9: Bolero | Benjamin Britten | 2:06 | | 22-29 | Winter Words | Robert Tear, Philip Ledger | 20:50 |
19 | 19 | Soirées Musicales (Rossini Suite 1), suite for orchestra, Op. 9: Tarantella | Benjamin Britten | 2:20 | | 1-5 | The Five Canticles | Ian Bostridge, David Daniels, Christopher Maltman, Timothy Brown, Aline Brewer, Julius Drake | 56:40 |
20 | 20 | Rossini Suite, for boys' voices & chamber ensemble: 1. Allegro brillante | Benjamin Britten | 2:00 | | 6-12 | Folksong Arrangements | Ian Bostridge, David Daniels, Christopher Maltman, Timothy Brown, Aline Brewer, Julius Drake | 18:13 |
21 | 21 | Rossini Suite, for boys' voices & chamber ensemble: 2. Allegretto | Benjamin Britten | 2:10 | | 1-17 | Songs | Neil Mackie, Roger Vignoles, Jonathan Lemalu, Malcolm Martineau, Felicity Lott, Ann Murray, Graham Johnson | 35:01 |
22 | 22 | Rossini Suite, for boys' voices & chamber ensemble: 3. Allegretto | Benjamin Britten | 2:06 | | 18-24 | Folksong Arrangements | Robert Tear, Philip Ledger | 18:07 |
23 | 23 | Rossini Suite, for boys' voices & chamber ensemble: 4. Bolero (Allegro moderato) | Benjamin Britten | 2:02 | | 25-30 | Folk Songs | Sarah Brightman, Geoffrey Parsons | 17:37 |
24 | 24 | Rossini Suite, for boys' voices & chamber ensemble: 5. Allegro con brio | Benjamin Britten | 1:17 | | 1-14 | Purcell Arrangements | Peter Pears, Benjamin Britten, Felicity Lott, Ann Murray, Graham Johnson, Neil Mackie, Roger Vignoles, Scottish Chamber Orchestra, Steuart Bedford | 38:01 |
Media 7: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | The Prince of the Pagodas, ballet, Op. 57: Act 1. Prelude | Benjamin Britten | 2:16 | | 15 | Schubert: Die Forelle | Neil Mackie, Scottish Chamber Orchestra, Steuart Bedford | 2:00 |
2 | 2 | The Prince of the Pagodas, ballet, Op. 57: Act 1. The Fool and the Dwarf | Benjamin Britten | 1:50 | | 16 | Schumann: Frülingsnacht | Neil Mackie, Scottish Chamber Orchestra, Steuart Bedford | 1:13 |
3 | 3 | The Prince of the Pagodas, ballet, Op. 57: Act 1. March and Courtiers' Dance | Benjamin Britten | 3:34 | | CD28 | Paul Bunyan (Beg.) | Philip Brunelle, The Plymouth Music Series | |
4 | 4 | The Prince of the Pagodas, ballet, Op. 57: Act 1. Entry of the Pages and the Four Kings | Benjamin Britten | 2:21 | | CD29 | Paul Bunyan (Concl.) | Philip Brunelle, The Plymouth Music Series | |
5 | 5 | The Prince of the Pagodas, ballet, Op. 57: Act 1. Variation of the King of the North | Benjamin Britten | 1:28 | | CD30 | Peter Grimes (Beg.) | Orchestra Of The Royal Opera House, Covent Garden, Bernard Haitink, Philip Brunelle | |
6 | 6 | The Prince of the Pagodas, ballet, Op. 57: Act 1. Variation of the King of the East | Benjamin Britten | 2:41 | | CD31 | Peter Grimes (Concl.) | Philip Brunelle, Bernard Haitink, Orchestra Of The Royal Opera House, Covent Garden | |
7 | 7 | The Prince of the Pagodas, ballet, Op. 57: Act 1. Variation of the King of the West | Benjamin Britten | 1:05 | | CD32 | The Turn Of The Screw (Beg.) | Mahler Chamber Orchestra, Daniel Harding | |
8 | 8 | The Prince of the Pagodas, ballet, Op. 57: Act 1. Variation of the King of the South | Benjamin Britten | 1:37 | | CD33 | The Turn Of The Screw (Concl.) | Mahler Chamber Orchestra, Daniel Harding | |
9 | 9 | The Prince of the Pagodas, ballet, Op. 57: Act 1. The Kings bow before the Emperor | Benjamin Britten | 0:58 | | CD34 | A Midsummer Night's Dream (Beg.) | Trinity Boys' Choir, City Of London Sinfonia, Richard Hickox | |
10 | 10 | The Prince of the Pagodas, ballet, Op. 57: Act 1. Variation of Princess Belle Epine | Benjamin Britten | 3:15 | | CD35 | A Midsummer Night's Dream (Concl.) | Trinity Boys' Choir, City Of London Sinfonia, Richard Hickox | |
11 | 11 | The Prince of the Pagodas, ballet, Op. 57: Act 1. Variation of Princess Belle Rose and Pas de Deux | Benjamin Britten | 5:53 | | CD36 | The Rape Of Lucretia (Abridged Version) | The English Opera Group Ensemble, Reginald Goodall | |
12 | 12 | The Prince of the Pagodas, ballet, Op. 57: Act 1. The Kings and Belle Rose | Benjamin Britten | 1:56 | | 1-10 | Scenes From Peter Grimes | Herbert Dawson, BBC Theatre Chorus, Orchestra Of The Royal Opera House, Covent Garden, Reginald Goodall | 39:11 |
13 | 13 | The Prince of the Pagodas, ballet, Op. 57: Act 1. Belle Epine and the Four Kings | Benjamin Britten | 2:30 | | 11-15 | Folksong Arrangements | Peter Pears, Benjamin Britten | 11:59 |
14 | 14 | The Prince of the Pagodas, ballet, Op. 57: Act 1. The Rage of the Kings | Benjamin Britten | 1:45 | | | | | |
15 | 15 | The Prince of the Pagodas, ballet, Op. 57: Act 1. Entry of the Four Winged Frogs | Benjamin Britten | 3:27 | | | | | |
16 | 16 | The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Introduction: Belle Rose borne in by the Frogs | Benjamin Britten | 1:29 | | | | | |
17 | 17 | The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Waltz: Clouds, Stars and Moon | Benjamin Britten | 5:08 | | | | | |
18 | 18 | The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Belle Rose borne in by the Frogs | Benjamin Britten | 0:42 | | | | | |
19 | 19 | The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Entrée: Sea Horses, Fish Creatures and Waves | Benjamin Britten | 1:52 | | | | | |
20 | 20 | The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Variation: Sea Horses | Benjamin Britten | 1:27 | | | | | |
21 | 21 | The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Variation: Fish Creatures | Benjamin Britten | 3:21 | | | | | |
22 | 22 | The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Coda | Benjamin Britten | 2:01 | | | | | |
23 | 23 | The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Belle Rose borne in by the Frogs | Benjamin Britten | 0:41 | | | | | |
24 | 24 | The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Pas de deux: Male and Female Flames | Benjamin Britten | 1:21 | | | | | |
25 | 25 | The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Variation: Male Flame | Benjamin Britten | 1:08 | | | | | |
26 | 26 | The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Variation: Female Flame | Benjamin Britten | 1:19 | | | | | |
27 | 27 | The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Coda | Benjamin Britten | 1:47 | | | | | |
28 | 28 | The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 1. Belle Rose, exhausted, borne in by the Frogs | Benjamin Britten | 1:03 | | | | | |
29 | 29 | The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 2. Belle Rose in darkness | Benjamin Britten | 2:03 | | | | | |
30 | 30 | The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 2. The Pagodas | Benjamin Britten | 4:51 | | | | | |
31 | 31 | The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 2. The Salamander | Benjamin Britten | 3:15 | | | | | |
32 | 32 | The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 2. Pas de deux: The Prince and Belle Rose | Benjamin Britten | 4:52 | | | | | |
33 | 33 | The Prince of the Pagodas, ballet, Op. 57: Act 2. Scene 2. Belle Rose hunts for the Prince | Benjamin Britten | 2:47 | | | | | |
Media 8: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 1. Empress Belle Epine | Benjamin Britten | 4:43 | | | | | |
2 | 2 | The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 1. The Old Emperor | Benjamin Britten | 3:05 | | | | | |
3 | 3 | The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 1. Appearance of Belle Rose and the Salamander | Benjamin Britten | 1:56 | | | | | |
4 | 4 | The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Transformation | Benjamin Britten | 4:25 | | | | | |
5 | 5 | The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Pas de six: Entrée | Benjamin Britten | 2:00 | | | | | |
6 | 6 | The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Variation 1: Pas de deux | Benjamin Britten | 3:46 | | | | | |
7 | 7 | The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Variation 2: Girl's Solo | Benjamin Britten | 1:05 | | | | | |
8 | 8 | The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Variation 3: Boy's Solo | Benjamin Britten | 1:04 | | | | | |
9 | 9 | The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Pas de trois | Benjamin Britten | 1:53 | | | | | |
10 | 10 | The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Coda | Benjamin Britten | 1:21 | | | | | |
11 | 11 | The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Pas de caractère: The Emperor and the Fool | Benjamin Britten | 1:47 | | | | | |
12 | 12 | The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Pas de deux: Belle Rose and the Prince of the Pagodas | Benjamin Britten | 4:03 | | | | | |
13 | 13 | The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Variation 4: The Prince | Benjamin Britten | 1:07 | | | | | |
14 | 14 | The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Variation 5: Belle Rose | Benjamin Britten | 2:25 | | | | | |
15 | 15 | The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Finale | Benjamin Britten | 4:31 | | | | | |
16 | 16 | The Prince of the Pagodas, ballet, Op. 57: Act 3. Scene 2. Apotheosis | Benjamin Britten | 1:37 | | | | | |
Media 9: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Rhapsody, for string quartet | Benjamin Britten | 7:06 | 164.65 | | | | |
2 | 2 | Quartettino, for string quartet: 1. Andante - Allegro molto e con fuoco | Benjamin Britten | 5:58 | 99.2023 | | | | |
3 | 3 | Quartettino, for string quartet: 2. Poco adagio ma con moto | Benjamin Britten | 6:26 | 123.3387 | | | | |
4 | 4 | Quartettino, for string quartet: 3. Allegro molto vivace | Benjamin Britten | 3:05 | 165.053 | | | | |
5 | 5 | Elegy, for solo viola | Benjamin Britten | 7:25 | 172.2654 | | | | |
6 | 6 | String Quartet in D major: 1. Allegro maestoso | Benjamin Britten | 8:17 | 178.2063 | | | | |
7 | 7 | String Quartet in D major: 2. Lento ed espressivo | Benjamin Britten | 6:51 | 163.407 | | | | |
8 | 8 | String Quartet in D major: 3. Allegro giocoso | Benjamin Britten | 4:39 | 162.9651 | | | | |
9 | 9 | Phantasy, for string quintet in F minor | Benjamin Britten | 10:59 | 164.3097 | | | | |
Media 10: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Phantasy Quartet, for oboe & string trio in F minor, Op. 2 | Benjamin Britten | 13:17 | 90.981 | | | | |
2 | 2 | Divertimenti (3), for string quartet: 1. March | Benjamin Britten | 3:45 | 125.7349 | | | | |
3 | 3 | Divertimenti (3), for string quartet: 2. Waltz | Benjamin Britten | 2:45 | 163.1922 | | | | |
4 | 4 | Divertimenti (3), for string quartet: 3. Burlesque | Benjamin Britten | 3:21 | 99.7682 | | | | |
5 | 5 | Alla Marcia, for string quartet | Benjamin Britten | 3:23 | 83.7475 | | | | |
6 | 6 | String Quartet No. 1 in D major, Op. 25: 1. Andante sostenuto - Allegro vivo | Benjamin Britten | 8:39 | 151.9959 | | | | |
