| Media 1: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
| 1 | 1 | Toccata & Fugue in D minor, BWV 565: Toccata | Johann Sebastian Bach | 3:56 | 129.1184 | 1-1 | Toccata | Esa-Pekka Salonen | 3:56 |
| 2 | 2 | Toccata & Fugue in D minor, BWV 565: Fugue | Johann Sebastian Bach | 6:11 | 172.2657 | 1-2 | Fugue | Esa-Pekka Salonen | 6:11 |
| 3 | 3 | Fantasy & Fugue in C minor, BWV 537: Fantasy | Johann Sebastian Bach | 5:13 | 135.5449 | 1-3 | Fantasia | Esa-Pekka Salonen | 5:13 |
| 4 | 4 | Fantasy & Fugue in C minor, BWV 537: Fugue | Johann Sebastian Bach | 3:57 | 155.2024 | 1-4 | Fugue | Esa-Pekka Salonen | 3:57 |
| 5 | 5 | The Musical Offering: BWV 1079: Ricercare no. 2 | Johann Sebastian Bach | 8:39 | 122.9047 | 1-5 | No. 2: Ricercar A 6 | Esa-Pekka Salonen | 8:39 |
| 6 | 6 | Prelude & Fugue in E-flat major, BWV 522 "St. Anne": Prelude | Johann Sebastian Bach | 9:22 | 90.2334 | 1-6 | Praeludium | Esa-Pekka Salonen | 9:22 |
| 7 | 7 | Prelude & Fugue in E-flat major, BWV 522 "St. Anne": Fugue | Johann Sebastian Bach | 6:02 | 95.6083 | 1-7 | Fuga A 5 | Esa-Pekka Salonen | 6:02 |
| 8 | 8 | Fugue in G minor, BWV 578 "Little": Fugue | Johann Sebastian Bach | 3:57 | 152.926 | 1-8 | Fugue In G Minor BWV 578 = G-Moll = En Sol Mineur | Esa-Pekka Salonen | 3:57 |
| 9 | 9 | Suite For Organ, Harpsichord & Orchestra: I. Ouverture | Johann Sebastian Bach | 7:46 | 178.2054 | 1-9 | I Ouverture | Esa-Pekka Salonen | 7:46 |
| 10 | 10 | Suite For Organ, Harpsichord & Orchestra: II. Rondeau - | Johann Sebastian Bach | 1:19 | 184.5704 | 1-10 | II Rondeau - | Esa-Pekka Salonen | 1:19 |
| 11 | 11 | Suite For Organ, Harpsichord & Orchestra: Badinerie | Johann Sebastian Bach | 2:01 | 123.2455 | 1-11 | Badinerie | Esa-Pekka Salonen | 2:01 |
| 12 | 12 | Suite For Organ, Harpsichord & Orchestra: III. Air | Johann Sebastian Bach | 5:31 | 125.6677 | 1-12 | III Air | Esa-Pekka Salonen | 5:31 |
| 13 | 13 | Suite For Organ, Harpsichord & Orchestra: IV. Gavotte I - | Johann Sebastian Bach | 1:25 | 154.4088 | 1-13 | IV Gavotte I - | Esa-Pekka Salonen | 1:25 |
| 14 | 14 | Suite For Organ, Harpsichord & Orchestra: Gavotte II | Johann Sebastian Bach | 2:19 | 164.3826 | 1-14 | Gavotte II | Esa-Pekka Salonen | 2:19 |
| Media 2: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
| 1 | 1 | Concerto for Orchestra, Sz. 116: I. (Introduzione). Andante non troppo | Béla Bartók | 10:45 | | 2-1 | I Introduzione. Andante Non Troppo - Allegro Vivace - Tempo I | Esa-Pekka Salonen | 10:45 |
| 2 | 2 | Concerto for Orchestra, Sz. 116: II. (Giuco delle coppie). Allegro scherzando | Béla Bartók | 6:25 | | 2-2 | II Giuoco Delle Coppie. Allegretto Scherzando | Esa-Pekka Salonen | 6:25 |
| 3 | 3 | Concerto for Orchestra, Sz. 116: III. (Elegia). Andante, non troppo | Béla Bartók | 7:47 | | 2-3 | III Elegia. Andante, Non Troppo | Esa-Pekka Salonen | 7:47 |
| 4 | 4 | Concerto for Orchestra, Sz. 116: (Intermezzo interrotto). Allegretto | Béla Bartók | 4:20 | | 2-4 | IV Intermezzo Interrotto. Allegretto | Esa-Pekka Salonen | 4:20 |
| 5 | 5 | Concerto for Orchestra, Sz. 116: V. (Finale). Pesante - Presto | Béla Bartók | 9:18 | | 2-5 | V Finale. Pesante - Presto | Esa-Pekka Salonen | 9:07 |
| 6 | 6 | Music for Strings, Percussion, and Celesta, Sz. 106: I. Andante tranquillo | Béla Bartók | 8:22 | | 2-6 | I Andante Tranquillo | Esa-Pekka Salonen | 8:22 |
| 7 | 7 | Music for Strings, Percussion, and Celesta, Sz. 106: II. Allegro | Béla Bartók | 7:15 | | 2-7 | Il Allegro - Vivo - Vivace - Allegro Molto | Esa-Pekka Salonen | 7:15 |
| 8 | 8 | Music for Strings, Percussion, and Celesta, Sz. 106: III. Adagio | Béla Bartók | 7:20 | | 2-8 | III Adagio - Allegretto - Adagio | Esa-Pekka Salonen | 7:20 |
| 9 | 9 | Music for Strings, Percussion, and Celesta, Sz. 106: IV. Allegro molto | Béla Bartók | 7:29 | | 2-9 | IV Allegro Molto - Vivacissimo - Molto Moderato - Allegro | Esa-Pekka Salonen | 7:28 |
| Media 3: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
| 1 | 1 | Piano Concerto No. 2 in G major, Sz. 95: I. Allegro | Béla Bartók | 9:19 | | 3-1 | I Allegro | Esa-Pekka Salonen | 9:20 |
| 2 | 2 | Piano Concerto No. 2 in G major, Sz. 95: II. Adagio - Presto - Adagio | Béla Bartók | 12:42 | | 3-2 | Il Adagio - Presto - Adagio | Esa-Pekka Salonen | 12:43 |
| 3 | 3 | Piano Concerto No. 2 in G major, Sz. 95: III. Allegro molto | Béla Bartók | 5:55 | | 3-3 | III Allegro Molto - Presto | Esa-Pekka Salonen | 5:56 |
| 4 | 4 | Piano Concerto No. 3 in E major (completed by Tibor Serly), Sz. 119: I. Allegretto | Béla Bartók | 7:19 | | 3-4 | I Allegretto | Esa-Pekka Salonen | 7:19 |
| 5 | 5 | Piano Concerto No. 3 in E major (completed by Tibor Serly), Sz. 119: II. Adagio religioso - Poco più mosso - Tempo I | Béla Bartók | 10:15 | | 3-5 | Il Adagio Religioso - Attacca | Esa-Pekka Salonen | 10:15 |
| 6 | 6 | Piano Concerto No. 3 in E major (completed by Tibor Serly), Sz. 119: III. Allegro vivace | Béla Bartók | 7:03 | | 3-6 | III Allegro Vivace | Esa-Pekka Salonen | 7:03 |
| 7 | 7 | Piano Concerto No. 1 in A major, Sz. 83: I. Allegro moderato - Allegro - Allegro moderato | Béla Bartók | 9:03 | | 3-7 | I Allegro Moderato - Allegro - Allegro Molto - Allegro | Esa-Pekka Salonen | 9:03 |
| 8 | 8 | Piano Concerto No. 1 in A major, Sz. 83: II. Andante | Béla Bartók | 7:39 | | 3-8 | Il Andante - Allegro - Attacca | Esa-Pekka Salonen | 7:39 |
| 9 | 9 | Piano Concerto No. 1 in A major, Sz. 83: III. Allegro molto | Béla Bartók | 6:25 | | 3-9 | III Allegro Molto | Esa-Pekka Salonen | 6:25 |
| Media 4: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
| 1 | 1 | Symphony no. 4 in E-flat major "Romantic": I. Bewegt, nicht zu schnell | Anton Bruckner | 20:11 | 120.1725 | 4-1 | I Bewegt, Nicht Zu Schnell | Esa-Pekka Salonen | 20:10 |
| 2 | 2 | Symphony no. 4 in E-flat major "Romantic": II. Andante quasi allegretto | Anton Bruckner | 17:01 | 129.4255 | 4-2 | II Andante Quasi Allegretto | Esa-Pekka Salonen | 17:01 |
| 3 | 3 | Symphony no. 4 in E-flat major "Romantic": III. Scherzo. Bewegt - Trio. Nicht zu schnell. Keinesfalls schleppend | Anton Bruckner | 11:01 | 125.6298 | 4-3 | III Scherzo. Bewegt - Trio. Nicht Zu Schnell. Keinesfalls Schleppend | Esa-Pekka Salonen | 11:01 |
| 4 | 4 | Symphony no. 4 in E-flat major "Romantic": IV. Finale. Bewegt, doch nicht zu schnell | Anton Bruckner | 21:34 | 123.4745 | 4-4 | IV Finale. Bewegt, Doch Nicht Zu Schnell | Esa-Pekka Salonen | 21:30 |
| Media 5: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
| 1 | 1 | Anna's Theme | John Corigliano | 2:50 | | 5-1 | Anna's Theme | Esa-Pekka Salonen | 2:50 |
| 2 | 2 | I. Cremona: Main Title | John Corigliano | 2:46 | | 5-2 | I. Cremona | Main Title | Esa-Pekka Salonen | 2:42 |
| 3 | 3 | I. Cremona: Death of Anna | John Corigliano | 1:47 | | 5-3 | Death Of Anna | Esa-Pekka Salonen | 1:44 |
| 4 | 4 | I. Cremona: Birth of the Red Violin | John Corigliano | 3:05 | | 5-4 | Birth Of The Red Violin | Esa-Pekka Salonen | 3:05 |
| 5 | 5 | I. Cremona: The Red Violin | John Corigliano | 1:34 | 142.983 | 5-5 | The Red Violin | Esa-Pekka Salonen | 1:34 |
| 6 | 6 | II. Vienna: The Monastery | John Corigliano | 1:07 | | 5-6 | II. Vienna | The Monastery | Esa-Pekka Salonen | 1:06 |
| 7 | 7 | II. Vienna: Kaspar's Audition / Journey to Vienna | John Corigliano | 2:40 | | 5-7 | Kaspar's Audition - Journey To Vienna | Esa-Pekka Salonen | 2:38 |
| 8 | 8 | II. Vienna: Etudes | John Corigliano | 1:18 | | 5-8 | Etudes - Death Of Kaspar | Esa-Pekka Salonen | 2:48 |
| 9 | 9 | II. Vienna: Death of Kaspar / III. Oxford: The Gypsies / Journey Across Europe | John Corigliano | 3:37 | | 5-9 | III. Oxford | The Gypsies - Journey Across Europe | Esa-Pekka Salonen | 2:07 |
| 10 | 10 | III. Oxford: Pope's Gypsy Cadenza | John Corigliano | 1:39 | | 5-10 | Pope's Gypsy Cadenza | Esa-Pekka Salonen | 1:37 |
| 11 | 11 | III. Oxford: Coitus Musicalis / Victoria's Departure | John Corigliano | 4:39 | | 5-11 | Coitus Musicalis - Victoria's Departure | Esa-Pekka Salonen | 4:40 |
| 12 | 12 | III. Oxford: Pope's Concert | John Corigliano | 1:22 | | 5-12 | Pope's Concert | Esa-Pekka Salonen | 1:22 |
| 13 | 13 | III. Oxford: Pope's Betrayal | John Corigliano | 3:01 | | 5-13 | Pope's Betrayal | Esa-Pekka Salonen | 3:00 |
| 14 | 14 | IV. Shanghai: Journey to China | John Corigliano | 4:10 | | 5-14 | IV. Shanghai | Journey To China | Esa-Pekka Salonen | 4:10 |
| 15 | 15 | IV. Shanghai: People's Revolution / Death of Chou Yuan | John Corigliano | 3:18 | | 5-15 | People's Revolution - Death Of Chou Yuan | Esa-Pekka Salonen | 3:15 |
| 16 | 16 | V. Montréal: Morritz Discovers the Red Violin | John Corigliano | 3:38 | | 5-16 | V. Montréal | Morritz Discovers the Red Violin | Esa-Pekka Salonen | 3:38 |
| 17 | 17 | V. Montréal: Morritz's Theme | John Corigliano | 1:54 | | 5-17 | Morritz's Theme | Esa-Pekka Salonen | 1:54 |
| 18 | 18 | V. Montréal: The Theft | John Corigliano | 2:12 | | 5-18 | The Theft | Esa-Pekka Salonen | 2:10 |
| 19 | 19 | V. Montréal: End Titles | John Corigliano | 1:55 | | 5-19 | End Titles | Esa-Pekka Salonen | 1:46 |
| 20 | 20 | "The Red Violin": Chaconne for Violin and Orchestra | John Corigliano | 17:37 | | 5-20 | The Red Violin (Chaconne for Violin and Orchestra) | Esa-Pekka Salonen | 17:37 |
| Media 6: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
| 1 | 1 | Il prigioniero: Prologue. "Ti rivedrò, mio figlio!" (La madre) | Luigi Dallapiccola | 3:07 | | 6-1 | Prologue | "Ti Rivedrò, Mio Figlio!" (La Madre) | Esa-Pekka Salonen | 3:06 |
| 2 | 2 | Il prigioniero: Prologue. Ballata "Vedo! Lo riconosco!" (La madre) | Luigi Dallapiccola | 3:36 | | 6-2 | Ballata: "Vedo! Lo Riconosco!" (La Madre) | Esa-Pekka Salonen | 3:35 |
| 3 | 3 | Il prigioniero: Prologue. Primo intermezzo corale "Fiat misericordia tua" (Chorus) | Luigi Dallapiccola | 1:39 | | 6-3 | Primo Intermezzo Corale: "Fiat Misericordia Tua" (Chorus) | Esa-Pekka Salonen | 1:38 |
| 4 | 4 | Il prigioniero: Act I, Scene 1. "Ero solo. Tutt'era bulio" (Il prigioniero, la madre) | Luigi Dallapiccola | 5:55 | | 6-4 | Act 1 | Scene 1 | "Ero Solo. Tutt'era Buio" (Il Prigioniero, La Madre) | Esa-Pekka Salonen | 5:55 |
| 5 | 5 | Il prigioniero: Act I, Scene 2. "Solo. Son solo un'altra volta" (Il prigioniero, il carceriere) | Luigi Dallapiccola | 4:33 | | 6-5 | Scene 2 | "Solo. Son Solo Un'altra Volta" (Il Prigioniero, Il Carceriere) | Esa-Pekka Salonen | 4:32 |
| 6 | 6 | Il prigioniero: Act I, Scene 2. Aria "Sull'Oceano, sulla Schelda" (Il carceriere, il prigioniero) | Luigi Dallapiccola | 2:28 | | 6-6 | Aria: "Sull'Oceano, Sulla Schelda" (Il Carceriere, Il Prigioniero) | Esa-Pekka Salonen | 2:28 |
| 7 | 7 | Il prigioniero: Act I, Scene 2. "Torna, sole, sulle città liberate!" (Il carceriere, il prigioniero) | Luigi Dallapiccola | 2:33 | | 6-7 | "Torna, Sole, Sulle Città Liberate!" (Il Carceriere, Il Prigioniero) | Esa-Pekka Salonen | 2:33 |
| 8 | 8 | Il prigioniero: Act I, Scene 2. "No, no… vaneggio" (Il carceriere, il prigioniero) | Luigi Dallapiccola | 3:58 | | 6-8 | "No, No ... Vaneggio" (Il Prigioniero) | Esa-Pekka Salonen | 3:58 |
| 9 | 9 | Il prigioniero: Act I, Scene 3. "Signore, aiutami a camminare" (Il prigioniero) | Luigi Dallapiccola | 2:04 | | 6-9 | Scene 3 | "Signore, Aiutami A Camminare" (Il Prigioniero) | Esa-Pekka Salonen | 2:03 |
| 10 | 10 | Il prigioniero: Act I, Scene 3. Ricercare primo super "Signore, aiutami a camminare". "Bulo, Silenzio" (Il prigioniero) | Luigi Dallapiccola | 1:59 | | 6-10 | Ricercare Primo Super "Signore, Aiutami A Camminare". "Buio. Silenzio" (Il Prigioniero) | Esa-Pekka Salonen | 1:59 |
| 11 | 11 | Il prigioniero: Act I, Scene 3. Ricercare secondo super "Fratello". "Non reggo" (Il prigioniero, due sacerdoti) | Luigi Dallapiccola | 3:08 | | 6-11 | Ricercare Secondo Super "Fratello". "Non Reggo" (Il Prigioniero, Due Sacerdoti) | Esa-Pekka Salonen | 3:08 |
| 12 | 12 | Il prigioniero: Act I, Scene 3. Ricercare terzo super Roelandt. "Quegli occhi mi guardavano" (Il prigioniero) | Luigi Dallapiccola | 3:03 | | 6-12 | Ricercare Terzo Super Roelandt. "Quegli Occhi Mi Guardavano" (Il Prigioniero) | Esa-Pekka Salonen | 3:03 |
| 13 | 13 | Il prigioniero: Act I. Secondo intermezzo corale "Domine, labia mea aperies" (Chorus) | Luigi Dallapiccola | 1:53 | | 6-13 | Secondo Intermezzo Corale: "Domine, Labia Mea Aperies" (Chorus) | Esa-Pekka Salonen | 1:52 |
| 14 | 14 | Il prigioniero: Act I, Scene 4. "Alleluja!" (Il prigioniero, chorus, il grande inquisitore) | Luigi Dallapiccola | 6:00 | | 6-14 | Scene 4 (Final Scene) | "Alleluja!" (Il Prigioniero, Chorus, Il Grande Inquisitore) | Esa-Pekka Salonen | 5:50 |
| 15 | 15 | Canti di prigionia: I. Preghiera di Maria Stuarda | Luigi Dallapiccola | 10:01 | | 6-15 | Preghiera Di Maria Stuarda | Esa-Pekka Salonen | 10:01 |
| 16 | 16 | Canti di prigionia: II. Invocazione di Boezio | Luigi Dallapiccola | 4:48 | | 6-16 | Invocazione Di Boezio | Esa-Pekka Salonen | 4:47 |
| 17 | 17 | Canti di prigionia: III. Congedo di Girolamo Savonarola | Luigi Dallapiccola | 8:32 | | 6-17 | Congedo Di Girolamo Savonarola | Esa-Pekka Salonen | 8:32 |
| Media 7: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
| 1 | 1 | Images pour orchestre: I. Gigues | Claude Debussy | 8:21 | 140.239 | 7-1 | I Gigues | Esa-Pekka Salonen | 8:12 |
| 2 | 2 | Images pour orchestre: II. Iberia: Par les rues et par les chemins | Claude Debussy | 7:03 | 140.2857 | 7-2 | Il Ibéria | a) Par Les Rues Et Par Les Chemins = In The Streets And Byways = In Den Straßen Und Gassen | Esa-Pekka Salonen | 6:58 |
| 3 | 3 | Images pour orchestre: II. Iberia: Les parfums de la nuit | Claude Debussy | 9:25 | 140.2963 | 7-3 | b) Les Parfums De La Nuit = The Fragrances Of The Night = Die Düfte Der Nacht | Esa-Pekka Salonen | 9:25 |
| 4 | 4 | Images pour orchestre: II. Iberia: Le Matin d'un jour de fête | Claude Debussy | 4:40 | 108.1628 | 7-4 | c) Le Matin D'un Jour De Fête = The Morning Of A Festival Day = Der Morgen Eines Festtags | Esa-Pekka Salonen | 4:30 |
| 5 | 5 | Images pour orchestre: III. Rondes de printemps | Claude Debussy | 8:14 | 138.9452 | 7-5 | III Rondes De Printemps = Spring Rounds = Frühlingsreigen | Esa-Pekka Salonen | 8:05 |
| 6 | 6 | Prélude à l'après-midi d'un faune | Claude Debussy | 10:17 | 142.1912 | 7-6 | Prélude À L'Après-midi D'un Faune = Prelude To The Afternoon Of A Faun = Vorspiel Zum Nachmittag Eines Fauns | Esa-Pekka Salonen | 10:09 |
| 7 | 7 | La Mer, trois esquisses symphoniques: I. De l'aube à midi sur la mer | Claude Debussy | 8:50 | 139.9033 | 7-7 | I De L'Aube À Midi Sur La Mer. Très Lent = From Dawn To Midday On The Sea = Vom Morgen Bis Zum Mittag Auf Dem Meer | Esa-Pekka Salonen | 8:54 |
| 8 | 8 | La Mer, trois esquisses symphoniques: II. Jeux de vagues | Claude Debussy | 7:02 | 140.4959 | 7-8 | Il Jeux De Vagues. Allegro = Play Of The Waves = Spiel Der Wellen | Esa-Pekka Salonen | 6:57 |
| 9 | 9 | La Mer, trois esquisses symphoniques: III. Dialogue du vent et de la mer | Claude Debussy | 8:31 | 140.3416 | 7-9 | III Dialogue Du Vent Et De La Mer. Animé Et Tumultueux = Dialogue Of The Wind And The Sea = Gespräch Zwischen Wind Und Meer | Esa-Pekka Salonen | 8:31 |
| Media 8: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
| 1 | 1 | Nocturnes: I. Nuages | Claude Debussy | 7:15 | | 8-1 | I Nuages. Modéré - Un Peu Animé | Esa-Pekka Salonen | 7:09 |
| 2 | 2 | Nocturnes: II. Fêtes | Claude Debussy | 6:33 | | 8-2 | Il Fêtes. Animé Et Très Rythmé - Modéré Mais Toujours Très Rythmé - De Plus En Plus Sonore Et En Serrant Le Mouvement | Esa-Pekka Salonen | 6:29 |
| 3 | 3 | Nocturnes: III. Sirènes | Claude Debussy | 10:55 | | 8-3 | III Sirènes. Modérément Animé - Revenir Progressivement Au Tempo I | Esa-Pekka Salonen | 10:47 |
| 4 | 4 | La Damoiselle élue | Claude Debussy | 20:22 | | 8-4 | La Damoiselle Elue = The Blessed Damozel = Die Auserwählte Jungfrau - Poème Lyrique D'après Dante Gabriel Rossetti Pour Voix De Femmes, Solo, Chœur Et Orchestre | Esa-Pekka Salonen | 20:14 |
| 5 | 5 | Le Martyre de Saint Sébastien: I. La Cour des lys. Prélude | Claude Debussy | 3:51 | | 8-5 | I La Cour Des Lys. Prélude. Lent | Esa-Pekka Salonen | 3:51 |
| 6 | 6 | Le Martyre de Saint Sébastien: II. Danse extatique et Final du 1er Acte | Claude Debussy | 6:22 | | 8-6 | Il Danse Extatique Et Final Du 1er Acte. Assez Animé - Modéré | Esa-Pekka Salonen | 6:22 |
| 7 | 7 | Le Martyre de Saint Sébastien: III. La Passion | Claude Debussy | 5:52 | | 8-7 | III La Passion. Lent | Esa-Pekka Salonen | 5:52 |
| 8 | 8 | Le Martyre de Saint Sébastien: IV. Le Bon Pasteur | Claude Debussy | 6:53 | | 8-8 | IV Le Bon Pasteur. Sombre Et Lent - Très Modéré - Large | Esa-Pekka Salonen | 6:52 |
