Media 1: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Partita for lute in E major, BWV 1006a (BC L171): I. Prélude | John Williams | 4:21 | | 1 | The Guitarist: The Complete Columbia Album Collection | John Williams | |
2 | 2 | Partita for lute in E major, BWV 1006a (BC L171): II. Loure | John Williams | 3:49 | | | | | |
3 | 3 | Partita for lute in E major, BWV 1006a (BC L171): III. Gavotte en Rondeau | John Williams | 3:09 | | | | | |
4 | 4 | Partita for lute in E major, BWV 1006a (BC L171): IV. Menuett I & V Menuett II | John Williams | 4:44 | | | | | |
5 | 5 | Partita for lute in E major, BWV 1006a (BC L171): VI. Bourrée | John Williams | 1:48 | | | | | |
6 | 6 | Partita for lute in E major, BWV 1006a (BC L171): VII. Gigue | John Williams | 2:06 | | | | | |
7 | 7 | Suite española No. 1, for piano, Op. 47, B. 7: Sevilla (Sevillanas) | John Williams | 4:33 | | | | | |
8 | 8 | Recuerdos de la Alhambra, for guitar | John Williams | 3:55 | | | | | |
9 | 9 | Fandanguillo, for guitar, Op. 36 | John Williams | 4:41 | | | | | |
10 | 10 | Homenaje a Tárrega, for guitar, Op. 69: Soleares | John Williams | 2:04 | | | | | |
11 | 11 | Ráfaga, for guitar, Op. 53 | John Williams | 2:51 | | | | | |
12 | 12 | El testament de Amèlia, folk song | John Williams | 2:13 | | | | | |
13 | 13 | Scherzino Mexicano, for guitar | John Williams | 2:40 | | | | | |
14 | 14 | El colibri (The Hummingbird), for guitar | John Williams | 1:15 | | | | | |
Media 2: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Grand Sonata, for guitar & violin in A major, Op. 35, MS 3: I. Allegro risoluto | John Williams | 6:43 | | | | | |
2 | 2 | Grand Sonata, for guitar & violin in A major, Op. 35, MS 3: II. Romanze. Amorosamente. Più tosto largo | John Williams | 3:54 | | | | | |
3 | 3 | Grand Sonata, for guitar & violin in A major, Op. 35, MS 3: III. Andantino variato. Scherzando - Variations I-VI | John Williams | 7:14 | | | | | |
4 | 4 | Spanish Dances (12), in 4 volumes for piano, Op. 37, H. 142, DLR 1:2: Andaluza | John Williams | 4:24 | | | | | |
5 | 5 | Estudios (12), etudes for guitar, A. 235: Etude No. 8 in C-sharp minor | John Williams | 3:15 | | | | | |
6 | 6 | Homenaje pour "Le tombeau de Claude Debussy," for guitar, G. 56 | John Williams | 3:37 | | | | | |
7 | 7 | Partita for guitar: I. Allegro con moto | John Williams | 2:07 | | | | | |
8 | 8 | Partita for guitar: II. Molto vivace | John Williams | 2:10 | | | | | |
9 | 9 | Partita for guitar: III. Adagio | John Williams | 3:14 | | | | | |
10 | 10 | Partita for guitar: IV. Allegro | John Williams | 1:55 | | | | | |
11 | 11 | Sonata for guitar ("Omaggio a Boccherini"), Op. 77: IV. Vivo ed energico | John Williams | 3:50 | | | | | |
Media 3: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Concierto de Aranjuez, for guitar & orchestra: I. Allegro con spirito | John Williams, Louis Rosenblatt, Philarte Quartet, Eugene Ormandy | 6:01 | | | | | |
2 | 2 | Concierto de Aranjuez, for guitar & orchestra: II. Adagio | John Williams, Louis Rosenblatt, Philarte Quartet, Eugene Ormandy | 10:01 | | | | | |
3 | 3 | Concierto de Aranjuez, for guitar & orchestra: III. Allegro gentile | John Williams, Louis Rosenblatt, Philarte Quartet, Eugene Ormandy | 5:01 | | | | | |
4 | 4 | Guitar Concerto No. 1 in D major, Op. 99: I. Allegretto | John Williams, Philarte Quartet, Eugene Ormandy | 6:26 | | | | | |
5 | 5 | Guitar Concerto No. 1 in D major, Op. 99: II. Andantino alla romanza | John Williams, Philarte Quartet, Eugene Ormandy | 7:00 | | | | | |
6 | 6 | Guitar Concerto No. 1 in D major, Op. 99: III. Ritmico e cavalleresco - Quasi Andante - Tempo I | John Williams, Philarte Quartet, Eugene Ormandy | 6:15 | | | | | |
Media 4: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Fantasia for guitar | John Williams | 1:45 | | | | | |
2 | 2 | Diferencias sobre el conde Claros | John Williams | 2:01 | | | | | |
3 | 3 | Suite for lute No. 4 (from Dilitiae Testudinis): Paduana | John Williams | 4:57 | | | | | |
4 | 4 | Terpsichore Dances: Ballet | John Williams | 3:18 | | | | | |
5 | 5 | Terpsichore Dances: La Volta | John Williams | 1:27 | | | | | |
6 | 6 | Prelude, Fugue and Allegro, for lute in E flat major, BWV 998 (BC L132): I. Prelude | John Williams | 2:33 | | | | | |
7 | 7 | Prelude, Fugue and Allegro, for lute in E flat major, BWV 998 (BC L132): II. Fuga | John Williams | 6:03 | | | | | |
8 | 8 | Prelude, Fugue and Allegro, for lute in E flat major, BWV 998 (BC L132): III. Allegro | John Williams | 3:23 | | | | | |
9 | 9 | Sonata for guitar in C major, Op. 15: I. Allegro spirito | John Williams | 5:33 | | | | | |
10 | 10 | Prelúdios (5), for guitar, A. 419: No. 4 in E minor | John Williams | 2:58 | | | | | |
11 | 11 | Prelúdios (5), for guitar, A. 419: No. 2 in E major | John Williams | 2:42 | | | | | |
12 | 12 | Aires de la Mancha: Jeringonza | John Williams | 1:32 | | | | | |
13 | 13 | Aires de la Mancha: Ya Ilega el invierno | John Williams | 2:19 | | | | | |
14 | 14 | Aires de la Mancha: Coplilla | John Williams | 0:51 | | | | | |
15 | 15 | Aires de la Mancha: La Pastora | John Williams | 2:17 | | | | | |
16 | 16 | Aires de la Mancha: La Seguidilla | John Williams | 2:03 | | | | | |
Media 5: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Fantasía para un gentilhombre, for guitar & orchestra: Ⅰ. Villano y ricercare. Adagietto | John Williams, English Chamber Orchestra, Sir Charles Groves | 4:59 | | | | | |
2 | 2 | Fantasía para un gentilhombre, for guitar & orchestra: Ⅱ. Españoleta e fanfare de la caballería de Nápoles. Adagio | John Williams, English Chamber Orchestra, Sir Charles Groves | 4:56 | | | | | |
3 | 3 | Fantasía para un gentilhombre, for guitar & orchestra: Ⅲ. Fanfare de la caballería de Nápoles. Allegretto, molto ritmico | John Williams, English Chamber Orchestra, Sir Charles Groves | 5:06 | | | | | |
4 | 4 | Fantasía para un gentilhombre, for guitar & orchestra: Ⅳ. Danza de la hachas. Allegro con brio | John Williams, English Chamber Orchestra, Sir Charles Groves | 1:56 | | | | | |
5 | 5 | Fantasía para un gentilhombre, for guitar & orchestra: Ⅴ. Canario. Allegro ma non troppo | John Williams, English Chamber Orchestra, Sir Charles Groves | 4:50 | | | | | |
6 | 6 | Concerto for guitar & chamber orchestra: Ⅰ. Allegro comodo | John Williams, English Chamber Orchestra, Sir Charles Groves | 6:46 | | | | | |
7 | 7 | Concerto for guitar & chamber orchestra: Ⅱ. Lento | John Williams, English Chamber Orchestra, Sir Charles Groves | 6:21 | | | | | |
8 | 8 | Concerto for guitar & chamber orchestra: Ⅲ. Molto vivace | John Williams, English Chamber Orchestra, Sir Charles Groves | 6:16 | | | | | |
Media 6: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Quartet for guitar & strings in D major, Op. 2/2 (arr. from str. quartet, H. 3/8): I. Allegro | John Williams, Alan Loveday, Amaryllis Fleming, Cecil Aronowitz | 4:21 | | | | | |
2 | 2 | Quartet for guitar & strings in D major, Op. 2/2 (arr. from str. quartet, H. 3/8): II. Adagio | John Williams, Alan Loveday, Amaryllis Fleming, Cecil Aronowitz | 6:46 | | | | | |
3 | 3 | Quartet for guitar & strings in D major, Op. 2/2 (arr. from str. quartet, H. 3/8): III. Menuetto - Trio | John Williams, Alan Loveday, Amaryllis Fleming, Cecil Aronowitz | 3:35 | | | | | |
4 | 4 | Quartet for guitar & strings in D major, Op. 2/2 (arr. from str. quartet, H. 3/8): IV. Finale. Presto | John Williams, Alan Loveday, Amaryllis Fleming, Cecil Aronowitz | 3:29 | | | | | |
5 | 5 | Terzetto, for violin, cello & guitar in D major, MS 69: I. Allegro con brio | John Williams, Alan Loveday, Amaryllis Fleming, Cecil Aronowitz | 6:19 | | | | | |
6 | 6 | Terzetto, for violin, cello & guitar in D major, MS 69: II. Minuetto. Allegro vivace - Trio | John Williams, Alan Loveday, Amaryllis Fleming, Cecil Aronowitz | 2:52 | | | | | |
7 | 7 | Terzetto, for violin, cello & guitar in D major, MS 69: III. Andante larghetto | John Williams, Alan Loveday, Amaryllis Fleming, Cecil Aronowitz | 4:12 | | | | | |
8 | 8 | Terzetto, for violin, cello & guitar in D major, MS 69: IV. Rondo. Allegretto - Trio | John Williams, Alan Loveday, Amaryllis Fleming, Cecil Aronowitz | 5:38 | | | | | |
Media 7: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Partita for solo violin No. 2 in D minor, BWV 1004: V. Chaconne | John Williams | 13:53 | | | | | |
2 | 2 | Queene Elizabeth, her Galliard (The Queen's Galliard), for lute, P 97 | John Williams | 1:20 | | | | | |
3 | 3 | Earl of Essex, his Galliard, for lute, P 89 | John Williams | 2:01 | | | | | |
4 | 4 | Mounsier's Almaine, for lute | John Williams | 2:45 | | | | | |
5 | 5 | Caprice for solo violin in A minor (Theme & Variations), Op. 1/24, MS 25/24 | John Williams | 6:57 | | | | | |
6 | 6 | Variations on a theme by Handel ("The Harmonious Blacksmith"), for guitar in A major, Op. 107 | John Williams | 6:45 | | | | | |
7 | 7 | Introduction, Theme & Variations on a theme from Mozart's "The Magic Flute," for guitar, Op. 9 | John Williams | 6:33 | | | | | |
Media 8: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Guitar Concerto No. 1 in A major, Op. 30 (versions for guitar & orch; gt. & string quartet): 1. Allegro maestoso | John Williams, English Chamber Orchestra, Sir Charles Groves | 9:04 | | | | | |
2 | 2 | Guitar Concerto No. 1 in A major, Op. 30 (versions for guitar & orch; gt. & string quartet): 2. Andante siciliano | John Williams, English Chamber Orchestra, Sir Charles Groves | 5:46 | | | | | |
3 | 3 | Guitar Concerto No. 1 in A major, Op. 30 (versions for guitar & orch; gt. & string quartet): 3. Alla polacca | John Williams, English Chamber Orchestra, Sir Charles Groves | 7:16 | | | | | |
4 | 4 | Lute (Chamber) Concerto, for lute (or guitar), 2 violins & continuo in D major, RV 93: 1. Allegro giusto | John Williams, English Chamber Orchestra, Sir Charles Groves | 3:35 | | | | | |