7 | 7 | String Quartet No. 1 in D major, Op. 25: 2. Allegretto con slancio | Benjamin Britten | 3:00 | 154.4881 | | | | |
8 | 8 | String Quartet No. 1 in D major, Op. 25: 3. Andante calmo | Benjamin Britten | 11:28 | 172.266 | | | | |
9 | 9 | String Quartet No. 1 in D major, Op. 25: 4. Molto vivace | Benjamin Britten | 3:50 | 163.241 | | | | |
Media 11: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | String Quartet No. 2 in C major, Op. 36: 1. Allegro calmo senza rigore | Benjamin Britten | 7:51 | 172.266 | | | | |
2 | 2 | String Quartet No. 2 in C major, Op. 36: 2. Vivace | Benjamin Britten | 3:40 | 164.2556 | | | | |
3 | 3 | String Quartet No. 2 in C major, Op. 36: 3. Chacony (Sostenuto) | Benjamin Britten | 17:45 | 129.0361 | | | | |
4 | 4 | String Quartet No. 3, Op. 94: 1. Duets (With moderate movement) | Benjamin Britten | 5:24 | 120.1985 | | | | |
5 | 5 | String Quartet No. 3, Op. 94: 2. Ostinato (Very fast) | Benjamin Britten | 3:01 | 146.995 | | | | |
6 | 6 | String Quartet No. 3, Op. 94: 3. Solo (Very calm) | Benjamin Britten | 5:30 | 178.2064 | | | | |
7 | 7 | String Quartet No. 3, Op. 94: 4. Burlesque (Fast, con fuoco) | Benjamin Britten | 2:16 | 99.4081 | | | | |
8 | 8 | String Quartet No. 3, Op. 94: 5. Recitative and Passacaglia (La Serenissima) (Slow) | Benjamin Britten | 9:49 | 90.0551 | | | | |
Media 12: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Suite for solo cello No. 1, Op. 72: Canto primo: Sostenuto e largamente | Benjamin Britten | 2:21 | | | | | |
2 | 2 | Suite for solo cello No. 1, Op. 72: 2. Fuga: Andante moderato | Benjamin Britten | 3:59 | | | | | |
3 | 3 | Suite for solo cello No. 1, Op. 72: 2. Lamento: Lento rubato | Benjamin Britten | 3:08 | | | | | |
4 | 4 | Suite for solo cello No. 1, Op. 72: Canto secondo: Sostenuto | Benjamin Britten | 1:11 | | | | | |
5 | 5 | Suite for solo cello No. 1, Op. 72: 3. Serenanta: Allegretto (pizzicato) | Benjamin Britten | 2:13 | | | | | |
6 | 6 | Suite for solo cello No. 1, Op. 72: 4. Marcia: Alla marcia moderato | Benjamin Britten | 3:31 | | | | | |
7 | 7 | Suite for solo cello No. 1, Op. 72: Canto terzo: Sostenuto | Benjamin Britten | 2:28 | | | | | |
8 | 8 | Suite for solo cello No. 1, Op. 72: 5. Bordone: Moderato quasi recitative | Benjamin Britten | 3:04 | | | | | |
9 | 9 | Suite for solo cello No. 1, Op. 72: 6. Moto perpetuo e Canto quarto: Presto | Benjamin Britten | 3:32 | | | | | |
10 | 10 | Suite for solo cello No. 2, Op. 80: 1. Declamato: Largo | Benjamin Britten | 4:30 | | | | | |
11 | 11 | Suite for solo cello No. 2, Op. 80: 2. Fuga: Andante | Benjamin Britten | 4:43 | | | | | |
12 | 12 | Suite for solo cello No. 2, Op. 80: 3. Scherzo: Allegro molto | Benjamin Britten | 2:00 | | | | | |
13 | 13 | Suite for solo cello No. 2, Op. 80: 4. Andante lento | Benjamin Britten | 5:36 | | | | | |
14 | 14 | Suite for solo cello No. 2, Op. 80: 5. Ciaccona: Allegro | Benjamin Britten | 7:14 | | | | | |
15 | 15 | Suite for solo cello No. 3, Op. 87: 1. Introduzione: Lento | Benjamin Britten | 2:35 | | | | | |
16 | 16 | Suite for solo cello No. 3, Op. 87: 2. Marcia: Allegro | Benjamin Britten | 1:46 | | | | | |
17 | 17 | Suite for solo cello No. 3, Op. 87: 3. Canto: Con moto | Benjamin Britten | 1:21 | | | | | |
18 | 18 | Suite for solo cello No. 3, Op. 87: 4. Barcarola: Lento | Benjamin Britten | 1:23 | | | | | |
19 | 19 | Suite for solo cello No. 3, Op. 87: 5. Dialogo: Allegretto | Benjamin Britten | 1:43 | | | | | |
20 | 20 | Suite for solo cello No. 3, Op. 87: 6. Fuga: Andante espressivo | Benjamin Britten | 2:36 | | | | | |
21 | 21 | Suite for solo cello No. 3, Op. 87: 7. Recitativo: Fantastico | Benjamin Britten | 1:17 | | | | | |
22 | 22 | Suite for solo cello No. 3, Op. 87: 8. Moto perpetuo: Presto | Benjamin Britten | 0:58 | | | | | |
23 | 23 | Suite for solo cello No. 3, Op. 87: 9. Passacaglia: Lento solenne | Benjamin Britten | 9:45 | | | | | |
Media 13: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Holiday Diary, suite for piano, Op. 5: 1. Early morning bathe | Benjamin Britten | 2:07 | | | | | |
2 | 2 | Holiday Diary, suite for piano, Op. 5: 2. Sailing | Benjamin Britten | 5:14 | | | | | |
3 | 3 | Holiday Diary, suite for piano, Op. 5: 3. Funfair | Benjamin Britten | 2:39 | | | | | |
4 | 4 | Holiday Diary, suite for piano, Op. 5: 4. Night | Benjamin Britten | 6:58 | | | | | |
5 | 5 | Character Pieces (3), for piano: 1. Poco allegro vivace | Benjamin Britten | 1:57 | | | | | |
6 | 6 | Character Pieces (3), for piano: 2. Poco andante grazioso | Benjamin Britten | 2:07 | | | | | |
7 | 7 | Character Pieces (3), for piano: 3. Poco presto e molto capriccioso | Benjamin Britten | 3:00 | | | | | |
8 | 8 | Night Piece (Notturno), for piano | Benjamin Britten | 5:23 | | | | | |
9 | 9 | Sonatina Romantica, for piano: Moderato | Benjamin Britten | 4:39 | | | | | |
10 | 10 | Sonatina Romantica, for piano: Nocturne | Benjamin Britten | 2:53 | | | | | |
11 | 11 | Variations (12), for piano | Benjamin Britten | 8:41 | | | | | |
12 | 12 | Waltzes (5), for piano: 1. Rather fast and nervous | Benjamin Britten | 1:07 | | | | | |
13 | 13 | Waltzes (5), for piano: 2. Quick, with wit | Benjamin Britten | 1:39 | | | | | |
14 | 14 | Waltzes (5), for piano: 3. Dramatic | Benjamin Britten | 1:41 | | | | | |
15 | 15 | Waltzes (5), for piano: 4. Rhythmic; not fast | Benjamin Britten | 3:30 | | | | | |
16 | 16 | Waltzes (5), for piano: 5. Variations: Quiet and simple | Benjamin Britten | 2:58 | | | | | |
17 | 17 | Two Lullabies, for 2 pianos: Lullaby | Benjamin Britten | 3:19 | | | | | |
18 | 18 | Two Lullabies, for 2 pianos: Lullaby for a retired Colonel | Benjamin Britten | 2:22 | | | | | |
19 | 19 | Pieces (2), for 2 pianos, Op. 23: No. 2 Mazurka elegiaca | Benjamin Britten | 8:24 | | | | | |
20 | 20 | Pieces (2), for 2 pianos, Op. 23: Introduction | Benjamin Britten | 3:21 | | | | | |
21 | 21 | Pieces (2), for 2 pianos, Op. 23: Rondo alla burlesca | Benjamin Britten | 5:43 | | | | | |
Media 14: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Suite, for violin & piano, Op. 6: Introduction: Andante maestoso | Benjamin Britten | 0:43 | | | | | |
2 | 2 | Suite, for violin & piano, Op. 6: 1. March: Allegro alla marcia | Benjamin Britten | 2:54 | | | | | |
3 | 3 | Suite, for violin & piano, Op. 6: 2. Moto perpetuo: Allegro molto e con fuoco | Benjamin Britten | 3:12 | | | | | |
4 | 4 | Suite, for violin & piano, Op. 6: 3. Lullaby: Lento tranquillo | Benjamin Britten | 4:39 | | | | | |
5 | 5 | Suite, for violin & piano, Op. 6: 4. Waltz: Alla valse: vivace e rubato | Benjamin Britten | 4:30 | | | | | |
6 | 6 | Sonata for cello & piano in C major, Op. 65: 1. Dialogo: Allegro | Benjamin Britten | 7:53 | | | | | |
7 | 7 | Sonata for cello & piano in C major, Op. 65: 2. Scherzo - Pizzicato: Allegretto | Benjamin Britten | 2:29 | | | | | |
8 | 8 | Sonata for cello & piano in C major, Op. 65: 3. Elegia: Lento | Benjamin Britten | 6:46 | | | | | |
9 | 9 | Sonata for cello & piano in C major, Op. 65: 4. Marcia: Energico | Benjamin Britten | 2:18 | | | | | |
10 | 10 | Sonata for cello & piano in C major, Op. 65: 5. Moto perpetuo: Presto | Benjamin Britten | 2:50 | | | | | |
11 | 11 | Metamorphoses (6) after Ovid, for oboe solo, Op. 49: 1. Pan (Senza misura) | Benjamin Britten | 2:27 | | | | | |
12 | 12 | Metamorphoses (6) after Ovid, for oboe solo, Op. 49: 2. Phaeton (Vivace ritmico) | Benjamin Britten | 1:22 | | | | | |
13 | 13 | Metamorphoses (6) after Ovid, for oboe solo, Op. 49: 3. Niobe (Andante) | Benjamin Britten | 2:50 | | | | | |
14 | 14 | Metamorphoses (6) after Ovid, for oboe solo, Op. 49: 4. Bacchus (Allegro pesante) | Benjamin Britten | 1:52 | | | | | |
15 | 15 | Metamorphoses (6) after Ovid, for oboe solo, Op. 49: 5. Narcissus (Lento piacevole) | Benjamin Britten | 3:14 | | | | | |
16 | 16 | Metamorphoses (6) after Ovid, for oboe solo, Op. 49: 6. Arethusa (Largamente) | Benjamin Britten | 2:33 | | | | | |
17 | 17 | Nocturnal after John Dowland, for guitar, Op. 70: 1. Musingly (Meditativo) | Benjamin Britten | 2:16 | | | | | |
18 | 18 | Nocturnal after John Dowland, for guitar, Op. 70: 2. Agitated (Molto agitativo) | Benjamin Britten | 0:55 | | | | | |
19 | 19 | Nocturnal after John Dowland, for guitar, Op. 70: 3. Restless (Inquieto) | Benjamin Britten | 2:00 | | | | | |
20 | 20 | Nocturnal after John Dowland, for guitar, Op. 70: 4. Uneasy (Ansioso) | Benjamin Britten | 1:32 | | | | | |
21 | 21 | Nocturnal after John Dowland, for guitar, Op. 70: 5. March-like (Quasi una marcia) | Benjamin Britten | 1:36 | | | | | |
22 | 22 | Nocturnal after John Dowland, for guitar, Op. 70: 6. Dreaming (Sognanti) | Benjamin Britten | 1:54 | | | | | |
23 | 23 | Nocturnal after John Dowland, for guitar, Op. 70: 7. Gently rocking (Cullante) | Benjamin Britten | 0:56 | | | | | |
24 | 24 | Nocturnal after John Dowland, for guitar, Op. 70: 8. Passacaglia (Misurato) | Benjamin Britten | 4:50 | | | | | |
25 | 25 | Nocturnal after John Dowland, for guitar, Op. 70: 9. Slow and quiet (Tranquillo) | Benjamin Britten | 2:29 | | | | | |
Media 15: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Requiem aeternam. Requiem aeternam dona eis Domine | Benjamin Britten | 6:10 | 144.009 | | | | |
2 | 2 | War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Requiem aeternam. What passing bells for these who die as cattle? | Benjamin Britten | 2:20 | 172.2656 | | | | |
3 | 3 | War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Requiem aeternam. Kyrie eleison | Benjamin Britten | 1:28 | 114.9403 | | | | |
4 | 4 | War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Dies irae. dies irae, dies illa | Benjamin Britten | 3:56 | 143.3848 | | | | |
5 | 5 | War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Dies irae. Bugles sang, saddening the evening air | Benjamin Britten | 2:46 | 136.158 | | | | |
6 | 6 | War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Dies irae. Liber scriptus proferetur | Benjamin Britten | 2:46 | 172.2655 | | | | |
7 | 7 | War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Dies irae. Out there, we've walked quite friendly up to Death | Benjamin Britten | 1:45 | 138.7421 | | | | |
8 | 8 | War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Dies irae. Recordare Jesu pie | Benjamin Britten | 4:44 | 136.0957 | | | | |
9 | 9 | War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Dies irae. Be slowly lifted up, thou long black arm | Benjamin Britten | 1:52 | 110.9593 | | | | |
10 | 10 | War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Dies irae. Dies irae, dies illa | Benjamin Britten | 1:17 | 139.9962 | | | | |