| Media 9: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
| 1 | 1 | Peer Gynt, op. 23: Act I. Prelude: In the Wedding Garden | Edvard Grieg | 5:29 | | 9-1 | Act I | No. 1: Prelude. In The Wedding Garden = Vorspiel: Im Hochzeitsgarten = Prélude : Dans Le Jardin Nuptial | Esa-Pekka Salonen | 5:28 |
| 2 | 2 | Peer Gynt, op. 23: Act I. The Bridal Procession Passes | Edvard Grieg | 3:21 | | 9-2 | No. 2: The Bridal Procession Passes = Der Brautzug = Le Cortège Nuptial | Esa-Pekka Salonen | 3:18 |
| 3 | 3 | Peer Gynt, op. 23: Act I. Halling | Edvard Grieg | 1:26 | | 9-3 | No. 3a: Halling | Esa-Pekka Salonen | 1:25 |
| 4 | 4 | Peer Gynt, op. 23: Act I. Springar | Edvard Grieg | 1:07 | | 9-4 | No. 3b: Springar = Springtanz | Esa-Pekka Salonen | 1:05 |
| 5 | 5 | Peer Gynt, op. 23: Act II. Prelude: The Abduction of the Bride / Ingrid's Lament | Edvard Grieg | 4:27 | | 9-5 | Act II | No. 4: Prelude. The Abduction Of The Bride - Ingrid's Lament = Vorspiel: Der Brautraub - Ingrids Klage = Prélude : L'Enlèvement De La Mariée - Lamentation D'Ingrid | Esa-Pekka Salonen | 4:26 |
| 6 | 6 | Peer Gynt, op. 23: Act II. In the Hall of the Mountain King | Edvard Grieg | 2:34 | | 9-6 | No. 7: In The Hall Of The Mountain King = In Der Halle Des Bergkönigs = Dans Le Hall Du Roi De La Montagne | Esa-Pekka Salonen | 2:33 |
| 7 | 7 | Peer Gynt, op. 23: Act II. Dance of the Mountain King's Daughter | Edvard Grieg | 1:51 | | 9-7 | No. 8: Dance Of The Mountain King's Daughter = Tanz Der Tochter Des Bergkönigs = Danse De La Fille Du Roi De La Montagne | Esa-Pekka Salonen | 1:48 |
| 8 | 8 | Peer Gynt, op. 23: Act III. Prelude: Deep in the Coniferous Forest | Edvard Grieg | 2:25 | | 9-8 | Act III | No. 10: Prelude. Deep In The Coniferous Forest = Vorspiel: Tief Im Tannenwald = Prélude : Au Fond De La Forêt De Pins | Esa-Pekka Salonen | 5:51 |
| 9 | 9 | Peer Gynt, op. 23: Act III. Solveig's Song | Edvard Grieg | 5:54 | | 9-9 | No. 11: Solveig's Song = Solveigs Lied = Chanson De Solveig | Esa-Pekka Salonen | 5:51 |
| 10 | 10 | Peer Gynt, op. 23: Act III. Åse's Death | Edvard Grieg | 5:47 | | 9-10 | No. 12: Ase's Death = Åses Tod = La Mort D'Åse | Esa-Pekka Salonen | 5:45 |
| 11 | 11 | Peer Gynt, op. 23: Act IV. Prelude: Morning Mood | Edvard Grieg | 4:19 | 140.025 | 9-11 | Act IV | No. 13: Prelude. Morning Mood = Vorspiel: Morgenstimmung = Prélude : Au Matin | Esa-Pekka Salonen | 4:18 |
| 12 | 12 | Peer Gynt, op. 23: Act IV. Arabian Dance | Edvard Grieg | 4:40 | | 9-12 | No. 15: Arabian Dance = Arabischer Tanz = Danse Arabe | Esa-Pekka Salonen | 4:39 |
| 13 | 13 | Peer Gynt, op. 23: Act IV. Anitra's Dance | Edvard Grieg | 3:21 | | 9-13 | No. 16: Anitra's Dance = Anitras Tanz = Danse D'Anitra | Esa-Pekka Salonen | 3:19 |
| 14 | 14 | Peer Gynt, op. 23: Act IV. Solveig's Song | Edvard Grieg | 5:58 | | 9-14 | No. 18: Solveig's Song = Solveigs Lied = Chanson de Solveig | Esa-Pekka Salonen | 5:56 |
| 15 | 15 | Peer Gynt, op. 23: Act V. Prelude: Peer Gynt's Journey Home | Edvard Grieg | 2:34 | | 9-15 | Act V | No. 19: Prelude. Peer Gynt's Journey Home = Vorspiel. Peer Gynts Heimkehr = Prélude. Retour De Peer Gynt | Esa-Pekka Salonen | 2:31 |
| 16 | 16 | Peer Gynt, op. 23: Act V. Solveig's Song in the Hut | Edvard Grieg | 1:25 | | 9-16 | No. 20: Solveig's Song In The Hut = Solveigs Lied In Der Hütte = Chanson De Solveig Dans La Hutte | Esa-Pekka Salonen | 1:24 |
| 17 | 17 | Peer Gynt, op. 23: Act V. Whitsun Hymn | Edvard Grieg | 1:09 | | 9-17 | No. 22: Whitsun Hymn "O Blessed Morning" = Pfingstlied = Cantique De La Pentecôte | Esa-Pekka Salonen | 1:09 |
| 18 | 18 | Peer Gynt, op. 23: Act V. Solveig's Lullaby | Edvard Grieg | 5:32 | | 9-18 | No. 23: Solveig's Lullaby = Solveigs Wiegenlied = Berceuse De Solveig | Esa-Pekka Salonen | 5:33 |
| Media 10: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
| 1 | 1 | Symphony no. 82 in C major "The Bear": I. Vivace | Joseph Haydn | 6:57 | | 10-1 | I Vivace Assai | Esa-Pekka Salonen | 6:57 |
| 2 | 2 | Symphony no. 82 in C major "The Bear": II. Allegretto | Joseph Haydn | 6:35 | | 10-2 | Il Allegretto | Esa-Pekka Salonen | 6:35 |
| 3 | 3 | Symphony no. 82 in C major "The Bear": III. Menuetto & Trio | Joseph Haydn | 4:45 | | 10-3 | III Menuet - Trio | Esa-Pekka Salonen | 4:45 |
| 4 | 4 | Symphony no. 82 in C major "The Bear": IV. Finale. Vivace assai | Joseph Haydn | 5:25 | | 10-4 | IV Finale. Vivace | Esa-Pekka Salonen | 5:18 |
| 5 | 5 | Symphony no. 78 in C minor: I. Vivace | Joseph Haydn | 4:28 | | 10-5 | I Vivace | Esa-Pekka Salonen | 4:28 |
| 6 | 6 | Symphony no. 78 in C minor: II. Adagio | Joseph Haydn | 6:25 | | 10-6 | Il Adagio | Esa-Pekka Salonen | 6:25 |
| 7 | 7 | Symphony no. 78 in C minor: III. Menuetto & Trio | Joseph Haydn | 3:24 | | 10-7 | III Menuetto. Allegretto - Trio | Esa-Pekka Salonen | 3:24 |
| 8 | 8 | Symphony no. 78 in C minor: IV. Finale. Presto | Joseph Haydn | 3:24 | | 10-8 | IV Finale. Presto | Esa-Pekka Salonen | 3:17 |
| 9 | 9 | Symphony no. 22 in E-flat major "The Philosopher": I. Adagio | Joseph Haydn | 5:34 | | 10-9 | I Adagio | Esa-Pekka Salonen | 5:34 |
| 10 | 10 | Symphony no. 22 in E-flat major "The Philosopher": II. Presto | Joseph Haydn | 3:47 | | 10-10 | Il Presto | Esa-Pekka Salonen | 3:47 |
| 11 | 11 | Symphony no. 22 in E-flat major "The Philosopher": III. Menuetto & Trio | Joseph Haydn | 4:02 | | 10-11 | III Menuetto - Trio | Esa-Pekka Salonen | 3:47 |
| 12 | 12 | Symphony no. 22 in E-flat major "The Philosopher": IV. Finale. Presto | Joseph Haydn | 2:59 | | 10-12 | IV Finale. Presto | Esa-Pekka Salonen | 2:59 |
| Media 11: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
| 1 | 1 | The Man Who Knew Too Much: Prelude | Bernard Herrmann | 2:40 | 72.6613 | 11-1 | Prelude | Esa-Pekka Salonen | 2:40 |
| 2 | 2 | Psycho: A Suite for Strings: Prelude | Bernard Herrmann | 2:04 | 139.0167 | 11-2 | Prelude | Esa-Pekka Salonen | 2:04 |
| 3 | 3 | Psycho: A Suite for Strings: The City | Bernard Herrmann | 1:44 | 165.0156 | 11-3 | The City | Esa-Pekka Salonen | 1:44 |
| 4 | 4 | Psycho: A Suite for Strings: The Rainstorm | Bernard Herrmann | 1:25 | 144.9809 | 11-4 | The Rainstorm | Esa-Pekka Salonen | 1:25 |
| 5 | 5 | Psycho: A Suite for Strings: The Madhouse | Bernard Herrmann | 2:36 | 133.1144 | 11-5 | The Madhouse | Esa-Pekka Salonen | 2:36 |
| 6 | 6 | Psycho: A Suite for Strings: The Murder | Bernard Herrmann | 1:01 | 117.5564 | 11-6 | The Murder | Esa-Pekka Salonen | 1:01 |
| 7 | 7 | Psycho: A Suite for Strings: The Water | Bernard Herrmann | 1:11 | 96.0237 | 11-7 | The Water | Esa-Pekka Salonen | 1:11 |
| 8 | 8 | Psycho: A Suite for Strings: The Swamp | Bernard Herrmann | 2:28 | 147.721 | 11-8 | The Swamp | Esa-Pekka Salonen | 2:28 |
| 9 | 9 | Psycho: A Suite for Strings: The Stairs | Bernard Herrmann | 1:32 | 122.3994 | 11-9 | The Stairs | Esa-Pekka Salonen | 1:32 |
| 10 | 10 | Psycho: A Suite for Strings: The Knife | Bernard Herrmann | 0:28 | 120.8178 | 11-10 | The Knife | Esa-Pekka Salonen | 0:28 |
| 11 | 11 | Psycho: A Suite for Strings: The Cellar | Bernard Herrmann | 1:16 | 132.7057 | 11-11 | The Cellar | Esa-Pekka Salonen | 1:16 |
| 12 | 12 | Psycho: A Suite for Strings: Finale | Bernard Herrmann | 1:57 | 126.5474 | 11-12 | Finale | Esa-Pekka Salonen | 1:57 |
| 13 | 13 | Marnie: Suite: I. Prelude | Bernard Herrmann | 5:13 | 111.8766 | 11-13 | Prelude | Esa-Pekka Salonen | 5:13 |
| 14 | 14 | Marnie: Suite: II. The Hunt | Bernard Herrmann | 5:45 | 125.8979 | 11-14 | The Hunt | Esa-Pekka Salonen | 5:45 |
| 15 | 15 | North by Northwest: Overture | Bernard Herrmann | 2:46 | 104.1073 | 11-15 | Overture | Esa-Pekka Salonen | 2:46 |
| 16 | 16 | Vertigo: Suite: I. Prelude | Bernard Herrmann | 2:58 | 178.206 | 11-16 | Prelude | Esa-Pekka Salonen | 2:58 |
| 17 | 17 | Vertigo: Suite: II. The Nightmare | Bernard Herrmann | 2:08 | 129.8994 | 11-17 | The Nightmare | Esa-Pekka Salonen | 2:08 |
| 18 | 18 | Vertigo: Suite: III. Scène d'amour | Bernard Herrmann | 6:49 | 132.6008 | 11-18 | Scène D'amour | Esa-Pekka Salonen | 6:49 |
| 19 | 19 | Torn Curtain: I. Prelude | Bernard Herrmann | 2:17 | 119.9594 | 11-19 | Prelude | Esa-Pekka Salonen | 2:17 |
| 20 | 20 | Torn Curtain: II. Gromek | Bernard Herrmann | 1:54 | 92.414 | 11-20 | Gromek | Esa-Pekka Salonen | 1:54 |
| 21 | 21 | Torn Curtain: III. The Killing | Bernard Herrmann | 2:16 | 132.7555 | 11-21 | The Killing | Esa-Pekka Salonen | 2:16 |
| 22 | 22 | Fahrenheit 451: Suite for Strings, Harps, and Percussion: Prelude | Bernard Herrmann | 1:32 | 106.8761 | 11-22 | Prelude | Esa-Pekka Salonen | 1:32 |
| 23 | 23 | Fahrenheit 451: Suite for Strings, Harps, and Percussion: Fire Engine | Bernard Herrmann | 1:01 | 140.5423 | 11-23 | Fire Engine | Esa-Pekka Salonen | 1:01 |
| 24 | 24 | Fahrenheit 451: Suite for Strings, Harps, and Percussion: The Bedroom | Bernard Herrmann | 1:38 | 111.9932 | 11-24 | The Bedroom | Esa-Pekka Salonen | 1:39 |
| 25 | 25 | Fahrenheit 451: Suite for Strings, Harps, and Percussion: The Reading | Bernard Herrmann | 2:04 | 98.7878 | 11-25 | The Reading | Esa-Pekka Salonen | 2:03 |
| 26 | 26 | Fahrenheit 451: Suite for Strings, Harps, and Percussion: The Garden | Bernard Herrmann | 1:26 | 143.0882 | 11-26 | The Garden | Esa-Pekka Salonen | 1:26 |
| 27 | 27 | Fahrenheit 451: Suite for Strings, Harps, and Percussion: The Nightmare | Bernard Herrmann | 1:51 | 135.6 | 11-27 | The Nightmare | Esa-Pekka Salonen | 1:51 |
| 28 | 28 | Fahrenheit 451: Suite for Strings, Harps, and Percussion: Flowers of Fire | Bernard Herrmann | 1:43 | 122.654 | 11-28 | Flowers Of Fire | Esa-Pekka Salonen | 1:43 |
| 29 | 29 | Fahrenheit 451: Suite for Strings, Harps, and Percussion: Flamethrower | Bernard Herrmann | 0:37 | 120.5936 | 11-29 | Flamethrower | Esa-Pekka Salonen | 0:37 |
| 30 | 30 | Fahrenheit 451: Suite for Strings, Harps, and Percussion: The Captain's Death | Bernard Herrmann | 1:00 | 132.5604 | 11-30 | The Captain's Death | Esa-Pekka Salonen | 1:00 |
| 31 | 31 | Fahrenheit 451: Suite for Strings, Harps, and Percussion: The Road | Bernard Herrmann | 2:14 | 113.7922 | 11-31 | The Road | Esa-Pekka Salonen | 2:14 |
| 32 | 32 | Fahrenheit 451: Suite for Strings, Harps, and Percussion: Finale | Bernard Herrmann | 2:25 | 162.8316 | 11-32 | Finale | Esa-Pekka Salonen | 2:25 |
| 33 | 33 | Taxi Driver: A Night-Piece for Orchestra with Obbligato Alto Saxophone: Prelude | Bernard Herrmann | 0:54 | 99.9274 | 11-33 | Prelude | Esa-Pekka Salonen | 0:54 |
| 34 | 34 | Taxi Driver: A Night-Piece for Orchestra with Obbligato Alto Saxophone: Blues | Bernard Herrmann | 3:10 | 126.3841 | 11-34 | Blues Night | Esa-Pekka Salonen | 3:10 |
| 35 | 35 | Taxi Driver: A Night-Piece for Orchestra with Obbligato Alto Saxophone: Night Prowl | Bernard Herrmann | 0:29 | 109.8504 | 11-35 | Prowl | Esa-Pekka Salonen | 0:29 |
| 36 | 36 | Taxi Driver: A Night-Piece for Orchestra with Obbligato Alto Saxophone: Bloodbath | Bernard Herrmann | 1:27 | 139.1002 | 11-36 | Bloodbath | Esa-Pekka Salonen | 1:27 |
| 37 | 37 | Taxi Driver: A Night-Piece for Orchestra with Obbligato Alto Saxophone: Finale | Bernard Herrmann | 0:45 | 164.6249 | 11-37 | Finale | Esa-Pekka Salonen | 0:45 |
| Media 12: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
| 1 | 1 | Lava | Eva Dahlgren | 1:12 | | 12-1 | Lava | Esa-Pekka Salonen | 1:24 |
| 2 | 2 | Stenmannen | Eva Dahlgren | 6:22 | | 12-2 | Stenmannen | Esa-Pekka Salonen | 6:21 |
| 3 | 3 | När en vild röd ros slår ut doftar hela skogen | Eva Dahlgren | 8:26 | | 12-3 | Nar En Vild Ros Slår Ut Doftar Hela Skogen | Esa-Pekka Salonen | 8:25 |
| 4 | 4 | Jorden är ett litet rum | Eva Dahlgren | 4:12 | | 12-4 | Jorden Är Ett Litet Rum | Esa-Pekka Salonen | 4:09 |
| 5 | 5 | En gul böjd banan | Eva Dahlgren | 5:45 | | 12-5 | En Gul Böjd Banan | Esa-Pekka Salonen | 5:42 |
| 6 | 6 | Kväll | Eva Dahlgren | 3:10 | | 12-6 | Kväll | Esa-Pekka Salonen | 3:07 |
| 7 | 7 | Du som älskar | Eva Dahlgren | 3:03 | | 12-7 | Du Som Älskar | Esa-Pekka Salonen | 3:00 |
| 8 | 8 | Innan kärleken kom | Eva Dahlgren | 5:27 | | 12-8 | Innan Karleken Kom | Esa-Pekka Salonen | 5:24 |
| 9 | 9 | Vild i min mun | Eva Dahlgren | 9:18 | | 12-9 | Vild I Min Mun | Esa-Pekka Salonen | 9:17 |
| Media 13: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
| 1 | 1 | Sinfonische metamorphosen: I. Allegro | Paul Hindemith | 4:19 | 95.8388 | 13-1 | I Allegro | Esa-Pekka Salonen | 4:19 |
| 2 | 2 | Sinfonische metamorphosen: II. Turandot. Scherzo. Moderato - Lebhaft | Paul Hindemith | 7:45 | 172.2653 | 13-2 | Il Turandot, Scherzo. Moderato - Lebhaft | Esa-Pekka Salonen | 7:45 |
| 3 | 3 | Sinfonische metamorphosen: III. Andantino | Paul Hindemith | 3:41 | 172.2655 | 13-3 | III Andantino | Esa-Pekka Salonen | 3:41 |
| 4 | 4 | Sinfonische metamorphosen: IV. Marsch | Paul Hindemith | 4:38 | 152.2808 | 13-4 | IV Marsch | Esa-Pekka Salonen | 4:38 |
| 5 | 5 | Die vier temperamente: I. Thema | Paul Hindemith | 5:45 | 148.2694 | 13-5 | I Thema (Moderato - Allegro Assai - Moderato) | Esa-Pekka Salonen | 5:45 |
| 6 | 6 | Die vier temperamente: II. Melancholisch. Langsam | Paul Hindemith | 6:29 | 129.0072 | 13-6 | Il Variation I. Melancholisch (Langsam - Presto - Langsamer Marsch) | Esa-Pekka Salonen | 6:29 |
| 7 | 7 | Die vier temperamente: III. Sanguinisch. Walzer | Paul Hindemith | 5:59 | 178.2057 | 13-7 | III Variation II. Sanguinisch (Walzer) | Esa-Pekka Salonen | 5:59 |
| 8 | 8 | Die vier temperamente: IV. Phlegmatisch. Moderato | Paul Hindemith | 4:10 | 102.3284 | 13-8 | IV Variation III. Phlegmatisch (Moderato - Allegretto - Allegretto Scherzando) | Esa-Pekka Salonen | 4:10 |
| 9 | 9 | Die vier temperamente: V. Cholerisch. Vivace | Paul Hindemith | 6:02 | 164.2452 | 13-9 | V Variation IV. Cholerisch (Vivace - Appassionato - Maestoso) | Esa-Pekka Salonen | 6:02 |
| 10 | 10 | Mathis der maler: I. Engelkonzert. Ruhig bewegt | Paul Hindemith | 10:23 | 97.544 | 13-10 | I Engelkonzert. Ruhig Bewegt = Angelic Concert = Concert D'Anges | Esa-Pekka Salonen | 10:23 |
| 11 | 11 | Mathis der maler: II. Grablegung. Sehr langsam | Paul Hindemith | 5:36 | 135.1371 | 13-11 | Il Grablegung. Sehr Langsam = Entombment = La Mise Au Tombeau | Esa-Pekka Salonen | 5:36 |
| 12 | 12 | Mathis der maler: III. Versuchung des heiligen Antonius. Sehr langsam, frei im Zeitmaß - Sehr lebhaft | Paul Hindemith | 15:08 | 147.5387 | 13-12 | III Versuchung Des Heiligen Antonius. Sehr Langsam, Frei Im Zeitmaß - Sehr Lebhaft = The Temptation Of St Anthony = La Tentation De Saint Antoine | Esa-Pekka Salonen | 15:08 |
| Media 14: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
| 1 | 1 | Förklädd gud, op. 24: Förspel | Lars-Erik Larsson | 4:35 | | 14-1 | Förspel = Prelude = Präludium | Esa-Pekka Salonen | 4:34 |
| 2 | 2 | Förklädd gud, op. 24: Recitation: Ej för de starka… | Lars-Erik Larsson | 0:17 | | 14-2 | Recitation: "Ej För de Starka" (Narrator) | Esa-Pekka Salonen | 0:17 |
| 3 | 3 | Förklädd gud, op. 24: Recitation: Vem spelar på en pipa… | Lars-Erik Larsson | 0:54 | | 14-3 | Recitation: "Vem Spelar På En Pipa" (Chorus) | Esa-Pekka Salonen | 0:53 |
| 4 | 4 | Förklädd gud, op. 24: Kör | Lars-Erik Larsson | 3:14 | | 14-4 | Kör (Chorus) | Esa-Pekka Salonen | 3:14 |
| 5 | 5 | Förklädd gud, op. 24: Recitation: Apollon bor… | Lars-Erik Larsson | 0:43 | | 14-5 | Recitation: "Apollon Bor" (Narrator) | Esa-Pekka Salonen | 0:43 |
| 6 | 6 | Förklädd gud, op. 24: Recitation: Kring höstlig vaktelds bränder… | Lars-Erik Larsson | 0:25 | | 14-6 | Recitation: "Kring Höstlig Vaktelds Bränder" (Baritone, Chorus) | Esa-Pekka Salonen | 0:25 |
| 7 | 7 | Förklädd gud, op. 24: Baryton och kör | Lars-Erik Larsson | 2:42 | | 14-7 | Baryton Och Kör (Baritone, Chorus) | Esa-Pekka Salonen | 2:42 |
| 8 | 8 | Förklädd gud, op. 24: Recitation: Välsignelse följer… | Lars-Erik Larsson | 0:22 | | 14-8 | Recitation: "Valsignelse Foljer ... ' (Chorus) | Esa-Pekka Salonen | 0:22 |
| 9 | 9 | Förklädd gud, op. 24: Kör | Lars-Erik Larsson | 4:12 | | 14-9 | Kör (Chorus) | Esa-Pekka Salonen | 4:11 |
| 10 | 10 | Förklädd gud, op. 24: Recitation: Husbonden må vi prisa säll… | Lars-Erik Larsson | 0:25 | | 14-10 | Recitation: "Husbonden Må Vi Prisa Säll" (Narrator) | Esa-Pekka Salonen | 0:25 |
| 11 | 11 | Förklädd gud, op. 24: Recitation: Vad faller över träden… | Lars-Erik Larsson | 0:35 | | 14-11 | Recitation: "Vad Faller Över Träden" (Soprano, Chorus) | Esa-Pekka Salonen | 0:35 |
| 12 | 12 | Förklädd gud, op. 24: Sopran och kör | Lars-Erik Larsson | 3:31 | | 14-12 | Sopran Och Kör (Soprano, Chorus) | Esa-Pekka Salonen | 3:31 |