5 | 5 | Lute (Chamber) Concerto, for lute (or guitar), 2 violins & continuo in D major, RV 93: 2. Largo | John Williams, English Chamber Orchestra, Sir Charles Groves | 4:14 | | | | | |
6 | 6 | Lute (Chamber) Concerto, for lute (or guitar), 2 violins & continuo in D major, RV 93: 3. Allegro | John Williams, English Chamber Orchestra, Sir Charles Groves | 2:20 | | | | | |
7 | 7 | Violin Concerto, for violin, strings & continuo in A major ("La cetra" No. 2), Op. 9/2, RV 345: 1. Allegro non molto | John Williams, English Chamber Orchestra, Sir Charles Groves | 2:46 | | | | | |
8 | 8 | Violin Concerto, for violin, strings & continuo in A major ("La cetra" No. 2), Op. 9/2, RV 345: 2. Larghetto | John Williams, English Chamber Orchestra, Sir Charles Groves | 3:38 | | | | | |
9 | 9 | Violin Concerto, for violin, strings & continuo in A major ("La cetra" No. 2), Op. 9/2, RV 345: 3. Allegro | John Williams, English Chamber Orchestra, Sir Charles Groves | 2:15 | | | | | |
Media 9: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | I Care Not for These Ladies for voice, lute & bass viol | John Williams & Wilfred Brown | 1:56 | | | | | |
2 | 2 | The Willow Song (a.k.a. "The Willow", "The Poor Soul Sat Sighing", "Willow, Willow") | John Williams & Wilfred Brown | 4:23 | | | | | |
3 | 3 | When Laura Smiles | John Williams & Wilfred Brown | 1:43 | | | | | |
4 | 4 | Fantasia, for lute in G minor, P 7 | John Williams | 4:14 | | | | | |
5 | 5 | Songs from the Chinese, song cycle for high voice & guitar, Op. 58: The Big Chariot (from The Book of Songs) | John Williams & Wilfred Brown | 1:51 | | | | | |
6 | 6 | Songs from the Chinese, song cycle for high voice & guitar, Op. 58: The Old Lute | John Williams & Wilfred Brown | 2:25 | | | | | |
7 | 7 | Songs from the Chinese, song cycle for high voice & guitar, Op. 58: The Autumn Wind | John Williams & Wilfred Brown | 1:24 | | | | | |
8 | 8 | Songs from the Chinese, song cycle for high voice & guitar, Op. 58: The Herd-Boy | John Williams & Wilfred Brown | 1:24 | | | | | |
9 | 9 | Songs from the Chinese, song cycle for high voice & guitar, Op. 58: Depression | John Williams & Wilfred Brown | 1:36 | | | | | |
10 | 10 | Songs from the Chinese, song cycle for high voice & guitar, Op. 58: Dance Song (from The Book of Songs) | John Williams & Wilfred Brown | 1:17 | | | | | |
11 | 11 | Of All the Birds That I Do Know | John Williams & Wilfred Brown | 1:50 | | | | | |
12 | 12 | Go to bed, sweet muse | John Williams & Wilfred Brown | 3:12 | | | | | |
13 | 13 | Diaphenia | John Williams & Wilfred Brown | 1:54 | | | | | |
14 | 14 | Mellancoly Galliard, for lute, P 25 | John Williams | 2:53 | | | | | |
15 | 15 | Lady Hunsdon's Almain (Lady Hunsdon's Puffe), for lute, P 54 | John Williams | 1:32 | | | | | |
16 | 16 | Poems (4) of John Clare, for voice & guitar: Trotty Wagtail | John Williams & Wilfred Brown | 2:28 | | | | | |
17 | 17 | Poems (4) of John Clare, for voice & guitar: The Peasant Poet | John Williams & Wilfred Brown | 2:50 | | | | | |
18 | 18 | Poems (4) of John Clare, for voice & guitar: Turkeys | John Williams & Wilfred Brown | 1:53 | | | | | |
19 | 19 | Poems (4) of John Clare, for voice & guitar: The Fox | John Williams & Wilfred Brown | 3:37 | | | | | |
Media 10: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Asturias (Leyenda), instrumental arrangement after Suite española No. 1, Op. 47/5 | John Williams | 6:21 | | | | | |
2 | 2 | España, album leaves (6) for piano, Op. 165, B. 37: Tango | John Williams | 2:48 | | | | | |
3 | 3 | Canarios [I], for guitar (Instrucción de Música sobre la Guitarra Española, Book 1) | John Williams | 1:23 | | | | | |
4 | 4 | Fandango for guitar (Piezas españolas No. 1) | John Williams | 3:45 | | | | | |
5 | 5 | Nocturno, for guitar | John Williams | 3:34 | | | | | |
6 | 6 | Valses poéticos (7), for piano, H. 147, DLR 7:8: [Excerpt] | John Williams | 7:40 | | | | | |
7 | 7 | Sonata in D major | John Williams | 3:14 | | | | | |
8 | 8 | El Sombrero de tres picos, ballet in 2 parts, G. 53: The Corregidor's Dance | John Williams | 1:51 | | | | | |
9 | 9 | El Sombrero de tres picos, ballet in 2 parts, G. 53: Fisherman's Song | John Williams | 2:31 | | | | | |
10 | 10 | El Sombrero de tres picos, ballet in 2 parts, G. 53: The Miller's Dance (Farruca) | John Williams | 2:22 | | | | | |
11 | 11 | Madroños for guitar | John Williams | 2:46 | | | | | |
12 | 12 | La Nit de Nadal, folk song | John Williams | 1:13 | | | | | |
13 | 13 | El noy de la mare, folk song | John Williams | 2:28 | | | | | |
14 | 14 | La maja de Goya, song for soprano & piano (Tonadillas al estilo antiguo, No. 8), H. 136/8 | John Williams | 3:43 | | | | | |
15 | 15 | Cantos de España, pieces (5) for piano, Op. 232, B. 44: Córdoba | John Williams | 6:44 | | | | | |
Media 11: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Andalucía, songs (7) for voice & orchestra: I. Tou Pikramenou (He with the sorrow) | John Williams & Maria Farantouri | 2:23 | | | | | |
2 | 2 | Andalucía, songs (7) for voice & orchestra: II. Antonio Torres Heredia I (Capture of Antonito el Camborio on the road to Seville) | John Williams & Maria Farantouri | 3:19 | | | | | |
3 | 3 | Andalucía, songs (7) for voice & orchestra: IV. Antonio Torres Heredia II (Death of Antonito el Camborio) | John Williams & Maria Farantouri | 3:01 | | | | | |
4 | 4 | Andalucía, songs (7) for voice & orchestra: III. Xamos apo Agapi (Death for love) | John Williams & Maria Farantouri | 3:34 | | | | | |
5 | 5 | Andalucía, songs (7) for voice & orchestra: V. I Kalogria i Tsigana (The Gypsy nun) | John Williams & Maria Farantouri | 2:37 | | | | | |
6 | 6 | Andalucía, songs (7) for voice & orchestra: VI. Tou Anemou ke tis Penemenis (The wind and the Gypsy girl) | John Williams & Maria Farantouri | 4:30 | | | | | |
7 | 7 | Andalucía, songs (7) for voice & orchestra: VII. I Pandermi (Desperately alone) | John Williams & Maria Farantouri | 5:29 | | | | | |
8 | 8 | Epitaphs (8) for guitar (arr. by Yianni Iliopoulis from song cycle): No. 2: Heili mou Moskomyristo (Your fragrant lips) | John Williams | 2:05 | | | | | |
9 | 9 | Epitaphs (8) for guitar (arr. by Yianni Iliopoulis from song cycle): No. 3: Mera Magiou (A day in May) | John Williams | 2:25 | | | | | |
10 | 10 | Epitaphs (8) for guitar (arr. by Yianni Iliopoulis from song cycle): No. 4: Vasilepses, Asteri mou (My star, you have set) | John Williams | 2:19 | | | | | |
11 | 11 | Epitaphs (8) for guitar (arr. by Yianni Iliopoulis from song cycle): No. 6: Sto Parathyri stekosoun (You stood at the window) | John Williams | 1:20 | | | | | |
12 | 12 | Gelasto Paidi (The Laughing Boy) | John Williams & Maria Farantouri | 3:54 | | | | | |
13 | 13 | Silva, song | John Williams & Maria Farantouri | 2:35 | | | | | |
14 | 14 | Irthan i Anthropoi (The one who was taken by the road), song | John Williams & Maria Farantouri | 3:02 | | | | | |
Media 12: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Sonata for guitar & harpsichord No. 1: I. Largo | John Williams, Jordi Savall, Rafael Puyana | 3:19 | | | | | |
2 | 2 | Sonata for guitar & harpsichord No. 1: II. Allegro moderato | John Williams, Jordi Savall, Rafael Puyana | 3:24 | | | | | |
3 | 3 | Sonata for guitar & harpsichord No. 1: III. Allegretto con variazione | John Williams, Jordi Savall, Rafael Puyana | 7:54 | | | | | |
4 | 4 | Preludio, for guitar (in the style of Weiss) | John Williams & Rafael Puyana | 2:29 | | | | | |
5 | 5 | Sonata No. 2 for guitar & continuo in C major: I. Largo | John Williams, Jordi Savall, Rafael Puyana | 4:48 | | | | | |
6 | 6 | Duo Concertante, for guitar & harpsichord | John Williams & Rafael Puyana | 13:49 | | | | | |
7 | 7 | Sonata No. 3 for guitar & continuo in F major: I. Larghetto | John Williams, Jordi Savall, Rafael Puyana | 3:48 | | | | | |
8 | 8 | Sonata No. 3 for guitar & continuo in F major: II. Allegretto | John Williams, Jordi Savall, Rafael Puyana | 2:11 | | | | | |
9 | 9 | Sonata No. 3 for guitar & continuo in F major: III. Tempo di Menuetto | John Williams, Jordi Savall, Rafael Puyana | 3:02 | | | | | |
Media 13: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Suite for 2 guitars: I. Corant I | John Williams & Julian Bream | 1:28 | | | | | |
2 | 2 | Suite for 2 guitars: II. Alman | John Williams & Julian Bream | 2:19 | | | | | |
3 | 3 | Suite for 2 guitars: III. Corant II | John Williams & Julian Bream | 1:29 | | | | | |
4 | 4 | Duo for 2 guitars in G major, Op. 34/2: I. Largo | John Williams & Julian Bream | 2:58 | | | | | |
5 | 5 | Duo for 2 guitars in G major, Op. 34/2: II. Rondo. Allegretto poco | John Williams & Julian Bream | 3:43 | | | | | |
6 | 6 | L'Encouragement, for 2 guitars in G major, Op. 34/4: I. Cantabile | John Williams & Julian Bream | 5:56 | | | | | |
7 | 7 | L'Encouragement, for 2 guitars in G major, Op. 34/4: II. Theme. Andantino - Variations I-III | John Williams & Julian Bream | 4:58 | | | | | |
8 | 8 | L'Encouragement, for 2 guitars in G major, Op. 34/4: III. Valse | John Williams & Julian Bream | 3:26 | | | | | |
9 | 9 | Cantos de España, pieces (5) for piano, Op. 232, B. 44: Córdoba | John Williams & Julian Bream | 6:26 | | | | | |
10 | 10 | Intermezzo, for guitar(s) (arrangement from Goyescas) | John Williams & Julian Bream | 4:49 | | | | | |
11 | 11 | Danza Espanola, for orchestra (from "La Vida Breve") | John Williams & Julian Bream | 3:39 | | | | | |
12 | 12 | Pavane pour une infante défunte, for piano (or orchestra) | John Williams & Julian Bream | 6:13 | | | | | |
Media 14: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Chamber Concerto for guitar & chamber ensemble | John Williams, John Scott, Godfrey Salmon, Denis Vigay, Stephen Shingles, Pat Halling, Tristan Fry, Herbie Flowers, Patrick Gowers | 28:11 | | | | | |
2 | 2 | Sonata for keyboard in E major, K. 380 (L. 23) "Cortège" | John Williams | 5:20 | | | | | |