11 | 11 | War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Dies irae. Lacrimosa dies illa | Benjamin Britten | 2:04 | 135.7369 | | | | |
12 | 12 | War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Dies irae. Move him into the sun . . . Pie Jesu | Benjamin Britten | 5:55 | 110.3648 | | | | |
13 | 13 | War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Offertorium. Domine Jesu Christe | Benjamin Britten | 3:33 | 89.6707 | | | | |
14 | 14 | War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Offertorium. So Abram rose, and clave the wood, and went | Benjamin Britten | 6:16 | 132.2118 | | | | |
15 | 15 | War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Sanctus. Sanctus, sanctus, sanctus | Benjamin Britten | 3:18 | 135.7776 | | | | |
16 | 16 | War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Sanctus. Benedictus qui venit in nomine Domini | Benjamin Britten | 2:52 | 114.3813 | | | | |
17 | 17 | War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Sanctus. After the blast of lightning from the East | Benjamin Britten | 3:43 | 129.537 | | | | |
18 | 18 | War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Agnus Dei | Benjamin Britten | 3:45 | 154.5757 | | | | |
Media 16: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Libera me. Libera me, Domine, de morte aeterna | Benjamin Britten | 7:35 | 163.7478 | | | | |
2 | 2 | War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Libera me. It seemed that out of battle I escaped | Benjamin Britten | 9:47 | 164.1776 | | | | |
3 | 3 | War Requiem, for soprano, tenor, baritone, boys' voices, chorus, chamber orchestra, orchestra & organ, Op. 66: Libera me. Let us sleep now... In paradisum | Benjamin Britten | 5:42 | | | | | |
4 | 4 | Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44: Part 1. Introduction | Benjamin Britten | 9:43 | | | | | |
5 | 5 | Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44: Part 1. The Merry Cuckoo | Benjamin Britten | 1:59 | | | | | |
6 | 6 | Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44: Part 1. Spring, the sweet Spring | Benjamin Britten | 1:57 | | | | | |
7 | 7 | Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44: Part 1. The Driving Boy | Benjamin Britten | 2:09 | | | | | |
8 | 8 | Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44: Part 1. The Morning Star | Benjamin Britten | 3:17 | | | | | |
9 | 9 | Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44: Part 2. Welcome Maids of Honour | Benjamin Britten | 2:38 | | | | | |
10 | 10 | Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44: Part 2. Waters above | Benjamin Britten | 2:32 | | | | | |
11 | 11 | Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44: Part 2. Out on the lawn I lie abed | Benjamin Britten | 6:30 | | | | | |
12 | 12 | Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44: Part 3. When will my May come? | Benjamin Britten | 2:24 | | | | | |
13 | 13 | Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44: Part 3. Fair and fair | Benjamin Britten | 2:20 | | | | | |
14 | 14 | Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44: Part 3. Sound the flute | Benjamin Britten | 1:21 | | | | | |
15 | 15 | Spring Symphony, for soprano, alto, tenor, boys' chorus, chorus & orchestra, Op. 44: Part 4. Finale: London, to thee I do present | Benjamin Britten | 7:44 | | | | | |
Media 17: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Hymn to St. Cecilia, for chorus, Op. 27: 1. In a garden shady this holy lady | Benjamin Britten | 2:57 | | | | | |
2 | 2 | Hymn to St. Cecilia, for chorus, Op. 27: 2. I cannot grow | Benjamin Britten | 2:10 | | | | | |
3 | 3 | Hymn to St. Cecilia, for chorus, Op. 27: 3. O ear whose creatures cannot wish to fail | Benjamin Britten | 6:21 | | | | | |
4 | 4 | A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 1. Procession | Benjamin Britten | 1:16 | | | | | |
5 | 5 | A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 2. Wolcum Yole! | Benjamin Britten | 1:23 | | | | | |
6 | 6 | A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 3. There is no rose | Benjamin Britten | 2:21 | | | | | |
7 | 7 | A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 4. a. That yongë child | Benjamin Britten | 1:53 | | | | | |
8 | 8 | A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 4. b. Balulalow | Benjamin Britten | 1:38 | | | | | |
9 | 9 | A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 5. As dew in Aprille | Benjamin Britten | 0:58 | | | | | |
10 | 10 | A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 6. This little babe | Benjamin Britten | 1:25 | | | | | |
11 | 11 | A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 7. Interlude (Andante pastorale) | Benjamin Britten | 3:34 | | | | | |
12 | 12 | A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 8. In freezing winter night | Benjamin Britten | 4:11 | | | | | |
13 | 13 | A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 9. Spring Carol | Benjamin Britten | 1:12 | | | | | |
14 | 14 | A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 10. Deo gracias! | Benjamin Britten | 1:12 | | | | | |
15 | 15 | A Ceremony of Carols, for treble voices (or chorus) & harp, Op. 28: 11. Recession | Benjamin Britten | 1:20 | | | | | |
16 | 16 | Missa Brevis, for boys' chorus & organ in D major, Op. 63: 1. Kyrie | Benjamin Britten | 1:34 | | | | | |
17 | 17 | Missa Brevis, for boys' chorus & organ in D major, Op. 63: 2. Gloria | Benjamin Britten | 2:50 | | | | | |
18 | 18 | Missa Brevis, for boys' chorus & organ in D major, Op. 63: 3. Sanctus | Benjamin Britten | 1:23 | | | | | |
19 | 19 | Missa Brevis, for boys' chorus & organ in D major, Op. 63: 4. Benedictus | Benjamin Britten | 1:44 | | | | | |
20 | 20 | Missa Brevis, for boys' chorus & organ in D major, Op. 63: 5. Agnus Dei | Benjamin Britten | 2:33 | | | | | |
21 | 21 | Festival Te Deum, for trumpet, chorus & organ, Op. 32 | Benjamin Britten | 6:27 | | | | | |
22 | 22 | Rejoice in the Lamb, festival cantata for trumpet, ATB soloists, chorus & organ, Op. 30: Rejoice in God, o ye Tongues | Benjamin Britten | 3:55 | | | | | |
23 | 23 | Rejoice in the Lamb, festival cantata for trumpet, ATB soloists, chorus & organ, Op. 30: For I will consider my Cat Jeoffry | Benjamin Britten | 2:11 | | | | | |
24 | 24 | Rejoice in the Lamb, festival cantata for trumpet, ATB soloists, chorus & organ, Op. 30: For the Mouse is a creature of great personal valour | Benjamin Britten | 0:54 | | | | | |
25 | 25 | Rejoice in the Lamb, festival cantata for trumpet, ATB soloists, chorus & organ, Op. 30: For the flowers are great blessings | Benjamin Britten | 2:01 | | | | | |
26 | 26 | Rejoice in the Lamb, festival cantata for trumpet, ATB soloists, chorus & organ, Op. 30: For I am under the same accusation with My Saviour | Benjamin Britten | 2:25 | | | | | |
27 | 27 | Rejoice in the Lamb, festival cantata for trumpet, ATB soloists, chorus & organ, Op. 30: For H is a spirit and therefore he is God | Benjamin Britten | 3:49 | | | | | |
28 | 28 | Rejoice in the Lamb, festival cantata for trumpet, ATB soloists, chorus & organ, Op. 30: Hallelujah from the heart of God | Benjamin Britten | 1:12 | | | | | |
29 | 29 | Te Deum, for trumpet, chorus & organ in C major | Benjamin Britten | 7:59 | | | | | |
30 | 30 | Jubilate Deo, for chorus & organ in C major | Benjamin Britten | 2:28 | | | | | |
Media 18: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | A Hymn to the Virgin, for double chorus | Benjamin Britten | 3:31 | | | | | |
2 | 2 | Saint Nicholas, cantata for tenor, treble, choruses & orchestra, Op. 42: 1. Introduction | Benjamin Britten | 5:51 | | | | | |
3 | 3 | Saint Nicholas, cantata for tenor, treble, choruses & orchestra, Op. 42: 2. The Birth of Nicolas | Benjamin Britten | 2:37 | | | | | |
4 | 4 | Saint Nicholas, cantata for tenor, treble, choruses & orchestra, Op. 42: 3. Nicolas devotes himself to God | Benjamin Britten | 4:50 | | | | | |
5 | 5 | Saint Nicholas, cantata for tenor, treble, choruses & orchestra, Op. 42: 4. He journeys to Palestine | Benjamin Britten | 7:49 | | | | | |
6 | 6 | Saint Nicholas, cantata for tenor, treble, choruses & orchestra, Op. 42: 5. Nicolas comes to Myra and is chosen Bishop | Benjamin Britten | 7:15 | | | | | |
7 | 7 | Saint Nicholas, cantata for tenor, treble, choruses & orchestra, Op. 42: 6. Nicolas from Prison | Benjamin Britten | 3:01 | | | | | |
8 | 8 | Saint Nicholas, cantata for tenor, treble, choruses & orchestra, Op. 42: 7. Nicolas and the Pickled Boys | Benjamin Britten | 6:41 | | | | | |
9 | 9 | Saint Nicholas, cantata for tenor, treble, choruses & orchestra, Op. 42: 8. His Piety and Marvellous Works | Benjamin Britten | 5:24 | | | | | |
10 | 10 | Saint Nicholas, cantata for tenor, treble, choruses & orchestra, Op. 42: 9. The death of Nicolas | Benjamin Britten | 7:03 | | | | | |
11 | 11 | Hymn to St. Peter, for trumpet, chorus & organ, Op. 56a | Benjamin Britten | 5:39 | | | | | |
12 | 12 | Hymn of St. Columba (Regis regum rectissimi), for chorus & organ | Benjamin Britten | 2:45 | | | | | |
13 | 13 | Sacred and Profane, medieval lyrics (8) for SSATB chorus, Op. 91: 1. St Godric's Hymn | Benjamin Britten | 1:55 | | | | | |
14 | 14 | Sacred and Profane, medieval lyrics (8) for SSATB chorus, Op. 91: 2. I mon waxe sod | Benjamin Britten | 0:49 | | | | | |
15 | 15 | Sacred and Profane, medieval lyrics (8) for SSATB chorus, Op. 91: 3. Lenten is come | Benjamin Britten | 2:29 | | | | | |
16 | 16 | Sacred and Profane, medieval lyrics (8) for SSATB chorus, Op. 91: 4. The long night | Benjamin Britten | 1:33 | | | | | |
17 | 17 | Sacred and Profane, medieval lyrics (8) for SSATB chorus, Op. 91: 5. Yif ic of luve can | Benjamin Britten | 2:31 | | | | | |
18 | 18 | Sacred and Profane, medieval lyrics (8) for SSATB chorus, Op. 91: 6. Carol | Benjamin Britten | 1:26 | | | | | |
19 | 19 | Sacred and Profane, medieval lyrics (8) for SSATB chorus, Op. 91: 7. Ye that pasen by | Benjamin Britten | 1:38 | | | | | |
20 | 20 | Sacred and Profane, medieval lyrics (8) for SSATB chorus, Op. 91: 8. A death | Benjamin Britten | 3:01 | | | | | |
Media 19: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | The Little Sweep, children's opera, Op. 45: Scene 1. 1. The Sweep's Song: Sweep! Sweep! (Audience Song 1) | Benjamin Britten | 1:51 | | | | | |
2 | 2 | The Little Sweep, children's opera, Op. 45: Scene 1. 2. Quartet: Sweep this chimney | Benjamin Britten | 1:54 | | | | | |
3 | 3 | The Little Sweep, children's opera, Op. 45: Scene 1. 3. Duet: Now, little white boy! | Benjamin Britten | 2:38 | | | | | |
4 | 4 | The Little Sweep, children's opera, Op. 45: Scene 1. 3a. Hide and Seek: Juliet! Juliet! | Benjamin Britten | 1:20 | | | | | |