| 13 | 13 | Förklädd gud, op. 24: Recitation: Än vandra gudar… | Lars-Erik Larsson | 0:34 | | 14-13 | Recitation: "Än Vandra Gudar" (Narrator) | Esa-Pekka Salonen | 0:34 |
| 14 | 14 | Förklädd gud, op. 24: Recitation: Tror du att fåren skulle… | Lars-Erik Larsson | 0:25 | | 14-14 | Recitation: "Tror Du Att Fåren Skulle" | Esa-Pekka Salonen | 0:25 |
| 15 | 15 | Förklädd gud, op. 24: Recitation: Bjuder ett mänskoöga… | Lars-Erik Larsson | 0:31 | | 14-15 | Recitation: "Bjuder Ett Mänskoöga" (Baritone, Soprano, Chorus) | Esa-Pekka Salonen | 0:30 |
| 16 | 16 | Förklädd gud, op. 24: Sopran, baryton och kör | Lars-Erik Larsson | 6:28 | | 14-16 | Sopran, Baryton Och Kör (Soprano, Baritone, Chorus) | Esa-Pekka Salonen | 6:18 |
| 17 | 17 | Pastoralsvit, op. 19: I. Overture | Lars-Erik Larsson | 4:53 | | 14-17 | | Overture | Esa-Pekka Salonen | 4:47 |
| 18 | 18 | Pastoralsvit, op. 19: II. Romance | Lars-Erik Larsson | 5:04 | | 14-18 | Il Romance | Esa-Pekka Salonen | 5:00 |
| 19 | 19 | Pastoralsvit, op. 19: III. Scherzo | Lars-Erik Larsson | 3:37 | | 14-19 | III Scherzo | Esa-Pekka Salonen | 3:27 |
| 20 | 20 | Violinkonsert, op. 42: I. Moderato | Lars-Erik Larsson | 12:00 | | 14-20 | I Moderato | Esa-Pekka Salonen | 11:55 |
| 21 | 21 | Violinkonsert, op. 42: II. Andante pastorale | Lars-Erik Larsson | 7:44 | | 14-21 | Il Andante Pastorale | Esa-Pekka Salonen | 7:39 |
| 22 | 22 | Violinkonsert, op. 42: III. Lento | Lars-Erik Larsson | 7:06 | | 14-22 | III Lento | Esa-Pekka Salonen | 7:06 |
| Media 15: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
| 1 | 1 | Le Grand Macabre: Car Horn Prelude | György Ligeti | 0:56 | 81.445 | 15-1 | Car Horn Prelude = Autohupen-Vorspiel = Prélude Aux Klaxons | Esa-Pekka Salonen | 0:57 |
| 2 | 2 | Le Grand Macabre: Scene I. "Dies irae" (Piet, Amanda, Amando, Nekrotzar) | György Ligeti | 6:23 | 110.9858 | 15-2 | Scene 1 | "Dies Irae" (Piet, Amanda, Amando, Nekrotzar) | Esa-Pekka Salonen | 6:22 |
| 3 | 3 | Le Grand Macabre: Scene I. "Away, you swagpot!" (Nekrotzar, Piet) | György Ligeti | 2:26 | 136.7352 | 15-3 | "Away, You Swagpot!" (Nekrotzar, Piet) | Esa-Pekka Salonen | 2:26 |
| 4 | 4 | Le Grand Macabre: Scene I. "Shut up!" (Nekrotzar, Piet, Chorus) | György Ligeti | 4:14 | 163.861 | 15-4 | "Shut Up!" (Nekrotzar, Piet, Chorus) | Esa-Pekka Salonen | 4:13 |
| 5 | 5 | Le Grand Macabre: Scene I. "Oh..! - Amanda! Can do no more!" (Amanda, Amando, Piet) | György Ligeti | 0:42 | 132.5432 | 15-5 | "Oh ...! " - "Amanda! Can Do No More!" (Amanda, Amando, Piet) | Esa-Pekka Salonen | 0:41 |
| 6 | 6 | Le Grand Macabre: Scene I. "Ha-ha-ha-ha! Hey! Give me my requisites" (Nekrotzar, Piet, Chorus) | György Ligeti | 3:04 | 152.4124 | 15-6 | "Ha-ha-ha-ha! Hey! Give Me My Requisites" (Nekrotzar, Piet, Chorus) | Esa-Pekka Salonen | 3:04 |
| 7 | 7 | Le Grand Macabre: Scene I. "Melting snow is thy breast" (Amando, Amanda) | György Ligeti | 2:36 | 109.9466 | 15-7 | "Melting Snow Is Thy Breast" (Amando, Amanda) | Esa-Pekka Salonen | 2:36 |
| 8 | 8 | Le Grand Macabre: Second Car Horn Prelude | György Ligeti | 0:41 | 126.1804 | 15-8 | Second Car Horn Prelude = Zweites Autohupen-Vorspiel Deuxième = Prélude Aux Klaxons | Esa-Pekka Salonen | 0:41 |
| 9 | 9 | Le Grand Macabre: Scene II. "One! Two! Three! Five!" (Mescalina, Astradamors) | György Ligeti | 7:54 | 162.9652 | 15-9 | Scene 2 | "One! Two! Three! Five!" (Mescalina, Astradamors) | Esa-Pekka Salonen | 7:54 |
| 10 | 10 | Le Grand Macabre: Scene II. "Shapely and attractive figure" (Mescalina, Astradamors) | György Ligeti | 3:20 | 140.0792 | 15-10 | "Shapely And Attractive Figure"( Mescalina, Astradamors) | Esa-Pekka Salonen | 3:19 |
| 11 | 11 | Le Grand Macabre: Scene II. "Venus! Venus!" (Mescalina, Astradamors) | György Ligeti | 1:33 | 95.8719 | 15-11 | "Venus! Venus!" (Mescalina, Astradamors) | Esa-Pekka Salonen | 1:33 |
| 12 | 12 | Le Grand Macabre: Scene II. "Stop! - Sh!.. Quiet, for heaven's sake!" (Astradamors, Nekrotzar, Piet, Mescalina, Venus, Chorus) | György Ligeti | 3:31 | 133.0987 | 15-12 | "Stop!" - Sh! ... Quiet, For Heaven's Sake!" (Astradamors, Nekrotzar, Piet, Mescalina, Venus, Chorus) | Esa-Pekka Salonen | 3:30 |
| 13 | 13 | Le Grand Macabre: Scene II. "Who's there? A man? - A man!" (Mescalina, Nekrotzar, Venus, Piet, Astradamors) | György Ligeti | 2:24 | 140.2364 | 15-13 | "Who's There? A Man?" - "A Man!" (Mescalina, Nekrotzar, Venus, Piet, Astradamors) | Esa-Pekka Salonen | 2:23 |
| 14 | 14 | Le Grand Macabre: Scene II. Finale: "Fire and death I bring" (Nekrotzar, Piet, Astradamors) | György Ligeti | 3:28 | 162.7711 | 15-14 | Finale: "Fire And Death I Bring" (Nekrotzar, Piet, Astradamors) | Esa-Pekka Salonen | 3:27 |
| Media 16: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
| 1 | 1 | Le Grand Macabre: Doorbell Prelude | György Ligeti | 0:54 | 126.1981 | 16-1 | Scene 3 | Door Bell Prelude = Türklingel-Vorspiel = Prélude Aux Sonnettes | Esa-Pekka Salonen | 0:56 |
| 2 | 2 | Le Grand Macabre: Scene III. "Arse-licker, arse-kisser!" (White Minister, Black Minister, Prince Go-Go) | György Ligeti | 3:35 | 172.2659 | 16-2 | "Arse-licker, Arse-kisser!" (White Minister, Black Minister, Prince Go-Go) | Esa-Pekka Salonen | 3:35 |
| 3 | 3 | Le Grand Macabre: Scene III. "Posture exercises!" (Black Minister, White Minister, Prince Go-Go) | György Ligeti | 2:28 | 114.0256 | 16-3 | "Posture Exercises!" (Black Minister, White Minister, Prince Go-Go) | Esa-Pekka Salonen | 2:27 |
| 4 | 4 | Le Grand Macabre: Scene III. "Tsk… - Psssst! - Ha! Head of my secret service!" (Chorus, Gepopo, Prince Go-Go, White Minister, Black Minister) | György Ligeti | 6:22 | 139.9528 | 16-4 | "Tsk ... " - "Pssst!" - "Ha! Head Of My Secret Service!" (Chorus, Gepopo, Prince Go-Go, White Minister, Black Minister) | Esa-Pekka Salonen | 6:21 |
| 5 | 5 | Le Grand Macabre: Scene III. "Ahh!.. Secret cypher!" (Gepopo, Prince Go-Go, White Minister, Black Minister) | György Ligeti | 5:37 | 114.4499 | 16-5 | "Ahh! ... Secret Cypher!" (Gepopo, Prince Go-Go, White Minister, Black Minister, Chorus) | Esa-Pekka Salonen | 5:36 |
| 6 | 6 | Le Grand Macabre: Scene III. "Hurray, hurray! My wife is dead" (Astradamors, Prince Go-Go, Chorus) | György Ligeti | 2:00 | 98.5745 | 16-6 | "Hurray, Hurray! My Wife Is Dead" (Astradamors, Prince Go-Go, Chorus) | Esa-Pekka Salonen | 2:00 |
| 7 | 7 | Le Grand Macabre: Scene III. Nekrotzar's Entrance | György Ligeti | 3:19 | 119.85 | 16-7 | Nekrotzar's Entrance | Esa-Pekka Salonen | 3:18 |
| 8 | 8 | Le Grand Macabre: Scene III. "Woe! Ooh! - For the day of wrath" (Nekrotzar, Astradamors, Chorus) | György Ligeti | 3:17 | 172.2656 | 16-8 | "Woe! Ooh!" - "For The Day Of Wrath" (Nekrotzar, Astradamors, Chorus) | Esa-Pekka Salonen | 3:17 |
| 9 | 9 | Le Grand Macabre: Scene III. "There's no need to fear" (Astradamors, Piet, Nektrotzar) | György Ligeti | 3:03 | 163.1158 | 16-9 | "There's No Need To Fear" (Astradamors, Piet, Nekrotzar) | Esa-Pekka Salonen | 3:02 |
| 10 | 10 | Le Grand Macabre: Scene III. "Up! - Drink! - Up!" (Nekrotzar, Piet, Astradamors) | György Ligeti | 1:28 | 111.9662 | 16-10 | "Up!" - "Drink!" - "Up!" (Nekrotzar, Piet, Astradamors) | Esa-Pekka Salonen | 1:28 |
| 11 | 11 | Le Grand Macabre: Scene III. Galimatius: "Hmm! It's delicious!" (Nekrotzar, Piet, Astradamors, Prince Go-Go) | György Ligeti | 4:46 | 120.2227 | 16-11 | Galimatias: "Hmm! It's Delicious!" (Nekrotzar, Piet, Astradamors, Prince Go-Go) | Esa-Pekka Salonen | 4:45 |
| 12 | 12 | Le Grand Macabre: Scene III. "Where am I? What time is it?" (Nekrotzar, Piet, Prince Go-Go, Astradamors, Chorus) | György Ligeti | 5:47 | 122.8586 | 16-12 | "Where Am I? What Time Is It?" (Nekrotzar, Piet, Prince Go-Go, Astradamors, Chorus) | Esa-Pekka Salonen | 5:46 |
| 13 | 13 | Le Grand Macabre: Interlude | György Ligeti | 1:34 | 128.7357 | 16-13 | Interlude | Esa-Pekka Salonen | 1:34 |
| 14 | 14 | Le Grand Macabre: Scene IV. "Ghost Astradamors, are you dead?" (Piet, Astradamors, Prince Go-Go, Ruffiack, Schobiack, Schabernack, Nektrotzar, Mescalina, White Minister, Black Minister) | György Ligeti | 3:39 | 146.9754 | 16-14 | Scene 4 | "Ghost Astradamors, Are You Dead?" (Piet, Astradamors, Prince Go-Go, Ruffiack, Schobiack, Schabernack, Nekrotzar, Mescalina, White Minister, Black Minister) | Esa-Pekka Salonen | 3:39 |
| 15 | 15 | Le Grand Macabre: Scene IV. Mirror Canon: Nekrotzar's Death | György Ligeti | 6:17 | 125.8539 | 16-15 | Mirror Canon = Spiegelkanon = Canon En Miroir | Esa-Pekka Salonen | 2:03 |
| 16 | 16 | Le Grand Macabre: Scene IV. Finale. Passacaglia: "Ah, it was good" (Amando, Amando, all without Nekrotzar) | György Ligeti | 5:07 | 109.3825 | 16-16 | Nekrotzar's Death - Finale. Passacaglia: "Ah, It Was Good" (Amanda, Amando, All Without Nekrotzar) | Esa-Pekka Salonen | 5:07 |
| Media 17: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
| 1 | 1 | Nonsense Madrigals: I. Two Dreams and Little Bat | György Ligeti | 2:15 | | 17-1 | I Two Dreams And Little Bat (Poco Animato, Gently Swinging) | Esa-Pekka Salonen | 2:14 |
| 2 | 2 | Nonsense Madrigals: II. Cuckoo in the Pear-Tree | György Ligeti | 1:34 | | 17-2 | Il Cuckoo In The Pear-Tree (Lively) | Esa-Pekka Salonen | 1:33 |
| 3 | 3 | Nonsense Madrigals: III. The Alphabet | György Ligeti | 3:33 | 144.7974 | 17-3 | III The Alphabet (Lento) | Esa-Pekka Salonen | 3:33 |
| 4 | 4 | Nonsense Madrigals: IV. Flying Robert | György Ligeti | 2:43 | | 17-4 | IV Flying Robert. Passcaglia. (Tempo Giusto) | Esa-Pekka Salonen | 2:43 |
| 5 | 5 | Nonsense Madrigals: V. The Lobster Quadrille | György Ligeti | 1:51 | 104.9727 | 17-5 | V The Lobster Quadrille (Allegro Molto Leggiero E Ritmico) | Esa-Pekka Salonen | 1:50 |
| 6 | 6 | Nonsense Madrigals: VI. A Long, Sad Tale | György Ligeti | 1:36 | | 17-6 | VI A Long, Sad Tale. (Vivacissimo Leggiero E Molto Ritmico (Like Jazz!)) | Esa-Pekka Salonen | 1:28 |
| 7 | 7 | Mysteries of the Macabre | György Ligeti | 7:57 | | 17-7 | Mysteries Of The Macabre (Arrangement For Coloratura Soprano And Ensemble) - Allegro Molto Leggiero E Ritmico | Esa-Pekka Salonen | 7:49 |
| 8 | 8 | Aventures | György Ligeti | 11:20 | 129.196 | 17-8 | Aventures (Agitato) | Esa-Pekka Salonen | 11:20 |
| 9 | 9 | Nouvelles Aventures: I. Sostenuto | György Ligeti | 5:54 | 164.5046 | 17-9 | Sostenuto | Esa-Pekka Salonen | 5:53 |
| 10 | 10 | Nouvelles Aventures: II. Agitato molto | György Ligeti | 4:51 | | 17-10 | Agitato Molto | Esa-Pekka Salonen | 4:39 |
| 11 | 11 | Der Sommer | György Ligeti | 3:19 | | 17-11 | Der Sommer (Andante Misurato) | Esa-Pekka Salonen | 3:12 |
| 12 | 12 | Három Weöres-dal: I. Tancol a Hold feher ingben | György Ligeti | 1:06 | | 17-12 | I Táncol A Hold Fehér Ingben (Vivace) | Esa-Pekka Salonen | 1:05 |
| 13 | 13 | Három Weöres-dal: II. Gyumolcs-furt | György Ligeti | 2:42 | 125.9634 | 17-13 | Il Gyümölcs-fürt (Rubato) | Esa-Pekka Salonen | 2:42 |
| 14 | 14 | Három Weöres-dal: III. Kalmarjottnagy madarakkal | György Ligeti | 2:11 | 111.17 | 17-14 | III Kalmár Jött Nagy Madarakkal (Lento) | Esa-Pekka Salonen | 2:10 |
| 15 | 15 | Öt Arany-dal: I. Csalfa sugár | György Ligeti | 2:02 | | 17-15 | I Csalfa Sugár (Andantino, Semplice) | Esa-Pekka Salonen | 2:02 |
| 16 | 16 | Öt Arany-dal: II. A legszebb virág | György Ligeti | 2:29 | 128.6688 | 17-16 | Il A Legszebb Virág (Moderato, Con Moto) | Esa-Pekka Salonen | 2:29 |
| 17 | 17 | Öt Arany-dal: III. A csendes dalokból | György Ligeti | 0:52 | | 17-17 | III A Csendes Dalokból (Allegro, Giusto E Rigoroso) | Esa-Pekka Salonen | 0:52 |
| 18 | 18 | Öt Arany-dal: IV. A bujdosó | György Ligeti | 3:16 | 126.048 | 17-18 | IV A Bujdosó (Poco Rubato) | Esa-Pekka Salonen | 3:16 |
| 19 | 19 | Öt Arany-dal: V. Az ördög elvitte a fináncot | György Ligeti | 2:15 | | 17-19 | V Az Ördög Elvitte A Fináncot (Parlando - Allegro Giusto) | Esa-Pekka Salonen | 2:09 |
| 20 | 20 | Négy lakodalmi tánc: I. A menyasszony szép virág | György Ligeti | 2:04 | | 17-20 | I A Menyasszony Szép Virág. Andantino. Szelíden | Esa-Pekka Salonen | 2:04 |
| 21 | 21 | Négy lakodalmi tánc: II. A kapuban a szekér | György Ligeti | 0:40 | 144.255 | 17-21 | Il A Kapuban A Szekér. Allegro | Esa-Pekka Salonen | 0:40 |
| 22 | 22 | Négy lakodalmi tánc: III. Hopp ide tisztán | György Ligeti | 1:16 | | 17-22 | III Hopp Ide Tisztán. Andantino. Nyugodtan | Esa-Pekka Salonen | 1:16 |
| 23 | 23 | Négy lakodalmi tánc: IV. Mikor kedves Laci bátyám | György Ligeti | 1:13 | 155.7923 | 17-23 | IV Mikor Kedves Laci Bátyám | Esa-Pekka Salonen | 1:13 |
| Media 18: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
| 1 | 1 | Cantigas | Magnus Lindberg | 19:16 | 152.3082 | 18-1 | Cantigas | Esa-Pekka Salonen | 19:16 |
| 2 | 2 | Cello Concerto | Magnus Lindberg | 25:28 | 143.0619 | 18-2 | Cello Concerto | Esa-Pekka Salonen | 25:28 |
| 3 | 3 | Parada | Magnus Lindberg | 12:38 | 139.5619 | 18-3 | Parada | Esa-Pekka Salonen | 12:38 |
| 4 | 4 | Fresco | Magnus Lindberg | 21:37 | 123.3083 | 18-4 | Fresco | Esa-Pekka Salonen | 21:37 |
| Media 19: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
| 1 | 1 | Concerto for Piano and Orchestra, Op 42: I. Andante | Arnold Schönberg | 4:23 | | 19-1 | Andante - | Esa-Pekka Salonen | 4:23 |
| 2 | 2 | Concerto for Piano and Orchestra, Op 42: II. Molto allegro | Arnold Schönberg | 2:42 | | 19-2 | Molto Allegro [bar 176] - | Esa-Pekka Salonen | 2:42 |
| 3 | 3 | Concerto for Piano and Orchestra, Op 42: III. Adagio | Arnold Schönberg | 6:15 | | 19-3 | Adagio [bar 264] - | Esa-Pekka Salonen | 6:15 |
| 4 | 4 | Concerto for Piano and Orchestra, Op 42: IV. Giocoso [Moderato] | Arnold Schönberg | 6:19 | | 19-4 | Giocoso (Moderato) [bar 329] - Stretto | Esa-Pekka Salonen | 6:14 |
| 5 | 5 | Concerto for Piano and Orchestra No. 2 in A major: I. Adagio sostenuto assai - Allegro agitato assai | Franz Liszt | 6:57 | | 19-5 | Adagio Sostenuto Assai - Allegro Agitato Assai - | Esa-Pekka Salonen | 6:57 |
| 6 | 6 | Concerto for Piano and Orchestra No. 2 in A major: II. Allegro moderato | Franz Liszt | 4:59 | | 19-6 | Allegro Moderato - | Esa-Pekka Salonen | 4:59 |
| 7 | 7 | Concerto for Piano and Orchestra No. 2 in A major: III. Allegro deciso - Marziale un poco meno Allegro | Franz Liszt | 6:53 | | 19-7 | Allegro Deciso - Marziale Un Poco Meno Allegro - | Esa-Pekka Salonen | 6:53 |
| 8 | 8 | Concerto for Piano and Orchestra No. 2 in A major: IV. Allegro animato | Franz Liszt | 1:49 | | 19-8 | Allegro Animato - Stretto (Molto Accelerando) | Esa-Pekka Salonen | 1:45 |
| 9 | 9 | Concerto for Piano and Orchestra No. 1 in A-flat major: I. Allegro maestoso | Franz Liszt | 5:18 | | 19-9 | Allegro Maestoso. Tempo Giusto - | Esa-Pekka Salonen | 5:18 |
| 10 | 10 | Concerto for Piano and Orchestra No. 1 in A-flat major: II. Quasi Adagio | Franz Liszt | 4:13 | | 19-10 | Quasi Adagio - | Esa-Pekka Salonen | 4:13 |
| 11 | 11 | Concerto for Piano and Orchestra No. 1 in A-flat major: III. Allegretto vivace - Allegro animato | Franz Liszt | 4:16 | | 19-11 | Allegretto Vivace - Allegro Animato - | Esa-Pekka Salonen | 4:16 |
| 12 | 12 | Concerto for Piano and Orchestra No. 1 in A-flat major: IV. Allegretto marziale animato | Franz Liszt | 4:14 | | 19-12 | Allegro Marziale Animato - Presto | Esa-Pekka Salonen | 4:14 |
| Media 20: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
| 1 | 1 | Fanfare for Los Angeles Philharmonic | Witold Lutosławski | 0:53 | 143.5385 | 20-1 | Fanfare For Los Angeles Philharmonic | Esa-Pekka Salonen | 0:53 |
| 2 | 2 | Concerto for Piano & Orchestra: I. ♩. = ca 110 | Witold Lutosławski | 5:31 | | 20-2 | 1. ♩ = ca. 110 | Esa-Pekka Salonen | 5:31 |
| 3 | 3 | Concerto for Piano & Orchestra: II. Presto. ♩ = ca 160 | Witold Lutosławski | 4:43 | | 20-3 | 2. Presto (♩ = ca. 160) - Poco Meno Mosso - Lento | Esa-Pekka Salonen | 4:34 |
| 4 | 4 | Concerto for Piano & Orchestra: III. Largo. ♪ = ca 85 | Witold Lutosławski | 7:43 | | 20-4 | 3. 𝅘𝅥𝅮 = ca. 85 - Largo (♩ = 40-45) | Esa-Pekka Salonen | 7:43 |
| 5 | 5 | Concerto for Piano & Orchestra: IV. ♩ = ca 84 | Witold Lutosławski | 7:52 | | 20-5 | 4. ♩ = ca. 84 - Presto | Esa-Pekka Salonen | 7:52 |
| 6 | 6 | Chantefleurs et chantefables: I. La Belle-de-nuit | Witold Lutosławski | 2:20 | | 20-6 | I La Belle-de-Nuit | Esa-Pekka Salonen | 2:20 |
| 7 | 7 | Chantefleurs et chantefables: II. La Sauterelle | Witold Lutosławski | 1:29 | | 20-7 | Il La Sauterelle | Esa-Pekka Salonen | 1:29 |
| 8 | 8 | Chantefleurs et chantefables: III. La Véronique | Witold Lutosławski | 2:17 | | 20-8 | III La Véronique | Esa-Pekka Salonen | 2:17 |
| 9 | 9 | Chantefleurs et chantefables: IV. L'Églantine, l'aubépine et la glycine | Witold Lutosławski | 1:32 | | 20-9 | IV L'Églantine, L'Aubépine Et La Glycine | Esa-Pekka Salonen | 1:32 |
