| Media 1: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Symphony no. 6 in E-flat minor, op. 111: I. Allegro moderato | Sergey Prokofiev | 14:27 | 135.7458 |
| 2 | 2 | Symphony no. 6 in E-flat minor, op. 111: II. Largo | Sergey Prokofiev | 15:26 | 143.1993 |
| 3 | 3 | Symphony no. 6 in E-flat minor, op. 111: III. Vivace | Sergey Prokofiev | 11:52 | 150.8335 |
| 4 | 4 | Waltz Suite, op. 110: II. In the Palace from "Cinderella" | Sergey Prokofiev | 5:35 | 152.9117 |
| 5 | 5 | Waltz Suite, op. 110: V. New Year's Eve Ball from "War and Peace" | Sergey Prokofiev | 5:54 | 172.266 |
| 6 | 6 | Waltz Suite, op. 110: VI. Happiness from "Cinderella" | Sergey Prokofiev | 3:19 | 92.1753 |
| Media 2: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Jeu de cartes: Première donne. Introduction. Alla breve | Igor Stravinsky | 0:40 | 165.2464 |
| 2 | 2 | Jeu de cartes: Première donne. Pas d'action. Meno mosso | Igor Stravinsky | 0:49 | 120.8308 |
| 3 | 3 | Jeu de cartes: Première donne. Dance Variation. Moderato assai | Igor Stravinsky | 1:37 | 112.5004 |
| 4 | 4 | Jeu de cartes: Première donne. Dance of the Joker. Stringendo | Igor Stravinsky | 1:06 | 115.4272 |
| 5 | 5 | Jeu de cartes: Première donne. Waltz-Coda. Tranquillo | Igor Stravinsky | 1:12 | 91.3529 |
| 6 | 6 | Jeu de cartes: Deuxième donne. Introduction. Alla breve | Igor Stravinsky | 0:19 | 163.525 |
| 7 | 7 | Jeu de cartes: Deuxième donne. March. Marcia | Igor Stravinsky | 1:45 | 124.146 |
| 8 | 8 | Jeu de cartes: Deuxième donne. Variations I-IV. Allegretto | Igor Stravinsky | 2:41 | 119.5913 |
| 9 | 9 | Jeu de cartes: Deuxième donne. Variation V. Pas de quatre. Sostenuto e pesante | Igor Stravinsky | 0:38 | 164.1039 |
| 10 | 10 | Jeu de cartes: Deuxième donne. Coda. Più mosso | Igor Stravinsky | 0:46 | 99.0519 |
| 11 | 11 | Jeu de cartes: Deuxième donne. Reprise of March. Marcia | Igor Stravinsky | 0:30 | 120.3046 |
| 12 | 12 | Jeu de cartes: Deuxième donne. Ensemble. Con moto | Igor Stravinsky | 2:38 | 98.3638 |
| 13 | 13 | Jeu de cartes: Troisième donne. Introduction. Alla breve | Igor Stravinsky | 0:25 | 184.5703 |
| 14 | 14 | Jeu de cartes: Troisième donne. Waltz | Igor Stravinsky | 2:19 | 96.7717 |
| 15 | 15 | Jeu de cartes: Troisième donne. Battle between Spades and Hearts. Presto | Igor Stravinsky | 1:43 | 96.9096 |
| 16 | 16 | Jeu de cartes: Troisième donne. Final Dance - Coda. Tempo del principio | Igor Stravinsky | 2:54 | 143.083 |
| 17 | 17 | Orpheus: Scene 1. Orpheus weeps for Eurydice. Lento sostenuto | Igor Stravinsky | 2:21 | 128.8152 |
| 18 | 18 | Orpheus: Scene 1. Air de danse. Andante con moto | Igor Stravinsky | 3:00 | 117.0179 |
| 19 | 19 | Orpheus: Scene 1. Dance of the Angel of Death. L'istesso tempo | Igor Stravinsky | 2:16 | 110.1199 |
| 20 | 20 | Orpheus: Scene 1. Interlude | Igor Stravinsky | 2:04 | 111.9231 |
| 21 | 21 | Orpheus: Scene 2. Pas des Furies. Agitato in piano - Sempre alla breve ma meno mosso | Igor Stravinsky | 2:48 | 132.0338 |
| 22 | 22 | Orpheus: Scene 2. Air de danse. Grave - Un poco meno mosso | Igor Stravinsky | 2:35 | 102.8375 |
| 23 | 23 | Orpheus: Scene 2. Interlude. L'istesso tempo | Igor Stravinsky | 0:20 | 123.4246 |
| 24 | 24 | Orpheus: Scene 2. Air de danse (Conclusion). L'istesso tempo | Igor Stravinsky | 0:45 | 100.7924 |
| 25 | 25 | Orpheus: Scene 2. Pas d'action. Andantino leggiadro | Igor Stravinsky | 1:57 | 146.1855 |
| 26 | 26 | Orpheus: Scene 2. Pas de deux. Andante sostenuto | Igor Stravinsky | 6:15 | 184.57 |
| 27 | 27 | Orpheus: Scene 2. Interlude. Moderato assai | Igor Stravinsky | 1:01 | 162.9199 |
| 28 | 28 | Orpheus: Scene 2. Pas d'action. Vivace | Igor Stravinsky | 2:22 | 147.751 |
| 29 | 29 | Orpheus: Scene 3. Orpheus's apotheosis. Lento sostenuto | Igor Stravinsky | 2:49 | 110.1677 |
| 30 | 30 | Suite from Histoire du soldat: I. The Soldier's March | Igor Stravinsky | 1:35 | 125.6076 |
| 31 | 31 | Suite from Histoire du soldat: II. Music from Scene 1 | Igor Stravinsky | 2:30 | 102.9015 |
| 32 | 32 | Suite from Histoire du soldat: III. Music from Scene 2 | Igor Stravinsky | 3:05 | 109.3825 |
| 33 | 33 | Suite from Histoire du soldat: IV. The Royal March | Igor Stravinsky | 2:35 | 122.4102 |
| 34 | 34 | Suite from Histoire du soldat: V. The Little Concert | Igor Stravinsky | 2:53 | 125.3749 |
| 35 | 35 | Suite from Histoire du soldat: VI. Three Dances: 1. Tango | Igor Stravinsky | 2:18 | 135.7396 |
| 36 | 36 | Suite from Histoire du soldat: VI. Three Dances: 2. Valse | Igor Stravinsky | 1:50 | 184.5706 |
| 37 | 37 | Suite from Histoire du soldat: VI. Three Dances: 3. Ragtime | Igor Stravinsky | 2:07 | 172.2656 |
| 38 | 38 | Suite from Histoire du soldat: VII. The Devil's Dance | Igor Stravinsky | 1:18 | 151.3082 |
| 39 | 39 | Suite from Histoire du soldat: VIII. Great Chorale | Igor Stravinsky | 3:14 | 106.1676 |
| 40 | 40 | Suite from Histoire du soldat: IX. Triumphal March of the Devil | Igor Stravinsky | 2:10 | 128.1515 |
| Media 3: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Symphony no. 9 in E minor, op. 95 "From the New World": I. Adagio - Allegro molto | Antonín Dvořák | 12:31 | 120.1739 |