5 | 5 | The Little Sweep, children's opera, Op. 45: Scene 1. 4. Shanty: Pull the rope gently | Benjamin Britten | 1:35 | | | | | |
6 | 6 | The Little Sweep, children's opera, Op. 45: Scene 1. 5. Ensemble: Is he wounded? | Benjamin Britten | 1:25 | | | | | |
7 | 7 | The Little Sweep, children's opera, Op. 45: Scene 1. 6. Marching Song: Sooty tracks upon the sheet | Benjamin Britten | 1:36 | | | | | |
8 | 8 | The Little Sweep, children's opera, Op. 45: Scene 1. 7. Trio: Sam! Sam! | Benjamin Britten | 1:02 | | | | | |
9 | 9 | The Little Sweep, children's opera, Op. 45: Scene 1. 8. Aria: Run, poor sweepboy | Benjamin Britten | 4:35 | | | | | |
10 | 10 | The Little Sweep, children's opera, Op. 45: Scene 1. 9. Sammy's Bath: The kettles are singing (Audience Song 2) | Benjamin Britten | 2:44 | | | | | |
11 | 11 | The Little Sweep, children's opera, Op. 45: Scene 2. 10. Ensemble: O why do you weep... | Benjamin Britten | 2:51 | | | | | |
12 | 12 | The Little Sweep, children's opera, Op. 45: Scene 2. 11. Pantomime and | Benjamin Britten | 1:13 | | | | | |
13 | 13 | The Little Sweep, children's opera, Op. 45: Scene 2. 12. Scene: Ah!... Blackguards | Benjamin Britten | 3:03 | | | | | |
14 | 14 | The Little Sweep, children's opera, Op. 45: Scene 2. 13. Finale: Help! Help! She's collapsed! | Benjamin Britten | 1:54 | | | | | |
15 | 15 | The Little Sweep, children's opera, Op. 45: Scene 2. 14. The Night Song: The owl, wide-winging (Audience Song 3) | Benjamin Britten | 3:49 | | | | | |
16 | 16 | The Little Sweep, children's opera, Op. 45: Scene 3. 15. Aria: Soon the coach will carry you away | Benjamin Britten | 2:55 | | | | | |
17 | 17 | The Little Sweep, children's opera, Op. 45: Scene 3. 16. Ensemble: Morning, Sammy | Benjamin Britten | 1:59 | | | | | |
18 | 18 | The Little Sweep, children's opera, Op. 45: Scene 3. 17. Trio and Ensemble: Ready, Alfred? | Benjamin Britten | 3:06 | | | | | |
19 | 19 | The Little Sweep, children's opera, Op. 45: Scene 3. 18. Finale: Coaching Song: The Horses and champing (Audience Song 4) | Benjamin Britten | 2:37 | | | | | |
20 | 20 | A Boy Was Born, choral variations for mixed voices, Op. 3: Theme. A Boy was Born | Benjamin Britten | 2:15 | | | | | |
21 | 21 | A Boy Was Born, choral variations for mixed voices, Op. 3: Variation 1. Lullay, Jesu | Benjamin Britten | 4:23 | | | | | |
22 | 22 | A Boy Was Born, choral variations for mixed voices, Op. 3: Variation 2. Herod | Benjamin Britten | 2:28 | | | | | |
23 | 23 | A Boy Was Born, choral variations for mixed voices, Op. 3: Variation 3. Jesu, as Thou art our Saviour | Benjamin Britten | 2:49 | | | | | |
24 | 24 | A Boy Was Born, choral variations for mixed voices, Op. 3: Variation 4. The Three Kings | Benjamin Britten | 3:36 | | | | | |
25 | 25 | A Boy Was Born, choral variations for mixed voices, Op. 3: Variation 5. In the Bleak Mid-Winter | Benjamin Britten | 4:41 | | | | | |
26 | 26 | A Boy Was Born, choral variations for mixed voices, Op. 3: Variation 6. Noël! | Benjamin Britten | 9:09 | | | | | |
27 | 27 | A Shepherd's Carol, for chorus | Benjamin Britten | 4:07 | | | | | |
Media 20: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Noye's Fludde, children's opera, Op. 59: Lord Jesus, think on me | Benjamin Britten | 3:02 | | | | | |
2 | 2 | Noye's Fludde, children's opera, Op. 59: I, God, that all this worlde hath wroughte | Benjamin Britten | 1:46 | | | | | |
3 | 3 | Noye's Fludde, children's opera, Op. 59: O, Lorde, I thanke thee lowde and still | Benjamin Britten | 2:44 | | | | | |
4 | 4 | Noye's Fludde, children's opera, Op. 59: Now in the name of God I will begyne | Benjamin Britten | 3:24 | | | | | |
5 | 5 | Noye's Fludde, children's opera, Op. 59: Wyffe, in this vessel we shall be kepte | Benjamin Britten | 0:51 | | | | | |
6 | 6 | Noye's Fludde, children's opera, Op. 59: Noye, Noye, take thou thy company | Benjamin Britten | 1:22 | | | | | |
7 | 7 | Noye's Fludde, children's opera, Op. 59: Sir! Here are lions, lepardes, in | Benjamin Britten | 4:56 | | | | | |
8 | 8 | Noye's Fludde, children's opera, Op. 59: Wiffe, come in! | Benjamin Britten | 4:57 | | | | | |
9 | 9 | Noye's Fludde, children's opera, Op. 59: It is good for to be still | Benjamin Britten | 3:36 | | | | | |
10 | 10 | Noye's Fludde, children's opera, Op. 59: Eternal Father, strong to save | Benjamin Britten | 4:29 | | | | | |
11 | 11 | Noye's Fludde, children's opera, Op. 59: Now forty dayes are fullie gone | Benjamin Britten | 5:13 | | | | | |
12 | 12 | Noye's Fludde, children's opera, Op. 59: Noye, take they wife anone | Benjamin Britten | 2:53 | | | | | |
13 | 13 | Noye's Fludde, children's opera, Op. 59: Noye, heare I behette thee a heste | Benjamin Britten | 1:37 | | | | | |
14 | 14 | Noye's Fludde, children's opera, Op. 59: The spacious firmament on high | Benjamin Britten | 6:32 | | | | | |
15 | 15 | A. M. D. G. (Ad Majorem Dei Gloriam), for chorus, Op. 17: Heaven-Haven | Benjamin Britten | 1:54 | | | | | |
16 | 16 | A. M. D. G. (Ad Majorem Dei Gloriam), for chorus, Op. 17: O deus, ego amo te | Benjamin Britten | 2:05 | | | | | |
17 | 17 | A. M. D. G. (Ad Majorem Dei Gloriam), for chorus, Op. 17: Rosa Mystica | Benjamin Britten | 4:06 | | | | | |
18 | 18 | A. M. D. G. (Ad Majorem Dei Gloriam), for chorus, Op. 17: The Soldier | Benjamin Britten | 2:17 | | | | | |
19 | 19 | A. M. D. G. (Ad Majorem Dei Gloriam), for chorus, Op. 17: Prayer 2 | Benjamin Britten | 4:36 | | | | | |
20 | 20 | A. M. D. G. (Ad Majorem Dei Gloriam), for chorus, Op. 17: God's Grandeur | Benjamin Britten | 2:52 | | | | | |
21 | 21 | A. M. D. G. (Ad Majorem Dei Gloriam), for chorus, Op. 17: Prayer 1 | Benjamin Britten | 2:10 | | | | | |
22 | 22 | Ballad of Little Musgrave and Lady Barnard, for male chorus & piano | Benjamin Britten | 9:57 | | | | | |
Media 21: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | The Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings: Part 1. 1. Chaos | Benjamin Britten | 6:58 | | | | | |
2 | 2 | The Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings: Part 1. 2. The Morning Stars | Benjamin Britten | 2:41 | | | | | |
3 | 3 | The Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings: Part 2. 3. Angels appear to Jacob, Elisha and Mary | Benjamin Britten | 5:24 | | | | | |
4 | 4 | The Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings: Part 2. 4. Christ, the fair glory | Benjamin Britten | 3:52 | | | | | |
5 | 5 | The Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings: Part 2. 5. War in Heaven | Benjamin Britten | 3:14 | | | | | |
6 | 6 | The Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings: Part 3. 6. Heaven is here | Benjamin Britten | 6:17 | | | | | |
7 | 7 | The Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings: Part 3. 7. A thousand, thousand gleaming fires | Benjamin Britten | 4:14 | | | | | |
8 | 8 | The Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings: Part 3. 8. Funeral March for a Boy | Benjamin Britten | 4:22 | | | | | |
9 | 9 | The Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings: Part 3. 9. Whoso dwelleth under the defence of the most High | Benjamin Britten | 4:05 | | | | | |
10 | 10 | The Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings: Part 3. 10. There came out also at this time | Benjamin Britten | 3:16 | | | | | |
11 | 11 | The Company of Heaven, cantata for 2 speakers, soprano, tenor, chorus, tympani, organ & strings: Part 3. 11. Ye watchers and ye holy ones | Benjamin Britten | 5:15 | | | | | |
12 | 12 | Ballad of Heroes, for high voice, chorus & orchestra, Op. 14: 1. Funeral March | Benjamin Britten | 5:39 | | | | | |
13 | 13 | Ballad of Heroes, for high voice, chorus & orchestra, Op. 14: 2. Scherzo | Benjamin Britten | 4:23 | 107.0992 | | | | |
14 | 14 | Ballad of Heroes, for high voice, chorus & orchestra, Op. 14: 3. Recitative and Choral | Benjamin Britten | 6:16 | 109.7932 | | | | |
15 | 15 | Praise We Great Men, for voices, chorus & orchestra: Praise we great men | Benjamin Britten | 3:26 | 125.9899 | | | | |
16 | 16 | Praise We Great Men, for voices, chorus & orchestra: Praise we the just | Benjamin Britten | 2:22 | 152.1298 | | | | |
17 | 17 | Praise We Great Men, for voices, chorus & orchestra: (Coda) | Benjamin Britten | 1:20 | | | | | |
Media 22: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Les illuminations, song cycle for high voice & strings, Op. 18: 1. Fanfare | Benjamin Britten | 2:05 | | | | | |
2 | 2 | Les illuminations, song cycle for high voice & strings, Op. 18: 2. Villes | Benjamin Britten | 2:30 | | | | | |
3 | 3 | Les illuminations, song cycle for high voice & strings, Op. 18: 3a. Phrase | Benjamin Britten | 1:07 | | | | | |
4 | 4 | Les illuminations, song cycle for high voice & strings, Op. 18: 3b. Antique | Benjamin Britten | 2:04 | | | | | |
5 | 5 | Les illuminations, song cycle for high voice & strings, Op. 18: 4. Royauté | Benjamin Britten | 1:40 | | | | | |
6 | 6 | Les illuminations, song cycle for high voice & strings, Op. 18: 5. Marine | Benjamin Britten | 0:59 | | | | | |
7 | 7 | Les illuminations, song cycle for high voice & strings, Op. 18: 6. Interlude | Benjamin Britten | 2:14 | | | | | |
8 | 8 | Les illuminations, song cycle for high voice & strings, Op. 18: 7. Being Beauteous | Benjamin Britten | 3:56 | | | | | |
9 | 9 | Les illuminations, song cycle for high voice & strings, Op. 18: 8. Parade | Benjamin Britten | 2:39 | | | | | |
10 | 10 | Les illuminations, song cycle for high voice & strings, Op. 18: 9. Départ | Benjamin Britten | 2:37 | | | | | |
11 | 11 | Serenade, for tenor, horn & strings, Op. 31: Prologue | Benjamin Britten | 1:20 | | | | | |
12 | 12 | Serenade, for tenor, horn & strings, Op. 31: 1. Pastoral | Benjamin Britten | 3:26 | | | | | |
13 | 13 | Serenade, for tenor, horn & strings, Op. 31: 2. Nocturne | Benjamin Britten | 3:29 | | | | | |
14 | 14 | Serenade, for tenor, horn & strings, Op. 31: 3. Elegy | Benjamin Britten | 4:10 | | | | | |
15 | 15 | Serenade, for tenor, horn & strings, Op. 31: 4. Dirge | Benjamin Britten | 3:37 | | | | | |
16 | 16 | Serenade, for tenor, horn & strings, Op. 31: 5. Hymn | Benjamin Britten | 2:03 | | | | | |
17 | 17 | Serenade, for tenor, horn & strings, Op. 31: 6. Sonnet | Benjamin Britten | 3:43 | | | | | |
18 | 18 | Serenade, for tenor, horn & strings, Op. 31: Epilogue | Benjamin Britten | 1:30 | | | | | |
19 | 19 | Now sleeps the crimson petal, song for tenor, horn & strings | Benjamin Britten | 3:04 | | | | | |
20 | 20 | Nocturne, for tenor, 7 instruments & strings, Op. 60: On a poet's lips I slept | Benjamin Britten | 3:30 | | | | | |