| 10 | 10 | Chantefleurs et chantefables: V. La Tortue | Witold Lutosławski | 1:58 | | 20-10 | V La Tortue | Esa-Pekka Salonen | 1:58 |
| 11 | 11 | Chantefleurs et chantefables: VI. La Rose | Witold Lutosławski | 2:21 | | 20-11 | VI La Rose | Esa-Pekka Salonen | 2:21 |
| 12 | 12 | Chantefleurs et chantefables: VII. L'Alligator | Witold Lutosławski | 2:23 | | 20-12 | VII L'Alligator | Esa-Pekka Salonen | 2:23 |
| 13 | 13 | Chantefleurs et chantefables: VIII. L'Angélique | Witold Lutosławski | 2:51 | | 20-13 | VIII L'Angélique | Esa-Pekka Salonen | 2:51 |
| 14 | 14 | Chantefleurs et chantefables: IX. Le Papillon | Witold Lutosławski | 1:30 | | 20-14 | IX Le Papillon | Esa-Pekka Salonen | 1:30 |
| 15 | 15 | Symphony no. 2: I. Hésitant | Witold Lutosławski | 13:41 | 143.9226 | 20-15 | I Hésitant | Esa-Pekka Salonen | 13:41 |
| 16 | 16 | Symphony no. 2: II. Direct | Witold Lutosławski | 14:11 | 136.2084 | 20-16 | Il Direct | Esa-Pekka Salonen | 14:11 |
| Media 21: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
| 1 | 1 | Fanfare for Los Angeles Philharmonic | Witold Lutosławski | 1:00 | 143.5385 | 21-1 | Fanfare For Los Angeles Philharmonic | Esa-Pekka Salonen | 0:55 |
| 2 | 2 | Symphony no. 1: I. Allegro giusto | Witold Lutosławski | 5:10 | 103.0872 | 21-2 | I Allegro Giusto | Esa-Pekka Salonen | 5:09 |
| 3 | 3 | Symphony no. 1: II. Poco adagio | Witold Lutosławski | 9:26 | 132.1645 | 21-3 | Il Poco Adagio | Esa-Pekka Salonen | 9:26 |
| 4 | 4 | Symphony no. 1: III. Allegretto misterioso | Witold Lutosławski | 4:21 | 113.4351 | 21-4 | III Allegretto Misterioso | Esa-Pekka Salonen | 4:20 |
| 5 | 5 | Symphony no. 1: IV. Allegro vivace | Witold Lutosławski | 5:41 | 152.2115 | 21-5 | IV Allegro Vivace | Esa-Pekka Salonen | 5:30 |
| 6 | 6 | Symphony no. 2: I. Hésitant | Witold Lutosławski | 13:40 | 143.9226 | 21-6 | Symphony No. 4 | Esa-Pekka Salonen | 21:01 |
| 7 | 7 | Symphony no. 2: II. Direct | Witold Lutosławski | 14:12 | 136.2084 | 22-1 | Symphony No. 3 | Esa-Pekka Salonen | 31:28 |
| Media 22: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
| 1 | 1 | Symphony no. 4 | Witold Lutosławski | 21:01 | 117.4648 | 22-2 | Les Espaces Du Sommeil [World Première Recording] | Esa-Pekka Salonen | 15:06 |
| 2 | 2 | Les Espaces du sommeil | Witold Lutosławski | 15:11 | 143.3187 | 23-1 | Part I | I Kräftig. Entschieden - | Esa-Pekka Salonen | 6:01 |
| 3 | 3 | Symphony no. 3 | Witold Lutosławski | 31:36 | 117.8029 | 23-2 | Langsam. Schwer [fig. 13] - | Esa-Pekka Salonen | 2:31 |
| Media 23: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
| 1 | 1 | Symphony no. 3 in D minor: I. Kräftig. Entschieden | Gustav Mahler | 6:02 | | 23-3 | Tempo I [fig. 18] - | Esa-Pekka Salonen | 4:52 |
| 2 | 2 | Symphony no. 3 in D minor: I. Langsam. Schwer | Gustav Mahler | 2:31 | | 23-4 | A Tempo [fig. 29] - | Esa-Pekka Salonen | 5:17 |
| 3 | 3 | Symphony no. 3 in D minor: I. Tempo I | Gustav Mahler | 4:52 | | 23-5 | Immer Dasselbe Tempo (Marsch). Nicht Eilen [fig. 43] - | Esa-Pekka Salonen | 3:23 |
| 4 | 4 | Symphony nn. 3 in D minor: I. A tempo | Gustav Mahler | 5:17 | | 23-6 | Tempo Primo. Wie Zu Anfang [fig. 55] - | Esa-Pekka Salonen | 4:46 |
| 5 | 5 | Symphony no. 3 in D minor: I. Immer dasselbe Tempo (Marsch) Nicht eilen | Gustav Mahler | 3:23 | | 23-7 | Tempo I [fig. 62] | Esa-Pekka Salonen | 4:44 |
| 6 | 6 | Symphony no. 3 in D minor: I. Tempo primo. Wie zu Anfang | Gustav Mahler | 4:45 | | 23-8 | Part II | Il Tempo Di Menuetto. Grazioso. Sehr Mäßig. Ja Nicht Eilen! - | Esa-Pekka Salonen | 3:01 |
| 7 | 7 | Symphony no. 3 in D minor: I. Tempo I | Gustav Mahler | 4:49 | | 23-9 | A Tempo [fig. 6] - | Esa-Pekka Salonen | 3:33 |
| 8 | 8 | Symphony no. 3 in D minor: II. Tempo di Menuetto. Sehr mässig | Gustav Mahler | 3:00 | | 23-10 | Ganz Plötzlich Gemächlich. Tempo Di Menuetto [fig. 14] | Esa-Pekka Salonen | 3:18 |
| 9 | 9 | Symphony no. 3 in D minor: II. A tempo | Gustav Mahler | 3:35 | | 23-11 | III Comodo. Scherzando. Ohne Hast - | Esa-Pekka Salonen | 2:42 |
| 10 | 10 | Symphony no. 3 in D minor: II. Ganz plötzlich gemächlich. Tempo di Menuetto | Gustav Mahler | 3:21 | | 23-12 | Wieder Sehr Gemächlich, Wie Zu Anfang [fig. 6] - | Esa-Pekka Salonen | 2:55 |
| 11 | 11 | Symphony no. 3 in D minor: III. Comodo. Scherzando. Ohne Hast. | Gustav Mahler | 2:42 | | 23-13 | Sehr Gemächlich [Ffig. 14] - | Esa-Pekka Salonen | 4:29 |
| 12 | 12 | Symphony no. 3 in D minor: III. Wieder sehr gemächlich, wie zu Anfang | Gustav Mahler | 2:55 | | 23-14 | Tempo I [fig. 17] - | Esa-Pekka Salonen | 2:51 |
| 13 | 13 | Symphony no. 3 in D minor: III. Sehr gemächlich | Gustav Mahler | 4:29 | | 23-15 | Wieder Sehr Gemächlich, Beinahe Langsam [fig. 27] | Esa-Pekka Salonen | 3:33 |
| 14 | 14 | Symphony no. 3 in D minor: III. Tempo I | Gustav Mahler | 2:51 | | 24-1 | IV Sehr Langsam. Misterioso. Durchaus ppp: "O Mensch! Gib Acht!" (Alto) - | Esa-Pekka Salonen | 4:47 |
| 15 | 15 | Symphony no. 3 in D minor: III. Wieder sehr gemächlich, beinahe langsam | Gustav Mahler | 3:33 | | 24-2 | Tempo I [2 Before fig. 7] | Esa-Pekka Salonen | 3:48 |
| Media 24: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
| 1 | 1 | Symphony no. 3 in D minor: IV. Sehr langsam. Misterioso. Durchaus ppp | Gustav Mahler | 4:47 | | 24-3 | V Lustig Im Tempo Und Keck Im Ausdruck: "Bimm Bamm!" / "Es Sungen Drei Engel" (Chorus, Alto) | Esa-Pekka Salonen | 3:50 |
| 2 | 2 | Symphony no. 3 in D minor: IV. Tempo I | Gustav Mahler | 3:48 | | 24-4 | VI Langsam. Ruhevoll. Empfunden - | Esa-Pekka Salonen | 4:12 |
| 3 | 3 | Symphony no. 3 in D minor: V. Lustig im Tempo und keck im Ausdruck | Gustav Mahler | 3:50 | | 24-5 | Nicht Mehr So Breit [fig. 4] - | Esa-Pekka Salonen | 3:07 |
| 4 | 4 | Symphony no. 3 in D minor: VI. Langsam. Ruhevoll. Empfunden. | Gustav Mahler | 4:12 | | 24-6 | Tempo I. Ruhevoll! Wieder Viertel Taktieren [fig. 9] - | Esa-Pekka Salonen | 3:32 |
| 5 | 5 | Symphony no. 3 in D minor: VI. Nicht mehr so breit | Gustav Mahler | 3:07 | | 24-7 | A Tempo (Etwas Bewegter) [fig. 14] - | Esa-Pekka Salonen | 3:17 |
| 6 | 6 | Symphony no. 3 in D minor: VI. Tempo I. Ruhevoll! | Gustav Mahler | 3:32 | | 24-8 | Tempo I [fig. 21] - | Esa-Pekka Salonen | 2:52 |
| 7 | 7 | Symphony no. 3 in D minor: VI. A tempo (Etwas bewegter) | Gustav Mahler | 3:17 | | 24-9 | Tempo I. Langsam. Wieder Viertel Schlagen! [fig. 25] | Esa-Pekka Salonen | 6:16 |
| 8 | 8 | Symphony no. 3 in D minor: VI. Tempo I | Gustav Mahler | 2:52 | | 25-1 | I Bedächtig. Nicht Eilen - Recht Gemächlich | Esa-Pekka Salonen | 17:02 |
| 9 | 9 | Symphony no. 3 in D minor: VI. Langsam. Tempo I | Gustav Mahler | 6:16 | | 25-2 | Il In Gemächlicher Bewegung. Ohne Hast | Esa-Pekka Salonen | 9:41 |
| Media 25: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
| 1 | 1 | Symphony no. 4: I. Bedächtig. Nicht eilen | Gustav Mahler | 17:02 | | 25-3 | III Ruhevoll (Poco Adagio) - Allegretto Subito (Nicht Eilen) - Allegro Subito - Andante Subito | Esa-Pekka Salonen | 22:02 |
| 2 | 2 | Symphony no. 4: II. In gemälicher Bewegung. Ohne Hast | Gustav Mahler | 9:41 | | 25-4 | IV Sehr Behaglich "Wir Genießen Die Himmlischen Freuden" (Soprano) | Esa-Pekka Salonen | 9:21 |
| 3 | 3 | Symphony no. 4: III. Ruhevoll | Gustav Mahler | 22:02 | | 26-1 | | Das Trinklied Vom Jammer Der Erde (Tenor) = Drinking Song Of Earth's Sorrows = Chanson À Boire De La Douleur De La Terre | Esa-Pekka Salonen | 8:33 |
| 4 | 4 | Symphony no. 4: IV. Sehr behaglich (Soprano Solo: "Wir genießen die himmlischen Freuden"; from Des Knaben Wunderhorn) | Gustav Mahler | 9:15 | | 26-2 | Il Der Einsame Im Herbst (Baritone) = The Lonely Man In Autumn = Le Solitaire En Automne | Esa-Pekka Salonen | 9:07 |
| Media 26: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
| 1 | 1 | Das Lied von der Erde - No. 1, -Das Trinklied vom Jammer der Erde- (The Drinking Song of Earth's Sorrows)- -Schon winkt der | Gustav Mahler | 8:33 | | 26-3 | III Von Der Jugend (Tenor) = Of Youth = De La Jeunesse | Esa-Pekka Salonen | 3:14 |
| 2 | 2 | Das Lied von der Erde - No. 2, -Der Einsame im Herbst- (The Solitary Autumn)- -Herbstnebel wallen blaulich uberm See? | Gustav Mahler | 9:07 | | 26-4 | IV Von Der Schönheit (Baritone) = Of Beauty = De La Beauté | Esa-Pekka Salonen | 7:18 |
| 3 | 3 | Das Lied von der Erde - No. 3, -Von der Jugend- (Of Youth)- -Mitten in dem kleinen Teiche? | Gustav Mahler | 3:14 | | 26-5 | V Der Trunkene Im Frühling (Tenor) = The Drunkard In Spring = L'Ivrogne Au Printemps | Esa-Pekka Salonen | 4:37 |
| 4 | 4 | Das Lied von der Erde - No. 4, -Von der Schonheit- (Of Beauty)- -Junge Madchen pflucken Blumen? | Gustav Mahler | 7:18 | | 26-6 | VI Der Abschied (Baritone) = The Farewell = L'Adieu | Esa-Pekka Salonen | 28:16 |
| 5 | 5 | Das Lied von der Erde - No. 5, -Der Trunkene im Fruhling- (The Drunkard in Spring)- -Wenn nur ein Traum das Leben ist? | Gustav Mahler | 4:37 | | 27-1 | I Jubal Step | Esa-Pekka Salonen | 11:22 |
| 6 | 6 | Das Lied von der Erde - No. 6, -Der Abschied- (The Farewell)- -Die Sonne scheidet hinter dem Gebirge? | Gustav Mahler | 28:16 | | 27-2 | Il A Hundred And A Hundred, A Hundred And Twelve | Esa-Pekka Salonen | 7:53 |
| Media 27: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
| 1 | 1 | All Rise: I. Jubal Step | Wynton Marsalis | 11:22 | | 27-3 | III Go Slow (But Don't Stop) | Esa-Pekka Salonen | 9:00 |
| 2 | 2 | All Rise: II. A Hundred and a Hundred, a Hundred and Twelve | Wynton Marsalis | 7:53 | | 27-4 | IV Wild Strumming Of Fiddle | Esa-Pekka Salonen | 8:13 |
| 3 | 3 | All Rise: III. Go Slow (But Don't Stop) | Wynton Marsalis | 9:01 | | 27-5 | V Save Us | Esa-Pekka Salonen | 10:24 |
| 4 | 4 | All Rise: IV. Wild Strumming of Fiddle | Wynton Marsalis | 8:13 | | 27-6 | VI Cried, Shouted, Then Sung | Esa-Pekka Salonen | 8:40 |
| 5 | 5 | All Rise: V. Save Us | Wynton Marsalis | 10:24 | | 27-7 | VII Look Beyond | Esa-Pekka Salonen | 9:05 |
| 6 | 6 | All Rise: VI. Cried, Shouted, Then Sung | Wynton Marsalis | 8:40 | | 27-8 | Vill The Halls Of Erudition And Scholarship (Come Back Home) | Esa-Pekka Salonen | 10:00 |
| 7 | 7 | All Rise: VII. Look Beyond | Wynton Marsalis | 9:05 | | 28-1 | IX El "Gran" Baile de la Reina | Esa-Pekka Salonen | 7:38 |
| 8 | 8 | All Rise: VIII. The Hall of Erudition and Scholarship (Come Back Home) | Wynton Marsalis | 10:01 | | 28-2 | X Expressbrown Local | Esa-Pekka Salonen | 6:42 |
| Media 28: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
| 1 | 1 | All Rise: IX. El 'Gran' Baile de la Reina | Wynton Marsalis | 7:38 | | 28-3 | XI Saturday Night Slow Drag | Esa-Pekka Salonen | 5:24 |
| 2 | 2 | All Rise: X. Expressbrown Local | Wynton Marsalis | 6:42 | | 28-4 | XII I Am (Don't You Run From Me) | Esa-Pekka Salonen | 11:53 |
| 3 | 3 | All Rise: XI. Saturday Night Slow Drag | Wynton Marsalis | 5:24 | | 29-1 | I Introduction. Modéré, Un Peu Vif | Esa-Pekka Salonen | 7:05 |
| 4 | 4 | All Rise: XII. I Am (Don't You Run From Me) | Wynton Marsalis | 11:53 | | 29-2 | Il Chant D'amour I. Modéré, Lourd = Love Song I = Liebesgesang I | Esa-Pekka Salonen | 8:52 |
| Media 29: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
| 1 | 1 | Turangalîla-Symphonie: I. Introduction. Modéré, un peu vif | Olivier Messiaen | 7:06 | 144.5335 | 29-3 | III Turangalîla I. Presque Lent, Reveur | Esa-Pekka Salonen | 5:29 |
| 2 | 2 | Turangalîla-Symphonie: II. Chant d'amour 1. Modéré, lourd | Olivier Messiaen | 8:52 | 143.9195 | 29-4 | IV Chant D'amour II. Bien Modéré | Esa-Pekka Salonen | 11:09 |
| 3 | 3 | Turangalîla-Symphonie: III. Turangalîla 1. Presque lent, rêveur | Olivier Messiaen | 5:29 | 178.206 | 29-5 | V Joie Du Sang Des Étoiles. Vif, Passionné, Avec Joie = Joy Of The Blood Of The Stars = Freude Über Das Blut Der Sterne | Esa-Pekka Salonen | 6:18 |
| 4 | 4 | Turangalîla-Symphonie: IV. Chant d'amour 2. Bien modéré | Olivier Messiaen | 11:09 | 152.2407 | 29-6 | VI Jardin Du Sommeil D'amour. Très Modéré, Très Tendre = Garden Of Love's Sleep = Garten Des Liebesschlafs | Esa-Pekka Salonen | 10:50 |
| 5 | 5 | Turangalîla-Symphonie: V. Joie du sang des étoiles. Vif, passionné avec joie | Olivier Messiaen | 6:18 | 129.0916 | 29-7 | VII Turangalîla II. Un Peu Vif - Bien Modéré | Esa-Pekka Salonen | 3:58 |
| 6 | 6 | Turangalîla-Symphonie: VI. Jardin du Sommeil d'amour. Très modéré, très tendre | Olivier Messiaen | 10:50 | 117.155 | 29-8 | VIII Développement De L'Amour. Bien Modéré = Development Of Love = Entfaltung Der Liebe | Esa-Pekka Salonen | 12:24 |
| 7 | 7 | Turangalîla-Symphonie: VII. Turangalîla 2. Un peu vif, bien modéré | Olivier Messiaen | 3:58 | 98.4943 | 29-9 | IX Turangalîla III. Bien Modéré | Esa-Pekka Salonen | 4:27 |
| 8 | 8 | Turangalîla-Symphonie: VIII. Développement d'amour. Bien modéré | Olivier Messiaen | 12:25 | 99.5317 | 29-10 | X Final. Modéré, Presque Vif, Avec Une Grande Joie | Esa-Pekka Salonen | 7:08 |
| 9 | 9 | Turangalîla-Symphonie: IX. Turangalîla 3. Bien modéré | Olivier Messiaen | 4:27 | 111.3759 | 30-1 | Part I | I Le Désert = The Desert = Die Wüste | Esa-Pekka Salonen | 3:43 |
| 10 | 10 | Turangalîla-Symphonie: X. Final. Modéré, presque vif, avec une grande joie | Olivier Messiaen | 7:09 | 114.3751 | 30-2 | Il Les Orioles = The Orioles = Die Stärlinge | Esa-Pekka Salonen | 5:59 |
| Media 30: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
| 1 | 1 | Des Canyons aux étoiles, I/51: I. Le désert | Olivier Messiaen | 3:48 | 132.1644 | 30-3 | III Ce Qui Est Écrit Sur Les Étoiles... = What Is Written In The Star ... = Was In Den Sternen Geschrieben Steht... | Esa-Pekka Salonen | 6:35 |
| 2 | 2 | Des Canyons aux étoiles, I/51: II. Les orioles | Olivier Messiaen | 6:02 | 136.0059 | 30-4 | IV Le Cossyphe D'Heuglin = The White-browed Robin = Der Weißbrauenrötel | Esa-Pekka Salonen | 3:49 |
| 3 | 3 | Des Canyons aux étoiles, I/51: III. Ce qui est écrit sur les étoiles | Olivier Messiaen | 6:40 | 172.2656 | 30-5 | V Cedar Breaks Et Le Don Se Crainte = Cedar Breaks And The Gift Of Awe = Cedar Breaks Und Die Gabe Der Furcht | Esa-Pekka Salonen | 6:45 |
| 4 | 4 | Des Canyons aux étoiles, I/51: IV. Le cossyphe d'Heuglin | Olivier Messiaen | 3:53 | 144.5003 | 30-6 | Part II | VI Appel Interstellaire = Interstellar Call = Interstellarer Ruf | Esa-Pekka Salonen | 7:31 |
| 5 | 5 | Des Canyons aux étoiles, I/51: V. Cedar Breaks et le don de crainte | Olivier Messiaen | 6:53 | 148.4029 | 30-7 | VII Bryce Canyon Et Les Rochers = Rouge-orange Bryce Canyon And The Red-Prange Rocks = Bryce Canyon Und Die Orangeroten Felsen | Esa-Pekka Salonen | 12:55 |
| 6 | 6 | Des Canyons aux étoiles, I/51: VI. Appel interstellaire | Olivier Messiaen | 7:43 | 126.1605 | 30-8 | Part III | VIII Les Ressuscites Et Le Chant Se L'Étoile Aldébaran = The Resurrected And The Song Of The Star Aldebaran = Die Auferstandenen Und Der Gesang Des Sterns Aldebaran | Esa-Pekka Salonen | 8:05 |
| 7 | 7 | Des Canyons aux étoiles, I/51: VII. Bryce Canyon et les rochers rouge-orange | Olivier Messiaen | 13:02 | 129.2175 | 30-9 | IX Le Moqueur Polyglotte = The Mockingbird = Die Spottdrossel | Esa-Pekka Salonen | 10:32 |
| 8 | 8 | Des Canyons aux étoiles, I/51: VIII. Les ressucités et le chant de l'étoile Aldebaran | Olivier Messiaen | 8:12 | 135.8055 | 31-1 | X La Grive Des Bois = The Wood Thrush = Die Walddrossel | Esa-Pekka Salonen | 3:54 |
| 9 | 9 | Des Canyons aux étoiles, I/51: IX. Le moquer polyglotte | Olivier Messiaen | 10:33 | 151.6557 | 31-2 | XI Omao, Leiothrix, Elepaio, Shama = Hawaii-Drossel, Chinesische Nachtigall = Hawaii-Fliegenschnäpper, Shama-Drossel | Esa-Pekka Salonen | 9:04 |
| Media 31: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
| 1 | 1 | Des Canyons aux étoiles, I/51: X. La grive des bois | Olivier Messiaen | 4:02 | 110.8049 | 31-3 | XII Zion Park Et La Cite Céleste = Zion Park And The Celestial City = Zion Park And Die Himmlische Stadt | Esa-Pekka Salonen | 10:00 |
| 2 | 2 | Des Canyons aux étoiles, I/51: XI. Des canyons aux etoiles: Omao, leiothrix, elapaio, shama | Olivier Messiaen | 9:08 | 114.1486 | 31-4 | Oiseaux Exotiques = Exotic Birds = Exotische Vögel - For Piano And Small Orchestra | Esa-Pekka Salonen | 14:07 |
| 3 | 3 | Des Canyons aux étoiles, I/51: XII. Des canyons aux etoiles: Zion Park et la cité céleste | Olivier Messiaen | 10:12 | 126.4684 | 31-5 | Couleurs De La Cité Céleste = Colours Of The Heavenly City = Farben Der Himmlischen Stadt For Piano, 3 Clarinets, 3 Xylophones, Brass And Metallic Percussion | Esa-Pekka Salonen | 16:56 |
| 4 | 4 | Oiseaux exotiques, I/41 | Olivier Messiaen | 14:10 | 151.8929 | 32-1 | I Allegro Orgoglioso | Esa-Pekka Salonen | 8:37 |