3 | 3 | Sonata for keyboard in A major, K. 208 (L. 238) | John Williams | 3:06 | | | | | |
4 | 4 | Sonata for keyboard in A minor, K. 175 (L. 429) | John Williams | 3:29 | | | | | |
5 | 5 | Sonata for keyboard in A major, K. 322 (L. 483) | John Williams | 3:20 | | | | | |
6 | 6 | Sonata for keyboard in D minor, K. 213 (L. 108) "The Lover" | John Williams | 4:46 | | | | | |
7 | 7 | Sonata for keyboard in C major, K. 159 (L. 104) "La caccia" | John Williams | 3:02 | | | | | |
8 | 8 | Double, for guitar & electric organ | John Williams & Patrick Gowers | 2:59 | | | | | |
Media 15: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Concerto for guitar & orchestra: I. Allegretto | John Williams, London Symphony Orchestra, André Previn | 6:01 | | | | | |
2 | 2 | Concerto for guitar & orchestra: II. Adagio | John Williams, London Symphony Orchestra, André Previn | 10:21 | | | | | |
3 | 3 | Concerto for guitar & orchestra: III. Slowly and reflectively (Andante) | John Williams, London Symphony Orchestra, André Previn | 8:39 | | | | | |
4 | 4 | Concierto del sur for guitar & orchestra: I. Allegretto | John Williams, London Symphony Orchestra, André Previn | 12:25 | | | | | |
5 | 5 | Concierto del sur for guitar & orchestra: II. Andante | John Williams, London Symphony Orchestra, André Previn | 6:50 | | | | | |
6 | 6 | Concierto del sur for guitar & orchestra: III. Allegro moderato e festivo | John Williams, London Symphony Orchestra, André Previn | 5:36 | | | | | |
Media 16: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Sakura, theme and variations for guitar | John Williams | 6:42 | | | | | |
2 | 2 | Fantasy Divisions, for guitar | John Williams | 7:48 | | | | | |
3 | 3 | Sonata for guitar No. 5 in D major ("Sonatina Méridional"): I. Campo | John Williams | 4:10 | | | | | |
4 | 4 | Sonata for guitar No. 5 in D major ("Sonatina Méridional"): II. Copla | John Williams | 2:34 | | | | | |
5 | 5 | Sonata for guitar No. 5 in D major ("Sonatina Méridional"): III. Fiesta | John Williams | 2:35 | | | | | |
6 | 6 | Chôros No. 1, for guitar, "Tipico brasileiro", A. 161 | John Williams | 4:33 | | | | | |
7 | 7 | Vals Criollo | John Williams | 2:51 | | | | | |
8 | 8 | Norteña for guitar | John Williams | 3:57 | | | | | |
9 | 9 | Venezuelan Pieces (5) for guitar: Cántico | John Williams | 1:19 | | | | | |
10 | 10 | Venezuelan Pieces (5) for guitar: Aguinaldo (Cantemos, cantemos) | John Williams | 0:55 | | | | | |
11 | 11 | Venezuelan Pieces (5) for guitar: Canción (Si de noche ves que brillan) | John Williams | 1:30 | | | | | |
12 | 12 | Venezuelan Pieces (5) for guitar: Aire Venezolano (Malhaya la cocina) | John Williams | 1:03 | | | | | |
13 | 13 | Venezuelan Pieces (5) for guitar: Galerón (Ave María, !qué muchacho!) | John Williams | 0:54 | | | | | |
14 | 14 | Danza Paraguaya, for guitar [No. 1] | John Williams | 2:53 | | | | | |
Media 17: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Serenade for 2 guitars in A major, Op. 96/1: I. Largo maestoso - Allegro moderato | John Williams & Julian Bream | 4:42 | | | | | |
2 | 2 | Serenade for 2 guitars in A major, Op. 96/1: II. Larghetto | John Williams & Julian Bream | 2:27 | | | | | |
3 | 3 | Serenade for 2 guitars in A major, Op. 96/1: III. Finale. Poco Allegretto (Tema di Joconde) | John Williams & Julian Bream | 2:54 | | | | | |
4 | 4 | Spanish Dances (12), in 4 volumes for piano, Op. 37, H. 142, DLR 1:2: Rondalla aragonesa (Jota) | John Williams | 5:40 | | | | | |
5 | 5 | Cantos de España, pieces (5) for piano, Op. 232, B. 44: Bajo la palmera | John Williams | 5:38 | | | | | |
6 | 6 | Spanish Dances (12), in 4 volumes for piano, Op. 37, H. 142, DLR 1:2: Zambra | John Williams | 6:22 | | | | | |
7 | 7 | Variazioni Concertanti, for 2 guitars, Op. 130 | John Williams & Julian Bream | 12:02 | | | | | |
8 | 8 | Iberia Suite for piano, B. 47, Book 1: Evocación | John Williams | 5:48 | | | | | |
Media 18: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Rhapsody, for guitars & electric organ | John Williams | 25:23 | | | | | |
2 | 2 | Prelúdios (5), for guitar, A. 419: No. 1 in E minor. Andantino expressivo | John Williams | 4:17 | | | | | |
3 | 3 | Prelúdios (5), for guitar, A. 419: No. 2 in E major. Andantino | John Williams | 2:37 | | | | | |
4 | 4 | Prelúdios (5), for guitar, A. 419: No. 3 in A minor. Andante - Molto adagio - Andante | John Williams | 8:19 | | | | | |
5 | 5 | Prelúdios (5), for guitar, A. 419: No. 4 i E minor. Lenot - Animato - Moderato - Lento | John Williams | 3:28 | | | | | |
6 | 6 | Prelúdios (5), for guitar, A. 419: No. 5 in D major. Poco animato | John Williams | 2:55 | | | | | |
Media 19: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Concierto de Aranjuez, for guitar & orchestra: I. Allegro con spirito | John Williams, James Brown, English Chamber Orchestra, Daniel Barenboim | 5:57 | | | | | |
2 | 2 | Concierto de Aranjuez, for guitar & orchestra: II. Adagio | John Williams, James Brown, English Chamber Orchestra, Daniel Barenboim | 11:28 | | | | | |
3 | 3 | Concierto de Aranjuez, for guitar & orchestra: III. Allegro gentile | John Williams, James Brown, English Chamber Orchestra, Daniel Barenboim | 5:06 | | | | | |
4 | 4 | Guitar Concerto, A. 501: I. Allegro preciso | John Williams, English Chamber Orchestra, Daniel Barenboim | 5:12 | | | | | |
5 | 5 | Guitar Concerto, A. 501: II. Andantino e Andante - Cadenza | John Williams, English Chamber Orchestra, Daniel Barenboim | 9:25 | | | | | |
6 | 6 | Guitar Concerto, A. 501: III. Allegretto non troppo | John Williams, English Chamber Orchestra, Daniel Barenboim | 4:15 | | | | | |
Media 20: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Suite for lute in E minor, BWV 996 (BC L166): I. Prelude - Presto | John Williams | 2:35 | | | | | |
2 | 2 | Suite for lute in E minor, BWV 996 (BC L166): II. Allemande | John Williams | 2:02 | | | | | |
3 | 3 | Suite for lute in E minor, BWV 996 (BC L166): III. Courante | John Williams | 2:37 | | | | | |
4 | 4 | Suite for lute in E minor, BWV 996 (BC L166): IV. Sarabande | John Williams | 4:33 | | | | | |
5 | 5 | Suite for lute in E minor, BWV 996 (BC L166): V. Bourrée | John Williams | 1:15 | | | | | |
6 | 6 | Suite for lute in E minor, BWV 996 (BC L166): VI. Gigue | John Williams | 2:54 | | | | | |
7 | 7 | Prelude, Fugue and Allegro, for lute in E flat major, BWV 998 (BC L132): I. Prelude | John Williams | 2:56 | | | | | |
8 | 8 | Prelude, Fugue and Allegro, for lute in E flat major, BWV 998 (BC L132): II. Fuga | John Williams | 5:33 | | | | | |
9 | 9 | Prelude, Fugue and Allegro, for lute in E flat major, BWV 998 (BC L132): III. Allegro | John Williams | 2:04 | | | | | |
10 | 10 | Partita for lute in C minor, BWV 997 (BC L170): I. Prelude | John Williams | 2:49 | | | | | |
11 | 11 | Partita for lute in C minor, BWV 997 (BC L170): II. Fuga | John Williams | 6:37 | | | | | |
12 | 12 | Partita for lute in C minor, BWV 997 (BC L170): III. Sarabande | John Williams | 5:03 | | | | | |
13 | 13 | Partita for lute in C minor, BWV 997 (BC L170): IV. Gigue | John Williams | 2:50 | | | | | |
14 | 14 | Partita for lute in C minor, BWV 997 (BC L170): V. Double | John Williams | 2:59 | | | | | |
Media 21: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Suite for lute in G minor, BWV 995: I. Prelude - Presto | John Williams | 5:20 | | | | | |
2 | 2 | Suite for lute in G minor, BWV 995: II. Allemande | John Williams | 3:09 | | | | | |
3 | 3 | Suite for lute in G minor, BWV 995: III. Courante | John Williams | 2:06 | | | | | |
4 | 4 | Suite for lute in G minor, BWV 995: IV. Sarabande | John Williams | 3:54 | | | | | |
5 | 5 | Suite for lute in G minor, BWV 995: V. Gavotte I / VI. Gavotte II en Rondeau | John Williams | 4:13 | | | | | |
6 | 6 | Suite for lute in G minor, BWV 995: VII. Gigue | John Williams | 2:20 | | | | | |
7 | 7 | Partita for lute in E major, BWV 1006a (BC L171): I. Prelude | John Williams | 4:29 | | | | | |
8 | 8 | Partita for lute in E major, BWV 1006a (BC L171): II. Loure | John Williams | 3:37 | | | | | |
9 | 9 | Partita for lute in E major, BWV 1006a (BC L171): III. Gavotte en Rondeau | John Williams | 2:51 | | | | | |
10 | 10 | Partita for lute in E major, BWV 1006a (BC L171): IV. Menuett I / V. Menuett II | John Williams | 4:20 | | | | | |
11 | 11 | Partita for lute in E major, BWV 1006a (BC L171): VI. Bourrée | John Williams | 1:52 | | | | | |
12 | 12 | Partita for lute in E major, BWV 1006a (BC L171): VII. Gigue | John Williams | 2:09 | | | | | |
13 | 13 | Prelude for lute in C minor, BWV 999 (BC L171) | John Williams | 1:34 | | | | | |
14 | 14 | Fugue for lute in G minor, BWV 1000 | John Williams | 5:02 | | | | | |
Media 22: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Double Mandolin Concerto, for 2 mandolins, strings & continuo in G major, RV 532: I. Allegro | John Williams, Keith Marjoram, Morris Pert, Brian Gascoigne, Carlos Bonell | 4:00 | | | | | |
2 | 2 | Double Mandolin Concerto, for 2 mandolins, strings & continuo in G major, RV 532: II. Andante | John Williams, Keith Marjoram, Morris Pert, Brian Gascoigne, Carlos Bonell | 4:41 | | | | | |
3 | 3 | Double Mandolin Concerto, for 2 mandolins, strings & continuo in G major, RV 532: III. Allegro | John Williams, Keith Marjoram, Morris Pert, Brian Gascoigne, Carlos Bonell | 3:21 | | | | | |
4 | 4 | Le Coucou, rondeau for harpsichord in E minor (Pièces de clavecin, Suite No. 3) | John Williams, Keith Marjoram, Morris Pert, Brian Gascoigne, Carlos Bonell | 2:21 | | | | | |
5 | 5 | Suite for solo cello No. 3 in C major, BWV 1009: V. Bourrée I / VI. Bourrée II | John Williams | 3:55 | | | | | |
6 | 6 | Cantata No. 147, "Herz und Mund und Tat und Leben," BWV 147 (BC A174): Jesus bleibet meine Freude | John Williams, Keith Marjoram, Morris Pert, Brian Gascoigne, Carlos Bonell | 3:07 | | | | | |