| 2 | 2 | Symphony no. 9 in E minor, op. 95 "From the New World": II. Largo - Un poco più mosso - Largo | Antonín Dvořák | 13:09 | 136.4844 |
| 3 | 3 | Symphony no. 9 in E minor, op. 95 "From the New World": III. Scherzo: Molto vivace | Antonín Dvořák | 7:56 | 117.6936 |
| 4 | 4 | Symphony no. 9 in E minor, op. 95 "From the New World": IV. Allegro con fuoco | Antonín Dvořák | 11:15 | 136.5829 |
| 5 | 5 | My Home Overture, op. 62 | Antonín Dvořák | 9:25 | 154.5279 |
| Media 4: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Eine Alpensinfonie, op. 64: Nacht | Richard Strauss | 3:23 | |
| 2 | 2 | Eine Alpensinfonie, op. 64: Sonnenaufgang | Richard Strauss | 1:16 | |
| 3 | 3 | Eine Alpensinfonie, op. 64: Der Anstieg | Richard Strauss | 2:14 | |
| 4 | 4 | Eine Alpensinfonie, op. 64: Eintritt in den Wald | Richard Strauss | 5:24 | |
| 5 | 5 | Eine Alpensinfonie, op. 64: Am Wasserfall | Richard Strauss | 0:16 | |
| 6 | 6 | Eine Alpensinfonie, op. 64: Erscheinung | Richard Strauss | 0:54 | |
| 7 | 7 | Eine Alpensinfonie, op. 64: Auf blumige Wiesen | Richard Strauss | 0:52 | |
| 8 | 8 | Eine Alpensinfonie, op. 64: Auf der Alm | Richard Strauss | 2:03 | |
| 9 | 9 | Eine Alpensinfonie, op. 64: Durch Dickicht und Gestrüpp auf Irrwegen | Richard Strauss | 1:28 | |
| 10 | 10 | Eine Alpensinfonie, op. 64: Auf dem Gletscher | Richard Strauss | 0:56 | |
| 11 | 11 | Eine Alpensinfonie, op. 64: Gefahrvolle Augenblicke | Richard Strauss | 1:28 | |
| 12 | 12 | Eine Alpensinfonie, op. 64: Auf dem Gipfel | Richard Strauss | 4:37 | |
| 13 | 13 | Eine Alpensinfonie, op. 64: Vision | Richard Strauss | 3:11 | |
| 14 | 14 | Eine Alpensinfonie, op. 64: Nebel steigen auf | Richard Strauss | 0:17 | |
| 15 | 15 | Eine Alpensinfonie, op. 64: Die Sonne verdüstert sich allmählichm | Richard Strauss | 0:49 | |
| 16 | 16 | Eine Alpensinfonie, op. 64: Elegie | Richard Strauss | 1:58 | |
| 17 | 17 | Eine Alpensinfonie, op. 64: Stille vor der Sturm | Richard Strauss | 3:04 | |
| 18 | 18 | Eine Alpensinfonie, op. 64: Gewitter und Sturm, Abstieg | Richard Strauss | 3:55 | |
| 19 | 19 | Eine Alpensinfonie, op. 64: Sonnenuntergang | Richard Strauss | 2:30 | |
| 20 | 20 | Eine Alpensinfonie, op. 64: Ausklang | Richard Strauss | 6:18 | |
| 21 | 21 | Eine Alpensinfonie, op. 64: Nacht | Richard Strauss | 2:31 | |
| 22 | 22 | Freundliche Vision, op. 48 no. 1 | Richard Strauss | 2:43 | |
| 23 | 23 | Meinem Kinde, op. 37 no. 3 | Richard Strauss | 2:19 | |
| 24 | 24 | Das Bächlein, op. 88 no. 1 | Richard Strauss | 1:53 | |
| 25 | 25 | Morgen!, op. 27 no. 4 | Richard Strauss | 4:00 | |
| Media 5: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Symphony no. 3 in A minor, op. 44: I. Lento - Allegro moderato | Sergey Rachmaninov | 16:03 | |
| 2 | 2 | Symphony no. 3 in A minor, op. 44: II. Adagio ma non troppo - Allegro vivace - Tempo come prima | Sergey Rachmaninov | 14:11 | |
| 3 | 3 | Symphony no. 3 in A minor, op. 44: III. Allegro | Sergey Rachmaninov | 12:35 | |
| 4 | 4 | Symphonic Dances, op. 45: I. Non allegro | Sergey Rachmaninov | 11:30 | 111.6716 |
| 5 | 5 | Symphonic Dances, op. 45: II. Andante con moto (Tempo di valse) | Sergey Rachmaninov | 10:58 | 152.4854 |
| 6 | 6 | Symphonic Dances, op. 45: III. Lento assai - Allegro vivace - Lento assai. Come prima - Allegro vivace | Sergey Rachmaninov | 13:54 | 102.3143 |
| Media 6: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Symphony No. 10 in E minor, Op. 93: I. Moderato | Dmitri Shostakovich | 23:04 | 117.3676 |
| 2 | 2 | Symphony no. 10 in E minor, op. 93: II. Allegro | Dmitri Shostakovich | 4:08 | 178.206 |
| 3 | 3 | Symphony no. 10 in E minor, op. 93: III. Allegretto | Dmitri Shostakovich | 13:20 | 123.1863 |
| 4 | 4 | Symphony no. 10 in E minor, op. 93: IV. Andante - Allegro | Dmitri Shostakovich | 12:39 | 163.1454 |
| 5 | 5 | Ballet Suite no. 4 for Orchestra: I. Introduction (Variation) | Dmitri Shostakovich | 5:56 | 126.2528 |
| 6 | 6 | Ballet Suite no. 4 for Orchestra: II. Waltz | Dmitri Shostakovich | 3:26 | 184.5704 |
| 7 | 7 | Ballet Suite no. 4 for Orchestra: III. Scherzo | Dmitri Shostakovich | 3:29 | 154.9947 |
| Media 7: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Hungarian Dances: No. 1 in G minor | Johannes Brahms | 3:08 | |
| 2 | 2 | Hungarian Dances: No. 2 in D minor | Johannes Brahms | 3:13 | |
| 3 | 3 | Hungarian Dances: No. 3 in F major | Johannes Brahms | 2:22 | |
| 4 | 4 | Hungarian Dances: No. 4 in F sharp minor | Johannes Brahms | 5:18 | |
| 5 | 5 | Hungarian Dances: No. 5 in G minor | Johannes Brahms | 2:53 | |
| 6 | 6 | Hungarian Dances: No. 6 in D major | Johannes Brahms | 4:14 | |
| 7 | 7 | Hungarian Dances: No. 7 in F major | Johannes Brahms | 2:10 | |
| 8 | 8 | Hungarian Dances: No. 8 in A minor | Johannes Brahms | 2:54 | |
| 9 | 9 | Hungarian Dances: No. 9 in E minor | Johannes Brahms | 2:13 | |
| 10 | 10 | Hungarian Dances: No. 10 in F major | Johannes Brahms | 1:53 | |
| 11 | 11 | Hungarian Dances: No. 11 in D minor | Johannes Brahms | 2:51 | |
| 12 | 12 | Hungarian Dances: No. 12 in D minor | Johannes Brahms | 2:47 | |
| 13 | 13 | Hungarian Dances: No. 13 in D major | Johannes Brahms | 1:32 | |