| 5 | 5 | Couleurs de la cité céleste, I/46 | Olivier Messiaen | 16:57 | 131.9509 | 32-2 | Il Andante | Esa-Pekka Salonen | 8:15 |
| Media 32: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
| 1 | 1 | Symphony no. 1 in G minor, op. 7: I. Allegro orgoglioso | Carl Nielsen | 8:45 | | 32-3 | III Allegro Comodo | Esa-Pekka Salonen | 7:11 |
| 2 | 2 | Symphony no. 1 in G minor, op. 7: II. Andante | Carl Nielsen | 8:22 | | 32-4 | IV Finale. Allegro Con Fuoco - Allegro Molto | Esa-Pekka Salonen | 8:18 |
| 3 | 3 | Symphony no. 1 in G minor, op. 7: III. Allegro comodo | Carl Nielsen | 7:13 | | 32-5 | I Praludium. Andante Con Moto | Esa-Pekka Salonen | 3:28 |
| 4 | 4 | Symphony no. 1 in G minor, op. 7: IV. Allegro con fuoco | Carl Nielsen | 8:29 | | 32-6 | Il Intermezzo. Allegro Moderato | Esa-Pekka Salonen | 5:24 |
| 5 | 5 | Little Suite, op. 1: I. Präludium (Andante con moto) | Carl Nielsen | 3:31 | | 32-7 | III Finale. Andante Con Moto - Allegro Con Brio | Esa-Pekka Salonen | 6:25 |
| 6 | 6 | Little Suite, op. 1: II. Intermezzo (Allegro moderato) | Carl Nielsen | 5:26 | | 33-1 | I Allegro Collerico | Esa-Pekka Salonen | 8:10 |
| 7 | 7 | Little Suite, op. 1: III. Finale (Andante con moto - Allegro con brio) | Carl Nielsen | 6:24 | | 33-2 | Il Allegro Comodo E Flemmatico | Esa-Pekka Salonen | 4:27 |
| Media 33: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
| 1 | 1 | Symphony no. 2, op. 16 "The Four Temperaments": I. Allegro collerico | Carl Nielsen | 8:12 | | 33-3 | III Andante Malincolico | Esa-Pekka Salonen | 12:13 |
| 2 | 2 | Symphony no. 2, op. 16 "The Four Temperaments": II. Allegro comodo e flemmatico | Carl Nielsen | 4:30 | | 33-4 | IV Allegro Sanguineo | Esa-Pekka Salonen | 7:37 |
| 3 | 3 | Symphony no. 2, op. 16 "The Four Temperaments": III. Andante malinconico | Carl Nielsen | 12:14 | | 33-5 | Pan Og Syrinx FS 87 (op. 49) = Pastoral Scene For Orchestra | Esa-Pekka Salonen | 8:30 |
| 4 | 4 | Symphony no. 2, op. 16 "The Four Temperaments": IV. Allegro sanguineo | Carl Nielsen | 7:42 | | 33-6 | I Oriental Festive = March Orientalischer Festmarsch = Marche Orientale | Esa-Pekka Salonen | 3:05 |
| 5 | 5 | Pan & Syrinx, op. 49 | Carl Nielsen | 8:34 | | 33-7 | Il Aladdin's Dream And Dance Of The Morning Mists = Aladins Traum Und Tanz Des Morgennebels = Rêve D'Aladin Et Danse De La Brume Matinale | Esa-Pekka Salonen | 3:00 |
| 6 | 6 | Aladdin Suite, op. 34: I. Oriental March | Carl Nielsen | 3:07 | | 33-8 | Ill Hindu Dance = Hindu-Tanz = Danse Hindoue | Esa-Pekka Salonen | 2:34 |
| 7 | 7 | Aladdin Suite, op. 34: II. Aladdins Dream and Dance of the Morning Mist | Carl Nielsen | 3:02 | | 33-9 | IV Chinese Dance = Chinesischer Tanz = Danse Chinoise | Esa-Pekka Salonen | 3:14 |
| 8 | 8 | Aladdin Suite, op. 34: III. Hindu Dance | Carl Nielsen | 2:34 | | 33-10 | V The Market Place In Ispahan = Der Marktplatz Von Isfahan = Marché D'Ispahan | Esa-Pekka Salonen | 3:07 |
| 9 | 9 | Aladdin Suite, op. 34: IV. Chinese Dance | Carl Nielsen | 3:15 | | 33-11 | VI Dance Of The Prisoners = Tanz Der Gefangenen = Danse Des Prisonniers | Esa-Pekka Salonen | 4:08 |
| 10 | 10 | Aladdin Suite, op. 34: V. The Market Place in Ispahan | Carl Nielsen | 3:10 | | 33-12 | VII Dance Of The Negroes = Tanz Der Neger = Danse Des Nègres | Esa-Pekka Salonen | 4:03 |
| 11 | 11 | Aladdin Suite, op. 34: VI. Dance of the Prisoners | Carl Nielsen | 4:10 | | 34-1 | I Allegro Espansivo | Esa-Pekka Salonen | 11:15 |
| 12 | 12 | Aladdin Suite, op. 34: VII. Dance of the Negroes | Carl Nielsen | 4:04 | | 34-2 | Il Andante Pastorale | Esa-Pekka Salonen | 9:37 |
| Media 34: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
| 1 | 1 | Symphony no. 3 "Sinfonia Espansiva", op.27: I. Allegro espansivo | Carl Nielsen | 11:15 | | 34-3 | III Allegretto Un Poco | Esa-Pekka Salonen | 6:43 |
| 2 | 2 | Symphony no. 3 "Sinfonia Espansiva", op.27: II. Andante pastorale | Carl Nielsen | 9:37 | | 34-4 | IV Finale. Allegro | Esa-Pekka Salonen | 10:22 |
| 3 | 3 | Symphony no. 3 "Sinfonia Espansiva", op.27: III. Allegretto un poco | Carl Nielsen | 6:43 | | 34-5 | I Tempo Giusto - Allegro Appassionato - Lento, Ma Non Troppo - Tempo I | Esa-Pekka Salonen | 12:14 |
| 4 | 4 | Symphony no. 3 "Sinfonia Espansiva", op.27: IV. Finale. Allegro | Carl Nielsen | 10:22 | | 34-6 | Il Humoreske. Allegretto | Esa-Pekka Salonen | 3:42 |
| 5 | 5 | Symphony no. 6 "Sinfonia Semplice", FS 116: I. Tempo giusto | Carl Nielsen | 12:14 | | 34-7 | III Proposta Seria. Adagio | Esa-Pekka Salonen | 5:52 |
| 6 | 6 | Symphony no. 6 "Sinfonia Semplice", FS 116: II. Humoreske - Allegretto | Carl Nielsen | 3:42 | | 34-8 | IV Tema Med Variationer. Allegro - Tema. Allegretto Un Poco - Var. 1 - Var. 2. Allegretto Quasi Andantino - Var. 3. Più Vivo - Var. 4 - Var. 5. Brioso - Var. 6. Tempo Di Valse - Var. 7 - Var. 8. Molto Adagio - Var. 9. Tempo Di Tema - Fanfare | Esa-Pekka Salonen | 10:31 |
| 7 | 7 | Symphony no. 6 "Sinfonia Semplice", FS 116: III. Proposta seria - Adagio | Carl Nielsen | 5:51 | | 35-1 | I Allegro - Attacca | Esa-Pekka Salonen | 12:15 |
| 8 | 8 | Symphony no. 6 "Sinfonia Semplice", FS 116: IV. Tema con variazioni - Allegro | Carl Nielsen | 10:31 | | 35-2 | Il Poco Allegretto - Attacca | Esa-Pekka Salonen | 5:12 |
| Media 35: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
| 1 | 1 | Symphony no. 4 "The Inextinguishable", op. 29: I. Allegro | Carl Nielsen | 12:16 | | 35-3 | III Poco Adagio Quasi Andante - Attacca | Esa-Pekka Salonen | 10:03 |
| 2 | 2 | Symphony no. 4 "The Inextinguishable", op. 29: II. Poco allegretto | Carl Nielsen | 5:13 | | 35-4 | IV Allegro | Esa-Pekka Salonen | 8:37 |
| 3 | 3 | Symphony no. 4 "The Inextinguishable", op. 29: III. Poco adagio quasi andante | Carl Nielsen | 10:04 | | 35-5 | Helios Overture FS 32 (Op. 17) | Esa-Pekka Salonen | 10:00 |
| 4 | 4 | Symphony no. 4 "The Inextinguishable", op. 29: IV. Allegro | Carl Nielsen | 8:36 | | 36-1 | I Tempo Giusto - Tranquillo - | Esa-Pekka Salonen | 9:41 |
| 5 | 5 | Helios Overture, op. 17 | Carl Nielsen | 10:04 | | 36-2 | Adagio Non Troppo | Esa-Pekka Salonen | 10:29 |
| Media 36: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
| 1 | 1 | Symphony no. 5, op. 50: I. Tempo giusto | Carl Nielsen | 9:40 | | 36-3 | Il Allegro - Un Poco Più Mosso - | Esa-Pekka Salonen | 5:47 |
| 2 | 2 | Symphony no. 5, op. 50: II. Adagio non troppo | Carl Nielsen | 10:35 | | 36-4 | Presto - | Esa-Pekka Salonen | 2:53 |
| 3 | 3 | Symphony no. 5, op. 50: III. Allegro | Carl Nielsen | 5:47 | | 36-5 | Andante Un Poco Tranquillo - | Esa-Pekka Salonen | 5:10 |
| 4 | 4 | Symphony no. 5, op. 50: IV. Presto | Carl Nielsen | 2:52 | | 36-6 | Allegro (Tempo I) | Esa-Pekka Salonen | 2:52 |
| 5 | 5 | Symphony no. 5, op. 50: V. Andante un poco tranquillo | Carl Nielsen | 5:10 | | 36-7 | Overture | Esa-Pekka Salonen | 4:38 |
| 6 | 6 | Symphony no. 5, op. 50: VI. Allegro | Carl Nielsen | 2:54 | | 36-8 | Prelude To Act II | Esa-Pekka Salonen | 5:03 |
| 7 | 7 | Masquerade, FS 39 (excerpts): Overture | Carl Nielsen | 4:39 | | 36-9 | Dance Of The Cockerels = Hahnentanz = Danse Des Coqs | Esa-Pekka Salonen | 5:19 |
| 8 | 8 | Masquerade, FS 39 (excerpts): Prelude to Act II | Carl Nielsen | 5:06 | | 37-1 | I Allegro Moderato | Esa-Pekka Salonen | 16:41 |
| 9 | 9 | Masquerade, FS 39 (excerpts): Dance of Cockerel | Carl Nielsen | 5:18 | | 37-2 | Il Adagio Di Molto | Esa-Pekka Salonen | 8:09 |
| Media 37: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
| 1 | 1 | Violin Concerto in D minor, op. 47: I. Allegro moderato | Jean Sibelius | 16:41 | 128.73 | 37-3 | III Allegro, Ma Non Tanto | Esa-Pekka Salonen | 7:33 |
| 2 | 2 | Violin Concerto in D minor, op. 47: II. Adagio di molto | Jean Sibelius | 8:49 | 172.2658 | 37-4 | I Praeludium. Largo - Allegro Cavalleresco | Esa-Pekka Salonen | 18:48 |
| 3 | 3 | Violin Concerto in D minor, op. 47: III. Allegro ma non tanto | Jean Sibelius | 7:33 | 108.7288 | 37-5 | Il Poco Adagio - | Esa-Pekka Salonen | 6:44 |
| 4 | 4 | Violin Concerto, op. 33: I. Praeludium. Largo - Allegro cavalleresco - Più presto | Carl Nielsen | 18:47 | 172.2656 | 37-6 | Rondo. Allegretto Scherzando | Esa-Pekka Salonen | 10:31 |
| 5 | 5 | Violin Concerto, op. 33: IIa. Poco adagio | Carl Nielsen | 6:44 | 172.266 | 38-1 | Saul Og David FS 25 - Prelude To Act II. Allegro Marziale | Esa-Pekka Salonen | 4:56 |
| 6 | 6 | Violin Concerto, op. 33: IIb. Rondo. Allegretto scherzando | Carl Nielsen | 10:30 | 164.2742 | 38-2 | Concerto For Clarinet And Orchestra FS 129 (op. 57) - Allegretto Un Poco - Cadenza - Tempo I - Poco Adagio - Allegro Non Troppo - Cadenza - Adagio - Allegro Vivace | Esa-Pekka Salonen | 24:41 |
| Media 38: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
| 1 | 1 | Saul og David (Saul and David), opera, FS 25- Prelude | Carl Nielsen | 5:03 | | 38-3 | En Fantasirejse Til Færøerne FS 123 = An Imaginary Journey To The Faeroe Islands= Eine Fantasiereise Zu Den Färöer-Inseln = Un Voyage Imaginaire Aux Îles Féroé Rhapsodic Overture | Esa-Pekka Salonen | 10:05 |
| 2 | 2 | Clarinet concerto, Op. 57 (FS 129) | Carl Nielsen | 24:49 | | 38-4 | I Allegro Moderato | Esa-Pekka Salonen | 10:49 |
| 3 | 3 | En fantasirejse til Faerøene (An Imaginary Trip to the Faroe Islands), rhapsodic overture for orchestra, FS 123 | Carl Nielsen | 10:11 | | 38-5 | Il Allegretto, Un Poco - Adagio Ma Non Troppo - Allegretto - Poco Adagio - Tempo Di Marcia | Esa-Pekka Salonen | 7:13 |
| 4 | 4 | Flute concerto, FS 119- Allegro moderato | Carl Nielsen | 10:49 | | 38-6 | "Som En Græsgrøn Plet" (Chorus) Allegretto Un Poco | Esa-Pekka Salonen | 2:08 |
| 5 | 5 | Flute concerto, FS 119- Allegretto | Carl Nielsen | 7:21 | | 38-7 | "Aa Se, Nu Kommer Vaaren" (Soprano) | Esa-Pekka Salonen | 2:06 |
| 6 | 6 | Fynsk foraar (Springtime on Funen), for soloists, chorus & orchestra, FS 96 (Op. 42)- Som en Graesgron Plet | Carl Nielsen | 2:08 | | 38-8 | "Den Milde Dag Er Lys Og Lang" (Tenor) Andantino Con Moto | Esa-Pekka Salonen | 1:55 |
| 7 | 7 | Fynsk foraar (Springtime on Funen), for soloists, chorus & orchestra, FS 96 (Op. 42)- A Se, Nu Kommer Varen | Carl Nielsen | 2:06 | | 38-9.1 | De Gamle Ungkarle = The Old Bachelors = Die Alten Junggesellen = Les Vieux Célibataires | "Der Har Vi Den Aldrende Sol Igen" (Baritone, Chorus, Tenor) Allegretto Moderato | Esa-Pekka Salonen | 2:24 |
| 8 | 8 | Fynsk foraar (Springtime on Funen), for soloists, chorus & orchestra, FS 96 (Op. 42)- Den Milde Dag Er Lys Og Lang | Carl Nielsen | 1:56 | | 38-10 | "Den Blinde Spillemand = The Blind Musician = Der Blinde Spielmann = Le Musicien Aveugle | Nu Kysser Solen Mit øjelåg" (Baritone) Andantino Con Moto | Esa-Pekka Salonen | 2:39 |
| 9 | 9 | Fynsk foraar (Springtime on Funen), for soloists, chorus & orchestra, FS 96 (Op. 42)- Der Har Vi Den Aldrende Sol Igen | Carl Nielsen | 2:24 | | 38-11. | "Nu Vil Vi Ud Og Lege" (Chorus, Girl Soprano, Boy Soprano) Allegro | Esa-Pekka Salonen | 0:55 |
| 10 | 10 | Fynsk foraar (Springtime on Funen), for soloists, chorus & orchestra, FS 96 (Op. 42)- Nu Kysser Solen Mit Ojelag | Carl Nielsen | 2:39 | | 38-12 | De Gamle = The Old People = Die Alten = Les Vieillards | "Så Sætter Vi Piben I Ovnens Krog" (chorus) Andantino Moderato | Esa-Pekka Salonen | 1:12 |
| 11 | 11 | Fynsk foraar (Springtime on Funen), for soloists, chorus & orchestra, FS 96 (Op. 42)- Nu Vil Vi Ud Og Lege | Carl Nielsen | 0:55 | | 38-13 | Dansevisen = Dance Song = Tanzweise = Chant de la Danse | "Kom Her, Fiol Og Klarinet" (chorus, Tenor, Baritone) Allegro Molto | Esa-Pekka Salonen | 3:27 |
| 12 | 12 | Fynsk foraar (Springtime on Funen), for soloists, chorus & orchestra, FS 96 (Op. 42)- Sa Saetter Vi Piben I Ovnens Krog | Carl Nielsen | 1:13 | | 39-1 | Act I | Scene 1 | No. 7: The Prince's Decree = Der Befehl Des Herzogs = L'Ordre Du Duc | Esa-Pekka Salonen | 1:36 |
| 13 | 13 | Fynsk foraar (Springtime on Funen), for soloists, chorus & orchestra, FS 96 (Op. 42)- Kom Her, Fiol Og Klarinet | Carl Nielsen | 3:27 | | 39-2 | No. 8: Interlude | Esa-Pekka Salonen | 2:08 |
| Media 39: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
| 1 | 1 | Romeo and Juliet, Act I: The Prince's Decree | Sergei Prokofiev | 1:36 | | 39-3 | Scene 2 | No. 9: Preparations For The Ball = Vorbereitungen Zum Ball = Préparatifs Du Bal | Esa-Pekka Salonen | 1:41 |
| 2 | 2 | Romeo and Juliet, Act I: Interlude | Sergei Prokofiev | 2:09 | | 39-4 | No. 10: Juliet, The Young Girl = Julia, Das Junge Mädchen = Juliette, La Jeune Fille | Esa-Pekka Salonen | 3:13 |
| 3 | 3 | Romeo and Juliet, Act I: Preparations for the Ball | Sergei Prokofiev | 1:43 | | 39-5 | No. 11: Arrival Of The Guests = Ankunft Der Gäste = Arrivée Des Invités | Esa-Pekka Salonen | 3:32 |
| 4 | 4 | Romeo and Juliet, Act I: Juliet, the Young Girl | Sergei Prokofiev | 3:15 | | 39-6 | No. 12: Masks = Masken = Masques | Esa-Pekka Salonen | 2:36 |
| 5 | 5 | Romeo and Juliet, Act I: Arrival of the guests | Sergei Prokofiev | 3:33 | | 39-7 | No. 13: Dance Of The Knights = Tanz Der Ritter = Danse Des Chevaliers | Esa-Pekka Salonen | 5:50 |
| 6 | 6 | Romeo and Juliet, Act I: Masks | Sergei Prokofiev | 2:38 | | 39-8 | No. 19: The Balcony Scene = Die Balkonszene = Scène Du Balcon | Esa-Pekka Salonen | 1:18 |
| 7 | 7 | Romeo and Juliet, Act I: Dance of the Knights | Sergei Prokofiev | 5:54 | | 39-9 | No. 20: Romeo's Variation = Variation Romeos = Variation de Roméo | Esa-Pekka Salonen | 1:07 |
| 8 | 8 | Romeo and Juliet, Act I: The Balcony Scene | Sergei Prokofiev | 1:18 | | 39-10 | No. 21: Love Dance = Liebestanz = Danse D'Amour | Esa-Pekka Salonen | 4:53 |
| 9 | 9 | Romeo and Juliet, Act I: Romeo's Variation | Sergei Prokofiev | 1:07 | | 39-11 | Act II | Scene 1 |No. 22: Folk Dance = Volkstanz = Danse Populaire | Esa-Pekka Salonen | 3:23 |
| 10 | 10 | Romeo and Juliet, Act I: Love Dance | Sergei Prokofiev | 5:02 | | 39-12 | No. 25: Dance With Mandolins = Tanz Mit Mandolinen = Danse Avec Mandolines | Esa-Pekka Salonen | 1:05 |
| 11 | 11 | Romeo and Juliet, Act II: Folk Dance | Sergei Prokofiev | 3:26 | | 39-13 | Scene 3 | No. 33: Tybalt Fights Mercutio = Tybalt Kampft Mit Mercutio = Tybalt Se Bat Contre Mercutio | Esa-Pekka Salonen | 1:19 |
| 12 | 12 | Romeo and Juliet, Act II: Dance with Mandolins | Sergei Prokofiev | 1:53 | | 39-14 | No. 35: Romeo Resolves To Avenge The Death Of Mercutio = Romeo Beschließt, Mercutios Tod Zu Rächen = Roméo Décide De Venger La Mort De Mercutio | Esa-Pekka Salonen | 2:10 |
| 13 | 13 | Romeo and Juliet, Act II: Tybalt fights Mercutio | Sergei Prokofiev | 1:19 | | 39-15 | No. 36: Act II Finale | Esa-Pekka Salonen | 2:03 |
| 14 | 14 | Romeo and Juliet, Act II: Romeo Resolves to Avenge the Death of Mercutio | Sergei Prokofiev | 2:10 | | 39-16 | Act III | Scene 1 | No. 39: Farewell Before The Parting = Abschied Vor Der Trennung = Adieux Avant La Séparation | Esa-Pekka Salonen | 4:58 |
| 15 | 15 | Romeo and Juliet, Act II: Finale | Sergei Prokofiev | 2:09 | | 39-17 | Scene 3 | No. 48: Morning Serenade = Morgenständchen = Sérénade Du Matin | Esa-Pekka Salonen | 2:27 |
| 16 | 16 | Romeo and Juliet, Act III: Farewell before the Parting | Sergei Prokofiev | 4:59 | | 39-18 | Act IV | Epilogue | No. 51: Juliet's Burial = Julias Bestattung = L'Enterrement De Juliette | Esa-Pekka Salonen | 5:37 |
| 17 | 17 | Romeo and Juliet, Act III: Morning Serenade | Sergei Prokofiev | 2:33 | | 39-19 | No. 52: Death Of Juliet = Julias Tod = Mort De Juliette | Esa-Pekka Salonen | 3:34 |
| 18 | 18 | Romeo and Juliet, Act IV: Juliet's Burial | Sergei Prokofiev | 5:36 | | 40-1 | I Andantino - Andante Assai | Esa-Pekka Salonen | 9:33 |
| 19 | 19 | Romeo and Juliet, Act IV: Death of Juliet | Sergei Prokofiev | 3:37 | | 40-2 | Il Scherzo. Vivacissimo | Esa-Pekka Salonen | 3:45 |
| Media 40: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
| 1 | 1 | Violin Concerto No. 1 in D Op. 19: I. Andantino | Prokofiev | 9:33 | | 40-3 | III Moderato - Allegro Moderato - Moderato - Più Tranquillo | Esa-Pekka Salonen | 8:15 |
| 2 | 2 | Violin Concerto No. 1 in D Op. 19: II. Scherzo. Vivacissimo | Prokofiev | 3:44 | | 40-4 | I Allegro Moderato | Esa-Pekka Salonen | 10:41 |
| 3 | 3 | Violin Concerto No. 1 in D Op. 19: III. Moderato | Prokofiev | 8:23 | | 40-5 | Il Andante Assai - Allegretto - Andante Assai | Esa-Pekka Salonen | 9:35 |
| 4 | 4 | Violin Concerto No. 2 in G minor Op. 63: I. Allegro moderato | Prokofiev | 10:41 | | 40-6 | III Allegro, Ben Marcato | Esa-Pekka Salonen | 6:02 |
| 5 | 5 | Violin Concerto No. 2 in G minor Op. 63: II. Andante assai | Prokofiev | 9:35 | | 40-7 | I Toccata | Esa-Pekka Salonen | 5:29 |