21 | 21 | Nocturne, for tenor, 7 instruments & strings, Op. 60: Below the thunders of the upper deep | Benjamin Britten | 3:29 | | | | | |
22 | 22 | Nocturne, for tenor, 7 instruments & strings, Op. 60: Encinctured with a twine of leaves | Benjamin Britten | 2:13 | | | | | |
23 | 23 | Nocturne, for tenor, 7 instruments & strings, Op. 60: Midnight's bell goes ting, ting, ting, ting, ting | Benjamin Britten | 2:24 | | | | | |
24 | 24 | Nocturne, for tenor, 7 instruments & strings, Op. 60: But that night when on my bed I lay | Benjamin Britten | 3:03 | | | | | |
25 | 25 | Nocturne, for tenor, 7 instruments & strings, Op. 60: She sleeps on soft, last breaths | Benjamin Britten | 4:38 | | | | | |
26 | 26 | Nocturne, for tenor, 7 instruments & strings, Op. 60: What is more gentle whan a wind in summer? | Benjamin Britten | 3:01 | | | | | |
27 | 27 | Nocturne, for tenor, 7 instruments & strings, Op. 60: When most I wink, then do my eyes best see | Benjamin Britten | 5:08 | | | | | |
Media 23: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Chansons Françaises (4), for voice & orchestra: 1. Les Nuits de juin | Benjamin Britten | 2:50 | | | | | |
2 | 2 | Chansons Françaises (4), for voice & orchestra: 2. Sagesse | Benjamin Britten | 2:49 | | | | | |
3 | 3 | Chansons Françaises (4), for voice & orchestra: 3. L'Enfance | Benjamin Britten | 4:30 | | | | | |
4 | 4 | Chansons Françaises (4), for voice & orchestra: 4. Chanson d'automne | Benjamin Britten | 2:33 | | | | | |
5 | 5 | Our Hunting Fathers, song cycle for high voice & orchestra, Op. 8: Prologue | Benjamin Britten | 2:00 | | | | | |
6 | 6 | Our Hunting Fathers, song cycle for high voice & orchestra, Op. 8: A. Rats Away! | Benjamin Britten | 4:40 | | | | | |
7 | 7 | Our Hunting Fathers, song cycle for high voice & orchestra, Op. 8: B. Messalina | Benjamin Britten | 6:55 | | | | | |
8 | 8 | Our Hunting Fathers, song cycle for high voice & orchestra, Op. 8: C. Dance of Death | Benjamin Britten | 6:29 | | | | | |
9 | 9 | Our Hunting Fathers, song cycle for high voice & orchestra, Op. 8: Epilogue and Funeral March | Benjamin Britten | 6:18 | | | | | |
10 | 10 | Little Sir William, for voice & piano (Folk Songs, Vol. 1) | Benjamin Britten | 2:32 | | | | | |
11 | 11 | Come you not from Newcastle?, for voice & piano (Folk Songs, Vol. 3) | Benjamin Britten | 1:25 | | | | | |
12 | 12 | The Bonny Earl o' Moray, for voice & piano (Folk Songs, Vol. 1) | Benjamin Britten | 2:37 | | | | | |
13 | 13 | Oliver Cromwell, for voice & piano (Folk Songs, Vol. 1) | Benjamin Britten | 0:48 | | | | | |
14 | 14 | Phaedra, dramatic cantata for mezzo-soprano, string orchestra, percussion & harpsichord, Op. 93: In May, in brilliant Athens | Benjamin Britten | 6:32 | | | | | |
15 | 15 | Phaedra, dramatic cantata for mezzo-soprano, string orchestra, percussion & harpsichord, Op. 93: O Gods of wrath | Benjamin Britten | 3:14 | | | | | |
16 | 16 | Phaedra, dramatic cantata for mezzo-soprano, string orchestra, percussion & harpsichord, Op. 93: My time's too short, your highness | Benjamin Britten | 6:18 | | | | | |
17 | 17 | La belle est au jardin d'amour, for voice & piano (Folk Songs, Vol. 2) | Benjamin Britten | 2:52 | | | | | |
18 | 18 | Folksong Arrangements, Vol. II "France", for voice & piano: Eho! Eho! | Benjamin Britten | 2:00 | | | | | |
19 | 19 | Folksong Arrangements, Vol. II "France", for voice & piano: Fileuse, folksong for voice & piano (Folk Songs, Vol. 2) | Benjamin Britten | 1:56 | | | | | |
20 | 20 | Folksong Arrangements, Vol. II "France", for voice & piano: Quand j'étais chez mon père, for voice & piano (Folk Songs, Vol. 2) | Benjamin Britten | 2:00 | | | | | |
21 | 21 | Le roi s'en va-t'en chasse, for voice & piano (Folk Songs, Vol. 2) Le roi s'en va-t'en chasse | Benjamin Britten | 2:51 | | | | | |
Media 24: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Sonnets (7) of Michelangelo, for voice & piano, Op. 22: 1. Sì come nella penna (16) | Benjamin Britten | 2:03 | | | | | |
2 | 2 | Sonnets (7) of Michelangelo, for voice & piano, Op. 22: 2. A che più debb'io mai (31) | Benjamin Britten | 1:20 | | | | | |
3 | 3 | Sonnets (7) of Michelangelo, for voice & piano, Op. 22: 3. Veggio co' bei vostri occhi (30) | Benjamin Britten | 3:10 | | | | | |
4 | 4 | Sonnets (7) of Michelangelo, for voice & piano, Op. 22: 4. Tu sa' ch'io so (55) | Benjamin Britten | 1:46 | | | | | |
5 | 5 | Sonnets (7) of Michelangelo, for voice & piano, Op. 22: 5. Rendete a gli occhi miei (38) | Benjamin Britten | 1:50 | | | | | |
6 | 6 | Sonnets (7) of Michelangelo, for voice & piano, Op. 22: 6. S'un casto amor (32) | Benjamin Britten | 1:15 | | | | | |
7 | 7 | Sonnets (7) of Michelangelo, for voice & piano, Op. 22: 7. Spirito ben nato (24) | Benjamin Britten | 4:51 | | | | | |
8 | 8 | The Holy Sonnets (9) of John Donne, for voice & piano, Op. 35: 1. Oh my blacke soule | Benjamin Britten | 3:19 | | | | | |
9 | 9 | The Holy Sonnets (9) of John Donne, for voice & piano, Op. 35: 2. Batter my heart | Benjamin Britten | 1:13 | | | | | |
10 | 10 | The Holy Sonnets (9) of John Donne, for voice & piano, Op. 35: 3. O might those sighes and teares | Benjamin Britten | 3:04 | | | | | |
11 | 11 | The Holy Sonnets (9) of John Donne, for voice & piano, Op. 35: 4. Oh, to vex me | Benjamin Britten | 1:04 | | | | | |
12 | 12 | The Holy Sonnets (9) of John Donne, for voice & piano, Op. 35: 5. What if this present | Benjamin Britten | 2:57 | | | | | |
13 | 13 | The Holy Sonnets (9) of John Donne, for voice & piano, Op. 35: 6. Since she whom I loved | Benjamin Britten | 3:48 | | | | | |
14 | 14 | The Holy Sonnets (9) of John Donne, for voice & piano, Op. 35: 7. At the round earth's imagined corners | Benjamin Britten | 2:47 | | | | | |
15 | 15 | The Holy Sonnets (9) of John Donne, for voice & piano, Op. 35: 8. Thou hast made me | Benjamin Britten | 1:24 | | | | | |
16 | 16 | The Holy Sonnets (9) of John Donne, for voice & piano, Op. 35: 9. Death, be not proud | Benjamin Britten | 4:15 | | | | | |
17 | 17 | On this Island, song cycle for voice & piano, Op. 11: 1. Let the florid music praise! | Benjamin Britten | 3:08 | | | | | |
18 | 18 | On this Island, song cycle for voice & piano, Op. 11: 2. Now the leaves are falling fast | Benjamin Britten | 1:58 | | | | | |
19 | 19 | On this Island, song cycle for voice & piano, Op. 11: 3. Seascape | Benjamin Britten | 1:58 | | | | | |
20 | 20 | On this Island, song cycle for voice & piano, Op. 11: 4. Nocturne | Benjamin Britten | 3:59 | | | | | |
21 | 21 | On this Island, song cycle for voice & piano, Op. 11: 5. As it is; plenty | Benjamin Britten | 1:29 | | | | | |
22 | 22 | Winter Words, song cycle for tenor & piano, Op. 52: 1. At day-close in November | Benjamin Britten | 1:34 | | | | | |
23 | 23 | Winter Words, song cycle for tenor & piano, Op. 52: 2. Midnight on the Great Western (or the Journeying Boy) | Benjamin Britten | 4:45 | | | | | |
24 | 24 | Winter Words, song cycle for tenor & piano, Op. 52: 3. Wagtail and Baby (A Satire) | Benjamin Britten | 1:53 | | | | | |
25 | 25 | Winter Words, song cycle for tenor & piano, Op. 52: 4. The Little Old Table | Benjamin Britten | 1:21 | | | | | |
26 | 26 | Winter Words, song cycle for tenor & piano, Op. 52: 5. The Choirmaster's Burial (or The Tenor Man's Story) | Benjamin Britten | 3:57 | | | | | |
27 | 27 | Winter Words, song cycle for tenor & piano, Op. 52: 6. The Proud Songsters (Thrushes, Finches and Nightingales) | Benjamin Britten | 1:07 | | | | | |
28 | 28 | Winter Words, song cycle for tenor & piano, Op. 52: 7. At the Railway Station, Upway (or The Convict and Boy with the Violin) | Benjamin Britten | 3:06 | | | | | |
29 | 29 | Winter Words, song cycle for tenor & piano, Op. 52: 8. Before Life and After | Benjamin Britten | 3:03 | | | | | |
Media 25: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Canticle I: My Beloved Is Mine, for high voice & piano, Op. 40 | Benjamin Britten | 7:53 | | | | | |
2 | 2 | Canticle II: Abraham and Isaac, for alto, tenor & piano, Op. 51 | Benjamin Britten | 17:04 | | | | | |
3 | 3 | Canticle III:Still Falls the Rain, for tenor, horn & piano, Op. 55 | Benjamin Britten | 11:42 | | | | | |
4 | 4 | Canticle IV: The Journey of the Magi, for countertenor, tenor, baritone & piano, Op. 86 | Benjamin Britten | 12:16 | | | | | |
5 | 5 | Canticle V: The Death of St Narcissus, for tenor & harp, Op. 89 | Benjamin Britten | 7:49 | | | | | |
6 | 6 | The Plough Boy, folksong for voice & piano (Folk Songs, Vol. 3) | Benjamin Britten | 1:50 | | | | | |
7 | 7 | The Salley Gardens, for voice & piano (Folk Songs, Vol. 1) | Benjamin Britten | 2:41 | | | | | |
8 | 8 | The Foggy, Foggy Dew, for voice & piano (Folk Songs, Vol. 3) | Benjamin Britten | 2:40 | | | | | |
9 | 9 | There's None to Soothe, for voice & piano (Folk Songs, Vol. 3) | Benjamin Britten | 1:48 | | | | | |
10 | 10 | O Waly, Waly, for voice & piano (Folk Songs, Vol. 3) | Benjamin Britten | 3:54 | | | | | |
11 | 11 | The Ash Grove, for voice & piano (Folk Songs, Vol. 1) | Benjamin Britten | 3:00 | | | | | |
12 | 12 | Greensleeves, folk song | Benjamin Britten | 2:17 | | | | | |
Media 26: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Songs (2) by Thomas Hardy, for voice & piano: The Children and Sir Nameless | Benjamin Britten | 2:51 | | | | | |
2 | 2 | Songs (2) by Thomas Hardy, for voice & piano: If it's ever spring again | Benjamin Britten | 3:06 | | | | | |
3 | 3 | Beware!, early songs (3) for medium voice & piano: 1. Beware! | Benjamin Britten | 1:02 | | | | | |
4 | 4 | Beware!, early songs (3) for medium voice & piano: 2. O that I had ne'er been married | Benjamin Britten | 1:23 | | | | | |
5 | 5 | Beware!, early songs (3) for medium voice & piano: 3. Epitaph: The Clerk | Benjamin Britten | 0:52 | | | | | |
6 | 6 | Not even summer yet, song for high voice & piano | Benjamin Britten | 2:05 | | | | | |
7 | 7 | Songs (2) by W. H. Auden, for voice & piano: To lie flat on the back | Benjamin Britten | 2:32 | | | | | |
8 | 8 | Songs (2) by W. H. Auden, for voice & piano: Night covers up the rigid land | Benjamin Britten | 2:44 | | | | | |
9 | 9 | The Oxen, carol for female chorus & piano | Benjamin Britten | 3:10 | | | | | |
10 | 10 | Dawtie's Devotion, song for voice & piano (discarded from "Who are these Children," Op. 84) | Benjamin Britten | 0:48 | | | | | |
11 | 11 | Tradition, song for voice & piano (discarded from "Who are these Children," Op. 84) | Benjamin Britten | 0:56 | | | | | |
12 | 12 | The Gully, song for voice & piano (discarded from "Who are these Children," Op. 84) | Benjamin Britten | 0:56 | | | | | |
13 | 13 | Tit for Tat, song cycle for voice & piano: 1. A Song of Enchantment | Benjamin Britten | 2:29 | | | | | |