| 14 | 14 | Hungarian Dances: No. 14 in D minor | Johannes Brahms | 1:37 | |
| 15 | 15 | Hungarian Dances: No. 15 in B flat major | Johannes Brahms | 3:07 | |
| 16 | 16 | Hungarian Dances: No. 16 in F minor | Johannes Brahms | 2:23 | |
| 17 | 17 | Hungarian Dances: No. 17 in F sharp minor | Johannes Brahms | 3:30 | |
| 18 | 18 | Hungarian Dances: No. 18 in D major | Johannes Brahms | 1:39 | |
| 19 | 19 | Hungarian Dances: No. 19 in B minor | Johannes Brahms | 2:21 | |
| 20 | 20 | Hungarian Dances: No. 20 in E minor | Johannes Brahms | 3:02 | |
| 21 | 21 | Hungarian Dances: No. 21 in E minor | Johannes Brahms | 1:32 | |
| Media 8: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Peter Schmoll, Overture, J 8 (op. 8) | Carl Maria von Weber | 9:37 | |
| 2 | 2 | Turandot, Overture and March, J 75: Overture | Carl Maria von Weber | 3:46 | |
| 3 | 3 | Turandot, Overture and March, J 75: March | Carl Maria von Weber | 2:15 | |
| 4 | 4 | Silvana, Overture, J 87 | Carl Maria von Weber | 5:30 | |
| 5 | 5 | Abu Hassan, Overture, J 106 | Carl Maria von Weber | 3:32 | |
| 6 | 6 | Der Beherrscher der Geister Concert Overture, J 122 | Carl Maria von Weber | 6:17 | |
| 7 | 7 | Jubel-Ouvertüre, J 245 (op. 59) | Carl Maria von Weber | 7:41 | |
| 8 | 8 | Der Freischütz, Overture, J 277 (op. 77) | Carl Maria von Weber | 9:31 | |
| 9 | 9 | Preciosa, Overture, J 279 (op. 78) | Carl Maria von Weber | 7:43 | |
| 10 | 10 | Euryanthe, Overture, J 291 (op. 81) | Carl Maria von Weber | 9:01 | |
| 11 | 11 | Oberon, Overture, J 306 | Carl Maria von Weber | 9:21 | |
| Media 9: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Dances of Galánta | Zoltán Kodály | 16:40 | |
| 2 | 2 | Háry János Suite: I. Prelude: The Fairy-Tale Begins | Zoltán Kodály | 3:12 | |
| 3 | 3 | Háry János Suite: II. Viennese Musical Clock | Zoltán Kodály | 2:18 | |
| 4 | 4 | Háry János Suite: III. Song | Zoltán Kodály | 6:19 | |
| 5 | 5 | Háry János Suite: IV. The Battle and Defeat of Napoleon | Zoltán Kodály | 4:36 | |
| 6 | 6 | Háry János Suite: V. Intermezzo | Zoltán Kodály | 5:01 | |
| 7 | 7 | Háry János Suite: VI. Entrance of the Emperor and His Court | Zoltán Kodály | 3:15 | |
| 8 | 8 | Variations on a Hungarian Folksong (The Peacock): Moderato | Zoltán Kodály | 3:10 | |
| 9 | 9 | Variations on a Hungarian Folksong (The Peacock): I. Con brio | Zoltán Kodály | 0:21 | |
| 10 | 10 | Variations on a Hungarian Folksong (The Peacock): II. | Zoltán Kodály | 0:21 | |
| 11 | 11 | Variations on a Hungarian Folksong (The Peacock): III. Più mosso | Zoltán Kodály | 0:17 | |
| 12 | 12 | Variations on a Hungarian Folksong (The Peacock): IV. Poco calmato | Zoltán Kodály | 0:22 | |
| 13 | 13 | Variations on a Hungarian Folksong (The Peacock): V. Appassionato | Zoltán Kodály | 0:48 | |
| 14 | 14 | Variations on a Hungarian Folksong (The Peacock): VI. Calmato | Zoltán Kodály | 0:44 | |
| 15 | 15 | Variations on a Hungarian Folksong (The Peacock): VII. Vivo | Zoltán Kodály | 0:22 | |
| 16 | 16 | Variations on a Hungarian Folksong (The Peacock): VIII. Più vivo | Zoltán Kodály | 0:38 | |
| 17 | 17 | Variations on a Hungarian Folksong (The Peacock): IX. | Zoltán Kodály | 1:14 | |
| 18 | 18 | Variations on a Hungarian Folksong (The Peacock): X. Molto vivo | Zoltán Kodály | 0:44 | |
| 19 | 19 | Variations on a Hungarian Folksong (The Peacock): XI. Andante espressivo | Zoltán Kodály | 2:36 | |
| 20 | 20 | Variations on a Hungarian Folksong (The Peacock): XII. Adagio | Zoltán Kodály | 3:37 | |
| 21 | 21 | Variations on a Hungarian Folksong (The Peacock): XIII. Tempo di Marcia funebre | Zoltán Kodály | 1:43 | |
| 22 | 22 | Variations on a Hungarian Folksong (The Peacock): XIV. Andante, poco rubato | Zoltán Kodály | 2:25 | |
| 23 | 23 | Variations on a Hungarian Folksong (The Peacock): XV. Allegro giocoso | Zoltán Kodály | 0:36 | |
| 24 | 24 | Variations on a Hungarian Folksong (The Peacock): XVI. Maestoso | Zoltán Kodály | 1:10 | |
| 25 | 25 | Variations on a Hungarian Folksong (The Peacock): Finale: Vivace | Zoltán Kodály | 4:03 | |
| Media 10: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Symphony no. 1, op. 9 | Samuel Barber | 21:42 | 147.1559 |
| 2 | 2 | Symphony no. 2, op. 19: I. Allegro ma non troppo | Samuel Barber | 12:18 | |
| 3 | 3 | Symphony no. 2, op. 19: II. Andante, un poco mosso | Samuel Barber | 7:39 | |
| 4 | 4 | Symphony no. 2, op. 19: III. Presto, senza battuta | Samuel Barber | 8:55 | |
| 5 | 5 | Overture: The School for Scandal, op. 5 | Samuel Barber | 8:55 | 131.8483 |
| 6 | 6 | Adagio for Strings, op. 11 | Samuel Barber | 8:43 | |
| Media 11: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | The Snow Maiden, op. 12: 1. Introduction | Peter Ilyich Tchaikovsky | 4:44 | 91.2808 |
| 2 | 2 | The Snow Maiden, op. 12: 2. Tanets i Khor Ptits | Peter Ilyich Tchaikovsky | 6:29 | 164.0373 |
| 3 | 3 | The Snow Maiden, op. 12: 3. Monolog Moroza | Peter Ilyich Tchaikovsky | 3:48 | 117.5389 |
| 4 | 4 | The Snow Maiden, op. 12: 4. Provody Maslenitsy | Peter Ilyich Tchaikovsky | 6:36 | 122.7264 |
| 5 | 5 | The Snow Maiden, op. 12: 5a. Melodrama | Peter Ilyich Tchaikovsky | 2:01 | 120.0909 |
| 6 | 6 | The Snow Maiden, op. 12: 5b. Entr'acte | Peter Ilyich Tchaikovsky | 1:12 | 99.1079 |