| 6 | 6 | Violin Concerto No. 2 in G minor Op. 63: III. Allegro, ben marcato | Prokofiev | 6:11 | | 40-8 | Il Aria I | Esa-Pekka Salonen | 4:09 |
| 7 | 7 | Violin Concerto in D: I. Toccata | Stravinsky | 5:29 | | 40-9 | III Aria II | Esa-Pekka Salonen | 5:39 |
| 8 | 8 | Violin Concerto in D: II. Aria 1 | Stravinsky | 4:09 | | 40-10 | IV Capriccio | Esa-Pekka Salonen | 5:51 |
| 9 | 9 | Violin Concerto in D: III. Aria 2 | Stravinsky | 5:39 | | 41-1 | I Moderato - Più Vivo - Allegro - Maestoso (Alla Marcia) - Moderato | Esa-Pekka Salonen | 11:10 |
| 10 | 10 | Violin Concerto in D: IV. Capriccio | Stravinsky | 5:51 | | 41-2 | Il Adagio Sostenuto | Esa-Pekka Salonen | 11:04 |
| Media 41: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
| 1 | 1 | Concerto for Piano and Orchestra no. 2 in C minor, op. 18: I. Moderato | Sergey Rachmaninov | 11:13 | 125.9508 | 41-3 | III Allegro Scherzando - Moderato - Allegro Scherzando - Presto - Moderato - Allegro Scherzando - Alla Breve - Presto - Maestoso - Risoluto | Esa-Pekka Salonen | 11:41 |
| 2 | 2 | Concerto for Piano and Orchestra no. 2 in C minor, op. 18: II. Adagio sostenuto | Sergey Rachmaninov | 11:04 | 163.8446 | 41-4 | I Allegro Ma Non Tanto - Allegro Molto. Alla Breve | Esa-Pekka Salonen | 17:21 |
| 3 | 3 | Concerto for Piano and Orchestra no. 2 in C minor, op. 18: III. Allegro scherzando | Sergey Rachmaninov | 11:43 | 113.6959 | 41-5 | Il Intermezzo. Adagio - Attacca | Esa-Pekka Salonen | 11:10 |
| 4 | 4 | Concerto for Piano and Orchestra no. 3 in D minor, op. 30: I. Allegro ma non tanto | Sergey Rachmaninov | 17:21 | | 41-6 | III Finale. Alla Breve - Scherzando - Più Vivo - Lento - Tempo I - Vivace | Esa-Pekka Salonen | 14:30 |
| 5 | 5 | Concerto for Piano and Orchestra no. 3 in D minor, op. 30: II. Intermezzo. Adagio | Sergey Rachmaninov | 11:12 | | 42-1 | Sensemayá | Esa-Pekka Salonen | 7:04 |
| 6 | 6 | Concerto for Piano and Orchestra no. 3 in D minor, op. 30: III. Finale. Alla breve | Sergey Rachmaninov | 14:33 | 154.5881 | 42-2 | Ocho Por Radio | Esa-Pekka Salonen | 4:15 |
| Media 42: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
| 1 | 1 | Sensemayá | Silvestre Revueltas | 7:09 | | 42-3 | I Noche de Los Mayas. Molto Sostenuto | Esa-Pekka Salonen | 7:26 |
| 2 | 2 | Ocho por radio | Silvestre Revueltas | 4:21 | | 42-4 | Il Noche de Jaranas. Allegro (Tempo di Son) = Night Of Revelry = Nächtliches Gelage = Nuit D'orgie | Esa-Pekka Salonen | 5:30 |
| 3 | 3 | La noche de los mayas: I. La noche de los mayas. - Molto sostenuto | Silvestre Revueltas | 7:26 | | 42-5 | III Noche De Yucatan. Andante Espressivo - Tempo Giusto = Yucatán Night = Nacht Auf Yucatán = Nuit Sur Le Yucatan | Esa-Pekka Salonen | 7:58 |
| 4 | 4 | La noche de los mayas: II. La noche de jaranas. - Scherzo | Silvestre Revueltas | 5:30 | | 42-6 | IV Noche De Encantamiento. Molto Lento - Allegro, Ma Non Troppo - Var. 1. Lento - Var. 2. Più Mosso - Var. 3. Ancora Più Mosso - Var. 4. Allegro Non Troppo - Final. Con Violencia = Night Of Enchantment = Zaubernacht = Nuit Du Sortilège | Esa-Pekka Salonen | 9:59 |
| 5 | 5 | La noche de los mayas: III. La noche de Yucatán. - Andante espressivo | Silvestre Revueltas | 7:58 | | 42-7 | I Baile. Lento (Quasi Recitativo) - Allegro (Dance = Tanz = Danse) | Esa-Pekka Salonen | 3:26 |
| 6 | 6 | La noche de los mayas: IV. La noche de encantamiento. - Tema y variaciones | Silvestre Revueltas | 9:59 | | 42-8 | Il Duelo (Sorrow = Trauer = Deuil) | Esa-Pekka Salonen | 3:41 |
| 7 | 7 | Homenaje a Federico García Lorca for Chamber Orchestra: I. Baile - Lento (quasi recitativo) - Allegro | Silvestre Revueltas | 3:26 | | 42-9 | III Son = Sound = Klang = Son | Esa-Pekka Salonen | 2:55 |
| 8 | 8 | Homenaje a Federico García Lorca for Chamber Orchestra: II. Duelo | Silvestre Revueltas | 3:41 | | 42-10 | Ventanas - For Large Orchestra | Esa-Pekka Salonen | 10:26 |
| 9 | 9 | Homenaje a Federico García Lorca for Chamber Orchestra: III. Son | Silvestre Revueltas | 3:01 | | 42-11 | First Little Serious Piece | Esa-Pekka Salonen | 2:49 |
| 10 | 10 | Ventanas for Large Orchestra | Silvestre Revueltas | 10:31 | | 42-12 | Second Little Serious Piece (Tempo Di Valse - Lento) | Esa-Pekka Salonen | 1:25 |
| 11 | 11 | First Little Serious Piece | Silvestre Revueltas | 2:49 | | 43-1 | I Delicato | Esa-Pekka Salonen | 16:56 |
| 12 | 12 | Second Little Serious Piece: Tempo di Valse - Lento | Silvestre Revueltas | 1:25 | | 43-2 | Il Impetuoso | Esa-Pekka Salonen | 10:32 |
| Media 43: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
| 1 | 1 | Graal théâtre: I. Delicato | Kaija Saariaho | 16:55 | | 43-3 | I La Liane | Esa-Pekka Salonen | 5:57 |
| 2 | 2 | Graal théâtre: II. Impetuoso | Kaija Saariaho | 10:38 | | 43-4 | Il À La Terre | Esa-Pekka Salonen | 5:14 |
| 3 | 3 | Château de l'âme: I. La liane | Kaija Saariaho | 5:53 | | 43-5 | III La Liane | Esa-Pekka Salonen | 3:01 |
| 4 | 4 | Château de l'âme: II. À la terre | Kaija Saariaho | 5:15 | | 43-6 | IV Pour Repousser L'Esprit | Esa-Pekka Salonen | 2:08 |
| 5 | 5 | Château de l'âme: III. La liane | Kaija Saariaho | 3:01 | | 43-7 | V Les Formules | Esa-Pekka Salonen | 7:53 |
| 6 | 6 | Château de l'âme: IV. Pour repousser l'esprit | Kaija Saariaho | 2:08 | | 43-8 | Part 1: Libero, Dolce, Misterioso | Esa-Pekka Salonen | 8:48 |
| 7 | 7 | Château de l'âme: V. Les formules | Kaija Saariaho | 7:58 | | 43-9 | Part 2: Sempre Molto Energico, Ma Espressivo | Esa-Pekka Salonen | 10:59 |
| 8 | 8 | Amers: Part 1: Libero, dolce, misterioso | Kaija Saariaho | 8:43 | | 44-1 | LA Variations | Esa-Pekka Salonen | 20:06 |
| 9 | 9 | Amers: Part 2: Sempre molto energico, ma espressivo | Kaija Saariaho | 10:59 | | 44-2 | I Tell Everyone | Esa-Pekka Salonen | 2:06 |
| Media 44: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
| 1 | 1 | LA Variations | Esa-Pekka Salonen | 20:06 | 129.4089 | 44-3 | Il Without Warning | Esa-Pekka Salonen | 3:33 |
| 2 | 2 | Five Images After Sappho: 1. Tell Everyone | Esa-Pekka Salonen | 2:02 | 163.9669 | 44-4 | III It's No Use | Esa-Pekka Salonen | 2:17 |
| 3 | 3 | Five Images After Sappho: 2. Without Warning | Esa-Pekka Salonen | 3:31 | 123.0845 | 44-5 | IV The Evening Star | Esa-Pekka Salonen | 3:04 |
| 4 | 4 | Five Images After Sappho: 3. It's No Use | Esa-Pekka Salonen | 2:14 | 139.6719 | 44-6 | V Wedding | Esa-Pekka Salonen | 7:55 |
| 5 | 5 | Five Images After Sappho: 4. The Evening Star | Esa-Pekka Salonen | 3:01 | 111.6337 | 44-7 | Giro - For Orchestra | Esa-Pekka Salonen | 10:10 |
| 6 | 6 | Five Images After Sappho: 5. Wedding | Esa-Pekka Salonen | 7:53 | 164.5577 | 44-8 | Mania - For Cello Solo And Ensemble | Esa-Pekka Salonen | 17:01 |
| 7 | 7 | Giro, for orchestra | Esa-Pekka Salonen | 10:10 | 114.0314 | 44-9 | Gambit - For Orchestra | Esa-Pekka Salonen | 9:00 |
| 8 | 8 | Mania for violoncello solo and ensemble | Esa-Pekka Salonen | 17:01 | 152.2208 | 45-1 | Grave - | Esa-Pekka Salonen | 6:45 |
| 9 | 9 | Gambit, for orchestra | Esa-Pekka Salonen | 8:59 | 117.6036 | 45-2 | Bar 100: Molto Rallentando (Woman) - | Esa-Pekka Salonen | 6:13 |
| Media 45: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
| 1 | 1 | Verklärte Nacht, op. 4: Prelude: Grave | Arnold Schönberg | 6:46 | | 45-3 | Bar 201: Pesante. Grave (Interlude) - | Esa-Pekka Salonen | 2:28 |
| 2 | 2 | Verklärte Nacht, op. 4: Bar 100: Molto Rallentando (Woman) | Arnold Schönberg | 6:13 | | 45-4 | Bar 229: Adagio (Man) - | Esa-Pekka Salonen | 10:11 |
| 3 | 3 | Verklärte Nacht, op. 4: Bar 201: Pesante-Grave (Interlude) | Arnold Schönberg | 2:28 | | 45-5 | Bar 370: Adagio (Postlude) | Esa-Pekka Salonen | 4:46 |
| 4 | 4 | Verklärte Nacht, op. 4: Bar 229: Adagio (Man) | Arnold Schönberg | 10:11 | | 45-6 | I Mäßig (Moderato) | Esa-Pekka Salonen | 6:59 |
| 5 | 5 | Verklärte Nacht, op. 4: Bar 370: Adagio (Postlude) | Arnold Schönberg | 4:59 | | 45-7 | Il Sehr Rasch | Esa-Pekka Salonen | 7:28 |
| 6 | 6 | String Quartet no. 2, op. 10: I. Massig (moderato) | Arnold Schönberg | 7:05 | | 45-8 | III Litanei. Langsam | Esa-Pekka Salonen | 5:22 |
| 7 | 7 | String Quartet no. 2, op. 10: II. Sehr rasch (Scherzo) | Arnold Schönberg | 7:32 | | 45-9 | IV Entrückung. Sehr Langsam | Esa-Pekka Salonen | 10:47 |
| 8 | 8 | String Quartet no. 2, op. 10: III. Litanei langsam | Arnold Schönberg | 5:25 | | 46-1 | I Allegro Moderato - Allegro Vivace - Allegretto - Allegro - Moderato - Attacca | Esa-Pekka Salonen | 5:43 |
| 9 | 9 | String Quartet no. 2, op. 10: IV. Entruckun. Sehr langsam | Arnold Schönberg | 10:47 | | 46-2 | Il Lento - Più Mosso - Largo - Attacca | Esa-Pekka Salonen | 7:50 |
| Media 46: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
| 1 | 1 | Piano Concerto no. 1, for Piano, Trumpet & Strings, in C minor, op. 35: Allegretto | Dmitri Shostakovich | 5:43 | | 46-3 | III Moderato - Attacca | Esa-Pekka Salonen | 1:46 |
| 2 | 2 | Piano Concerto no. 1, for Piano, Trumpet & Strings, in C minor, op. 35: Lento | Dmitri Shostakovich | 7:50 | | 46-4 | IV Allegro Con Brio - Presto | Esa-Pekka Salonen | 6:47 |
| 3 | 3 | Piano Concerto no. 1, for Piano, Trumpet & Strings, in C minor, op. 35: Moderato | Dmitri Shostakovich | 1:46 | | 46-5 | I Allegro | Esa-Pekka Salonen | 7:15 |
| 4 | 4 | Piano Concerto no. 1, for Piano, Trumpet & Strings, in C minor, op. 35: Allegro con brio | Dmitri Shostakovich | 6:52 | | 46-6 | Il Andante - Attacca | Esa-Pekka Salonen | 6:26 |
| 5 | 5 | Piano Concerto no. 2 in F major, op. 102: Allegro | Dmitri Shostakovich | 7:15 | | 46-7 | III Allegro | Esa-Pekka Salonen | 5:16 |
| 6 | 6 | Piano Concerto no. 2 in F major, op. 102: Andante | Dmitri Shostakovich | 6:26 | | 46-8 | I Prelude. Lento | Esa-Pekka Salonen | 4:09 |
| 7 | 7 | Piano Concerto no. 2 in F major, op. 102: Allegro | Dmitri Shostakovich | 5:22 | | 46-9 | Il Fugue. Adagio | Esa-Pekka Salonen | 10:14 |
| 8 | 8 | Quintet for Piano & Strings in G minor, op. 57: I. Prelude: Lento | Dmitri Shostakovich | 4:08 | | 46-10 | III Scherzo. Allegretto | Esa-Pekka Salonen | 3:22 |
| 9 | 9 | Quintet for Piano & Strings in G minor, op. 57: II. Fugue: Adagio | Dmitri Shostakovich | 10:14 | | 46-11 | IV Intermezzo. Lento | Esa-Pekka Salonen | 6:32 |
| 10 | 10 | Quintet for Piano & Strings in G minor, op. 57: III. Scherzo: Allegretto | Dmitri Shostakovich | 3:22 | | 46-12 | V Finale. Allegretto | Esa-Pekka Salonen | 6:51 |
| 11 | 11 | Quintet for Piano & Strings in G minor, op. 57: IV. Intermezzo: Lento | Dmitri Shostakovich | 6:32 | | 47-1 | I Tempo Molto Moderato - Largamente - Allegro Moderato - Presto | Esa-Pekka Salonen | 14:00 |
| 12 | 12 | Quintet for Piano & Strings in G minor, op. 57: V. Finale: Allegretto | Dmitri Shostakovich | 6:50 | | 47-2 | Il Andante Mosso, Quasi Allegretto | Esa-Pekka Salonen | 10:03 |
| Media 47: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
| 1 | 1 | Symphony no. 5, op. 82: I. Tempo molto moderato; Allegro moderato | Jean Sibelius | 14:00 | | 47-3 | III Allegro Molto - Misterioso - Un Pochettino Largamente - Largamente Assai | Esa-Pekka Salonen | 9:27 |
| 2 | 2 | Symphony no. 5, op. 82: II. Andante mosso, quasi allegretto | Jean Sibelius | 10:03 | | 47-4 | Pohjola's Daughter Op. 49 = Pohjolas Tochter = La Fille de Pohjola - Symphonic Fantasia For Orchestra | Esa-Pekka Salonen | 13:46 |
| 3 | 3 | Symphony no. 5, op. 82: III. Allegro molto | Jean Sibelius | 9:27 | | 48-1 | I Lemminkainen And The Maidens Of Saari = Lemminkäinen Und Die Mädchen Auf Saari = Lemminkäinen Et Les Filles De Saar | Esa-Pekka Salonen | 16:13 |
| 4 | 4 | Pohjolan Tytar, op. 49 | Jean Sibelius | 13:46 | | 48-2 | Il Lemminkäinen In Tuonela = Lemminkäinen À Tuonela | Esa-Pekka Salonen | 13:26 |
| Media 48: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
| 1 | 1 | Lemminkäinen Legends, op. 22: I. Lemminkäinen and the Maidens of Saari | Jean Sibelius | 16:19 | 126.0603 | 48-3 | III The Swan Of Tuonela = Der Schwan Von Tuonela = Le Cygne De Tuonela | Esa-Pekka Salonen | 9:27 |
| 2 | 2 | Lemminkäinen Legends, op. 22: II. Lemminkäinen in Tuonela | Jean Sibelius | 13:29 | 129.2099 | 48-4 | IV Lemminkainen's Return = Lemminkäinen Zieht Heimwärts = Le Retour De Lemminkäinen | Esa-Pekka Salonen | 6:01 |
| 3 | 3 | Lemminkäinen Legends, op. 22: III. The Swan of Tuonela | Jean Sibelius | 9:33 | 154.4115 | 48-5 | En Saga Op. 9 - Tone Poem | Esa-Pekka Salonen | 17:26 |
| 4 | 4 | Lemminkäinen Legends, op. 22: IV. Lemminkäinen's Return | Jean Sibelius | 6:14 | 147.7288 | 49-1 | I Introduction. Allegro Moderato | Esa-Pekka Salonen | 12:43 |
| 5 | 5 | En Saga, op. 9 | Jean Sibelius | 17:26 | 111.8293 | 49-2 | Il Kullervo's Youth. Grave = Kullervos Jugend = La Jeunesse de Kullervo | Esa-Pekka Salonen | 15:02 |
| Media 49: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
| 1 | 1 | Kullervo, Op. 7: I. Introduction. Allegro moderato | Jean Sibelius | 12:43 | 172.2656 | 49-3 | III Kullervo And His Sister. Allegro Vivace = Kullervo Und Seine Schwester = Kullervo Et Sa Sœur | Esa-Pekka Salonen | 22:55 |
| 2 | 2 | Kullervo, Op. 7: II. Kullervo's youth. Grave | Jean Sibelius | 15:03 | 142.8639 | 49-4 | IV Kullervo Goes To Battle. Alla Marcia = Kullervo Zieht In Den Kampf = Kullervo Part Au Combat | Esa-Pekka Salonen | 9:38 |
| 3 | 3 | Kullervo, Op. 7: III. Kullervo and his sister. Allegro vivace | Jean Sibelius | 22:55 | 143.8685 | 49-5 | V Kullervo's Death. Andante = Kullervos Tod = La Mort De Kullervo | Esa-Pekka Salonen | 9:53 |
| 4 | 4 | Kullervo, Op. 7: IV. Kullervo goes to battle. Alla marcia | Jean Sibelius | 9:38 | 114.5491 | 50-1 | I Allegro Moderato | Esa-Pekka Salonen | 16:38 |
| 5 | 5 | Kullervo, Op. 7: V. Kullervo's death. Andante | Jean Sibelius | 9:53 | 109.8189 | 50-2 | Il Adagio Di Molto | Esa-Pekka Salonen | 8:03 |
| Media 50: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
| 1 | 1 | Violin Concerto in D minor, op. 47: I. Allegro moderato | Jean Sibelius | 16:38 | 128.9984 | 50-3 | III Allegro, Ma Non Tanto | Esa-Pekka Salonen | 7:22 |
| 2 | 2 | Violin Concerto in D minor, op. 47: II. Adagio di molto | Jean Sibelius | 8:04 | 147.6654 | 50-4 | I Allegro Moderato | Esa-Pekka Salonen | 14:18 |
| 3 | 3 | Violin Concerto in D minor, op. 47: III. Allegro, ma non tanto | Jean Sibelius | 7:27 | 111.1291 | 50-5 | Il Air. Andante | Esa-Pekka Salonen | 6:18 |
| 4 | 4 | Violin Concerto no. 1 in A minor, op. 28: I. Allegro moderato | Karl Goldmark | 14:18 | 147.2976 | 50-6 | III Moderato - Allegretto | Esa-Pekka Salonen | 12:49 |
| 5 | 5 | Violin Concerto no. 1 in A minor, op. 28: II. Andante | Karl Goldmark | 6:18 | 126.0583 | 51-1 | Metamorphosen - Study For 23 Solo Strings (Adagio, Ma Non Troppo - Agitato - Più Allegro - Adagio, Tempo Primo - Molto Lento) | Esa-Pekka Salonen | 28:14 |
| 6 | 6 | Violin Concerto no. 1 in A minor, op. 28: III. Moderato - Allegretto | Karl Goldmark | 12:50 | 140.3772 | 51-2 | I Allegro Moderato - Attacca | Esa-Pekka Salonen | 5:47 |
| Media 51: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
| 1 | 1 | Metamorphosen | Richard Strauss | 28:22 | | 51-3 | Il Andante - Attacca | Esa-Pekka Salonen | 3:07 |
| 2 | 2 | Duet-Concertino for Clarinet & Bassoon with String Orchestra and Harp: Allegro moderato | Richard Strauss | 5:47 | | 51-4 | III Rondo. Allegro Ma Non Troppo | Esa-Pekka Salonen | 9:01 |
| 3 | 3 | Duet-Concertino for Clarinet & Bassoon with String Orchestra and Harp: Andante | Richard Strauss | 3:07 | | 51-5 | Capriccio: Prelude | Esa-Pekka Salonen | 13:04 |
| 4 | 4 | Duet-Concertino for Clarinet & Bassoon with String Orchestra and Harp: Rondo: Allegro ma non troppo | Richard Strauss | 9:07 | | 52-1 | Scene 1 | The Shrovetide Fair = Jahrmarkt In Der Fastnachtswoche = Fête Populaire De La Semaine Grasse | Esa-Pekka Salonen | 7:11 |
| 5 | 5 | Prelude to Cappriccio, Op. 85 | Richard Strauss | 13:04 | | 52-2 | Russian Dance = Russischer Tanz = Danse Russe | Esa-Pekka Salonen | 2:39 |
| Media 52: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
| 1 | 1 | Petrouchka: Scene I. The Shrovetide Fair | Igor Stravinsky | 7:11 | | 52-3 | Scene 2 | Petrushka's Room = Bei Petruschka = Chez Pétrouchka | Esa-Pekka Salonen | 4:21 |
| 2 | 2 | Petrouchka: Scene I. Russian Dance | Igor Stravinsky | 2:40 | | 52-4 | Scene 3 | The Moor's Room = Beim Mohren = Chez Le Maure | Esa-Pekka Salonen | 3:16 |
| 3 | 3 | Petrouchka: Scene II. Petrushka | Igor Stravinsky | 4:21 | | 52-5 | Waltz: The Ballerina And The Moor = Walzer: Die Ballerina Und Der Mohr = Valse : La Ballerine Et Le Maure | Esa-Pekka Salonen | 3:06 |