7 | 7 | Bourrée Alla Polacca, arranged for guitar (or keyboard) (after the Overture, TWV 55:Es2) | John Williams, Keith Marjoram, Morris Pert, Brian Gascoigne, Carlos Bonell | 3:03 | | | | | |
8 | 8 | Sonata in 3 parts for two violins, bass viol & continuo No.11 in F minor, Z. 800 | John Williams, Keith Marjoram, Morris Pert, Brian Gascoigne, Carlos Bonell | 8:27 | | | | | |
9 | 9 | Sonata for 2 violins & continuo in C major (by J. G. Goldberg, not JSB), BWV 1037: IV. Gigue | John Williams, Keith Marjoram, Morris Pert, Brian Gascoigne, Carlos Bonell | 3:39 | | | | | |
10 | 10 | Adagio for glass harmonica in C major, K. 356 (K. 617a) | John Williams | 4:30 | | | | | |
11 | 11 | Piano Sonata No. 11 in A major ("Alla Turca") K. 331 (K. 300i): III. Alla Turca. Allegretto | John Williams, Keith Marjoram, Morris Pert, Brian Gascoigne, Carlos Bonell | 3:33 | | | | | |
Media 23: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Centone Di Sonate, Op. 64 No.1; Introduzione | John Williams & Itzhak Perlman | 0:44 | | | | | |
2 | 2 | Centone Di Sonate, Op. 64 No.1; Allegro maestoso | John Williams & Itzhak Perlman | 3:49 | | | | | |
3 | 3 | Centone Di Sonate, Op. 64 No.1; Rondoncino | John Williams & Itzhak Perlman | 3:08 | | | | | |
4 | 4 | Sonata No. 6 in E minor, Op. 3 | John Williams & Itzhak Perlman | 3:45 | | | | | |
5 | 5 | Sonata Concertata in A major; I - Allegro spiritoso | John Williams & Itzhak Perlman | 5:36 | | | | | |
6 | 6 | Sonata Concertata in A major; II - Adagio assai espressivo | John Williams & Itzhak Perlman | 3:23 | | | | | |
7 | 7 | Sonata Concertata in A major; III - Rondeau | John Williams & Itzhak Perlman | 2:52 | | | | | |
8 | 8 | Sonata for violin and guitar; I - Maestoso | John Williams & Itzhak Perlman | 5:54 | | | | | |
9 | 9 | Sonata for violin and guitar; II - Theme | John Williams & Itzhak Perlman | 0:56 | | | | | |
10 | 10 | Sonata for violin and guitar; II - Variation 1 | John Williams & Itzhak Perlman | 0:53 | | | | | |
11 | 11 | Sonata for violin and guitar; II - Variation 2 | John Williams & Itzhak Perlman | 1:13 | | | | | |
12 | 12 | Sonata for violin and guitar; II - Variation 3 | John Williams & Itzhak Perlman | 1:32 | | | | | |
13 | 13 | Sonata for violin and guitar; II - Variation 4 | John Williams & Itzhak Perlman | 1:40 | | | | | |
14 | 14 | Sonata for violin and guitar; III - Menuetto; Allegretto | John Williams & Itzhak Perlman | 4:04 | | | | | |
15 | 15 | Sonata for violin and guitar; IV - Rondo; Allegretto | John Williams & Itzhak Perlman | 5:02 | | | | | |
16 | 16 | Cantabile for Violin and Guitar | John Williams & Itzhak Perlman | 3:38 | | | | | |
Media 24: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Guitar Concerto No. 1 in D major, Op. 99: I. Allegretto | John Williams, Sir Charles Groves, English Chamber Orchestra | 6:37 | | | | | |
2 | 2 | Guitar Concerto No. 1 in D major, Op. 99: II. Andantino alla romanza | John Williams, Sir Charles Groves, English Chamber Orchestra | 7:30 | | | | | |
3 | 3 | Guitar Concerto No. 1 in D major, Op. 99: III. Ritmico e cavalleresco - Guasi Andante - Tempo I | John Williams, Sir Charles Groves, English Chamber Orchestra | 6:43 | | | | | |
4 | 4 | Serenade for guitar & strings, Op. 50 | John Williams, Sir Charles Groves, English Chamber Orchestra | 4:48 | | | | | |
5 | 5 | Concerto for guitar & chamber orchestra No. 2: I. Presto | John Williams, Sir Charles Groves, English Chamber Orchestra | 3:41 | | | | | |
6 | 6 | Concerto for guitar & chamber orchestra No. 2: II. Meno mosso, quasi cadenza | John Williams, Sir Charles Groves, English Chamber Orchestra | 1:42 | | | | | |
7 | 7 | Concerto for guitar & chamber orchestra No. 2: III. Allegretto e robusto | John Williams, Sir Charles Groves, English Chamber Orchestra | 6:14 | | | | | |
8 | 8 | Concerto for guitar & chamber orchestra No. 2: IV. Poco lento | John Williams, Sir Charles Groves, English Chamber Orchestra | 6:39 | | | | | |
9 | 9 | Concerto for guitar & chamber orchestra No. 2: V. Presto, come prima | John Williams, Sir Charles Groves, English Chamber Orchestra | 4:01 | | | | | |
Media 25: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | La Catedral (The Cathedral), for guitar | John Williams | 7:18 | | | | | |
2 | 2 | Madrigal-Gavota | John Williams | 3:40 | | | | | |
3 | 3 | Minuet for guitar in E major | John Williams | 2:50 | | | | | |
4 | 4 | Mazurka Appassionata, for guitar | John Williams | 4:59 | | | | | |
5 | 5 | Estudio de concierto | John Williams | 2:11 | | | | | |
6 | 6 | Preludio for guitar in C minor | John Williams | 1:51 | | | | | |
7 | 7 | Un Sueño en la Floresta, for guitar | John Williams | 7:04 | | | | | |
8 | 8 | Waltz for guitar in D minor, Op. 8/3 | John Williams | 4:03 | | | | | |
9 | 9 | Cueca, for guitar (Suite Andina No. 5) | John Williams | 3:28 | | | | | |
10 | 10 | Aire de Zamba, for guitar (Suite Andina No. 1) | John Williams | 2:57 | | | | | |
11 | 11 | Aconquija, for guitar (Suite Andina No. 2) | John Williams | 3:44 | | | | | |
12 | 12 | Maxixe, for guitar | John Williams | 2:47 | | | | | |
13 | 13 | Una Limosna por el Amor de Dios, for guitar ("El Ultimo Trémolo;" "El Ultimo Canto") | John Williams | 3:20 | | | | | |
14 | 14 | Chôro da Saudade (A Lament) for guitar | John Williams | 4:52 | | | | | |
15 | 15 | Villancico de Navidad, for guitar | John Williams | 2:33 | | | | | |
Media 26: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Guitar Concerto, for guitar & chamber orchestra, Op. 67: I. Allegro | John Williams, London Sinfonietta, Elgar Howarth | 6:17 | | | | | |
2 | 2 | Guitar Concerto, for guitar & chamber orchestra, Op. 67: II. Lento - Vivace - Lento | John Williams, London Sinfonietta, Elgar Howarth | 11:07 | | | | | |
3 | 3 | Guitar Concerto, for guitar & chamber orchestra, Op. 67: III. Con brio | John Williams, London Sinfonietta, Elgar Howarth | 4:10 | | | | | |
4 | 4 | Guitar Concerto: I. Punteos | John Williams, London Sinfonietta, Elgar Howarth | 7:50 | | | | | |
5 | 5 | Guitar Concerto: II. Ragas | John Williams, London Sinfonietta, Elgar Howarth | 9:16 | | | | | |
6 | 6 | Guitar Concerto: III. Sonatas y Montunos | John Williams, London Sinfonietta, Elgar Howarth | 11:48 | | | | | |
Media 27: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Folias de España, 20 variations and fugue for guitar | John Williams | 24:23 | | | | | |
2 | 2 | Preludio, Balletto and Giga for guitar: Preludio | John Williams | 3:26 | | | | | |
3 | 3 | Preludio, Balletto and Giga for guitar: Balletto | John Williams | 3:02 | | | | | |
4 | 4 | Canciones (3) Populares Mexicanas, for guitar: La pajarera (The birdseller) | John Williams | 0:51 | | | | | |
5 | 5 | Canciones (3) Populares Mexicanas, for guitar: Por ti mi corazón (For you my heart) | John Williams | 2:53 | | | | | |
6 | 6 | Canciones (3) Populares Mexicanas, for guitar: La Valentina | John Williams | 1:25 | | | | | |
7 | 7 | Valse for guitar | John Williams | 2:53 | | | | | |
8 | 8 | Marchita el Alma for guitar | John Williams | 2:32 | | | | | |
9 | 9 | Hace ocho meses, for guitar | John Williams | 1:57 | | | | | |
10 | 10 | Yo Adoro a Mi Madre for guitar | John Williams | 2:58 | | | | | |
Media 28: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Pavan, for lute | John Williams & Julian Bream | 2:04 | | | | | |
2 | 2 | Galliard | John Williams & Julian Bream | 1:28 | | | | | |
3 | 3 | Partie polonaise, suite for 2 lutes in B flat major, TWV 39:1: I. Ouverture | John Williams & Julian Bream | 4:06 | | | | | |
4 | 4 | Partie polonaise, suite for 2 lutes in B flat major, TWV 39:1: II. Harlequinade | John Williams & Julian Bream | 1:42 | | | | | |
5 | 5 | Partie polonaise, suite for 2 lutes in B flat major, TWV 39:1: III. Le Ris | John Williams & Julian Bream | 1:38 | | | | | |
6 | 6 | Partie polonaise, suite for 2 lutes in B flat major, TWV 39:1: IV. Rigidon | John Williams & Julian Bream | 1:18 | | | | | |
7 | 7 | Partie polonaise, suite for 2 lutes in B flat major, TWV 39:1: V. Combattans | John Williams & Julian Bream | 1:29 | | | | | |
8 | 8 | Partie polonaise, suite for 2 lutes in B flat major, TWV 39:1: VI. Gigue | John Williams & Julian Bream | 2:13 | | | | | |
9 | 9 | Fantaisie for 2 guitars, Op. 54bis | John Williams & Julian Bream | 11:08 | | | | | |
10 | 10 | String Sextet No. 1 in B flat major, Op. 18: II. Andante ma moderato (Theme and Variations I-VI) | John Williams & Julian Bream | 9:09 | | | | | |
11 | 11 | Dolly, suite for piano, 4 hands or orchestra, Op. 56: I. Berceuse | John Williams & Julian Bream | 3:18 | | | | | |
12 | 12 | Dolly, suite for piano, 4 hands or orchestra, Op. 56: II. Mi-a-ou | John Williams & Julian Bream | 2:00 | | | | | |
13 | 13 | Dolly, suite for piano, 4 hands or orchestra, Op. 56: III. Le Jardin de Dolly | John Williams & Julian Bream | 3:24 | | | | | |
14 | 14 | Dolly, suite for piano, 4 hands or orchestra, Op. 56: IV. Kitty-Valse | John Williams & Julian Bream | 2:27 | | | | | |
15 | 15 | Dolly, suite for piano, 4 hands or orchestra, Op. 56: V. Tendresse | John Williams & Julian Bream | 3:42 | | | | | |
16 | 16 | Dolly, suite for piano, 4 hands or orchestra, Op. 56: VI. Le Pas espagnol | John Williams & Julian Bream | 2:51 | | | | | |
17 | 17 | Rêverie, for piano, L. 68 | John Williams & Julian Bream | 4:41 | | | | | |
18 | 18 | Golliwogg's Cakewalk, for piano (Children's Corner No. 6), L. 113/6 | John Williams & Julian Bream | 2:53 | | | | | |
19 | 19 | Clair de lune, for orchestra or other arrangement (from "Suite Bergamasque" for piano), L. 75/3 | John Williams & Julian Bream | 5:10 | | | | | |
20 | 20 | Suite española No. 1, for piano, Op. 47, B. 7: Castilla (Seguidillas) | John Williams & Julian Bream | 4:02 | | | | | |
21 | 21 | Spanish Dances (12), in 4 volumes for piano, Op. 37, H. 142, DLR 1:2: Oriental | John Williams & Julian Bream | 5:01 | | | | | |