| 7 | 7 | The Snow Maiden, op. 12: 6. Pervala Pesnia Lelia | Peter Ilyich Tchaikovsky | 3:12 | 117.9123 |
| 8 | 8 | The Snow Maiden, op. 12: 7. Vtoraia Pesnia Lelia | Peter Ilyich Tchaikovsky | 1:27 | 163.2356 |
| 9 | 9 | The Snow Maiden, op. 12: 8. Entr'acte | Peter Ilyich Tchaikovsky | 2:40 | 152.9062 |
| 10 | 10 | The Snow Maiden, op. 12: 9. Khor Slepykh Gusliarov | Peter Ilyich Tchaikovsky | 4:10 | 139.1308 |
| 11 | 11 | The Snow Maiden, op. 12: 10. Melodrama | Peter Ilyich Tchaikovsky | 4:04 | 109.8189 |
| 12 | 12 | The Snow Maiden, op. 12: 11. Khor Naroda i Tsaredvortsev | Peter Ilyich Tchaikovsky | 1:56 | 110.4602 |
| 13 | 13 | The Snow Maiden, op. 12: 12. Khorovod Devushek | Peter Ilyich Tchaikovsky | 5:06 | 113.5344 |
| 14 | 14 | The Snow Maiden, op. 12: 13. Jester's Dance | Peter Ilyich Tchaikovsky | 4:24 | 184.5706 |
| 15 | 15 | The Snow Maiden, op. 12: 14a. Tret'la Pesnia Lelia | Peter Ilyich Tchaikovsky | 5:45 | 125.7001 |
| 16 | 16 | The Snow Maiden, op. 12: 14b. Tret'la Pesnia Lelia | Peter Ilyich Tchaikovsky | 4:55 | 96.11 |
| 17 | 17 | The Snow Maiden, op. 12: 15. Pesnia Brusily | Peter Ilyich Tchaikovsky | 2:04 | 136.3726 |
| 18 | 18 | The Snow Maiden, op. 12: 16. Appearance of the Wood Bird | Peter Ilyich Tchaikovsky | 0:51 | 155.0927 |
| 19 | 19 | The Snow Maiden, op. 12: 17a. Entr'acte | Peter Ilyich Tchaikovsky | 1:40 | 134.675 |
| 20 | 20 | The Snow Maiden, op. 12: 17b. Deklamatsia Vensy | Peter Ilyich Tchaikovsky | 4:30 | 148.6326 |
| 21 | 21 | The Snow Maiden, op. 12: 18. Marsh Tsaria Berendeia i Khor | Peter Ilyich Tchaikovsky | 5:42 | 151.3963 |
| 22 | 22 | The Snow Maiden, op. 12: 19. Final | Peter Ilyich Tchaikovsky | 1:47 | 155.5461 |
| Media 12: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Má vlast: Vyšehrad | Bedřich Smetana | 14:23 | |
| 2 | 2 | Má vlast: Vltava | Bedřich Smetana | 11:30 | |
| 3 | 3 | Má vlast: Šárka | Bedřich Smetana | 9:35 | |
| 4 | 4 | Má vlast: Z českých luhů a hájů | Bedřich Smetana | 12:28 | |
| 5 | 5 | Má vlast: Tábor | Bedřich Smetana | 11:22 | |
| 6 | 6 | Má vlast: Blaník | Bedřich Smetana | 13:04 | |
| Media 13: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | The Ring, an Orchestral Adventure: I. Vorspiel. Ruhig heitere Bewegung - | Richard Wagner | 3:57 | 143.6572 |
| 2 | 2 | The Ring, an Orchestral Adventure: II. Das Rheingold. [ ] - Beschleunigend - | Richard Wagner | 1:59 | 80.0249 |
| 3 | 3 | The Ring, an Orchestral Adventure: III. Nibelheim. Sehr schnell - | Richard Wagner | 2:32 | 108.4331 |
| 4 | 4 | The Ring, an Orchestral Adventure: IV. Walhall. Mäßig bewegt - Lebhaft - | Richard Wagner | 3:25 | 129.0812 |
| 5 | 5 | The Ring, an Orchestral Adventure: V. Die Walküren. [ ] - | Richard Wagner | 3:51 | 96.8955 |
| 6 | 6 | The Ring, an Orchestral Adventure: VI. Feuerzauber. [ ] - | Richard Wagner | 3:29 | 143.3319 |
| 7 | 7 | The Ring, an Orchestral Adventure: VII. Waldweben. [ ] - | Richard Wagner | 2:10 | 139.3239 |
| 8 | 8 | The Ring, an Orchestral Adventure: VIII. Siegfrieds Heldentat. Mäßig bewegt - Mäßig - Lebhaft - Langsam - Noch langsamer - Sehr mäßig - Etwas bewegter - In das mäßigere Zeitmaaß zurückkehrend - | Richard Wagner | 6:16 | 132.2901 |
| 9 | 9 | The Ring, an Orchestral Adventure: IX. Brünnhildes Erwachen. [ ] - Sehr mäßig - Immer langsamer - Sehr langsam - | Richard Wagner | 4:59 | 135.6495 |
| 10 | 10 | The Ring, an Orchestral Adventure: X.Siegfried und Brünnhilde. Sehr ruhig - Ziemlich rasch - Sehr aufgeregt - | Richard Wagner | 4:19 | 117.8374 |
| 11 | 11 | The Ring, an Orchestral Adventure: XI. Siegfrieds Rheinfahrt. Schnell - Rasch - Sehr zurückhaltend im Zeitmaaß - | Richard Wagner | 5:36 | 97.931 |
| 12 | 12 | The Ring, an Orchestral Adventure: XII. Siegfrieds Tod. Sehr mäßig - Allmählich belebter - Wild - Mäßig langsam - Sehr langsam - | Richard Wagner | 4:47 | 129.0779 |
| 13 | 13 | The Ring, an Orchestral Adventure: XIII. Trauermusik. Feierlich - Sehr ruhig - | Richard Wagner | 5:09 | 129.4316 |
| 14 | 14 | The Ring, an Orchestral Adventure: XIV. Brünnhildes Opfertat. Lebhaft - Noch etwas lebhafter - Noch etwas gedrängter - Schneller - Wieder das vorangehende Zeitmaaß, nur etwas gedrängter - Allmählich im Zeitmaaß zurückhaltend - Etwas zurückhaltend - Im Zeitmaaß | Richard Wagner | 7:47 | 143.4533 |
| 15 | 15 | Siegfried Idyll: Ruhig bewegt - | Richard Wagner | 6:11 | 146.4559 |
| 16 | 16 | Siegfried Idyll: Leicht bewegt - | Richard Wagner | 2:40 | 132.5135 |
| 17 | 17 | Siegfried Idyll: Lebhaft - Rallentando | Richard Wagner | 6:16 | 125.677 |
| Media 14: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Bojarernes Indtogsmarsch | Johan Halvorsen | 4:37 | 117.1268 |
| 2 | 2 | Andante religioso | Johan Halvorsen | 6:04 | 155.023 |
| 3 | 3 | Suite from "Mascarade": I. Holberg-Ouverture | Johan Halvorsen | 5:35 | 115.1973 |
| 4 | 4 | Suite from "Mascarade": II. Cotillon | Johan Halvorsen | 2:21 | 101.395 |
| 5 | 5 | Suite from "Mascarade": III. Menuetto | Johan Halvorsen | 4:15 | 164.2132 |
| 6 | 6 | Suite from "Mascarade": IV. Hanedansen | Johan Halvorsen | 3:42 | 164.881 |