| 4 | 4 | Petrouchka: Scene III. The Blackamoor | Igor Stravinsky | 3:16 | | 52-6 | Scene 4 | The Shrovetide Fair (Towards Evening) = Jahrmarkt In Der Fastnachtswoche (Gegen Abend) = Fête Populaire De La Semaine Grasse (Vers Le Soir) | Esa-Pekka Salonen | 1:16 |
| 5 | 5 | Petrouchka: Scene III. Waltz | Igor Stravinsky | 3:07 | | 52-7 | Wet-Nurses' Dance =Tanz Der Ammen = Danse Des Nounous | Esa-Pekka Salonen | 2:33 |
| 6 | 6 | Petrouchka: Scene IV. The Shrovetide Fair (Towards Evening) | Igor Stravinsky | 1:16 | | 52-8 | Peasant With Bear= Ein Bauer Und Der Bär = Un Paysan Et L'Ours | Esa-Pekka Salonen | 1:32 |
| 7 | 7 | Petrouchka: Scene IV. Wet-Nurses' Dance | Igor Stravinsky | 2:34 | | 52-9 | Gypsies And A Dissolute Merchant = Die Zigeunerinnen Und Ein Genusssüchtiger Kaufmann = Les Tziganes Et Un Marchand Fêtard | Esa-Pekka Salonen | 1:07 |
| 8 | 8 | Petrouchka: Scene IV. Peasant with Bear | Igor Stravinsky | 1:33 | | 52-10 | Dance Of The Coachmen And Grooms = Tanz Der Kutscher Und Stallknechte = Danse Des Cochers Et Des Palefreniers | Esa-Pekka Salonen | 1:58 |
| 9 | 9 | Petrouchka: Scene IV. Gypsies and a Rake Vendor | Igor Stravinsky | 1:08 | | 52-11 | The Masqueraders = Die Maskierten = Les Déguisés | Esa-Pekka Salonen | 1:26 |
| 10 | 10 | Petrouchka: Scene IV. Dance of the Coachmen | Igor Stravinsky | 1:58 | | 52-12 | The Scuffle: The Moor And Petrushka = Der Kampf: Der Mohr Und Petruschka = La Rixe : Le Maure Et Pétrouchka | Esa-Pekka Salonen | 0:50 |
| 11 | 11 | Petrouchka: Scene IV. Masqueraders | Igor Stravinsky | 1:26 | | 52-13 | Death Of Petrushka = Petruschkas Tod = Mort de Pétrouchka | Esa-Pekka Salonen | 0:58 |
| 12 | 12 | Petrouchka: Scene IV. The Scuffle | Igor Stravinsky | 0:50 | | 52-14 | The Police And The Showman = Die Polizei Und Der Gaukler = La Police Et Le Charlatan | Esa-Pekka Salonen | 1:16 |
| 13 | 13 | Petrouchka: Scene IV. Death of Petrushka | Igor Stravinsky | 0:58 | | 52-15 | Apparition Of Petrushka's Double = Erscheinung Von Petruschkas Geist = Apparition Du Double De Pétrouchka | Esa-Pekka Salonen | 0:48 |
| 14 | 14 | Petrouchka: Scene IV. Police and the Juggler | Igor Stravinsky | 1:16 | | 52-16 | Scene 1 | Orpheus Weeps For Eurydice = Orpheus Weint Um Eurydike =Orphée Pleure Eurydice | Esa-Pekka Salonen | 2:40 |
| 15 | 15 | Petrouchka: Scene IV. Apparition of Petrushka's Double | Igor Stravinsky | 0:56 | | 52-17 | Air De Danse | Esa-Pekka Salonen | 2:50 |
| 16 | 16 | Orpheus: Scene I. Orpheus | Igor Stravinsky | 2:40 | | 52-18 | Dance Of The Angel Of Death = Tanz Des Todesengels = L'Ange De La Mort Et Sa Danse | Esa-Pekka Salonen | 2:14 |
| 17 | 17 | Orpheus: Scene I. Air de danse | Igor Stravinsky | 2:50 | | 52-19 | Interlude | Esa-Pekka Salonen | 1:44 |
| 18 | 18 | Orpheus: Scene I. Dance of the Angel of Death | Igor Stravinsky | 2:15 | | 52-20 | Scene 2 | Dance Of The Furies = Tanz Der Furien = Pas Des Furies | Esa-Pekka Salonen | 2:58 |
| 19 | 19 | Orpheus: Scene I. Interlude | Igor Stravinsky | 1:44 | | 52-21 | Air De Danse (Orphée) | Esa-Pekka Salonen | 2:38 |
| 20 | 20 | Orpheus: Scene II. Dance of the Furies | Igor Stravinsky | 2:58 | | 52-22 | Interlude | Esa-Pekka Salonen | 0:26 |
| 21 | 21 | Orpheus: Scene II. Air de danse | Igor Stravinsky | 2:39 | | 52-23 | Air De Danse (Conclusion) | Esa-Pekka Salonen | 0:48 |
| 22 | 22 | Orpheus: Scene II. Interlude | Igor Stravinsky | 0:27 | | 52-24 | Pas D'Action | Esa-Pekka Salonen | 1:42 |
| 23 | 23 | Orpheus: Scene II. Air de danse | Igor Stravinsky | 0:49 | | 52-25 | Pas De Deux | Esa-Pekka Salonen | 4:38 |
| 24 | 24 | Orpheus: Scene II. Pas d'action | Igor Stravinsky | 1:42 | | 52-26 | Interlude | Esa-Pekka Salonen | 1:18 |
| 25 | 25 | Orpheus: Scene II. Pas de deux | Igor Stravinsky | 4:39 | | 52-27 | Pas D'Action | Esa-Pekka Salonen | 2:23 |
| 26 | 26 | Orpheus: Scene II. Interlude | Igor Stravinsky | 1:19 | | 52-28 | Scene 3 | Orpheus' Apotheosis = Apotheose Des Orpheus = Apothéose D'Orphée | Esa-Pekka Salonen | 2:42 |
| 27 | 27 | Orpheus: Scene II. Pas d'action | Igor Stravinsky | 2:23 | | 53-1 | Introduction | Esa-Pekka Salonen | 2:59 |
| 28 | 28 | Orpheus: Scene III. Orpheus' Apotheosis | Igor Stravinsky | 2:42 | | 53-2 | Scene 1 | Kashchei's Magic Garden = Kaschtscheis Zaubergarten = Le Jardin Enchanté Se Kachtcheï | Esa-Pekka Salonen | 1:39 |
| Media 53: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
| 1 | 1 | The Firebird: Introduction | Igor Stravinsky | 2:59 | | 53-3 | Appearance Of The Firebird, Pursued By Ivan Tsarevich = Der Feuervogel Erscheint, Verfolgt von Iwan Zarewitsch = Apparition Dde L'Oiseau de Feu, Poursuivi Par Ivan Tsarévitch | Esa-Pekka Salonen | 2:15 |
| 2 | 2 | The Firebird: Kashchei's Enchanted Garden | Igor Stravinsky | 1:40 | | 53-4 | Dance Of The Firebird = Tanz Des Feuervogels = Danse de L'Oiseau De Feu | Esa-Pekka Salonen | 1:23 |
| 3 | 3 | The Firebird: The Firebird Appears, Pursued by Prince Ivan | Igor Stravinsky | 2:14 | | 53-5 | Ivan Tsarevich Captures The Firebird = Iwan Zarewitsch Fängt Den Feuervogel = Capture De L'Oiseau De Feu Par Ivan Tsarévitch | Esa-Pekka Salonen | 0:52 |
| 4 | 4 | The Firebird: Dance of the Firebird | Igor Stravinsky | 1:23 | | 53-6 | The Firebird's Entreaties = Flehentliches Bitten Des Feuervogels = Supplication de L'Oiseau de Feu | Esa-Pekka Salonen | 6:02 |
| 5 | 5 | The Firebird: The Firebird Is Captured by Prince Ivan | Igor Stravinsky | 0:52 | | 53-7 | Appearance Of The 13 Enchanted Princesses = Auftritt Der 13 Verzauberten Prinzessinnen = Apparition Des 13 Princesses Enchantées | Esa-Pekka Salonen | 2:21 |
| 6 | 6 | The Firebird: The Firebird's Pleading | Igor Stravinsky | 6:02 | | 53-8 | The Princesses' Game With The Golden Apples = Spiel Der Prinzessinnen Mit Den Goldenen Äpfeln = Jeu Des Princesses Avec Les Pommes D'Or | Esa-Pekka Salonen | 2:15 |
| 7 | 7 | The Firebird: Appearance of the Thirteen Enchanted Princesses | Igor Stravinsky | 2:21 | | 53-9 | Sudden Appearance Of Ivan Tsarevich = Jäher Auftritt Der Lwan Zarewitsch = Brusque Apparition D'Ivan Tsarévitch | Esa-Pekka Salonen | 1:07 |
| 8 | 8 | The Firebird: The Princesses Play With the Golden Apples | Igor Stravinsky | 2:16 | | 53-10 | Khorovod: The Princesses' Round Dance = Reigen Der Prinzessinnen = Ronde Des Princesses | Esa-Pekka Salonen | 4:51 |
| 9 | 9 | The Firebird: Prince Ivan Suddenly Appears | Igor Stravinsky | 1:06 | | 53-11 | Daybreak = Tagesanbruch = Lever Du Jour | Esa-Pekka Salonen | 1:24 |
| 10 | 10 | The Firebird: Khorovod (Round dance) Of the Princesses | Igor Stravinsky | 4:51 | | 53-12 | Ivan Tsarevich Enters Kashchei's Palace - Fairy Carillon, Kashchei's Guardian Monsters Appear And Capture Ivan Tsarevich = Iwan Zarewitsch Dringt In Kaschtscheis Palast Ein - Magisches Glockenspiel, Auftritt Der Ungeheuer Kaschtscheis Und Gefangennahme Des Iwan Zarewitsch = Ivan Tsarévitch Pénètre Dans Le Palais De Kachtcheï - Carillon Féerique, Apparition Des Monstres - Gardiens De Kachtcheï Et Capture D'Ivan Tsarévitch | Esa-Pekka Salonen | 1:16 |
| 11 | 11 | The Firebird: Daybreak | Igor Stravinsky | 1:24 | | 53-13 | Arrival Of Kashchei The Immortal = Auftritt Des Unsterblichen Kaschtschei = Arrivée de Kachtcheï L'Immortel | Esa-Pekka Salonen | 1:08 |
| 12 | 12 | The Firebird: Prince Ivan Enters Kashchei's Palace | Igor Stravinsky | 1:16 | | 53-14 | Dialogue Between Kashchei And Ivan Tsarevich = Kaschtscheis Zwiegespräch Mit Iwan Zarewitsch = Dialogue De Kachtcheï Avec Ivan Tsarévitch | Esa-Pekka Salonen | 1:07 |
| 13 | 13 | The Firebird: Arrival of Kashchei the Immortal | Igor Stravinsky | 1:09 | | 53-15 | Intercession Of The Princesses = Fürsprache Der Prinzessinnen - Intercession Des Princesses | Esa-Pekka Salonen | 1:10 |
| 14 | 14 | The Firebird: Dialogue Between Kashchei and Prince Ivan | Igor Stravinsky | 1:06 | | 53-16 | Appearance Of The Firebird = Auftritt Des Feuervogels = Apparition De L'Oiseau De Feu | Esa-Pekka Salonen | 0:32 |
| 15 | 15 | The Firebird: The Princesses' Intercede | Igor Stravinsky | 1:10 | | 53-17 | Dance Of Kashchei's Court, Bewitched By The Firebird = Tanz von Kaschtscheis Gefolge Unter Dem Zauber Des Feuervogels = Danse De La Suite de Kachtcheï, Enchantée Par L'Oiseau De Feu | Esa-Pekka Salonen | 0:44 |
| 16 | 16 | The Firebird: The Firebird Appears | Igor Stravinsky | 0:32 | | 53-18 | Infernal Dance Of All Kashchei's Subjects = Teufelstanz Aller Untertanen Kaschtscheis = Danse Infernale De Tous Les Sujets De Kachtcheï | Esa-Pekka Salonen | 4:22 |
| 17 | 17 | The Firebird: Dance of Kashchei's Court | Igor Stravinsky | 0:44 | | 53-19 | Lullaby (The Firebird) = Wiegenlied (Der Feuervogel) = Berceuse (L'Oiseau De Feu) | Esa-Pekka Salonen | 2:44 |
| 18 | 18 | Ithe Firebird: Infernal Dance of Kashchei's Subjects | Igor Stravinsky | 4:22 | | 53-20 | Kashchei Wakes Up = Kaschtschei Erwacht = Réveil De Kachtcheï | Esa-Pekka Salonen | 1:07 |
| 19 | 19 | The Firebird: Lullaby (The Firebird) | Igor Stravinsky | 2:44 | | 53-21 | Death Of Kashchei = Deep Shadows Kaschtscheis Tod = Tiefes Dunkel Mort De Kachtcheï = Profondes Ténèbres | Esa-Pekka Salonen | 1:19 |
| 20 | 20 | The Firebird: Kashchei Awakens | Igor Stravinsky | 1:07 | | 53-22 | Scene 2 | The Palace And Creatures Of Kashchei Disappear; The Petrified Knights Come To Life; General Rejoicing = Das Reich Des Kaschtschei Vergeht; Wiederbelebung Der Versteinerten Ritter; Allgemeine Freude = Disparition Du Palais Et Des Sortilèges De Kachtcheï, Animation Des Chevaliers Pétrifiés, Allegresse Générale | Esa-Pekka Salonen | 3:07 |
| 21 | 21 | The Firebird: Death of Kashchei | Igor Stravinsky | 1:19 | | 53-23 | Première Donne = First Deal = Erste Runde | Esa-Pekka Salonen | 5:16 |
| 22 | 22 | The Firebird: The Palace and Creatures of Kashchei Disappear | Igor Stravinsky | 3:14 | | 53-2 | Deuxième Donne = Second Deal = Zweite Runde | Esa-Pekka Salonen | 9:19 |
| 23 | 23 | Jeu De Cartes: First Deal | Igor Stravinsky | 5:15 | | 53-25 | Troisième Donne = Third Deal = Dritte Runde | Esa-Pekka Salonen | 7:41 |
| 24 | 24 | Jeu De Cartes: Second Deal | Igor Stravinsky | 9:19 | | 54-1 | Introduction | Esa-Pekka Salonen | 3:23 |
| 25 | 25 | Jeu De Cartes: Third Deal | Igor Stravinsky | 7:41 | | 54-2 | Les Augures Printaniers - Danses Des Adolescentes = The Augurs Of Spring - Dances Of The Young Girls = Vorboten Des Frühlings - Tänze Der Jungen Mädchen | Esa-Pekka Salonen | 2:46 |
| Media 54: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
| 1 | 1 | Le Sacre du printemps: Part One: The Adoration of the Earth: Introduction | Igor Stravinsky | 3:23 | | 54-3 | Jeu Du Rapt = Game Of Abduction = Gespielte Entführung | Esa-Pekka Salonen | 1:16 |
| 2 | 2 | Le Sacre du printemps: Part One: The Adoration of the Earth: The Augurs of Spring (Dances of the Young Girls) | Igor Stravinsky | 2:48 | | 54-4 | Rondes Printanieres = Spring Round Dances = Frühlingsreigen | Esa-Pekka Salonen | 3:46 |
| 3 | 3 | Le Sacre du printemps: Part One: The Adoration of the Earth: Ritual of Abduction | Igor Stravinsky | 1:16 | | 54-5 | Jeux Des Cites Rivales = Games Of The Rival Tribes = Spiele Der Feindlichen Stämme | Esa-Pekka Salonen | 1:42 |
| 4 | 4 | Le Sacre du printemps: Part One: The Adoration of the Earth: Spring Khorovod (Round Dance) | Igor Stravinsky | 3:47 | | 54-6 | Cortège Du Sage = Procession Of The Sage = Prozession Des Weisen Alten | Esa-Pekka Salonen | 0:35 |
| 5 | 5 | Le Sacre du printemps: Part One: The Adoration of the Earth: Ritual of the Rival Tribes | Igor Stravinsky | 1:41 | | 54-7 | Adoration De La Terre - Le Sage Adoration Of The Earth - The Sage Anbetung Der Erde - Der Weise Alte | Esa-Pekka Salonen | 0:17 |
| 6 | 6 | Le Sacre du printemps: Part One: The Adoration of the Earth: Procession of the Sage | Igor Stravinsky | 0:36 | | 54-8 | Danse De La Terre = Dance Of The Earth = Erdentan | Esa-Pekka Salonen | 1:12 |
| 7 | 7 | Le Sacre du printemps: Part One: The Adoration of the Earth: Adoration of the Earth (The Sage) | Igor Stravinsky | 0:17 | | 54-9 | Introduction | Esa-Pekka Salonen | 4:15 |
| 8 | 8 | Le Sacre du printemps: Part One: The Adoration of the Earth: Dance of the Earth | Igor Stravinsky | 1:11 | | 54-10 | Cercles Mysterieux Des Adolescentes = Mystical Circles Of The Young Girls = Mystischer Reigen Der Jungen Mädchen | Esa-Pekka Salonen | 2:58 |
| 9 | 9 | Le Sacre du printemps: Part Two: The Sacrifice: Introduction | Igor Stravinsky | 4:15 | | 54-11 | Glorification de L'Elue = Glorification Of The Chosen One = Verherrlichung Der Auserwählten | Esa-Pekka Salonen | 1:29 |
| 10 | 10 | Le Sacre du printemps: Part Two: The Sacrifice: Mystic Circles of the Young Girls | Igor Stravinsky | 2:58 | | 54-12 | Évocation Des Ancêtres = Evocation Of The Ancestors = Anrufung Der Ahne | Esa-Pekka Salonen | 0:41 |
| 11 | 11 | Le Sacre du printemps: Part Two: The Sacrifice: Glorification of the Chosen One | Igor Stravinsky | 1:29 | | 54-13 | Action Rituelle Des Ancêtres = Ritual Action Of The Ancestors = Weihevolle Handlung Der Ahnen | Esa-Pekka Salonen | 3:27 |
| 12 | 12 | Le Sacre du printemps: Part Two: The Sacrifice: Evocation of the Ancestors | Igor Stravinsky | 0:40 | | 54-14 | Danse Sacrale. L'Élue = Sacrificial Dance. The Chosen One = Opfertanz. Die Auserwählte | Esa-Pekka Salonen | 4:25 |
| 13 | 13 | Le Sacre du printemps: Part Two: The Sacrifice: Ritual Action of the Ancestors | Igor Stravinsky | 3:29 | | 54-15 | I ♩ = 160 - ♩ = 80 | Esa-Pekka Salonen | 9:10 |
| 14 | 14 | Le Sacre du printemps: Part Two: The Sacrifice: Sacrificial Dance (The Chosen One) | Igor Stravinsky | 4:34 | | 54-16 | II Andante - ♪ = 76 - | Esa-Pekka Salonen | 5:38 |
| 15 | 15 | Symphony in Three Movements: I. ♩ = 160; ♩ = 80 | Igor Stravinsky | 9:10 | | 54-17 | __Interlude. L'istesso Tempo | Esa-Pekka Salonen | 0:23 |
| 16 | 16 | Symphony in Three Movements: II. Andante ♩ = 76 | Igor Stravinsky | 5:38 | | 54-18 | III Con Moto ♩ = 108 | Esa-Pekka Salonen | 5:51 |
| 17 | 17 | Symphony in Three Movements: Interlude ♩ = 76 | Igor Stravinsky | 0:22 | | 55-1 | Ouverture. Allegro Moderato | Esa-Pekka Salonen | 2:02 |
| 18 | 18 | Symphony in Three Movements: III. Con moto ♩ = 108 | Igor Stravinsky | 5:48 | | 55-2 | Serenata. Larghetto - "Mentre L'erbetta, Pasce L'agnella" (Tenor) | Esa-Pekka Salonen | 2:43 |
| Media 55: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
| 1 | 1 | Pulcinella: Overture. Allegro moderato | Stravinsky | 2:02 | | 55-3 | Scherzino. Allegro | Esa-Pekka Salonen | 5:48 |
| 2 | 2 | Pulcinella: Serenata. Largehtto "Mentre l'erbetta" | Stravinsky | 2:44 | | 55-4 | Ancora Poco Meno - "Contento Forse Vivere" (Soprano) | Esa-Pekka Salonen | 2:04 |
| 3 | 3 | Pulcinella: Scherzino. Allegro | Stravinsky | 5:51 | | 55-5 | Allegro Assai | Esa-Pekka Salonen | 1:53 |
| 4 | 4 | Pulcinella: Ancora poco meno "Contento forse vivere" | Stravinsky | 2:04 | | 55-6 | Allegro (Alla Breve) - "Con Queste Paroline" (Bass) | Esa-Pekka Salonen | 2:11 |
| 5 | 5 | Pulcinella: Allegro assai - | Stravinsky | 1:54 | | 55-7.1 | Andante - "Sento Dire No'ncè Pace" (Trio) - | Esa-Pekka Salonen | 4:00 |
| 6 | 6 | Pulcinella: Allegro alla breve "Con queste paroline" | Stravinsky | 2:11 | | 55-7.2 | "Chi Disse Cà La Femmena" (Tenor) - | Esa-Pekka Salonen | |
| 7 | 7 | Pulcinella: Andante "Sento dire no'ncè pace" | Stravinsky | 4:00 | | 55-7.3 | "Ncè Sta Quacuna Pò" (Soprano) - | Esa-Pekka Salonen | |
| 8 | 8 | Pulcinella: Presto "Una falan zemprece" | Stravinsky | 1:34 | | 55-7.4 | "Una Te Falan Zemprece" (Tenor) | Esa-Pekka Salonen | |
| 9 | 9 | Pulcinella: Allegro alla breve | Stravinsky | 1:17 | | 55-8 | Presto - "Una Te Falan Zemprece" (Tenor) - Larghetto | Esa-Pekka Salonen | 1:33 |
| 10 | 10 | Pulcinella: Tarantella | Stravinsky | 1:13 | | 55-9 | Allegro - Alla Breve | Esa-Pekka Salonen | 1:17 |
| 11 | 11 | Pulcinella: Andantino "Se tu m'ami" | Stravinsky | 2:52 | | 55-10 | Tarantellaandantino - "Se Tu M'ami" (Soprano) | Esa-Pekka Salonen | 1:12 |
| 12 | 12 | Pulcinella: Allegro | Stravinsky | 0:52 | | 55-11 | Andantino - "Se Tu M'ami" (Soprano) | Esa-Pekka Salonen | 2:53 |
| 13 | 13 | Pulcinella: Gavotta con due variazioni | Stravinsky | 3:47 | | 55-12 | Allegro | Esa-Pekka Salonen | 0:52 |
| 14 | 14 | Pulcinella: Vivo | Stravinsky | 1:27 | | 55-13 | Gavotta Con Due Variazioni. Allegro Moderato - Var. 1. Allegretto - Var. 2. Allegro Più Tosto Moderato | Esa-Pekka Salonen | 3:47 |
| 15 | 15 | Pulcinella: Tempo di minuetto "Pupillette, fiammette d'amore" | Stravinsky | 2:33 | | 55-14 | Vivo | Esa-Pekka Salonen | 1:26 |
| 16 | 16 | Pulcinella: Finale. Allegro assai | Stravinsky | 1:57 | | 55-15 | Tempo Di Minuetto - "Pupillette, Fiammette D'amore" (Trio) | Esa-Pekka Salonen | 2:33 |