Media 29: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Quintet for guitar & strings in D major, G. 449 (arrangement of String Quartets G. 232, G. 237 & String Quintet, G. 411): I. Andantino pausato | John Williams & London String Quartet | 4:44 | | | | | |
2 | 2 | Quintet for guitar & strings in D major, G. 449 (arrangement of String Quartets G. 232, G. 237 & String Quintet, G. 411): II. Minetto. Allegro - Trio | John Williams & London String Quartet | 3:05 | | | | | |
3 | 3 | Quintet for guitar & strings in D major, G. 449 (arrangement of String Quartets G. 232, G. 237 & String Quintet, G. 411): III. Allegro giusto | John Williams & London String Quartet | 2:29 | | | | | |
4 | 4 | Quintet for guitar & strings in D major, G. 449 (arrangement of String Quartets G. 232, G. 237 & String Quintet, G. 411): IV. Andantino pausato con variazioni | John Williams & London String Quartet | 8:43 | | | | | |
5 | 5 | Jeromita Linares (Presencia No. 6), for guitar & string quartet | John Williams & London String Quartet | 12:44 | | | | | |
6 | 6 | Quintet for guitar & strings in G major, G. 450 (arrangement of Quintet for Flute and strings, G. 431 & String quartet, G. 240): I. Allegro con vivacità | John Williams & London String Quartet | 3:51 | | | | | |
7 | 7 | Quintet for guitar & strings in G major, G. 450 (arrangement of Quintet for Flute and strings, G. 431 & String quartet, G. 240): II. Andantino lento | John Williams & London String Quartet | 2:54 | | | | | |
8 | 8 | Quintet for guitar & strings in G major, G. 450 (arrangement of Quintet for Flute and strings, G. 431 & String quartet, G. 240): III. Tempo di Minuetto - Trio | John Williams & London String Quartet | 3:03 | | | | | |
9 | 9 | Quintet for guitar & strings in G major, G. 450 (arrangement of Quintet for Flute and strings, G. 431 & String quartet, G. 240): IV. Allegretto | John Williams & London String Quartet | 3:56 | | | | | |
Media 30: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Suite Española, Op. 47: No. 1, Granada (Serenata) | John Williams | 4:40 | | | | | |
2 | 2 | Suite Española, Op. 47: No. 5, Asturias (Leyenda) | John Williams | 6:14 | | | | | |
3 | 3 | Suite Española, Op. 47: No. 3, Sevilla (Sevillanas) | John Williams | 4:40 | | | | | |
4 | 4 | Mallorca (Barcarola), Op. 202 | John Williams | 6:26 | | | | | |
5 | 5 | Cantos de España, Op. 232: No. 4, Córdoba | John Williams | 6:52 | | | | | |
6 | 6 | Piezas Caracteristicas, Op. 92: No. 12, Tórre Bermeja (Serenata) | John Williams | 4:11 | | | | | |
7 | 7 | Suite Española No. 1, Op. 47: No. 4, Cádiz (Canción) | John Williams | 3:45 | | | | | |
8 | 8 | Piezas Caracteristicas, Op. 92: No. 7, Zambra Granadina | John Williams | 4:17 | | | | | |
9 | 9 | España, Op. 165: No. 2, Tango | John Williams | 3:10 | | | | | |
Media 31: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Stevie, film score: Stevie | Glenda Jackson, Trevor Howard, John Williams, Marcus Dods | 2:05 | | | | | |
2 | 2 | Stevie, film score: Papa love Baby | Glenda Jackson, Trevor Howard, John Williams, Marcus Dods | 1:49 | | | | | |
3 | 3 | Stevie, film score: Stevie's Tuberculosis. a) The Swings. b) The Funeral | Glenda Jackson, Trevor Howard, John Williams, Marcus Dods | 4:34 | | | | | |
4 | 4 | Stevie, film score: Tender Only to One | Glenda Jackson, Trevor Howard, John Williams, Marcus Dods | 1:35 | | | | | |
5 | 5 | Stevie, film score: Farewell to Romance | Glenda Jackson, Trevor Howard, John Williams, Marcus Dods | 3:39 | | | | | |
6 | 6 | Stevie, film score: Would He Might Come - Not Waving but Drowning | Glenda Jackson, Trevor Howard, John Williams, Marcus Dods | 3:07 | | | | | |
7 | 7 | Stevie, film score: Karl | Glenda Jackson, Trevor Howard, John Williams, Marcus Dods | 1:51 | | | | | |
8 | 8 | Stevie, film score: A House of Mercy | Glenda Jackson, Trevor Howard, John Williams, Marcus Dods | 3:06 | | | | | |
9 | 9 | Stevie, film score: Study in E minor | Glenda Jackson, Trevor Howard, John Williams, Marcus Dods | 2:25 | | | | | |
10 | 10 | Stevie, film score: Attempted Suicide | Glenda Jackson, Trevor Howard, John Williams, Marcus Dods | 1:37 | | | | | |
11 | 11 | Stevie, film score: Black March | Glenda Jackson, Trevor Howard, John Williams, Marcus Dods | 3:11 | | | | | |
12 | 12 | Stevie, film score: Thoughts about the Christian Doctrine of Eternal Hell | Glenda Jackson, Trevor Howard, John Williams, Marcus Dods | 4:13 | | | | | |
13 | 13 | Stevie, film score: Come Death and Finale | Glenda Jackson, Trevor Howard, John Williams, Marcus Dods | 5:28 | | | | | |
Media 32: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Cantata No. 140, "Wachet auf, ruft uns die Stimme," BWV 140 (BC A166): Chorale: Wachet auf, ruft uns die Stimme | John Williams & Peter Hurford | 6:09 | | | | | |
2 | 2 | Fugue for organ in G major, BWV 577 (BC J61) | John Williams & Peter Hurford | 3:03 | | | | | |
3 | 3 | Sonata for violin & keyboard No. 4 in C minor, BWV 1017: III. Adagio | John Williams & Peter Hurford | 3:19 | | | | | |
4 | 4 | Trio Sonata for organ No. 6 in G major, BWV 530 (BC J6): I. Vivace | John Williams & Peter Hurford | 3:44 | | | | | |
5 | 5 | Trio Sonata for organ No. 6 in G major, BWV 530 (BC J6): II. Lento | John Williams & Peter Hurford | 4:20 | | | | | |
6 | 6 | Trio Sonata for organ No. 6 in G major, BWV 530 (BC J6): III. Allegro | John Williams & Peter Hurford | 3:35 | | | | | |
7 | 7 | Italian Concerto, for solo keyboard in F major (Clavier-Übung II/1), BWV 971 (BC L7): I. [Allegro] | John Williams & Peter Hurford | 4:09 | | | | | |
8 | 8 | Pastorale for organ in F major, BWV 590 (BC J81): III. [Adagio] C minor | John Williams & Peter Hurford | 3:50 | | | | | |
9 | 9 | Trio for organ in G major (arrangement, possibly by Kellner), BWV 1027a: [Excerpt] | John Williams & Peter Hurford | 2:57 | | | | | |
10 | 10 | French Suite, for keyboard No. 6 in E major, BWV 817 (BC L24): I. Allemande | John Williams & Peter Hurford | 2:38 | | | | | |
11 | 11 | English Suite, for keyboard No. 2 in A minor, BWV 807 (BC L14): VI. Bourrée II | John Williams & Peter Hurford | 1:34 | | | | | |
12 | 12 | English Suite, for keyboard No. 3 in G minor, BWV 808 (BC L15): V. Gavotte I - VI Gavotte II (ou la Musette) | John Williams & Peter Hurford | 4:21 | | | | | |
13 | 13 | French Suite, for keyboard No. 5 in G major, BWV 816 (BC L23): VII. Gigue | John Williams & Peter Hurford | 3:46 | | | | | |
Media 33: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Seis por derecho, joropo for guitar | John Williams | 3:27 | | | | | |
2 | 2 | Castilla for guitar | John Williams | 4:15 | | | | | |
3 | 3 | Recuerdos de la Alhambra, for guitar | John Williams | 3:35 | | | | | |
4 | 4 | Suite for solo cello No. 1 in G major, BWV 1007: I. Prelude | John Williams | 2:35 | | | | | |
5 | 5 | Lute (Chamber) Concerto, for lute (or guitar), 2 violins & continuo in D major, RV 93: I. [Allegro giusto] | John Williams & Leslie Pearson | 3:34 | | | | | |
6 | 6 | Lute (Chamber) Concerto, for lute (or guitar), 2 violins & continuo in D major, RV 93: II. Largo | John Williams & Leslie Pearson | 4:15 | | | | | |
7 | 7 | Lute (Chamber) Concerto, for lute (or guitar), 2 violins & continuo in D major, RV 93: III. Allegro | John Williams & Leslie Pearson | 2:18 | | | | | |
8 | 8 | The Fool on the Hill | John Williams | 3:39 | | | | | |
9 | 9 | Waltz for guitar in D major, Op. 8/4 | John Williams | 3:51 | | | | | |
10 | 10 | Aires Populares Cubanos (2), for guitar: Guajira criolla | John Williams | 2:10 | | | | | |
11 | 11 | Danza Caracteristica for guitar | John Williams | 1:56 | | | | | |
12 | 12 | Cavatina (from "The Deer Hunter"): Cavatina | John Williams & Leslie Pearson | 4:20 | | | | | |
13 | 13 | El Negrito, for guitar | John Williams | 1:51 | | | | | |
14 | 14 | Sakura, theme and variations for guitar | John Williams | 5:07 | | | | | |
Media 34: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Wraggle Taggle Gypsies | John Williams | 2:09 | | | | | |
2 | 2 | So We'll Go No More A-Roving | John Williams | 2:41 | 127.8933 | | | | |
3 | 3 | Jajra Kati - Csak Egy Kislany Van A Vilagon | John Williams | 3:50 | | | | | |
4 | 4 | Queen of Hearts | John Williams | 3:54 | 104.4463 | | | | |
5 | 5 | Catari, Catari | John Williams | 4:46 | | | | | |
6 | 6 | Petronella - St. Patrick's Day - Buacallan Buidhe | John Williams | 3:20 | | | | | |
7 | 7 | Scarborough Fair | John Williams | 3:39 | 162.8998 | | | | |
8 | 8 | Carnaval | John Williams | 2:30 | 148.2888 | | | | |
9 | 9 | Seis Por Derecho | John Williams | 2:19 | | | | | |
10 | 10 | Over the Sea to Skye | John Williams | 2:52 | 150.3127 | | | | |
11 | 11 | Mashilae | John Williams | 2:21 | | | | | |
12 | 12 | Music Box Tune | John Williams | 1:36 | 123.0097 | | | | |
13 | 13 | Tu Ca Nun Chiagne | John Williams | 2:58 | | | | | |
14 | 14 | O Waly Waly | John Williams | 2:57 | | | | | |
15 | 15 | Shenandoah | John Williams | 3:33 | | | | | |
Media 35: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Concierto de Aranjuez, for guitar & orchestra: I. Allegro con spirito | John Williams, Christine Pendrill, Philharmonia Orchestra, Louis Frémaux | 6:05 | | | | | |
2 | 2 | Concierto de Aranjuez, for guitar & orchestra: II. Adagio | John Williams, Christine Pendrill, Philharmonia Orchestra, Louis Frémaux | 10:26 | | | | | |
3 | 3 | Concierto de Aranjuez, for guitar & orchestra: III. Allegro gentile | John Williams, Christine Pendrill, Philharmonia Orchestra, Louis Frémaux | 5:11 | | | | | |
4 | 4 | Fantasía para un gentilhombre, for guitar & orchestra: I. Villano y Ricercare. Adagietto - Andante moderato | John Williams, Philharmonia Orchestra, Louis Frémaux | 4:59 | | | | | |
5 | 5 | Fantasía para un gentilhombre, for guitar & orchestra: II. Españoleta y Fanfare de la Caballería de Nápoles. Adagio - Allegretto, molto ritmico | John Williams, Philharmonia Orchestra, Louis Frémaux | 9:33 | | | | | |