| 7 | 7 | Suite from "Mascarade": V. Gavotte - Musette | Johan Halvorsen | 2:42 | 137.0794 |
| 8 | 8 | Suite from "Mascarade": VI. Molinasque | Johan Halvorsen | 2:35 | 172.2658 |
| 9 | 9 | Suite from "Mascarade": VII. Kehraus | Johan Halvorsen | 1:03 | 165.6184 |
| 10 | 10 | Suite from "Mascarade": VIIIa. Arietta | Johan Halvorsen | 3:38 | 139.5371 |
| 11 | 11 | Suite from "Mascarade": VIIIb. Passepied | Johan Halvorsen | 2:14 | 102.0472 |
| 12 | 12 | La Mélancolie | Johan Halvorsen | 2:36 | 101.9531 |
| 13 | 13 | Symphony no. 1 in C minor: I. Allegro non troppo | Johan Halvorsen | 11:55 | 111.6838 |
| 14 | 14 | Symphony no. 1 in C minor: II. Andante | Johan Halvorsen | 8:23 | 139.8322 |
| 15 | 15 | Symphony no. 1 in C minor: III. Scherzo | Johan Halvorsen | 6:42 | 148.1954 |
| 16 | 16 | Symphony no. 1 in C minor: IV. Finale | Johan Halvorsen | 8:26 | 117.1002 |
| Media 15: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Samson et Dalila, op. 47, Act III: Bacchanale | Camille Saint-Saëns | 6:51 | |
| 2 | 2 | Le rouet d'Omphale, op. 31 | Camille Saint-Saëns | 8:01 | |
| 3 | 3 | Phaëton, op. 39 | Camille Saint-Saëns | 8:29 | |
| 4 | 4 | Danse macabre, op. 40 | Camille Saint-Saëns | 6:43 | |
| 5 | 5 | La jeunesse d'Hercule, op. 50 | Camille Saint-Saëns | 14:05 | |
| 6 | 6 | Suite algérienne, op. 60: IV. Marche militaire française | Camille Saint-Saëns | 4:17 | |
| 7 | 7 | La princesse jaune (The Yellow Princess), op. 30: Overture | Camille Saint-Saëns | 6:00 | |
| 8 | 8 | Une nuit à Lisbonne, op. 63 | Camille Saint-Saëns | 3:43 | |
| 9 | 9 | Spartacus | Camille Saint-Saëns | 13:04 | |
| 10 | 10 | Marche du couronnement, op. 117 | Camille Saint-Saëns | 6:23 | |
| Media 16: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Overture to "Leichte Kavallerie" | Franz von Suppé | 6:33 | |
| 2 | 2 | Overture to "Boccaccio" | Franz von Suppé | 6:51 | |
| 3 | 3 | Boccaccio-Marsch | Franz von Suppé | 2:36 | |
| 4 | 4 | Overture to "Pique Dame" | Franz von Suppé | 6:45 | |
| 5 | 5 | Humoristische Variationen | Franz von Suppé | 5:46 | |
| 6 | 6 | Overture to "Dichter und Bauer" | Franz von Suppé | 9:26 | |
| 7 | 7 | Marziale nach Motiven aus der Operette "Fatinitza" | Franz von Suppé | 4:24 | |
| 8 | 8 | Overture to "Das Modell" | Franz von Suppé | 6:35 | |
| 9 | 9 | Über Berg, über Thal | Franz von Suppé | 2:35 | |
| 10 | 10 | Overture to "Isabella" | Franz von Suppé | 7:28 | |
| 11 | 11 | Overture to "Die schöne Galathée" | Franz von Suppé | 6:51 | |
| 12 | 12 | Juanita-Marsch | Franz von Suppé | 4:39 | |
| 13 | 13 | Overture to "Ein Morgen, ein Mittag und ein Abend in Wien" | Franz von Suppé | 8:08 | |
| Media 17: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Te Deum (1911): 'We praise thee, O God'. Allegro - | Hubert Parry | 2:12 | |
| 2 | 2 | Te Deum (1911): 'Holy, Holy, Holy: Lord God of Sabaoth'. Slow - Poco animato - Allegro spiritoso - | Hubert Parry | 1:50 | |
| 3 | 3 | Te Deum (1911): 'The glorious company of the Apostles: praise thee'. Allegro - | Hubert Parry | 2:42 | |
| 4 | 4 | Te Deum (1911): 'When thou tookest upon thee to deliver man'. Lento - 'We believe that thou shalt come: to be our Judge'. Andante - | Hubert Parry | 5:17 | |
| 5 | 5 | Te Deum (1911): 'Vouchsafe, O Lord: to keep us this day without sin'. Lento - 'O Lord, let thy mercy lighten upon us'. Lento | Hubert Parry | 5:14 | |
| 6 | 6 | England | Hubert Parry | 3:38 | |
| 7 | 7 | The Birds of Aristophanes Suite: I. Introduction. Allegro - Poco meno mosso - Poco a poco meno mosso | Hubert Parry | 2:48 | |
| 8 | 8 | The Birds of Aristophanes Suite: II. Entry of the Birds. Allegretto - Accelerando - Con fuoco | Hubert Parry | 2:30 | |
| 9 | 9 | The Birds of Aristophanes Suite: III. Entr'acte. Lento sostenuto | Hubert Parry | 3:27 | |
| 10 | 10 | The Birds of Aristophanes Suite: IV. Waltz. Moderato - Accelerando poco a poco - Più mosso | Hubert Parry | 2:34 | |
| 11 | 11 | The Birds of Aristophanes Suite: V. Intermezzo. Andantino sostenuto | Hubert Parry | 3:21 | |
| 12 | 12 | The Birds of Aristophanes Suite: VI. Bridal March of the Birds. Allegro moderato - Più moto - Tempo I - Allargando - Più mosso - Animando - Allargando - Animato | Hubert Parry | 4:52 | |
| 13 | 13 | Jerusalem (Original Version) | Hubert Parry | 2:42 | |
| 14 | 14 | The Glories of Our Blood and State: 'The glories of our blood and state'. Maestoso - 'And in the dust be equal made'. Tranquillo - | Hubert Parry | 2:36 | |
| 15 | 15 | The Glories of Our Blood and State: 'Some men with swords may reap the field'. Allegro molto - | Hubert Parry | 1:41 | |
| 16 | 16 | The Glories of Our Blood and State: ' The garlands wither on your brow'. Maestoso come prima - 'Your heads must come'. Molto piu lento - 'Only the actions of the just'. Piu mosso, tranquillo - Meno mosso | Hubert Parry | 4:09 | |
| 17 | 17 | Magnificat (1897): I. Magnificat anima mea Dominum. Allegro molto - Animato - Poco allargando - Allargando | Hubert Parry | 6:16 | |
| 18 | 18 | Magnificat (1897): II. Quia respecit humilitatem. Moderato | Hubert Parry | 4:16 | |
| 19 | 19 | Magnificat (1897): III. Et misericordia. Andantino espressivo | Hubert Parry | 4:45 | |