| 17 | 17 | Ragtime | Stravinsky | 4:23 | | 55-16 | Allegro Assai | Esa-Pekka Salonen | 1:57 |
| 18 | 18 | Renard: Marche (Entrance of the Actors) | Stravinsky | 0:59 | | 55-17 | Ragtime - For 11 Instruments (1918 Version) | Esa-Pekka Salonen | 4:23 |
| 19 | 19 | Renard: Allegro | Stravinsky | 0:58 | | 55-18 | Marche | Esa-Pekka Salonen | 0:59 |
| 20 | 20 | Renard: Meno mosso (Rehearsal Mark No. 9) | Stravinsky | 3:27 | | 55-19 | Allegro | Esa-Pekka Salonen | 0:57 |
| 21 | 21 | Renard: Salto mortale (Rehearsal Mark No. 19) | Stravinsky | 0:40 | | 55-20 | Meno Mosso | Esa-Pekka Salonen | 3:27 |
| 22 | 22 | Renard: Con brio | Stravinsky | 2:03 | | 55-21 | [Salto Mortale] | Esa-Pekka Salonen | 0:40 |
| 23 | 23 | Renard: Meno mosso (Rehearsal Mark No. 41) | Stravinsky | 2:27 | | 55-22 | Con Brio | Esa-Pekka Salonen | 2:03 |
| 24 | 24 | Renard: Colla parte (Rehearsal Mark No. 52) | Stravinsky | 0:44 | | 55-23 | Meno Mosso | Esa-Pekka Salonen | 2:27 |
| 25 | 25 | Renard: Moderato | Stravinsky | 0:55 | | 55-24 | [Salto Mortale] | Esa-Pekka Salonen | 0:44 |
| 26 | 26 | Renard: Scherzando | Stravinsky | 1:00 | | 55-25 | Moderato | Esa-Pekka Salonen | 0:55 |
| 27 | 27 | Renard: Poco meno mosso | Stravinsky | 1:04 | | 55-26 | Scherzando | Esa-Pekka Salonen | 1:00 |
| 28 | 28 | Renard: Vivo | Stravinsky | 1:17 | | 55-27 | Poco Meno Mosso | Esa-Pekka Salonen | 1:04 |
| 29 | 29 | Renard: Marche (Departure of the Actors) | Stravinsky | 0:26 | | 55-28 | Vivo - Allegro | Esa-Pekka Salonen | 1:16 |
| 30 | 30 | Octet for Wind Instruments: I. Sinfonia. Lento - Allegro moderato | Stravinsky | 3:39 | | 55-29 | Marche | Esa-Pekka Salonen | 0:26 |
| 31 | 31 | Octet for Wind Instruments: II. Tema con variazioni. Andantino | Stravinsky | 7:09 | | 55-30 | I Sinfonia. Lento - Allegro Moderato | Esa-Pekka Salonen | 3:39 |
| 32 | 32 | Octet for Wind Instruments: III. Finale. Tempo giusto | Stravinsky | 3:19 | | 55-31 | Il Tema Con Variazioni. Andantino - Var. A-B-A-C-D-A-E - Attacca | Esa-Pekka Salonen | 7:09 |
| Media 56: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
| 1 | 1 | Capriccio for Piano and Orchestra (1949 version): I Presto | Igor Stravinsky | 6:39 | | 55-32 | III Finale (Tempo Giusto) | Esa-Pekka Salonen | 3:18 |
| 2 | 2 | Capriccio for Piano and Orchestra (1949 version): II Andante rapsodico | Igor Stravinsky | 5:11 | | 56-1 | I Presto | Esa-Pekka Salonen | 6:39 |
| 3 | 3 | Capriccio for Piano and Orchestra (1949 version): III Allegro capriccioso ma tempo giusto | Igor Stravinsky | 5:11 | | 56-2 | Il Andante Rapsodico | Esa-Pekka Salonen | 5:11 |
| 4 | 4 | Symphonies of Wind Instruments (1947 version) | Igor Stravinsky | 8:41 | | 56-3 | III Allegro Capriccioso Ma Tempo Giusto | Esa-Pekka Salonen | 5:11 |
| 5 | 5 | Concerto for Piano and Wind Instruments (1950 version): I Largo; Allegro | Igor Stravinsky | 7:07 | | 56-4 | Symphonies Of Wind Instruments Blāsersymphonien Symphonies D'Instruments À Vent | Esa-Pekka Salonen | 8:41 |
| 6 | 6 | Concerto for Piano and Wind Instruments (1950 version): II Largo | Igor Stravinsky | 7:02 | | 56-5 | I Largo - Allegro - Più Mosso - Maestoso (Largo Del Principio) | Esa-Pekka Salonen | 7:07 |
| 7 | 7 | Concerto for Piano and Wind Instruments (1950 version): III Allegro | Igor Stravinsky | 4:56 | | 56-6 | II Largo - Più Mosso - Doppio Valore - Tempo Primo | Esa-Pekka Salonen | 7:02 |
| 8 | 8 | Movements for Piano and Orchestra: I Eighth Note = 110 | Igor Stravinsky | 2:49 | | 56-7 | III Allegro - Agitato - Lento - Stringendo | Esa-Pekka Salonen | 4:56 |
| 9 | 9 | Movements for Piano and Orchestra: II Quarter Note = 52 | Igor Stravinsky | 1:20 | | 56-8 | I ♪ = 110 | Esa-Pekka Salonen | 2:49 |
| 10 | 10 | Movements for Piano and Orchestra: III Eighth Note = 72 | Igor Stravinsky | 0:57 | | 56-9 | II ♩ = 52 | Esa-Pekka Salonen | 1:20 |
| 11 | 11 | Movements for Piano and Orchestra: IV Eighth Note = 80 | Igor Stravinsky | 1:49 | | 56-10 | III ♪ = 72 | Esa-Pekka Salonen | 0:57 |
| 12 | 12 | Movements for Piano and Orchestra: V Eighth Note = 104 | Igor Stravinsky | 1:52 | | 56-11 | IV ♪ = 80 | Esa-Pekka Salonen | 1:49 |
| Media 57: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
| 1 | 1 | Apollon musagète: Scene I. Prologue: Birth of Apollo | Igor Stravinsky | 5:17 | | 56-12 | V ♪ = 104 | Esa-Pekka Salonen | 1:52 |
| 2 | 2 | Apollon musagète: Scene II. Variation of Apollo | Igor Stravinsky | 2:45 | | 57-1 | Scene 1 (Prologue) | Naissance D'Apollon. Largo - Allegro - Tempo I = Birth Of Apollo = Die Geburt Des Apollon | Esa-Pekka Salonen | 5:17 |
| 3 | 3 | Apollon musagète: Scene II. Pas d'action | Igor Stravinsky | 3:37 | | 57-2 | Scene 2 | Variation D'Apollon (Apollon Et Les Muses) | Esa-Pekka Salonen | 2:45 |
| 4 | 4 | Apollon musagète: Scene II. Variation of Calliope | Igor Stravinsky | 1:18 | | 57-3 | Pas D'action (Apollon Et Les Trois Muses: Calliope, Polymnie Et Terpsichore) | Esa-Pekka Salonen | 3:36 |
| 5 | 5 | Apollon musagète: Scene II. Variation of Polyhymnia | Igor Stravinsky | 1:15 | | 57-4 | Variation De Calliope (L'Alexandrin) | Esa-Pekka Salonen | 1:17 |
| 6 | 6 | Apollon musagète: Scene II. Variation of Terpsichore | Igor Stravinsky | 1:34 | | 57-5 | Variation De Polymnie | Esa-Pekka Salonen | 1:15 |
| 7 | 7 | Apollon musagète: Scene II. Variation of Apollo | Igor Stravinsky | 2:43 | | 57-6 | Variation De Terpsichore | Esa-Pekka Salonen | 1:34 |
| 8 | 8 | Apollon musagète: Scene II. Pas de deux | Igor Stravinsky | 2:33 | | 57-7 | Variation D'Apollon | Esa-Pekka Salonen | 2:42 |
| 9 | 9 | Apollon musagète: Scene II. Coda | Igor Stravinsky | 3:04 | | 57-8 | Pas De Deux (Apollon Et Terpsichore) | Esa-Pekka Salonen | 2:32 |
| 10 | 10 | Apollon musagète: Scene II. Apotheosis | Igor Stravinsky | 3:36 | | 57-9 | Coda (Apollon Et Les Muses) | Esa-Pekka Salonen | 3:04 |
| 11 | 11 | Concerto in D major for String Orchestra: I. Vivace | Igor Stravinsky | 5:43 | | 57-10 | Apothéose | Esa-Pekka Salonen | 3:27 |
| 12 | 12 | Concerto in D major for String Orchestra: II. Arioso: Andantino | Igor Stravinsky | 2:33 | | 57-11 | I Vivace | Esa-Pekka Salonen | 5:43 |
| 13 | 13 | Concerto in D major for String Orchestra: III. Rondo: Allegro | Igor Stravinsky | 3:32 | | 57-12 | Il Arioso. Andantino | Esa-Pekka Salonen | 2:32 |
| 14 | 14 | Cantata: A Lyke-Wake Dirge. Versus I. Prelude | Igor Stravinsky | 1:42 | | 57-13 | III Rondo. Allegro | Esa-Pekka Salonen | 3:26 |
| 15 | 15 | Cantata: Ricercar I. The Maidens Came | Igor Stravinsky | 3:30 | | 57-14 | A Lyke-Wake Dirge - Versus I (Prelude): "This Ae Nighte" (Chorus) = Hymne Pour Une Veillée Funèbre = Eine Totenklage | Esa-Pekka Salonen | 1:42 |
| 16 | 16 | Cantata: A Lyke-Wake Dirge. Versus II. First Interlude | Igor Stravinsky | 1:44 | | 57-15 | Ricercar I: "The Maidens Came" (Soprano) | Esa-Pekka Salonen | 3:29 |
| 17 | 17 | Cantata: Ricercar II. Sacred History | Igor Stravinsky | 9:37 | | 57-16 | A Lyke-Wake Dirge - Versus II (Interlude I): "If Ever Thou Gav'st Hos'n And Shoon" (Chorus) | Esa-Pekka Salonen | 1:44 |
| 18 | 18 | Cantata: A Lyke-Wake Dirge. Versus III. Second Interlude | Igor Stravinsky | 1:43 | | 57-17 | Ricercar II (Sacred History = Histoire Sacrée = Heilige Geschichte): "Tomorrow Shall Be" (Tenor) | Esa-Pekka Salonen | 9:37 |
| 19 | 19 | Cantata: Westron Wind | Igor Stravinsky | 1:59 | | 57-18 | A Lyke-Wake Dirge - Versus III (Interlude II): "From Whinnymuir" (Chorus) | Esa-Pekka Salonen | 1:43 |
| 20 | 20 | Cantata: A Lyke-Wake Dirge. Versus IV. Postlude | Igor Stravinsky | 2:24 | | 57-19 | Westron Wind (Soprano, Tenor) = Westwind = Le Vent = D'ouest | Esa-Pekka Salonen | 1:59 |
| Media 58: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
| 1 | 1 | Oedipus Rex: Prologue "Spectateurs! Vous allez entendre une version latine d'Oedipe-Roi" (Narrator) | Igor Stravinsky | 0:49 | | 57-20 | A Lyke-Wake Dirge - Versus IV (Postlude): "If Ever Thou Gav'st Meat Or Drink" (Chorus) | Esa-Pekka Salonen | 2:24 |
| 2 | 2 | Oedipus Rex: Act I. "Caedit nos pestis" | Igor Stravinsky | 3:24 | | 58-1 | Prologue | "Spectateurs! Vous Allez Entendre Une Version Latine D'Œdipe-Roi" (Narrator) | Esa-Pekka Salonen | 0:49 |
| 3 | 3 | Oedipus Rex: Act I. "Liberi, vos liberado" (Oedipus, Narrator) | Igor Stravinsky | 3:26 | | 58-2 | Act I | "Caedit Nos Pestis" (Chorus) | Esa-Pekka Salonen | 3:24 |
| 4 | 4 | Oedipus Rex: Act I. "Respondit deus" (Creon) | Igor Stravinsky | 3:07 | | 58-3 | "Liberi Vos Liberabo" (Oedipus, Chorus) | Esa-Pekka Salonen | 3:26 |
| 5 | 5 | Oedipus Rex: Act I. "Non reperias vetus scelus" (Oedipus) | Igor Stravinsky | 3:28 | | 58-4 | "Respondit Deus" (Creon) | Esa-Pekka Salonen | 3:07 |
| 6 | 6 | Oedipus Rex: Act I. Oedipe interroge la fontaine de vérité" (Narrator) | Igor Stravinsky | 2:21 | | 58-5 | "Non Reperias Vetus Scelus" (Oedipus, Chorus) | Esa-Pekka Salonen | 3:28 |
| 7 | 7 | Oedipus Rex: Act I. "Dicere non possum" (Tirésias, Oedipus) | Igor Stravinsky | 2:25 | | 58-6.1 | "Œdipe Interroge La Fontaine De Vérité" (Narrator) | Esa-Pekka Salonen | 2:21 |
| 8 | 8 | Oedipus Rex: Act I. "Rex peremptor regis est" / "Invidia fortunam odit" (Tirésias, Oedipus) | Igor Stravinsky | 3:11 | | 58-6.2 | "Delie Exspectamus" (Chorus) | Esa-Pekka Salonen | |
| 9 | 9 | Oedipus Rex: Act I. "Gloria!" (Narrator) | Igor Stravinsky | 1:10 | | 58-7 | "Dicere Non Possum" (Tiresias, Oedipus) | Esa-Pekka Salonen | 2:25 |
| 10 | 10 | Oedipus Rex: Act II. "La dispute des princes attire Jocaste" (Narrator) | Igor Stravinsky | 0:54 | | 58-8.1 | "Rex Peremptor Regis Est" (Tiresias) | Esa-Pekka Salonen | 3:11 |
| 11 | 11 | Oedipus Rex: Act II. "Gloria!" | Igor Stravinsky | 1:10 | | 58-8.2 | "Invidia Fortunam Odit" (Oedipus) | Esa-Pekka Salonen | |
| 12 | 12 | Oedipus Rex: Act II. "Nonn' erubescite, reges" (Jocasta) | Igor Stravinsky | 4:20 | | 58-9 | Gloria! Laudibus Regina Jocasta" (Chorus) | Esa-Pekka Salonen | 1:09 |
| 13 | 13 | Oedipus Rex: Act II. "Ne probentur oracula" (Jocasta) | Igor Stravinsky | 2:20 | | 58-10 | Act II | "La Dispute Des Princes Attire Jocaste" (Narrator) | Esa-Pekka Salonen | 0:54 |
| 14 | 14 | Oedipus Rex: Act II. "Cave oracula!" / "Trivium, trivium…" (Jocasta, Oedipus) | Igor Stravinsky | 1:27 | | 58-11 | "Gloria! Laudibus Regina Jocasta" (Chorus) | Esa-Pekka Salonen | 1:10 |
| 15 | 15 | Oedipus Rex: Act II. "Oracula mentiuntur" (Jocasta, Oedipus) | Igor Stravinsky | 2:01 | | 58-12 | "Nonn' Erubescite, Reges" (Jocasta) | Esa-Pekka Salonen | 4:20 |
| 16 | 16 | Oedipus Rex: Act II. "Le témoin du meurtre sort de l'ombre" (Narrator) | Igor Stravinsky | 0:30 | | 58-13 | "Ne Probentur Oracula" (Jocasta, Chorus) | Esa-Pekka Salonen | 3:48 |
| 17 | 17 | Oedipus Rex: Act II. "Adest omniscius pastor" (Messenger) | Igor Stravinsky | 2:24 | | 58-14.1 | "Cave Oracula!" (Jocasta) | Esa-Pekka Salonen | 1:27 |
| 18 | 18 | Oedipus Rex: Act II. "Oportebat tacere" (Shepherd) | Igor Stravinsky | 1:31 | | 58-14.2 | "Trivium, Trivium" (Chorus) | Esa-Pekka Salonen | |
| 19 | 19 | Oedipus Rex: Act II. "Nonne monstrum rescituri" (Oedipus) | Igor Stravinsky | 1:21 | | 58-14.3 | "Pavesco Subito" (Oedipus) | Esa-Pekka Salonen | |
| 20 | 20 | Oedipus Rex: Act II. "In monte reppertus est" (Shepherd, Messenger) | Igor Stravinsky | 1:00 | | 58-15.1 | Oracula Mentiuntur" (Jocasta) | Esa-Pekka Salonen | 2:01 |
| 21 | 21 | Oedipus Rex: Act II. "Natus sum quo nefastum est" (Oedipus) | Igor Stravinsky | 0:46 | | 58-15.2 | "Pavesco Maxime" (Oedipus) | Esa-Pekka Salonen | |
| 22 | 22 | Oedipus Rex: Act II. "Et maintenant, vous allez entendre" (Narrator) | Igor Stravinsky | 1:18 | | 58-16 | "Le Témoin Du Meurtre Sort De L'ombre" (Narrator) | Esa-Pekka Salonen | 0:30 |
| 23 | 23 | Oedipus Rex: Act II. "Divum Iocastae caput mortuum!" (Messenger) | Igor Stravinsky | 3:04 | | 58-17.1 | "Adest Omniscius Pastor" (Chorus) | Esa-Pekka Salonen | 2:24 |
| 24 | 24 | Oedipus Rex: Act II. "Ecce! Regem Oedipoda" | Igor Stravinsky | 2:21 | | 58-17.2 | "Mortuus Est Polybus" (Messenger, Chorus) | Esa-Pekka Salonen | |
| Media 59: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
| 1 | 1 | To the Edge of Dream | Toru Takemitsu | 12:25 | | 58-18 | "Oportebat Tacere, Nunquam Loqui" (Shepherd) | Esa-Pekka Salonen | 1:31 |
| 2 | 2 | Folios: I | Toru Takemitsu | 3:02 | | 58-19 | "Nonne Monstrum Rescituri" (Oedipus) | Esa-Pekka Salonen | 1:21 |
| 3 | 3 | Folios: II | Toru Takemitsu | 2:36 | | 58-20 | "In Monte Reppertus Est" (Shepherd, Messenger, Chorus) | Esa-Pekka Salonen | 1:00 |
| 4 | 4 | Folios: III | Toru Takemitsu | 2:41 | | 58-21 | "Natus Sum Quo Nefastum Est" (Oedipus) | Esa-Pekka Salonen | 0:46 |
| 5 | 5 | Toward the Sea: I. The Night | Toru Takemitsu | 4:13 | | 58-22 | "Et Maintenant, Vous Allez Entendre" (Narrator) | Esa-Pekka Salonen | 1:18 |
| 6 | 6 | Toward the Sea: II. Moby Dick | Toru Takemitsu | 4:39 | | 58-23.1 | "Divum Jocastae Caput Mortuum!" (Messenger) | Esa-Pekka Salonen | 3:04 |
| 7 | 7 | Toward the Sea: III. Cape Cod | Toru Takemitsu | 4:21 | | 58-23.2 | "Mulier In Vestibulo" (Chorus, Messenger) | Esa-Pekka Salonen | |
| 8 | 8 | Twelve Songs: Here, There and Everywhere | Toru Takemitsu | 3:12 | | 58-24 | "Ecce! Regem Oedipoda" (Messenger, Chorus) | Esa-Pekka Salonen | 2:21 |
| 9 | 9 | Twelve Songs: What a Friend | Toru Takemitsu | 2:26 | | 59-1 | To The Edge Of Dream - For Guitar And Orchestra | Esa-Pekka Salonen | 12:27 |
| 10 | 10 | Twelve Songs: Amours perdues | Toru Takemitsu | 2:39 | | 59-2 | I (♩ = 68-72) | Esa-Pekka Salonen | 3:02 |
| 11 | 11 | Twelve Songs for Guitar: Summertime | Toru Takemitsu | 3:35 | | 59-3 | II (𝅘𝅥𝅮 - 96-120) | Esa-Pekka Salonen | 2:36 |
| 12 | 12 | Vers, L'arc-en-ciel, Palma | Toru Takemitsu | 14:39 | | 59-4 | III (𝅘𝅥𝅮 = 120-146) | Esa-Pekka Salonen | 2:41 |
| Media 60: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
| 1 | 1 | Concerto for Trumpet and Orchestra: I. Allegro; Cadenza | Henri Tomasi | 7:25 | | 59-5 | I The Night | Esa-Pekka Salonen | 4:11 |
| 2 | 2 | Concerto for Trumpet and Orchestra: II. Nocturne; Andantino | Henri Tomasi | 4:01 | | 59-6 | II Moby Dick | Esa-Pekka Salonen | 4:39 |
| 3 | 3 | Concerto for Trumpet and Orchestra: III. Finale; Giocoso - Allegro | Henri Tomasi | 2:57 | | 59-7 | III Cape Cod | Esa-Pekka Salonen | 4:21 |
| 4 | 4 | Concertino for Trumpet, String Orchestra and Piano | André Jolivet | 9:16 | | 59-8 | Here, There And Everywhere | Esa-Pekka Salonen | 3:12 |
| 5 | 5 | Concerto no. 2 for Trumpet: I. Mesto; Concitato | André Jolivet | 4:24 | | 59-9 | What A Friend | Esa-Pekka Salonen | 2:26 |
| 6 | 6 | Concerto no. 2 for Trumpet: II. Grave | André Jolivet | 2:37 | | 59-10 | Amours Perdues | Esa-Pekka Salonen | 2:39 |
| 7 | 7 | Concerto no. 2 for Trumpet: III. Giocoso | André Jolivet | 3:47 | | 59-11 | Summertime | Esa-Pekka Salonen | 3:35 |
| Media 61: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
| 1 | 1 | "Midsommarvaka" (Swedish Rhapsody no. 1, op. 19) | Hugo Alfvén | 13:08 | | 59-12 | Vers, L'Arc-en-ciel, Palma - For Guitar, Oboe D'amore And Orchestra | Esa-Pekka Salonen | 14:37 |
| 2 | 2 | "Valse Triste", op. 44,1 | Jean Sibelius | 4:26 | | 60-1 | I Allegro - Cadenza | Esa-Pekka Salonen | 7:25 |
| 3 | 3 | "Sigurd Jorsalfar", op. 56 (Three Orchestral Pieces): 1. Prelude (In The King's Hall) | Edvard Grieg | 3:31 | | 60-2 | Il Nocturne. Andantino | Esa-Pekka Salonen | 4:01 |
| 4 | 4 | "Sigurd Jorsalfar", op. 56 (Three Orchestral Pieces): 2. Intermezzo (Borghild's Dream) | Edvard Grieg | 3:38 | | 60-3 | III Finale. Giocoso | Esa-Pekka Salonen | 2:57 |
| 5 | 5 | "Sigurd Jorsalfar", op. 56 (Three Orchestral Pieces): 3. Hyldings Marsch (Ceremonial March) | Edvard Grieg | 8:47 | | 60-4 | Concertino For Trumpet, String Orchestra And Piano | Esa-Pekka Salonen | 9:16 |
| 6 | 6 | "Vallflickans dans" (from the Ballet-Pantomime "Bergakungen") | Hugo Alfvén | 3:55 | | 60-5 | I Mesto - Concitato | Esa-Pekka Salonen | 4:24 |
| 7 | 7 | "Geysir" (Orchestral Prelude), op. 51 | Jón Leifs | 7:18 | | 60-6 | Il Grave | Esa-Pekka Salonen | 2:37 |
| 8 | 8 | "Maskerade": Overture | Carl Nielsen | 4:42 | | 60-7 | III Giocoso | Esa-Pekka Salonen | 3:47 |
| 9 | 9 | "Maskerade": Dance of the Cockerels | Carl Nielsen | 5:09 | | 61-1 | Swedish Rhapsody No. 1 "Midsommarvaka" Op. 19 = "Midsummer Vigil" = » Johannisnacht-Wache« = « Nuit De La Saint-Jean » | Esa-Pekka Salonen | 13:08 |
| 10 | 10 | "Berceuse" | Armas Järnefelt | 3:06 | | 61-2 | Valse Triste Op. 44/1 - From Kuolema | Esa-Pekka Salonen | 4:26 |
| 11 | 11 | "Finlandia" (Tone Poem), op. 26 | Jean Sibelius | 7:32 | | 61-3 | No. 1: Prelude (I Bergakungens Sa = In The King's Hall = In Der Königshalle = Dans Le Hall Du Roi) | Esa-Pekka Salonen | 3:31 |