6 | 6 | Fantasía para un gentilhombre, for guitar & orchestra: III. Danza de las hachas. Allegro con brio | John Williams, Philharmonia Orchestra, Louis Frémaux | 2:00 | | | | | |
7 | 7 | Fantasía para un gentilhombre, for guitar & orchestra: IV. Canario. Allegro ma non troppo | John Williams, Philharmonia Orchestra, Louis Frémaux | 4:47 | | | | | |
Media 36: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Concerto for violin, strings & continuo No. 2 in E major, BWV 1042: I. Allegro | John Williams, Kenneth Sillito, Academy of St Martin in the Fields | 8:08 | | | | | |
2 | 2 | Concerto for violin, strings & continuo No. 2 in E major, BWV 1042: II. Adagio | John Williams, Kenneth Sillito, Academy of St Martin in the Fields | 6:42 | | | | | |
3 | 3 | Concerto for violin, strings & continuo No. 2 in E major, BWV 1042: III. Allegro assai | John Williams, Kenneth Sillito, Academy of St Martin in the Fields | 3:07 | | | | | |
4 | 4 | Sonata for solo violin No. 2 in A minor, BWV 1003: III. Aria (Andante) | John Williams | 5:06 | | | | | |
5 | 5 | Organ Concerto in F major, Op.4/5, HWV 293: I. Larghetto | John Williams, Kenneth Sillito, Academy of St Martin in the Fields | 2:06 | | | | | |
6 | 6 | Organ Concerto in F major, Op.4/5, HWV 293: II. Allegro | John Williams, Kenneth Sillito, Academy of St Martin in the Fields | 2:26 | | | | | |
7 | 7 | Organ Concerto in F major, Op.4/5, HWV 293: III. Alla siciliana | John Williams, Kenneth Sillito, Academy of St Martin in the Fields | 1:45 | | | | | |
8 | 8 | Organ Concerto in F major, Op.4/5, HWV 293: IV. Presto | John Williams, Kenneth Sillito, Academy of St Martin in the Fields | 2:17 | | | | | |
9 | 9 | Concerto for oboe, strings & continuo in D minor, SF. 935 (often transposed to C minor): I. Allegro moderato | John Williams, Kenneth Sillito, Academy of St Martin in the Fields | 3:21 | | | | | |
10 | 10 | Concerto for oboe, strings & continuo in D minor, SF. 935 (often transposed to C minor): II. Adagio | John Williams, Kenneth Sillito, Academy of St Martin in the Fields | 4:06 | | | | | |
11 | 11 | Concerto for oboe, strings & continuo in D minor, SF. 935 (often transposed to C minor): III. Allegro | John Williams, Kenneth Sillito, Academy of St Martin in the Fields | 4:14 | | | | | |
Media 37: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Streets of London | John Williams | 3:41 | 154.8319 | | | | |
2 | 2 | Lavolta, for keyboard No. 2 in G minor, MB 91 | John Williams | 2:06 | | | | | |
3 | 3 | A New Ground (from "Welcome to All the Pleasures"), for harpsichord in E minor, ZT 682 | John Williams | 2:37 | | | | | |
4 | 4 | In Old Holland Park, for guitar & orchestra | John Williams | 3:09 | | | | | |
5 | 5 | Suite for keyboard (Suite de piece), Vol.1, No.5 in E major ("The Harmonious Blacksmith"), HWV 430: III. Courante | John Williams | 3:18 | | | | | |
6 | 6 | Work(s): Sarabande & Air | John Williams | 5:48 | | | | | |
7 | 7 | Suite for keyboard (Suite de piece), Vol.1, No.5 in E major ("The Harmonious Blacksmith"), HWV 430: IV. Air and Variations "The Harmonious Blacksmith" | John Williams | 5:26 | | | | | |
8 | 8 | Salut d'amour, for violin & piano, Op. 12 | John Williams | 2:53 | | | | | |
9 | 9 | A Nightingale Sang in Berkeley Square | John Williams & William Goodchild | 5:02 | | | | | |
10 | 10 | A Room in Bloomsbury | John Williams & William Goodchild | 2:52 | | | | | |
11 | 11 | London Pride | John Williams & William Goodchild | 4:12 | | | | | |
12 | 12 | A Foggy Day (in London Town), song (from A Damsel in Distress, film) | John Williams & William Goodchild | 2:39 | | | | | |
13 | 13 | London by Night | John Williams & William Goodchild | 4:32 | | | | | |
14 | 14 | Maybe It's Because I'm A Londoner | John Williams & William Goodchild | 1:31 | | | | | |
Media 38: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Concerto for guitar & jazz orchestra: I. South Bank | John Williams, Bill Ashton, National Youth Jazz Orchestra, Paul Hart | 10:59 | | | | | |
2 | 2 | Concerto for guitar & jazz orchestra: II. First Interlude and Ballad | John Williams, Bill Ashton, National Youth Jazz Orchestra, Paul Hart | 13:26 | | | | | |
3 | 3 | Concerto for guitar & jazz orchestra: III. Second Interlude and Plymouth Hoe-Down | John Williams, Bill Ashton, National Youth Jazz Orchestra, Paul Hart | 13:32 | | | | | |
4 | 4 | Rondo la Ronde for guitar, piano & synthesizer | John Williams, Dave Arch, Paul Hart | 4:37 | | | | | |
5 | 5 | Song Without Words for guitar, piano & synthesizer in D minor | John Williams, Dave Arch, Paul Hart | 4:35 | | | | | |
6 | 6 | Duet for Two for guitar & piano | John Williams / Paul Hart | 4:09 | | | | | |
Media 39: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Danza Di Cala Luna | Inti-Illimani, John Williams, Paco Peña | 4:28 | | | | | |
2 | 2 | El Corazon A Contraluz | Inti-Illimani, John Williams, Paco Peña | 6:31 | | | | | |
3 | 3 | Cristalino | Inti-Illimani, John Williams, Paco Peña | 5:13 | | | | | |
4 | 4 | La Preguntona | Inti-Illimani, John Williams, Paco Peña | 3:36 | | | | | |
5 | 5 | El Carnaval | Inti-Illimani, John Williams, Paco Peña | 5:48 | | | | | |
6 | 6 | Fragmentos De Un Sueno | Inti-Illimani, John Williams, Paco Peña | 3:53 | | | | | |
7 | 7 | La Ciudad | Inti-Illimani, John Williams, Paco Peña | 4:18 | | | | | |
8 | 8 | El Mercado Testaccio | Inti-Illimani, John Williams, Paco Peña | 4:21 | | | | | |
9 | 9 | La Calahorra | Inti-Illimani, John Williams, Paco Peña | 4:38 | | | | | |
10 | 10 | En Libertad (Sevillanas) | Inti-Illimani, John Williams, Paco Peña | 2:49 | | | | | |
11 | 11 | Danza | Inti-Illimani, John Williams, Paco Peña | 6:16 | | | | | |
Media 40: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Bourrée Alla Polacca, arranged for guitar (or keyboard) (after the Overture, TWV 55:Es2) | John Williams | 3:03 | | | | | |
2 | 2 | Sonata for keyboard in E major, K. 380 (L. 23) "Cortège" | John Williams | 4:09 | | | | | |
3 | 3 | Sonata for keyboard in D minor, K. 213 (L. 108) "The Lover" | John Williams | 5:10 | | | | | |
4 | 4 | Sonata for keyboard in A major, K. 322 (L. 483) | John Williams | 3:09 | | | | | |
5 | 5 | Partita for solo violin No. 2 in D minor, BWV 1004: V. Chaconne | John Williams | 13:54 | | | | | |
6 | 6 | Les Baricades mistérieuses, for harpsichord (Pièces de clavecin, II, 6e ordre) | John Williams | 4:07 | | | | | |
7 | 7 | Les Moissonneurs, for harpsichord (Pièces de clavecin, II, 6e ordre) | John Williams | 2:12 | | | | | |
8 | 8 | Sonata for keyboard in A minor, K. 175 (L. 429) | John Williams | 3:29 | | | | | |
9 | 9 | Sonata for keyboard in C major, K. 159 (L. 104) "La caccia" | John Williams | 2:56 | | | | | |
10 | 10 | Passacaglia for guitar | John Williams | 4:41 | | | | | |
11 | 11 | Fantasia for lute No. 1 in C minor (London MS), WeissSW 9* (Smith 83) | John Williams | 2:28 | | | | | |
12 | 12 | Tombeau sur la mort de Momsieur Cajetan Baron D'Hartig, for lute in E flat minor (London MS), WeissSW 11* (Smith 110) | John Williams | 4:24 | | | | | |
13 | 13 | Passacaille for lute in D major | John Williams | 4:07 | | | | | |
Media 41: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Sunburst (Andrew York) | John Williams | 3:38 | | | | | |
2 | 2 | Aconquija (Agustin Barrios Mangore) | John Williams | 3:55 | | | | | |
3 | 3 | La Ultima Cancion (Agustin Barrios Mangore) | John Williams | 3:24 | | | | | |
4 | 4 | Verano Porteno (Astor Piazzolla) | John Williams | 4:46 | | | | | |
5 | 5 | Lullaby (Andrew York) | John Williams | 3:49 | | | | | |
6 | 6 | Scherzino Mexicano (Manuel Ponce) | John Williams | 2:31 | | | | | |
7 | 7 | Natalia (Antonio Lauro) | John Williams | 2:50 | | | | | |
8 | 8 | El Nino (Antonio Lauro) | John Williams | 2:31 | | | | | |
9 | 9 | Maria Luisa (Antonio Lauro) | John Williams | 2:33 | | | | | |
10 | 10 | Cueca (Agustin Barrios Mangore) | John Williams | 3:27 | | | | | |
11 | 11 | Berceuse (Leo Brouwer) | John Williams | 3:53 | | | | | |
12 | 12 | Danza Caracteristica (Leo Brouwer) | John Williams | 2:08 | | | | | |
13 | 13 | Spanish Guitar Blues (Charlie Byrd) | John Williams | 2:07 | | | | | |
14 | 14 | Blues for Felix (Charlie Byrd) | John Williams | 2:11 | | | | | |
15 | 15 | Swing 59 (Charlie Byrd) | John Williams | 1:08 | | | | | |
16 | 16 | Choros No. 1 (Heitor Villa-Lobos) | John Williams | 3:42 | | | | | |
17 | 17 | El Colibri (Julio Sagreras) | John Williams | 1:20 | | | | | |
18 | 18 | Nortena (Gomez Crespo) | John Williams | 3:52 | | | | | |
Media 42: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Preludio y Festejo, for 2 guitars & ensemble | Inti-Illimani, John Williams, Paco Peña | 7:06 | | | | | |
2 | 2 | Sensemaya, for orchestra | Inti-Illimani | 3:49 | | | | | |
3 | 3 | Farruca, for 2 guitars | Inti-Illimani & Paco Peña | 2:54 | | | | | |
4 | 4 | La Cacharpaya (huayno), for 2 guitars | Inti-Illimani & Paco Peña | 3:31 | | | | | |
5 | 5 | Crónicas de una ausencia, for 2 guitars & ensemble | Inti-Illimani, John Williams, Paco Peña | 7:35 | | | | | |
6 | 6 | Alondras, for 2 guitars & ensemble | Inti-Illimani, John Williams, Paco Peña | 6:04 | | | | | |
7 | 7 | Juanito Laguna remonta un barrilete, song | Inti-Illimani | 4:46 | | | | | |
8 | 8 | David of the White Rock (Dafydd y Garreg Wen), folk song | Inti-Illimani & John Williams | 1:59 | | | | | |
9 | 9 | La fiesta de la tirana | Inti-Illimani & John Williams | 3:20 | | | | | |
10 | 10 | Cándidos, song | Inti-Illimani | 4:41 | | | | | |
11 | 11 | Tarantella | Inti-Illimani, John Williams, Paco Peña | 2:12 | | | | | |
12 | 12 | Canna austina, for 2 guitars & ensemble | Inti-Illimani, John Williams, Paco Peña | 4:12 | | | | | |
Media 43: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Concerto for Violin (Guitar), Strings and Basso continuo in D Major, R.230, I. Allegro | János Rolla, John Williams, Liszt Ferenc Kamarazenekar | 2:23 | | | | | |