| 20 | 20 | Magnificat (1897): IV. Fecit potentiam. Allegro - Allargando | Hubert Parry | 2:19 | |
| 21 | 21 | Magnificat (1897): Va. Suscepit Israel puerum suum. Allegro moderato - | Hubert Parry | 2:47 | |
| 22 | 22 | Magnificat (1897): Vb. Sicut locutus est. Vivace - Allargando - Meno mosso | Hubert Parry | 3:19 | |
| Media 18: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Symphony no. 6 in C major, op. 31 "Dollar Symphony": I. Moderato | Kurt Atterberg | 9:00 | 120.0408 |
| 2 | 2 | Symphony no. 6 in C major, op. 31 "Dollar Symphony": II. Adagio | Kurt Atterberg | 9:54 | 120.8015 |
| 3 | 3 | Symphony no. 6 in C major, op. 31 "Dollar Symphony": III. Vivace | Kurt Atterberg | 8:31 | 108.0134 |
| 4 | 4 | En värmlandsrapsodi, op. 36 | Kurt Atterberg | 8:07 | 135.9161 |
| 5 | 5 | Suite no. 3, op. 19 no. 1: I. Prélude. Adagio | Kurt Atterberg | 3:43 | 111.6443 |
| 6 | 6 | Suite no. 3, op. 19 no. 1: II. Pantomim. Moderato | Kurt Atterberg | 4:52 | 144.2353 |
| 7 | 7 | Suite no. 3, op. 19 no. 1: III. Vision. Allegro moderato | Kurt Atterberg | 6:06 | 152.5063 |
| 8 | 8 | Symphony no. 4 in G minor, op. 14 "Sinfonia piccola": I. Con forza - | Kurt Atterberg | 5:47 | 132.651 |
| 9 | 9 | Symphony no. 4 in G minor, op. 14 "Sinfonia piccola": II. Andante - | Kurt Atterberg | 7:10 | 163.0583 |
| 10 | 10 | Symphony no. 4 in G minor, op. 14 "Sinfonia piccola": III. Scherzo. Allegro molto - | Kurt Atterberg | 1:24 | 147.2398 |
| 11 | 11 | Symphony no. 4 in G minor, op. 14 "Sinfonia piccola": IV. Finale. Rondo. Allegro molto | Kurt Atterberg | 5:40 | 132.551 |
| Media 19: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Joyeuse Marche | Emmanuel Chabrier | 3:47 | 125.6207 |
| 2 | 2 | Overture to "Gwendoline" | Emmanuel Chabrier | 9:32 | 153.1069 |
| 3 | 3 | Habanera | Emmanuel Chabrier | 4:18 | 117.636 |
| 4 | 4 | España | Emmanuel Chabrier | 6:20 | 120.7873 |
| 5 | 5 | Lamento | Emmanuel Chabrier | 7:51 | 143.5588 |
| 6 | 6 | Bourrée fantasque | Emmanuel Chabrier | 6:52 | 136.7247 |
| 7 | 7 | Suite pastorale: I. Idylle. Andantino, poco con moto - Doux | Emmanuel Chabrier | 4:06 | 107.9585 |
| 8 | 8 | Suite pastorale: II. Danse villageoise. Allegro risoluto | Emmanuel Chabrier | 4:47 | 120.3035 |
| 9 | 9 | Suite pastorale: III. Sous-bois. Andantino - Meno mosso | Emmanuel Chabrier | 4:10 | 109.9194 |
| 10 | 10 | Suite pastorale: IV. Scherzo-valse. Allegro vivo - Più mosso - Tempo I. Allegro vivo | Emmanuel Chabrier | 6:11 | 148.0926 |
| 11 | 11 | Three Movements from "L'Étoile": Overture. Moderato - Andantino - Allegro - Presto | Emmanuel Chabrier | 5:06 | 126.1072 |
| 12 | 12 | Three Movements from "L'Étoile": Entr'acte before Act II. Allegro franco | Emmanuel Chabrier | 1:21 | 140.0723 |
| 13 | 13 | Three Movements from "L'Étoile": Entr'acte before Act III. Mouvement de valse | Emmanuel Chabrier | 1:52 | 83.6964 |
| 14 | 14 | Two Movements from "Le Roi malgré lui": Fête polonaise. Allegro molto animato | Emmanuel Chabrier | 7:00 | 120.1574 |
| 15 | 15 | Two Movements from "Le Roi malgré lui": Danse slave. Allegro con brio | Emmanuel Chabrier | 5:30 | 143.4402 |
| Media 20: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Overture to "Dame Kobold", op. 154 | Joachim Raff | 6:56 | |
| 2 | 2 | Abends, op. 163b | Joachim Raff | 5:27 | |
| 3 | 3 | Overture to "König Alfred", WoO 14 | Joachim Raff | 13:51 | |
| 4 | 4 | Prelude to "Dornröschen", WoO 19 | Joachim Raff | 6:12 | |
| 5 | 5 | Overture to "Die Eifersüchtigen", WoO 54 | Joachim Raff | 8:35 | |
| 6 | 6 | Symphony no. 5 in E major, op. 177 "Lenore": Erste Abtheilung. Liebesglück. Allegro | Joachim Raff | 10:34 | |
| 7 | 7 | Symphony no. 5 in E major, op. 177 "Lenore": Erste Abtheilung. Liebesglück. Andante quasi Larghetto | Joachim Raff | 8:08 | |
| 8 | 8 | Symphony no. 5 in E major, op. 177 "Lenore": Zweite Abtheilung. Trennung. Marsch-Tempo-Agitato | Joachim Raff | 9:17 | |
| 9 | 9 | Symphony no. 5 in E major, op. 177 "Lenore": Dritte Abtheilung. Wiedervereinigung im Tode. Introduction und Ballade (nach. G. Bürger's "Lenore"). Allegro - Un poco più mosso (quasi stretto) | Joachim Raff | 11:55 | |
| Media 21: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | The Nutcracker, op. 71: Ouverture. Allegro giusto | Pyotr Il'yich Tchaikovsky | 3:00 | |
| 2 | 2 | The Nutcracker, op. 71: Act I, Tableau I. No. 1. Scène. Allegro non troppo - Poco più sostenuto - Tempo I - Più moderato - Allegro vivace - Meno - | Pyotr Il'yich Tchaikovsky | 3:34 | |
| 3 | 3 | The Nutcracker, op. 71: Act I, Tableau I. No. 2. Marche. Tempo di Marcia viva | Pyotr Il'yich Tchaikovsky | 2:16 | |
| 4 | 4 | The Nutcracker, op. 71: Act I, Tableau I. No. 3. Petit galop des enfants et Entrée des parents. Presto - Andante - Allegro - | Pyotr Il'yich Tchaikovsky | 2:39 | |
| 5 | 5 | The Nutcracker, op. 71: Act I, Tableau I. No. 4. Scène dansante. Andantino - Stringendo - Allegro vivo - Andantino sostenuto - Più andante - Allegro molto vivace - Molto più presto - Tempo di Valse (Pas de Deux) - Presto - | Pyotr Il'yich Tchaikovsky | 5:42 | |