14 | 14 | Tit for Tat, song cycle for voice & piano: 3. Silver | Benjamin Britten | 1:53 | | | | | |
15 | 15 | Tit for Tat, song cycle for voice & piano: 5. Tit for Tat | Benjamin Britten | 2:18 | | | | | |
16 | 16 | Ballads (2), for 2 voices & piano: 1. Mother Comfort | Benjamin Britten | 3:41 | | | | | |
17 | 17 | Ballads (2), for 2 voices & piano: 2. Underneath the Abject Willow | Benjamin Britten | 2:10 | | | | | |
18 | 18 | Folksong Arrangements, Vol. III "British Isles", for voice & piano Sweet Polly Oliver | Benjamin Britten | 1:55 | | | | | |
19 | 19 | Folksong Arrangements, Vol. IV "Moore's Irish Melodies", for voice & piano The Minstrel Boy | Benjamin Britten | 2:28 | | | | | |
20 | 20 | Folksong Arrangements, Vol. V "British Isles", for voice & piano: The Brisk Young Widow | Benjamin Britten | 2:14 | | | | | |
21 | 21 | Folksong Arrangements, Vol. V "British Isles", for voice & piano: Ca' the Yowes | Benjamin Britten | 3:53 | | | | | |
22 | 22 | Folksong Arrangements, Vol. V "British Isles", for voice & piano: The Lincolnshire Poacher | Benjamin Britten | 1:58 | | | | | |
23 | 23 | Folksong Arrangements, Vol. I "British Isles", for voice & piano: O can ye sew cushions? | Benjamin Britten | 2:23 | | | | | |
24 | 24 | Folksong Arrangements, Vol. I "British Isles", for voice & piano: The trees they grow so high | Benjamin Britten | 3:17 | | | | | |
25 | 25 | Folksong Arrangements, Vol. V "British Isles", for voice & piano Early one morning | Benjamin Britten | 3:31 | | | | | |
26 | 26 | Folksong Arrangements, Vol. IV "Moore's Irish Melodies", for voice & piano How sweet the answer | Benjamin Britten | 2:12 | | | | | |
27 | 27 | Folksong Arrangements, Vol. II "France", for voice & piano Voici le printemps | Benjamin Britten | 2:00 | | | | | |
28 | 28 | Folksong Arrangements, Vol. IV "Moore's Irish Melodies", for voice & piano: The last rose of Summer | Benjamin Britten | 4:31 | | | | | |
29 | 29 | Folksong Arrangements, Vol. IV "Moore's Irish Melodies", for voice & piano: Dear Harp of my Country! | Benjamin Britten | 2:32 | | | | | |
30 | 30 | Folksong Arrangements, Vol. IV "Moore's Irish Melodies", for voice & piano: Oft in the stilly night | Benjamin Britten | 2:48 | | | | | |
Media 27: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | The Queen's Epicedium, for soprano or tenor & piano (Purcell Realization) | Benjamin Britten | 7:54 | | | | | |
2 | 2 | Purcell Realizations from Orpheus Britannicus: Duets (6), for 2 voices & piano: Sound the Trumpet | Benjamin Britten | 2:27 | | | | | |
3 | 3 | Purcell Realizations from Orpheus Britannicus: Songs (5), for voice & piano: I attempt from love's sickness to fly | Benjamin Britten | 2:46 | | | | | |
4 | 4 | Purcell Realizations from Orpheus Britannicus: Duets (6), for 2 voices & piano: Lost is my quiet for ever | Benjamin Britten | 3:20 | | | | | |
5 | 5 | Purcell Realizations from Orpheus Britannicus: Songs (7), for voice & piano: Fairest Isle | Benjamin Britten | 2:10 | | | | | |
6 | 6 | Purcell Realizations from Orpheus Britannicus: Duets (6), for 2 voices & piano: What can we poor females do? | Benjamin Britten | 1:18 | | | | | |
7 | 7 | Purcell Realizations from Orpheus Britannicus: Songs (7), for voice & piano: I'll sail upon the Dog-star | Benjamin Britten | 1:15 | | | | | |
8 | 8 | Purcell Realizations from Orpheus Britannicus: Songs (7), for voice & piano: Hears not my Phyllis (The Knotting Song), song, Z. 371 | Benjamin Britten | 3:02 | | | | | |
9 | 9 | Purcell Realizations from Orpheus Britannicus: Duets (6), for 2 voices & piano: Man is for the woman made | Benjamin Britten | 1:07 | | | | | |
10 | 10 | Purcell Realizations from Orpheus Britannicus: Songs (5), for voice & piano: 1. Let sullen discord smile | Benjamin Britten | 2:06 | | | | | |
11 | 11 | Purcell Realizations from Orpheus Britannicus: Songs (5), for voice & piano: 2. Why should men quarrel | Benjamin Britten | 1:31 | | | | | |
12 | 12 | Purcell Realizations from Orpheus Britannicus: Songs (5), for voice & piano: 3. So when the glittering Queen of Night | Benjamin Britten | 4:07 | | | | | |
13 | 13 | Purcell Realizations from Orpheus Britannicus: Songs (5), for voice & piano: 4. Thou tun'st this world | Benjamin Britten | 2:10 | | | | | |
14 | 14 | Purcell Realizations from Orpheus Britannicus: Songs (5), for voice & piano: 5a. 'tis holiday / 5b. Sound Fame thy brazen trumpet | Benjamin Britten | 2:47 | | | | | |
15 | 15 | Die Forelle ("In einem Bächlein helle"), song for voice & piano, D. 550 (Op. 32) | Benjamin Britten | 2:00 | | | | | |
16 | 16 | Frühlingsnacht ("Uberm Garten durch die Lüfte"), song for voice & piano (Liederkreis), Op. 39/12 | Benjamin Britten | 1:13 | | | | | |
Media 28: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Paul Bunyan, operetta, Op. 17: 1. Introduction | Benjamin Britten | 1:12 | | | | | |
2 | 2 | Paul Bunyan, operetta, Op. 17: 2. Prologue. Since the birth of the earth | Benjamin Britten | 3:34 | | | | | |
3 | 3 | Paul Bunyan, operetta, Op. 17: 2. Prologue. No. No. We do not want life to be slow | Benjamin Britten | 0:44 | | | | | |
4 | 4 | Paul Bunyan, operetta, Op. 17: 2. Prologue. Ooh! Ooh! O how terrible to be as old fashined as a tree | Benjamin Britten | 1:45 | | | | | |
5 | 5 | Paul Bunyan, operetta, Op. 17: 2. Prologue. You are all to leave here | Benjamin Britten | 2:34 | | | | | |
6 | 6 | Paul Bunyan, operetta, Op. 17: 2. Prologue. It isn't very often the conservatives are wrong... / But once in a while the odd thing | Benjamin Britten | 3:10 | | | | | |
7 | 7 | Paul Bunyan, operetta, Op. 17: 2a. First Ballad Interlude: The cold wind blew through the crooked thorn | Benjamin Britten | 2:56 | | | | | |
8 | 8 | Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 3. Bunyan's Greeting | Benjamin Britten | 2:49 | | | | | |
9 | 9 | Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 3a. Call of Lumberjacks | Benjamin Britten | 0:32 | | | | | |
10 | 10 | Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 4. Lumberjack's Chorus: My birthplace was in Sweden | Benjamin Britten | 1:57 | | | | | |
11 | 11 | Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 4a. Bunyan's Welcome | Benjamin Britten | 0:21 | | | | | |
12 | 12 | Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 5. Quartet of Swedes: Swedish born and Swedish bred | Benjamin Britten | 1:17 | | | | | |
13 | 13 | Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 6. Western Union Boy's Song: A telegram from oversea | Benjamin Britten | 1:37 | | | | | |
14 | 14 | Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 7. Cooks' Duet: Sam for soups. Ben for beans | Benjamin Britten | 3:35 | | | | | |
15 | 15 | Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 8. Animal Trio: Ah! Miaou! The single creature lives a partial life | Benjamin Britten | 1:43 | | | | | |
16 | 16 | Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 8a. Bunyan's Goodnight (1) | Benjamin Britten | 0:33 | | | | | |
17 | 17 | Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 8b. Exit of Lumberjacks: Down the line... Timberr | Benjamin Britten | 0:46 | | | | | |
18 | 18 | Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 9. The Blues: Gold in the North came the blizzard to say | Benjamin Britten | 4:24 | | | | | |
19 | 19 | Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 10. Bunyan's Goodnight (2) | Benjamin Britten | 0:53 | | | | | |
20 | 20 | Paul Bunyan, operetta, Op. 17: Act 1. Scene 1. 10a. Second Ballad Interlude: The Spring came and the Summer and Fall | Benjamin Britten | 3:30 | | | | | |
21 | 21 | Paul Bunyan, operetta, Op. 17: Act 1. Scene 2. 11. Food Chorus: Do I look the sort of fellow | Benjamin Britten | 4:02 | | | | | |
22 | 22 | Paul Bunyan, operetta, Op. 17: Act 1. Scene 2. 12. Chorus Accusation: There now look what you have done | Benjamin Britten | 0:40 | | | | | |
23 | 23 | Paul Bunyan, operetta, Op. 17: Act 1. Scene 2. 12a. Slim's Song: In fair days and foul... I come from open spaces | Benjamin Britten | 3:08 | | | | | |
24 | 24 | Paul Bunyan, operetta, Op. 17: Act 1. Scene 2. 13. Bunyan's Return: Look, the Chief is back | Benjamin Britten | 1:03 | | | | | |
25 | 25 | Paul Bunyan, operetta, Op. 17: Act 1. Scene 2. 14. Inkslinger's Song: It was out in the sticks | Benjamin Britten | 4:50 | | | | | |
26 | 26 | Paul Bunyan, operetta, Op. 17: Act 1. Scene 2. 14a. Entrance of Chorus | Benjamin Britten | 0:47 | | | | | |
27 | 27 | Paul Bunyan, operetta, Op. 17: Act 1. Scene 2. 15. Tiny's Entrance | Benjamin Britten | 1:28 | | | | | |
28 | 28 | Paul Bunyan, operetta, Op. 17: Act 1. Scene 2. 15a. Tiny's Song: Ah!... Whether the sun shine upon children playing | Benjamin Britten | 4:05 | | | | | |
29 | 29 | Paul Bunyan, operetta, Op. 17: Act 1. Scene 2. 16. Inkslinger's Regret: All the little brooks of love | Benjamin Britten | 1:59 | | | | | |
30 | 30 | Paul Bunyan, operetta, Op. 17: Act 1. Scene 2. 17. Bunyan's Goodnight (3) | Benjamin Britten | 2:04 | | | | | |
Media 29: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 18. Bunyan's Good Morning | Benjamin Britten | 3:14 | | | | | |
2 | 2 | Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 18a. Shears' Song: It has always been my dream | Benjamin Britten | 0:46 | | | | | |
3 | 3 | Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 18b. Bunyan's Warning | Benjamin Britten | 0:26 | | | | | |
4 | 4 | Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 19. Farmer's Song: The shanty-boy invades the wood | Benjamin Britten | 2:10 | | | | | |
5 | 5 | Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 19a. Farmers' Exit | Benjamin Britten | 1:14 | | | | | |
6 | 6 | Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 20. The Mocking of Hel Helson: Heron, heron winging by | Benjamin Britten | 6:13 | | | | | |
7 | 7 | Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 21. Fido's Sympathy: Why won't you tell me what's the matter? | Benjamin Britten | 0:43 | | | | | |
8 | 8 | Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 22. Cat's Creed: Let Man the romantic in vision espy | Benjamin Britten | 1:48 | | | | | |
9 | 9 | Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 23. The Fight: What is it? What's happening? | Benjamin Britten | 1:27 | | | | | |
10 | 10 | Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 23a. Love Duet: Move, move from the trysting stone | Benjamin Britten | 2:28 | | | | | |
11 | 11 | Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 23b. Mock Funeral March: Take away the body and lay it on ice | Benjamin Britten | 4:45 | | | | | |
12 | 12 | Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 23c. Hymn: O great day of discovery! | Benjamin Britten | 3:05 | | | | | |