2 | 2 | Concerto for Violin (Guitar), Strings and Basso continuo in D Major, R.230, II. Larghetto | János Rolla, John Williams, Liszt Ferenc Kamarazenekar | 4:24 | | | | | |
3 | 3 | Concerto for Violin (Guitar), Strings and Basso continuo in D Major, R.230, III. Allegro | János Rolla, John Williams, Liszt Ferenc Kamarazenekar | 2:16 | | | | | |
4 | 4 | Concerto for Violin (Guitar), Strings and Basso continuo in A minor, R.356, I. Allegro | János Rolla, John Williams, Liszt Ferenc Kamarazenekar | 3:11 | | | | | |
5 | 5 | Concerto for Violin (Guitar), Strings and Basso continuo in A minor, R.356, II. Largo | János Rolla, John Williams, Liszt Ferenc Kamarazenekar | 2:29 | | | | | |
6 | 6 | Concerto for Violin (Guitar), Strings and Basso continuo in A minor, R.356, III. Presto | János Rolla, John Williams, Liszt Ferenc Kamarazenekar | 2:20 | | | | | |
7 | 7 | Concerto for two Mandolins (Guitars), Strings and Basso continuo in G Major, R.532, I. Allegro | János Rolla, John Williams, Liszt Ferenc Kamarazenekar | 3:50 | | | | | |
8 | 8 | Concerto for two Mandolins (Guitars), Strings and Basso continuo in G Major, R.532, II. Andante | János Rolla, John Williams, Liszt Ferenc Kamarazenekar | 3:51 | | | | | |
9 | 9 | Concerto for two Mandolins (Guitars), Strings and Basso continuo in G Major, R.532, III. Allegro | János Rolla, John Williams, Liszt Ferenc Kamarazenekar | 3:33 | | | | | |
10 | 10 | Trio for Violin, Lute (Guitar) and Basso continuo in C Major, R.82, I. Allegro non molto | János Rolla, John Williams, Liszt Ferenc Kamarazenekar | 3:31 | | | | | |
11 | 11 | Trio for Violin, Lute (Guitar) and Basso continuo in C Major, R.82, II. Larghetto | János Rolla, John Williams, Liszt Ferenc Kamarazenekar | 4:10 | | | | | |
12 | 12 | Trio for Violin, Lute (Guitar) and Basso continuo in C Major, R.82, III. Allegro | János Rolla, John Williams, Liszt Ferenc Kamarazenekar | 2:11 | | | | | |
13 | 13 | Concerto for Viola d'amore, Lute (Guitar), Strings and Basso continuo in D minor, R.540, I. Allegro | János Rolla, John Williams, Liszt Ferenc Kamarazenekar | 5:27 | | | | | |
14 | 14 | Concerto for Viola d'amore, Lute (Guitar), Strings and Basso continuo in D minor, R.540, II. Largo | János Rolla, John Williams, Liszt Ferenc Kamarazenekar | 3:46 | | | | | |
15 | 15 | Concerto for Viola d'amore, Lute (Guitar), Strings and Basso continuo in D minor, R.540, III. Allegro | János Rolla, John Williams, Liszt Ferenc Kamarazenekar | 3:18 | | | | | |
16 | 16 | Concerto for Violin (Guitar), Strings and Basso continuo in A Major, R.345, I. Allegro | János Rolla, John Williams, Liszt Ferenc Kamarazenekar | 4:02 | | | | | |
17 | 17 | Concerto for Violin (Guitar), Strings and Basso continuo in A Major, R.345, II. Largo | János Rolla, John Williams, Liszt Ferenc Kamarazenekar | 2:39 | | | | | |
18 | 18 | Concerto for Violin (Guitar), Strings and Basso continuo in A Major, R.345, III. Allegro | János Rolla, John Williams, Liszt Ferenc Kamarazenekar | 2:59 | | | | | |
19 | 19 | Concerto for Lute (Guitar), two Violins (Strings) and Basso continuo in D Major, R.93, I. Allegro giusto | János Rolla, John Williams, Liszt Ferenc Kamarazenekar | 3:44 | | | | | |
20 | 20 | Concerto for Lute (Guitar), two Violins (Strings) and Basso continuo in D Major, R.93, II. Largo | János Rolla, John Williams, Liszt Ferenc Kamarazenekar | 4:30 | | | | | |
21 | 21 | Concerto for Lute (Guitar), two Violins (Strings) and Basso continuo in D Major, R.93, III. Allegro | János Rolla, John Williams, Liszt Ferenc Kamarazenekar | 2:06 | | | | | |
Media 44: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | To the Edge of Dream, for guitar & orchestra | John Williams | 12:27 | | | | | |
2 | 2 | Folios, for guitar: No.1 | John Williams | 3:01 | | | | | |
3 | 3 | Folios, for guitar: No.2 | John Williams | 2:35 | | | | | |
4 | 4 | Folios, for guitar: No.3 | John Williams | 2:41 | | | | | |
5 | 5 | Toward the Sea I, for alto flute & guitar: No 1 The Night | John Williams | 4:11 | | | | | |
6 | 6 | Toward the Sea I, for alto flute & guitar: No 2 Moby Dick | John Williams | 4:39 | | | | | |
7 | 7 | Toward the Sea I, for alto flute & guitar: No 3 Cape Cod | John Williams | 4:21 | | | | | |
8 | 8 | Here, There & Everywhere | John Williams | 3:11 | | | | | |
9 | 9 | What a Friend We have in Jesus | John Williams | 2:25 | | | | | |
10 | 10 | Amours Perdues | John Williams | 2:38 | | | | | |
11 | 11 | Summertime, song (from Porgy and Bess, opera) | John Williams | 3:34 | | | | | |
12 | 12 | Vers, l'arc-en-ciel, palma, for oboe d'amore, guitar & orchestra | John Williams | 14:36 | | | | | |
Media 45: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Valses Poeticos | John Williams | 14:51 | | | | | |
2 | 2 | Invocation et Danse | John Williams | 9:18 | | | | | |
3 | 3 | Nine Catalan Folksongs- Canco del Llandre | John Williams | 1:44 | | | | | |
4 | 4 | Nine Catalan Folksongs- El Testament d'Amelia | John Williams | 2:10 | | | | | |
5 | 5 | Nine Catalan Folksongs- La Filadora | John Williams | 1:00 | | | | | |
6 | 6 | Nine Catalan Folksongs- El Mestre | John Williams | 3:28 | | | | | |
7 | 7 | Nine Catalan Folksongs- La Nit de Nadal | John Williams | 1:05 | | | | | |
8 | 8 | Nine Catalan Folksongs- L'Hereu Riera | John Williams | 1:16 | | | | | |
9 | 9 | Nine Catalan Folksongs- Lo Fill del Rei | John Williams | 2:17 | | | | | |
10 | 10 | Nine Catalan Folksongs- La Pastorela | John Williams | 1:12 | | | | | |
11 | 11 | Nine Catalan Folksongs- El Noi de la Mare | John Williams | 2:20 | | | | | |
12 | 12 | En los Trigales | John Williams | 3:56 | | | | | |
13 | 13 | El Albaicin | John Williams | 9:07 | | | | | |
14 | 14 | Triana | John Williams | 4:42 | | | | | |
15 | 15 | Rondeña | John Williams | 8:27 | | | | | |
Media 46: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Suite española, Op. 47: No. 3, Sevilla (Sevillanas) | John Williams | 4:43 | | | | | |
2 | 2 | Suite in E Major, BWV 1006a: I. Prélude | John Williams | 4:23 | | | | | |
3 | 3 | Sonata in D Minor, K. 213, L. 108 | John Williams | 5:11 | | | | | |
4 | 4 | Chamber Concerto in D Major, RV 93 I. Allegro Guisto | John Williams, Real Orquesta Sinfónica de Sevilla | 3:37 | | | | | |
5 | 5 | Chamber Concerto in D Major, RV 93 II. Largo | John Williams, Real Orquesta Sinfónica de Sevilla | 4:09 | | | | | |
6 | 6 | Chamber Concerto in D Major, RV 93 III. Allegro | John Williams, Real Orquesta Sinfónica de Sevilla | 2:15 | | | | | |
7 | 7 | Sakura Variations | John Williams | 5:03 | | | | | |
8 | 8 | Usher Waltz, Op. 29 (After Edgar Allan Poe) | John Williams | 5:46 | | | | | |
9 | 9 | Suite española, Op. 47: No. 5, Asturias (Leyenda) | John Williams | 6:02 | | | | | |
10 | 10 | Sueno en La Floresta | John Williams | 6:02 | | | | | |
11 | 11 | Concierto de Aranjuez: II. Adagio | John Williams, Real Orquesta Sinfónica de Sevilla | 11:01 | | | | | |
Media 47: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Kakadu | John Williams, Australian Chamber Orchestra, Richard Hickox | 20:05 | | | | | |
2 | 2 | Nourlangie, for guitar, strings & percussion | John Williams, London Symphony Orchestra, Paul Daniel | 6:33 | | | | | |
3 | 3 | The Last Place on Earth | John Williams, London Symphony Orchestra, Paul Daniel | 4:22 | | | | | |
4 | 4 | Wooden Ships | John Williams, London Symphony Orchestra, Paul Daniel | 3:04 | | | | | |
5 | 5 | Penguin ballet | John Williams, London Symphony Orchestra, Paul Daniel | 8:10 | | | | | |
6 | 6 | The Ice Core/Finale | John Williams, London Symphony Orchestra, Paul Daniel | 10:38 | | | | | |
7 | 7 | Into the Dreaming, for guitar | John Williams, London Symphony Orchestra, Paul Daniel | 5:46 | | | | | |
Media 48: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Vals no 3 | John Williams | 4:12 | | | | | |
2 | 2 | Preludio en do menor (C minor) | John Williams | 2:13 | | | | | |
3 | 3 | Cueca | John Williams | 3:29 | 122.84 | | | | |
4 | 4 | Maxixa | John Williams | 2:42 | 120.4978 | | | | |
5 | 5 | La Catedral | John Williams | 6:57 | | | | | |
6 | 6 | Julia Florida (barcarola) | John Williams | 4:29 | | | | | |
7 | 7 | Vals no 4 | John Williams | 4:20 | | | | | |
8 | 8 | Una limosna por el amor de Dios | John Williams | 3:27 | 163.0754 | | | | |
9 | 9 | Mazurka appassionata | John Williams | 5:08 | | | | | |
10 | 10 | Las abejas | John Williams | 2:18 | | | | | |
11 | 11 | Medallon antiguo | John Williams | 3:21 | | | | | |
12 | 12 | Choro de saudade | John Williams | 4:49 | | | | | |
13 | 13 | Aire de zamba | John Williams | 2:46 | | | | | |
14 | 14 | Aconquija | John Williams | 4:16 | | | | | |
15 | 15 | Preludio en sol menor (G minor) | John Williams | 2:49 | | | | | |
16 | 16 | Sueno en la floresta | John Williams | 6:42 | | | | | |
17 | 17 | Villancico de navidad | John Williams | 3:17 | | | | | |
Media 49: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Concerto Antico for Guitar and Small orchestra: Alborada | John Williams, London Symphony Orchestra, Paul Daniel | 6:53 | | | | | |
2 | 2 | Concerto Antico for Guitar and Small orchestra: Contredanse | John Williams, London Symphony Orchestra, Paul Daniel | 3:07 | | | | | |
3 | 3 | Concerto Antico for Guitar and Small orchestra: Cantilena | John Williams, London Symphony Orchestra, Paul Daniel | 10:00 | | | | | |
4 | 4 | Concerto Antico for Guitar and Small orchestra: Forlana | John Williams, London Symphony Orchestra, Paul Daniel | 3:47 | | | | | |
5 | 5 | Concerto Antico for Guitar and Small orchestra: Lavolta | John Williams, London Symphony Orchestra, Paul Daniel | 5:00 | | | | | |
6 | 6 | Guitar Concerto: Dances | John Williams, London Symphony Orchestra, Paul Daniel | 8:06 | | | | | |
7 | 7 | Guitar Concerto: Love Songs | John Williams, London Symphony Orchestra, Paul Daniel | 11:52 | | | | | |