| 6 | 6 | The Nutcracker, op. 71: Act I, Tableau I. No. 5. Scène et Danse du Gross-Vater. Andante (Tempo di Valse) - Poco animando - Tempo I - Andantino - Tempo I - Più allegro - Tempo I - Più mosso - Moderato assai - Andante - L'istesso tempo (La Berceuse) - Più mosso - Tempo I - Più mosso - L'istesso tempo - Tempo di Gross-Vater - Allegro vivacissimo - Tempo | Pyotr Il'yich Tchaikovsky | 6:28 | |
| 7 | 7 | The Nutcracker, op. 71: Act I, Tableau I. No. 6. Scène. Allegro semplice - Moderato con moto - Allegro giusto - Più allegro - Moderato assai - | Pyotr Il'yich Tchaikovsky | 6:47 | |
| 8 | 8 | The Nutcracker, op. 71: Act I, Tableau II. No. 7. Scène. Allegro vivo - Pochissimo più mosso - La Bataille - La Seconde Bataille | Pyotr Il'yich Tchaikovsky | 3:24 | |
| 9 | 9 | The Nutcracker, op. 71: Act I, Tableau II. No. 8. Scène. Andante | Pyotr Il'yich Tchaikovsky | 3:18 | |
| 10 | 10 | The Nutcracker, op. 71: Act II. No. 9. Valse des Flocons de neige. Tempo di Valse, ma con moto - Presto - Poco meno | Pyotr Il'yich Tchaikovsky | 6:27 | |
| 11 | 11 | The Nutcracker, op. 71: Act II. No. 10. Scène. Andante - | Pyotr Il'yich Tchaikovsky | 4:29 | |
| 12 | 12 | The Nutcracker, op. 71: Act II. No. 11. Scène. Andante con moto - Un poco animando - Moderato - Allegro agitato - Poco più allegro - Tempo precedente [Allegro agitato | Pyotr Il'yich Tchaikovsky | 4:46 | |
| 13 | 13 | The Nutcracker, op. 71: Act II. No. 12. Divertissement: a. Le Chocolat. Allegro brillante - Più mosso | Pyotr Il'yich Tchaikovsky | 1:10 | |
| 14 | 14 | The Nutcracker, op. 71: Act II. No. 12. Divertissement: b. Le Café. Commodo | Pyotr Il'yich Tchaikovsky | 3:16 | |
| 15 | 15 | The Nutcracker, op. 71: Act II. No. 12. Divertissement: c. Le Thé. Allegro moderato | Pyotr Il'yich Tchaikovsky | 1:02 | |
| 16 | 16 | The Nutcracker, op. 71: Act II. No. 12. Divertissement: d. Trépak. Tempo di Trepak, molto vivace - Stringendo - Prestissimo | Pyotr Il'yich Tchaikovsky | 1:07 | |
| 17 | 17 | The Nutcracker, op. 71: Act II. No. 12. Divertissement: e. Les Mirlitons. Moderato assai | Pyotr Il'yich Tchaikovsky | 2:13 | |
| 18 | 18 | The Nutcracker, op. 71: Act II. No. 12. Divertissement: f. La Mère Gigogne et les polichinelles. Allegro giocoso - Allegro vivo - Poco più | Pyotr Il'yich Tchaikovsky | 2:40 | |
| 19 | 19 | The Nutcracker, op. 71: Act II. No. 13. Valse des Fleurs. Tempo di Valse | Pyotr Il'yich Tchaikovsky | 6:44 | |
| 20 | 20 | The Nutcracker, op. 71: Act II. No. 14. Pas de Deux. Andante maestoso - Poco stringendo - Poco più mosso - Incalzando - Animando - Ritenuto - Tempo I - Poco stringendo - Tempo | Pyotr Il'yich Tchaikovsky | 4:31 | |
| 21 | 21 | The Nutcracker, op. 71: Act II. No. 14. Variation I (Pour le danseur). Tempo di Tarantella | Pyotr Il'yich Tchaikovsky | 0:45 | |
| 22 | 22 | The Nutcracker, op. 71: Act II. No. 14. Variation II (Pour la danseuse). Danse de la Fée-Dragée. Andante non troppo Variation II (Pour la danseuse). Danse de la Fée-Dragée. Andante non troppo - Presto - | Pyotr Il'yich Tchaikovsky | 2:05 | |
| 23 | 23 | The Nutcracker, op. 71: Act II. No. 14. Coda. Vivace assai | Pyotr Il'yich Tchaikovsky | 1:24 | |
| 24 | 24 | The Nutcracker, op. 71: Act II. No. 15. Valse finale et Apothéose. Tempo di Valse - Molto meno - L'apothéose | Pyotr Il'yich Tchaikovsky | 4:49 | |
| Media 22: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Metamorfózy: I. Andante con moto - [ ] - Tempo I - [ ] - Tempo I - [ ] - | Eugen Suchoň | 2:11 | 126.2063 |
| 2 | 2 | Metamorfózy: II. L'istesso tempo - Tempo I - [ ] - Tempo I - Poco meno - | Eugen Suchoň | 2:50 | 172.2655 |
| 3 | 3 | Metamorfózy: III. Allegro moderato - Allegro agitato - [ ] - Allegro agitato - Grandioso - [ ] - Grandioso - Molto moderato - Allegro agitato - Allegro furioso | Eugen Suchoň | 5:45 | |
| 4 | 4 | Metamorfózy: IV. Larghetto - Appassionato - Grandioso - Larghetto - | Eugen Suchoň | 5:56 | 117.6535 |
| 5 | 5 | Metamorfózy: V. Allegro feroce - Furioso - Poco meno - Allegro moderato - Maestoso, con molta espressione - Grandioso - Allegro moderato - Allegro molto | Eugen Suchoň | 10:17 | |
| 6 | 6 | Baladická suita, op. 9: I. Allegro moderato ma energico - Iratamente - Con grandezza - Frenetico (meno mosso) - Con rabbia - Maestoso - | Eugen Suchoň | 5:09 | 103.3037 |
| 7 | 7 | Baladická suita, op. 9: II. Adagio - Animato - Poco più mosso - Grandioso - Come prima (Adagio) | Eugen Suchoň | 6:17 | 114.4906 |
| 8 | 8 | Baladická suita, op. 9: III. Allegro molto - Furioso - Maestoso - Quasi Adagio - Allegro molto - Adagio - Sostenuto - Animato - Allegro molto - Appassionato - Giubiloso | Eugen Suchoň | 5:19 | |
| 9 | 9 | Baladická suita, op. 9: IV. Largo, con malinconia - Più mosso - Poco a poco animato - Tempo I - Grandioso | Eugen Suchoň | 5:00 | 117.9036 |
| 10 | 10 | Symfonietta rustica: I. Moderato e sostenuto - Poco meno - Allegro vivo - Moderato - Poco meno - Allegro vivo - Moderato - Poco meno | Eugen Suchoň | 5:47 | 148.0868 |
| 11 | 11 | Symfonietta rustica: II. Adagio - Poco animato - Poco a poco animato - Con moto - Meno mosso - Maestoso - Adagio | Eugen Suchoň | 5:38 | 151.8342 |
| 12 | 12 | Symfonietta rustica: III. Allegro assai | Eugen Suchoň | 3:29 | 123.1993 |
| Media 23: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Marinarella, op. 215 | Julius Fučík | 11:00 | |