13 | 13 | Paul Bunyan, operetta, Op. 17: Act 2. Scene 1. 24. Third Ballad Interlude: So Helson smiled and Bunyan smiled | Benjamin Britten | 2:06 | | | | | |
14 | 14 | Paul Bunyan, operetta, Op. 17: Act 2. Scene 2. 25. The Christmas Party. Rah! Another slice of turkey | Benjamin Britten | 1:55 | | | | | |
15 | 15 | Paul Bunyan, operetta, Op. 17: Act 2. Scene 2. 25. The Christmas Party. Dear friends, with your leave | Benjamin Britten | 1:02 | | | | | |
16 | 16 | Paul Bunyan, operetta, Op. 17: Act 2. Scene 2. 25. The Christmas Party. Carry her over the water | Benjamin Britten | 1:21 | | | | | |
17 | 17 | Paul Bunyan, operetta, Op. 17: Act 2. Scene 2. 25. The Christmas Party. Where we are is not very far | Benjamin Britten | 2:14 | | | | | |
18 | 18 | Paul Bunyan, operetta, Op. 17: Act 2. Scene 2. 25. The Christmas Party. A telegram from Hollywood | Benjamin Britten | 1:28 | | | | | |
19 | 19 | Paul Bunyan, operetta, Op. 17: Act 2. Scene 2. 25. The Christmas Party. We always knew that one day you | Benjamin Britten | 1:36 | | | | | |
20 | 20 | Paul Bunyan, operetta, Op. 17: Act 2. Scene 2. 26. Bunyan's Farewell | Benjamin Britten | 2:13 | | | | | |
21 | 21 | Paul Bunyan, operetta, Op. 17: Act 2. Scene 2. 27. Litany: The campfire embers are black and cold | Benjamin Britten | 6:11 | | | | | |
22 | 22 | Paul Bunyan, operetta, Op. 17: Appendix. Overture | Benjamin Britten | 5:08 | | | | | |
23 | 23 | Paul Bunyan, operetta, Op. 17: Appendix. Inkslinger's Love Song | Benjamin Britten | 3:44 | | | | | |
24 | 24 | Paul Bunyan, operetta, Op. 17: Appendix. Lullaby of Dream Shadows | Benjamin Britten | 8:59 | | | | | |
Media 30: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Peter Grimes, opera, Op. 33: Prologue. Peter Grimes! | Benjamin Britten | 1:36 | | | | | |
2 | 2 | Peter Grimes, opera, Op. 33: Prologue. You sailed your boat round the coast | Benjamin Britten | 3:26 | | | | | |
3 | 3 | Peter Grimes, opera, Op. 33: Prologue. Peter Grimes, I here advise you! | Benjamin Britten | 2:13 | | | | | |
4 | 4 | Peter Grimes, opera, Op. 33: Prologue. The truth - the pity | Benjamin Britten | 1:57 | | | | | |
5 | 5 | Peter Grimes, opera, Op. 33: Prologue. Interlude 1: Dawn | Benjamin Britten | 3:19 | | | | | |
6 | 6 | Peter Grimes, opera, Op. 33: Act 1. Scene 1. Oh hang at open doors the net | Benjamin Britten | 5:01 | | | | | |
7 | 7 | Peter Grimes, opera, Op. 33: Act 1. Scene 1. Hi! Give us a hand! | Benjamin Britten | 3:33 | | | | | |
8 | 8 | Peter Grimes, opera, Op. 33: Act 1. Scene 1. I have to go from pub to pub | Benjamin Britten | 1:57 | | | | | |
9 | 9 | Peter Grimes, opera, Op. 33: Act 1. Scene 1. Let her among you without a fault cast the first stone | Benjamin Britten | 2:56 | | | | | |
10 | 10 | Peter Grimes, opera, Op. 33: Act 1. Scene 1. Look! The storm cone! | Benjamin Britten | 2:42 | | | | | |
11 | 11 | Peter Grimes, opera, Op. 33: Act 1. Scene 1. And do you prefer the storm | Benjamin Britten | 3:52 | | | | | |
12 | 12 | Peter Grimes, opera, Op. 33: Act 1. Scene 1. They listen to money | Benjamin Britten | 1:29 | | | | | |
13 | 13 | Peter Grimes, opera, Op. 33: Act 1. Scene 1. What harbour shelters peace | Benjamin Britten | 1:06 | | | | | |
14 | 14 | Peter Grimes, opera, Op. 33: Act 1. Scene 1. Interlude 2: Storm | Benjamin Britten | 4:20 | | | | | |
15 | 15 | Peter Grimes, opera, Op. 33: Act 1. Scene 2. Past time to close! | Benjamin Britten | 4:39 | | | | | |
16 | 16 | Peter Grimes, opera, Op. 33: Act 1. Scene 2. Come on, boy! | Benjamin Britten | 2:12 | | | | | |
17 | 17 | Peter Grimes, opera, Op. 33: Act 1. Scene 2. Have you heard the cliff is down | Benjamin Britten | 1:37 | | | | | |
18 | 18 | Peter Grimes, opera, Op. 33: Act 1. Scene 2. Now the Great Bear and the Pleiades | Benjamin Britten | 3:42 | | | | | |
19 | 19 | Peter Grimes, opera, Op. 33: Act 1. Scene 2. Old Joe has gone fishing | Benjamin Britten | 2:18 | | | | | |
20 | 20 | Peter Grimes, opera, Op. 33: Act 1. Scene 2. The bridge is down | Benjamin Britten | 1:45 | | | | | |
21 | 21 | Peter Grimes, opera, Op. 33: Act 2. Interlude 3: Sunday morning | Benjamin Britten | 2:28 | | | | | |
22 | 22 | Peter Grimes, opera, Op. 33: Act 2. Scene 1. Glitter of waves and glitter of sunlight | Benjamin Britten | 5:34 | | | | | |
23 | 23 | Peter Grimes, opera, Op. 33: Act 2. Scene 1. Child you're not too young to know | Benjamin Britten | 3:28 | | | | | |
24 | 24 | Peter Grimes, opera, Op. 33: Act 2. Scene 1. This unrelenting work | Benjamin Britten | 4:42 | | | | | |
Media 31: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Peter Grimes, opera, Op. 33: Act 2. Scene 1. Fool to let it come to this! | Benjamin Britten | 3:20 | | | | | |
2 | 2 | Peter Grimes, opera, Op. 33: Act 2. Scene 1. People...! No! I will speak! | Benjamin Britten | 2:01 | | | | | |
3 | 3 | Peter Grimes, opera, Op. 33: Act 2. Scene 1. We planned that their lives should have a new start | Benjamin Britten | 3:04 | | | | | |
4 | 4 | Peter Grimes, opera, Op. 33: Act 2. Scene 1. Now is gossip put on trial | Benjamin Britten | 2:21 | | | | | |
5 | 5 | Peter Grimes, opera, Op. 33: Act 2. Scene 1. From the gutter | Benjamin Britten | 5:03 | | | | | |
6 | 6 | Peter Grimes, opera, Op. 33: Act 2. Scene 1. Interlude 4: Passacaglia | Benjamin Britten | 5:20 | | | | | |
7 | 7 | Peter Grimes, opera, Op. 33: Act 2. Scene 2. Go there! | Benjamin Britten | 3:14 | | | | | |
8 | 8 | Peter Grimes, opera, Op. 33: Act 2. Scene 2. In dreams I've built myself some kindlier home | Benjamin Britten | 3:57 | | | | | |
9 | 9 | Peter Grimes, opera, Op. 33: Act 2. Scene 2. Now!... Now! | Benjamin Britten | 2:09 | | | | | |
10 | 10 | Peter Grimes, opera, Op. 33: Act 2. Scene 2. Peter Grimes! Nobody here? | Benjamin Britten | 3:17 | | | | | |
11 | 11 | Peter Grimes, opera, Op. 33: Act 3. Interlude 5: Moonlight | Benjamin Britten | 4:21 | | | | | |
12 | 12 | Peter Grimes, opera, Op. 33: Act 3. Scene 1. Assign your prettiness to me | Benjamin Britten | 2:57 | | | | | |
13 | 13 | Peter Grimes, opera, Op. 33: Act 3. Scene 1. Mr Keene! | Benjamin Britten | 2:45 | | | | | |
14 | 14 | Peter Grimes, opera, Op. 33: Act 3. Scene 1. Come along, Doctor | Benjamin Britten | 2:50 | | | | | |
15 | 15 | Peter Grimes, opera, Op. 33: Act 3. Scene 1. Embroidery in childhood was a luxury of idleness | Benjamin Britten | 5:07 | | | | | |
16 | 16 | Peter Grimes, opera, Op. 33: Act 3. Scene 1. Mr Swallow, Mr Swallow | Benjamin Britten | 1:59 | | | | | |
17 | 17 | Peter Grimes, opera, Op. 33: Act 3. Scene 1. Who holds himself apart lets his pride rise | Benjamin Britten | 3:44 | | | | | |
18 | 18 | Peter Grimes, opera, Op. 33: Act 3. Scene 1. Interlude 6 | Benjamin Britten | 2:34 | | | | | |
19 | 19 | Peter Grimes, opera, Op. 33: Act 3. Scene 2. Grimes! | Benjamin Britten | 5:10 | | | | | |
20 | 20 | Peter Grimes, opera, Op. 33: Act 3. Scene 2. Peter, we've come to take you home | Benjamin Britten | 2:47 | | | | | |
21 | 21 | Peter Grimes, opera, Op. 33: Act 3. Scene 2. To those who pass the Borough | Benjamin Britten | 4:28 | | | | | |
Media 32: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Turn of the Screw, chamber opera, Op. 54: Prologue | Benjamin Britten | 3:27 | | | | | |
2 | 2 | Turn of the Screw, chamber opera, Op. 54: Act 1. Theme | Benjamin Britten | 1:04 | | | | | |
3 | 3 | Turn of the Screw, chamber opera, Op. 54: Act 1. Scene 1. The Journey | Benjamin Britten | 2:12 | | | | | |
4 | 4 | Turn of the Screw, chamber opera, Op. 54: Act 1. Variation 1 | Benjamin Britten | 0:36 | | | | | |
5 | 5 | Turn of the Screw, chamber opera, Op. 54: Act 1. Scene 2. The Welcome | Benjamin Britten | 3:42 | | | | | |
6 | 6 | Turn of the Screw, chamber opera, Op. 54: Act 1. Variation 2 | Benjamin Britten | 0:38 | | | | | |
7 | 7 | Turn of the Screw, chamber opera, Op. 54: Act 1. Scene 3. The Letter | Benjamin Britten | 2:58 | | | | | |
8 | 8 | Turn of the Screw, chamber opera, Op. 54: Act 1. Variation 3 | Benjamin Britten | 1:45 | | | | | |
9 | 9 | Turn of the Screw, chamber opera, Op. 54: Act 1. Scene 4. The Tower | Benjamin Britten | 3:41 | | | | | |
10 | 10 | Turn of the Screw, chamber opera, Op. 54: Act 1. Variation 4 | Benjamin Britten | 0:24 | | | | | |
11 | 11 | Turn of the Screw, chamber opera, Op. 54: Act 1. Scene 5. The Window | Benjamin Britten | 9:07 | | | | | |
12 | 12 | Turn of the Screw, chamber opera, Op. 54: Act 1. Variation 5 | Benjamin Britten | 1:00 | | | | | |
13 | 13 | Turn of the Screw, chamber opera, Op. 54: Act 1. Scene 6. The Lesson | Benjamin Britten | 4:02 | | | | | |
14 | 14 | Turn of the Screw, chamber opera, Op. 54: Act 1. Variation 6 | Benjamin Britten | 1:20 | | | | | |
15 | 15 | Turn of the Screw, chamber opera, Op. 54: Act 1. Scene 7. The Lake | Benjamin Britten | 5:11 | | | | | |
16 | 16 | Turn of the Screw, chamber opera, Op. 54: Act 1. Variation 7 | Benjamin Britten | 1:25 | | | | | |
17 | 17 | Turn of the Screw, chamber opera, Op. 54: Act 1. Scene 8. At Night | Benjamin Britten | 9:44 | | | | | |
Media 33: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Turn of the Screw, chamber opera, Op. 54: Act 2. Variation 8 | Benjamin Britten | 4:44 | | | | | |
2 | 2 | Turn of the Screw, chamber opera, Op. 54: Act 2. Scene 1. Colliquy and Soliloquy | Benjamin Britten | 4:21 | | | | | |
3 | 3 | Turn of the Screw, chamber opera, Op. 54: Act 2. Variation 9 | Benjamin Britten | 0:55 | | | | | |
4 | 4 | Turn of the Screw, chamber opera, Op. 54: Act 2. Scene 2. The Bells | Benjamin Britten | 7:31 | | | | | |
5 | 5 | Turn of the Screw, chamber opera, Op. 54: Act 2. Variation 10 | Benjamin Britten | 0:31 | | | | | |
6 | 6 | Turn of the Screw, chamber opera, Op. 54: Act 2. Scene 3. Miss Jessel | Benjamin Britten | 6:00 | | | | | |
7 | 7 | Turn of the Screw, chamber opera, Op. 54: Act 2. Variation 11 | Benjamin Britten | 1:25 | | | | | |
8 | 8 | Turn of the Screw, chamber opera, Op. 54: Act 2. Scene 4. The Bedroom | Benjamin Britten | 5:02 | | | | | |
9 | 9 | Turn of the Screw, chamber opera, Op. 54: Act 2. Variation 12 | Benjamin Britten | 1:22 | | | | | |
10 | 10 | Turn of the Screw, chamber opera, Op. 54: Act 2. Scene 5. Quint | Benjamin Britten | 0:54 | | | | | |
11 | 11 | Turn of the Screw, chamber opera, Op. 54: Act 2. Variation 13 | Benjamin Britten | 1:07 | | | | | |
12 | 12 | Turn of the Screw, chamber opera, Op. 54: Act 2. Scene 6. The Piano | Benjamin Britten | 3:14 | | | | | |
13 | 13 | Turn of the Screw, chamber opera, Op. 54: Act 2. Variation 14 | Benjamin Britten | 0:36 | | | | | |
14 | 14 | Turn of the Screw, chamber opera, Op. 54: Act 2. Scene 7. Flora | Benjamin Britten | 3:48 | | | | | |