| 2 | 2 | Onkel Teddy, op. 239 | Julius Fučík | 4:54 | |
| 3 | 3 | Donausagen, op. 233: Andantino - Allegretto con leggierezza - Tempo I - | Julius Fučík | 3:06 | |
| 4 | 4 | Donausagen, op. 233: I. Tempo di Valse - | Julius Fučík | 1:48 | |
| 5 | 5 | Donausagen, op. 233: II. Con dolcezza - | Julius Fučík | 1:52 | |
| 6 | 6 | Donausagen, op. 233: III. [ ] - | Julius Fučík | 1:25 | |
| 7 | 7 | Donausagen, op. 233: Coda. [ ] - Allegretto con leggierezza - Tempo di Valse | Julius Fučík | 2:10 | |
| 8 | 8 | Die lustigen Dorfschmiede, op. 218 | Julius Fučík | 2:37 | |
| 9 | 9 | Der alte Brummbär, op. 210 | Julius Fučík | 5:03 | |
| 10 | 10 | Einzug der Gladiatoren, op. 68 | Julius Fučík | 2:39 | |
| 11 | 11 | Miramare, op. 247 | Julius Fučík | 7:50 | |
| 12 | 12 | Florentiner, op. 214 | Julius Fučík | 5:23 | |
| 13 | 13 | Winterstürme, op. 184 | Julius Fučík | 9:23 | |
| 14 | 14 | Hercegovac, op. 235 | Julius Fučík | 2:59 | |
| 15 | 15 | Die Regimentskinder, op. 169 | Julius Fučík | 3:05 | |
| 16 | 16 | Ballettratten, op. 226: Allegretto - Tempo di Valse risoluto - Più vivo - | Julius Fučík | 1:25 | |
| 17 | 17 | Ballettratten, op. 226: I. Tempo di Vlase - | Julius Fučík | 1:48 | |
| 18 | 18 | Ballettratten, op. 226: II. Meno con delicatezza - | Julius Fučík | 1:23 | |
| 19 | 19 | Ballettratten, op. 226: III. Meno mosso - | Julius Fučík | 1:36 | |
| 20 | 20 | Ballettratten, op. 226: Coda. [ ] - Meno con delicatezza | Julius Fučík | 1:54 | |
| 21 | 21 | The Mississippi River, op. 160 (161) | Julius Fučík | 2:47 | |
| 22 | 22 | Unter der Admiralsflagge, op. 82 | Julius Fučík | 3:47 | |
| Media 24: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Escales...: I. Rome-Palerme. Calme - Assez animé | Jacques Ibert | 7:04 | |
| 2 | 2 | Escales...: II. Tunis-Nefta. Modéré très rythmé - Très librement | Jacques Ibert | 2:40 | |
| 3 | 3 | Escales...: III. Valence. Animé - Légèrement moins animé - Augmentez - Modéré - Même Mouvement - Augmentez - Mouvement du début - Un peu plus animé | Jacques Ibert | 5:28 | |
| 4 | 4 | Sarabande pour Dulcinée | Jacques Ibert | 3:38 | |
| 5 | 5 | Ouverture de fête | Jacques Ibert | 13:40 | |
| 6 | 6 | Féerique | Jacques Ibert | 6:55 | |
| 7 | 7 | Divertissement: I. Introduction. Allegro vivo | Jacques Ibert | 1:12 | |
| 8 | 8 | Divertissement: II. Cortège. Moderato molto - Animato subito - Allegro moderato - Animato subito | Jacques Ibert | 5:11 | |
| 9 | 9 | Divertissement: III. Nocturne. Lento | Jacques Ibert | 2:32 | |
| 10 | 10 | Divertissement: IV. Valse. Animato assai - Tempo di Valze - Poco più animato - Vivo molto | Jacques Ibert | 2:58 | |
| 11 | 11 | Divertissement: V. Parade. Tempo di marcia | Jacques Ibert | 1:43 | |
| 12 | 12 | Divertissement: VI. Finale. Quasi cadenza - Vivo (Tempo di galop) | Jacques Ibert | 2:15 | |
| 13 | 13 | Hommage à Mozart | Jacques Ibert | 5:01 | |
| 14 | 14 | Suite symphonique "Paris": I. Le Métro. Moderato assai - Allegro | Jacques Ibert | 2:18 | |
| 15 | 15 | Suite symphonique "Paris": II. Faubourgs. Moderato - Allegro vivo - Meno mosso - Tempo I - Meno mosso - Tempo I | Jacques Ibert | 2:37 | |
| 16 | 16 | Suite symphonique "Paris": III. La Mosquée de Paris. Moderato - Tempo giusto | Jacques Ibert | 1:41 | |
| 17 | 17 | Suite symphonique "Paris": IV. Restaurant au Bois de Boulogne. Tempo di Valse - Allegro energico - Presto | Jacques Ibert | 3:04 | |
| 18 | 18 | Suite symphonique "Paris": V. Le Paquebot "Île-de-France". Moderato - Quasi lento | Jacques Ibert | 2:13 | |
| 19 | 19 | Suite symphonique "Paris": VI. Parade Foraine. Tempo giusto - Presto | Jacques Ibert | 1:33 | |
| 20 | 20 | Bacchanale | Jacques Ibert | 8:24 | |
| Media 25: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Newa-Polka, op. 288 | Johann Strauss II | 3:48 | |
| 2 | 2 | Persischer Marsch, op. 289 | Johann Strauss II | 1:43 | |
| 3 | 3 | Russischer Marsch, op. 426 | Johann Strauss II | 2:43 | |
| 4 | 4 | Grossfürstin Alexandra-Walzer, op. 181 | Johann Strauss II | 6:32 | |
| 5 | 5 | Olga-Polka, op. 196 | Johann Strauss II | 2:49 | |
| 6 | 6 | Alexandrinen-Polka, op. 198 | Johann Strauss II | 4:27 | |
| 7 | 7 | Abschied von St. Petersburg, op. 210 | Johann Strauss II | 7:58 | |
| 8 | 8 | Bauern-Polka, op. 276 | Johann Strauss II | 2:47 | |
| 9 | 9 | Pizzicato-Polka, o. op. | Johann Strauss II and Josef Strauss | 2:31 | |
| 10 | 10 | Grossfürsten-Marsch, op. 107 | Johann Strauss II | 2:05 | |
| 11 | 11 | Erste Liebe, op. 14 | Olga Smirnitskaya | 2:42 | |
| 12 | 12 | Vergnügungszug, op. 281 | Johann Strauss II | 2:45 | |
| 13 | 13 | Wein, Weib und Gesang!, op. 333 | Johann Strauss II | 11:09 | |
| 14 | 14 | Krönungs-Marsch, op. 183 | Johann Strauss II | 2:16 | |
| 15 | 15 | Hofball-Quadrille, op. 116 | Johann Strauss II | 4:42 | |
| 16 | 16 | An der Wolga, op. 425 | Johann Strauss II | 4:21 | |
| 17 | 17 | St. Petersburg, op. 255 | Johann Strauss II | 4:59 | |
| 18 | 18 | Auf zum Tanze!, op. 436 | Johann Strauss II | 2:50 | |
| 19 | 19 | Russische Marsch-Fantasie, op. 353 | Johann Strauss II | 3:37 | |
| 20 | 20 | Alexander-Quadrille, op. 33 | Johann Strauss II | 4:31 | |