15 | 15 | Turn of the Screw, chamber opera, Op. 54: Act 2. Variation 15 | Benjamin Britten | 1:34 | | | | | |
16 | 16 | Turn of the Screw, chamber opera, Op. 54: Act 2. Scene 8. Miles | Benjamin Britten | 11:10 | | | | | |
Media 34: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | A Midsummer Night's Dream, opera, Op. 64: Act 1. Introduction: The wood, deepening twilight. Over hill, over dale | Benjamin Britten | 4:12 | 138.6191 | | | | |
2 | 2 | A Midsummer Night's Dream, opera, Op. 64: Act 1. Oberon is passing fell and wrath | Benjamin Britten | 3:04 | 122.7799 | | | | |
3 | 3 | A Midsummer Night's Dream, opera, Op. 64: Act 1. Well, go thy way | Benjamin Britten | 3:44 | 84.1836 | | | | |
4 | 4 | A Midsummer Night's Dream, opera, Op. 64: Act 1. How now my love? | Benjamin Britten | 4:29 | 125.8246 | | | | |
5 | 5 | A Midsummer Night's Dream, opera, Op. 64: Act 1. Be it on lion, bear, or wolf, or bull | Benjamin Britten | 3:41 | 112.4746 | | | | |
6 | 6 | A Midsummer Night's Dream, opera, Op. 64: Act 1. Welcome wanderer... I know a bank | Benjamin Britten | 5:04 | 132.369 | | | | |
7 | 7 | A Midsummer Night's Dream, opera, Op. 64: Act 1. Is all our company here? | Benjamin Britten | 7:37 | 129.4851 | | | | |
8 | 8 | A Midsummer Night's Dream, opera, Op. 64: Act 1. Fair love, you faint with wand'ring in the wood | Benjamin Britten | 2:43 | 118.2744 | | | | |
9 | 9 | A Midsummer Night's Dream, opera, Op. 64: Act 1. Through the forest have I gone | Benjamin Britten | 1:39 | 113.2513 | | | | |
10 | 10 | A Midsummer Night's Dream, opera, Op. 64: Act 1. Stay, though thou kill me, sweet Demetrius | Benjamin Britten | 5:08 | 129.3546 | | | | |
11 | 11 | A Midsummer Night's Dream, opera, Op. 64: Act 1. Come, now a roundel and a fairy song | Benjamin Britten | 2:04 | 111.9994 | | | | |
12 | 12 | A Midsummer Night's Dream, opera, Op. 64: Act 1. You spotted snakes with double tongue | Benjamin Britten | 2:19 | 103.205 | | | | |
13 | 13 | A Midsummer Night's Dream, opera, Op. 64: Act 1. What thou seest when thou dost wake | Benjamin Britten | 2:11 | 144.9213 | | | | |
14 | 14 | A Midsummer Night's Dream, opera, Op. 64: Act 2. Introduction: The Wood | Benjamin Britten | 3:27 | 135.1074 | | | | |
15 | 15 | A Midsummer Night's Dream, opera, Op. 64: Act 2. Are we all met? | Benjamin Britten | 7:23 | 119.7416 | | | | |
16 | 16 | A Midsummer Night's Dream, opera, Op. 64: Act 2. I see their knavery | Benjamin Britten | 3:14 | 135.8769 | | | | |
17 | 17 | A Midsummer Night's Dream, opera, Op. 64: Act 2. Be kind and courteous to this gentleman | Benjamin Britten | 1:16 | 116.7713 | | | | |
18 | 18 | A Midsummer Night's Dream, opera, Op. 64: Act 2. Hail, mortal, hail! | Benjamin Britten | 5:36 | 135.8296 | | | | |
19 | 19 | A Midsummer Night's Dream, opera, Op. 64: I have a reas'nable good ear in music | Benjamin Britten | 5:21 | 122.8718 | | | | |
20 | 20 | A Midsummer Night's Dream, opera, Op. 64: Act 2. How now, mad spirit? | Benjamin Britten | 2:50 | 163.8608 | | | | |
Media 35: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | A Midsummer Night's Dream, opera, Op. 64: Act 2. Flower of this purple dye | Benjamin Britten | 6:47 | 178.2059 | | | | |
2 | 2 | A Midsummer Night's Dream, opera, Op. 64: Act 2. Puppet? Why, so? | Benjamin Britten | 3:41 | 91.2445 | | | | |
3 | 3 | A Midsummer Night's Dream, opera, Op. 64: Act 2. This is thy negligence | Benjamin Britten | 1:48 | 116.9732 | | | | |
4 | 4 | A Midsummer Night's Dream, opera, Op. 64: Act 2. Up and down, up and down | Benjamin Britten | 6:51 | 152.1225 | | | | |
5 | 5 | A Midsummer Night's Dream, opera, Op. 64: Act 2. On the ground, sleep sound | Benjamin Britten | 3:29 | | | | | |
6 | 6 | A Midsummer Night's Dream, opera, Op. 64: Act 3. Introduction: The wood, early next morning. My gentle Robin, seest thou this sweet sight? | Benjamin Britten | 8:07 | 163.7222 | | | | |
7 | 7 | A Midsummer Night's Dream, opera, Op. 64: Act 3. Helena! Hermia! Demetrius! Lysander! | Benjamin Britten | 7:10 | 152.487 | | | | |
8 | 8 | A Midsummer Night's Dream, opera, Op. 64: Act 3. When my cue comes, call me | Benjamin Britten | 4:26 | 147.159 | | | | |
9 | 9 | A Midsummer Night's Dream, opera, Op. 64: Act 3. Have you sent to Bottom's house? | Benjamin Britten | 5:13 | 163.969 | | | | |
10 | 10 | A Midsummer Night's Dream, opera, Op. 64: Act 3. Theseus' palace. Now, fair Hippolyta | Benjamin Britten | 5:20 | 172.2654 | | | | |
11 | 11 | A Midsummer Night's Dream, opera, Op. 64: Act 3. If we offend, it is with our good will | Benjamin Britten | 1:23 | 99.478 | | | | |
12 | 12 | A Midsummer Night's Dream, opera, Op. 64: Act 3. Gentles, perchance you wonder at this show | Benjamin Britten | 1:28 | 148.3661 | | | | |
13 | 13 | A Midsummer Night's Dream, opera, Op. 64: Act 3. In this same interlude it doth befall | Benjamin Britten | 1:11 | 109.7964 | | | | |
14 | 14 | A Midsummer Night's Dream, opera, Op. 64: Act 3. O grim-look'd night, O night with hue so black | Benjamin Britten | 1:57 | 155.618 | | | | |
15 | 15 | A Midsummer Night's Dream, opera, Op. 64: Act 3. O Wall, full often hast thou heard my moans | Benjamin Britten | 2:47 | 147.4657 | | | | |
16 | 16 | A Midsummer Night's Dream, opera, Op. 64: Act 3. You ladies, you whose gentle hearts do fear | Benjamin Britten | 0:50 | 154.6931 | | | | |
17 | 17 | A Midsummer Night's Dream, opera, Op. 64: Act 3. This lanthorn doth the hornèd moon present | Benjamin Britten | 1:56 | 120.6297 | | | | |
18 | 18 | A Midsummer Night's Dream, opera, Op. 64: Act 3. Sweet Moon, I thank thee for thy sunny beams | Benjamin Britten | 1:59 | 148.6589 | | | | |
19 | 19 | A Midsummer Night's Dream, opera, Op. 64: Act 3. Asleep, my love? | Benjamin Britten | 2:48 | 150.9365 | | | | |
20 | 20 | A Midsummer Night's Dream, opera, Op. 64: Act 3. Come, your Bergomask | Benjamin Britten | 2:58 | 154.4718 | | | | |
21 | 21 | A Midsummer Night's Dream, opera, Op. 64: Act 3. Now the hungry lion roars | Benjamin Britten | 4:52 | 117.9435 | | | | |
Media 36: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | The Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 1. Rome is now ruled by the Etruscan upstart | Benjamin Britten | 2:22 | | | | | |
2 | 2 | The Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 1. It is an axiom among kings | Benjamin Britten | 2:25 | | | | | |
3 | 3 | The Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 1. Here the thirsty evening | Benjamin Britten | 4:25 | | | | | |
4 | 4 | The Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 1. Lucretia! Lucretia! | Benjamin Britten | 3:54 | | | | | |
5 | 5 | The Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 1. With you two arm in arm again | Benjamin Britten | 4:33 | | | | | |
6 | 6 | The Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 1. Interlude: Tarquinius does not wait | Benjamin Britten | 2:46 | | | | | |
7 | 7 | The Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 2. Their spinning wheel unwinds | Benjamin Britten | 5:27 | | | | | |
8 | 8 | The Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 2. It is better to desire | Benjamin Britten | 4:47 | | | | | |
9 | 9 | The Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 2. The oatmeal slippers of sleep | Benjamin Britten | 1:43 | | | | | |
10 | 10 | The Rape of Lucretia, chamber opera, Op. 37: Act 1. Scene 2. None of the women move | Benjamin Britten | 5:33 | | | | | |
11 | 11 | The Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 1. She sleeps as a rose | Benjamin Britten | 4:25 | | | | | |
12 | 12 | The Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 1. Lucretia!... What do you want? | Benjamin Britten | 3:08 | | | | | |
13 | 13 | The Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 1. Go, Tarquinius! | Benjamin Britten | 2:16 | | | | | |
14 | 14 | The Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 1. Interlude: Here in this scene you see | Benjamin Britten | 3:52 | | | | | |
15 | 15 | The Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 2. Oh! What a lovely day! | Benjamin Britten | 4:28 | | | | | |
16 | 16 | The Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 2. How hideous! Take them away! | Benjamin Britten | 1:23 | | | | | |
17 | 17 | The Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 2. Flowers bring to every year | Benjamin Britten | 3:17 | | | | | |
18 | 18 | The Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 2. Too late, Junius | Benjamin Britten | 3:59 | | | | | |
19 | 19 | The Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 2. This dead hand lets fall | Benjamin Britten | 4:21 | | | | | |
20 | 20 | The Rape of Lucretia, chamber opera, Op. 37: Act 2. Scene 2. Is all this suffering and pain | Benjamin Britten | 4:40 | | | | | |
Media 37: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Peter Grimes, opera, Op. 33: Act 2. Scene 1. Whatever you say... Let her among you without fault | Benjamin Britten | 3:01 | | | | | |
2 | 2 | Peter Grimes, opera, Op. 33: Act 1. Scene 2. Now the Great Bear and the Pleiades | Benjamin Britten | 3:22 | | | | | |
3 | 3 | Peter Grimes, opera, Op. 33: Act 2. Scene 1. Interlude 3: Sunday Morning | Benjamin Britten | 2:20 | | | | | |
4 | 4 | Peter Grimes, opera, Op. 33: Act 2. Scene 1. Glitter of waves | Benjamin Britten | 3:49 | | | | | |
5 | 5 | Peter Grimes, opera, Op. 33: Act 2. Scene 1. Wherefore, I pray and beseech you | Benjamin Britten | 3:30 | | | | | |
6 | 6 | Peter Grimes, opera, Op. 33: Act 2. Scene 1. O all ye works of the Lord | Benjamin Britten | 5:50 | | | | | |
7 | 7 | Peter Grimes, opera, Op. 33: Act 2. Scene 2. In dreams I've built myself some kindlier home | Benjamin Britten | 4:31 | | | | | |
8 | 8 | Peter Grimes, opera, Op. 33: Act 3. Scene 1. Embroidery in childhood | Benjamin Britten | 4:15 | | | | | |
9 | 9 | Peter Grimes, opera, Op. 33: Interlude 6 | Benjamin Britten | 2:29 | | | | | |
10 | 10 | Peter Grimes, opera, Op. 33: Act 3. Scene 2. Grimes!... Steady. There you are | Benjamin Britten | 6:10 | | | | | |
11 | 11 | Folksong Arrangements, Vol. III "British Isles", for voice & piano: The Plough Boy | Benjamin Britten | 2:05 | | | | | |
12 | 12 | Folksong Arrangements, Vol. III "British Isles", for voice & piano: Come you not from Newcastle? | Benjamin Britten | 1:16 | | | | | |
13 | 13 | Folksong Arrangements, Vol. III "British Isles", for voice & piano: The Foggy, Foggy Dew | Benjamin Britten | 2:42 | | | | | |
14 | 14 | Folksong Arrangements, Vol. III "British Isles", for voice & piano: The King is gone a-hunting | Benjamin Britten | 2:18 | | | | | |
15 | 15 | Folksong Arrangements, Vol. III "British Isles", for voice & piano: O Waly, Waly | Benjamin Britten | 3:36 | | | | | |