8 | 8 | Guitar Concerto: Jokes | John Williams, London Symphony Orchestra, Paul Daniel | 12:08 | | | | | |
Media 50: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Danza Espanola, for orchestra (from "La Vida Breve") | John Williams & Timothy Kain | 3:21 | | | | | |
2 | 2 | Intermezzo, for guitar(s) (arrangement from Goyescas) | John Williams & Timothy Kain | 4:23 | | | | | |
3 | 3 | Danzas Española: No. 6, Rondalla aragonesa - Jota | John Williams & Timothy Kain | 5:10 | | | | | |
4 | 4 | Arranged by John Williams | John Williams & Timothy Kain | 3:16 | | | | | |
5 | 5 | Songs from the Forest, for 2 guitars | John Williams & Timothy Kain | 6:45 | | | | | |
6 | 6 | Duets (3): No.1, The Mantis and the Moon | John Williams & Timothy Kain | 3:21 | | | | | |
7 | 7 | Duets (3): No.2, Lament | John Williams & Timothy Kain | 2:56 | | | | | |
8 | 8 | Duets (3): No.3, Alchemy | John Williams & Timothy Kain | 2:38 | | | | | |
9 | 9 | Allegro giocoso | John Williams & Timothy Kain | 2:10 | | | | | |
10 | 10 | Slow | John Williams & Timothy Kain | 2:27 | | | | | |
11 | 11 | Fast and Light | John Williams & Timothy Kain | 1:54 | | | | | |
12 | 12 | Micropiezas (4) for 2 guitars | John Williams & Timothy Kain | 5:22 | | | | | |
13 | 13 | Monte Carlo | John Williams & Timothy Kain | 4:37 | | | | | |
14 | 14 | Capitola, California | John Williams & Timothy Kain | 3:11 | | | | | |
15 | 15 | Prayer | John Williams & Timothy Kain | 4:42 | | | | | |
16 | 16 | Jongo for guitar | John Williams & Timothy Kain | 4:30 | | | | | |
17 | 17 | Bad Boy, for 2 guitars | John Williams & Timothy Kain | 3:34 | | | | | |
18 | 18 | Guitars, arranged by Y. Larichev | John Williams & Timothy Kain | 2:35 | | | | | |
Media 51: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Kiss from a Rose, song (for the film "Batman Forever") | John Williams & Christopher Gunning | 4:08 | | | | | |
2 | 2 | Everything I Do (I Do It for You) (Italian version: "Quello che farò sarà per te") | John Williams & Christopher Gunning | 4:28 | | | | | |
3 | 3 | Unchained Melody, song | John Williams & Steve Gray | 4:00 | | | | | |
4 | 4 | Love Is All Around | John Williams & Bruno Fontaine | 2:27 | | | | | |
5 | 5 | The Godfather, film score: Love Theme - The Godfather Waltz | John Williams & Christopher Gunning | 4:34 | | | | | |
6 | 6 | Moon River (for the film Breakfast at Tiffany's) | John Williams & Christopher Gunning | 4:07 | | | | | |
7 | 7 | The Wizard of Oz, film score: We're Off to See the Wizard - Over the Rainbow | John Williams & Steve Gray | 4:49 | | | | | |
8 | 8 | Gabriel's Oboe, theme from the film "The Mission" | John Williams & Christopher Gunning | 7:14 | | | | | |
9 | 9 | Cavatina (from "The Deer Hunter") | John Williams | 3:13 | | | | | |
10 | 10 | As Time Goes By, song | John Williams & Steve Gray | 3:04 | | | | | |
11 | 11 | I Will Wait for You (Je ne pourrai jamais vivre sans toi), song (Theme from "The Umbrellas of Cherbourg") | John Williams & Bruno Fontaine | 4:14 | | | | | |
12 | 12 | It Had to Be You | John Williams & Steve Gray | 3:08 | | | | | |
13 | 13 | Calling you | John Williams & Bruno Fontaine | 4:23 | | | | | |
14 | 14 | The Entertainer, for piano | John Williams | 2:56 | | | | | |
15 | 15 | Il Postino (The Postman), film score: Main Theme | John Williams & Nick Ingman | 4:07 | | | | | |
16 | 16 | Once Upon a Time in America, film score: Main Theme | John Williams & Bruno Fontaine | 5:12 | | | | | |
17 | 17 | Once Upon a Time in the West, film score: Main Theme | John Williams & Christopher Gunning | 5:02 | | | | | |
18 | 18 | Schindler's List, film score: Main Theme | John Williams | 3:04 | | | | | |
Media 52: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Guitar Concerto No. 4 ("Concerto de Toronto"): Moderato | John Williams, Steven Mercurio, London Sinfonietta | 10:03 | | | | | |
2 | 2 | Guitar Concerto No. 4 ("Concerto de Toronto"): Theme | John Williams, Steven Mercurio, London Sinfonietta | 1:53 | | | | | |
3 | 3 | Guitar Concerto No. 4 ("Concerto de Toronto"): Variation 1 | John Williams, Steven Mercurio, London Sinfonietta | 2:40 | | | | | |
4 | 4 | Guitar Concerto No. 4 ("Concerto de Toronto"): Variation 2 | John Williams, Steven Mercurio, London Sinfonietta | 3:26 | | | | | |
5 | 5 | Guitar Concerto No. 4 ("Concerto de Toronto"): Variation 3 | John Williams, Steven Mercurio, London Sinfonietta | 2:19 | | | | | |
6 | 6 | Guitar Concerto No. 4 ("Concerto de Toronto"): Variation 4 | John Williams, Steven Mercurio, London Sinfonietta | 3:38 | | | | | |
7 | 7 | Guitar Concerto No. 4 ("Concerto de Toronto"): Tempo Libero. Allegro | John Williams, Steven Mercurio, London Sinfonietta | 9:03 | | | | | |
8 | 8 | Elogio de la Danza, for guitar | John Williams, Steven Mercurio, London Sinfonietta | 6:00 | | | | | |
9 | 9 | Black Decameron, suite (3) for guitar: El arpa del guerrero | John Williams, Steven Mercurio, London Sinfonietta | 3:57 | | | | | |
10 | 10 | Black Decameron, suite (3) for guitar: La Huida de la Amantes por el valle de los Ecos | John Williams, Steven Mercurio, London Sinfonietta | 4:26 | | | | | |
11 | 11 | Black Decameron, suite (3) for guitar: Balada de la Doncella Enamorada | John Williams, Steven Mercurio, London Sinfonietta | 5:42 | | | | | |
12 | 12 | Hika "In Memoriam Toru Takemitsu", for guitar | John Williams, Steven Mercurio, London Sinfonietta | 7:29 | | | | | |
Media 53: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Three Epitafios (Mikis Theodorakis) No. 3, A Day in May | John Williams | 3:33 | | | | | |
2 | 2 | Three Epitafios (Mikis Theodorakis) No. 4, My Star, You Have Set | John Williams | 1:49 | | | | | |
3 | 3 | Three Epitafios (Mikis Theodorakis) No. 5, You Were Good Sweet | John Williams | 1:59 | | | | | |
4 | 4 | Koyunbaba (Carlo Domeniconi) Part 1 | John Williams | 4:06 | | | | | |
5 | 5 | Koyunbaba (Carlo Domeniconi) Part 2 | John Williams | 1:28 | | | | | |
6 | 6 | Koyunbaba (Carlo Domeniconi) Part 3 | John Williams | 4:03 | | | | | |
7 | 7 | Koyunbaba (Carlo Domeniconi) Part 4 | John Williams | 4:33 | | | | | |
8 | 8 | Gymnopedie for piano No. 3 | John Williams | 2:32 | | | | | |
9 | 9 | Lamento di Tristano, estampie | John Williams | 2:56 | | | | | |
10 | 10 | Ductiae | John Williams | 1:51 | | | | | |
11 | 11 | Saltarellos 1-4 (GB-LBl Add.29987) | John Williams | 1:58 | | | | | |
12 | 12 | Aeolian Suite for Guitar and Small Orchestra I. Aeolian Chant | John Williams | 4:20 | | | | | |
13 | 13 | Aeolian Suite for Guitar and Small Orchestra II. Double Dance | John Williams | 2:10 | | | | | |
14 | 14 | Aeolian Suite for Guitar and Small Orchestra III. Ballad | John Williams | 2:56 | | | | | |
15 | 15 | Aeolian Suite for Guitar and Small Orchestra IV. Toccata | John Williams | 3:30 | | | | | |
16 | 16 | Stélé (Phillip Houghton) I. Stélé | John Williams | 3:48 | | | | | |
17 | 17 | Stélé (Phillip Houghton) II. Dervish | John Williams | 2:00 | | | | | |
18 | 18 | Stélé (Phillip Houghton) III. Bronze Apollo | John Williams | 4:13 | | | | | |
19 | 19 | Stélé (Phillip Houghton) IV. Web | John Williams | 2:19 | | | | | |
20 | 20 | Gnossiennes: No. 1, Lent | John Williams | 3:49 | | | | | |
21 | 21 | Gnossiennes: No. 2, Avec etonnement | John Williams | 2:57 | | | | | |
Media 54: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Sonata "Arpeggione," D.821 - 1. Allegro moderato | John Williams, Richard Tognetti, Australian Chamber Orchestra | 10:13 | | | | | |
2 | 2 | Sonata "Arpeggione," D.821 - 2. Adagio | John Williams, Richard Tognetti, Australian Chamber Orchestra | 4:07 | | | | | |
3 | 3 | Sonata "Arpeggione," D.821 - 3. Allegretto | John Williams, Richard Tognetti, Australian Chamber Orchestra | 7:53 | | | | | |
4 | 4 | Concerto No 1 in A Major for Guitar and String Orchestra, Op.30 - 1. Allegro maestoso | John Williams, Richard Tognetti, Australian Chamber Orchestra | 15:49 | | | | | |
5 | 5 | Concerto No 1 in A Major for Guitar and String Orchestra, Op.30 - 2. Andantino: Siciliano | John Williams, Richard Tognetti, Australian Chamber Orchestra | 5:42 | | | | | |
6 | 6 | Concerto No 1 in A Major for Guitar and String Orchestra, Op.30 - 3. Rondo alla polacca | John Williams, Richard Tognetti, Australian Chamber Orchestra | 8:23 | | | | | |
Media 55: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | O Bia, for guitar, tiny kit & double bass | John Williams, Paul Clarvis, Chris Laurence | 3:52 | | | | | |
2 | 2 | Township Kwela, for 2 guitars, double bass, percussion, bamboo pipe | John Williams, Paul Clarvis, Chris Laurence, John Etheridge, Pete Whittaker | 3:08 | | | | | |
3 | 3 | Maki, for strings & percussion | John Williams, Paul Clarvis, Chris Laurence, Anthony Pleeth, Martin Loveday | 4:27 | | | | | |
4 | 4 | Engome, for thumb piano (sanza) & guitar | John Williams & Francis Bebey | 4:28 | | | | | |
5 | 5 | Malinke Guitars, duet | John Williams & John Etheridge | 6:05 | | | | | |
6 | 6 | Masanga, for guitar | John Williams | 3:16 | | | | | |
7 | 7 | Musha musiki, for 2 guitars, double bass & percussion | John Williams, John Etheridge, Chris Laurence, Paul Clarvis | 4:43 | | | | | |
8 | 8 | Mitopa | John Williams, Richard Allen Harvey, Chris Laurence, Paul Clarvis | 3:27 | | | | | |
9 | 9 | Triangular Situations | John Williams, Richard Allen Harvey, Chris Laurence | 3:58 | | | | | |
10 | 10 | Guitar Makossa | John Williams, John Etheridge, Paul Clarvis | 2:37 | | | | | |
11 | 11 | The Magic Box, for solo guitar | John Williams | 3:10 | | | | | |
12 | 12 | Omby, for guitar | John Williams & Richard Allen Harvey | 3:23 | | | | | |
13 | 13 | N'kosi sikelel' i Afrika | John Williams & African Children's Choir | 3:58 | | | | | |
14 | 14 | Djandjon, for kora (harp-lute) | John Williams & John Etheridge | 2:42 | | | | | |
15 | 15 | Sangara, makossa | John Williams & John Etheridge | 3:39 | | | | | |
Media 56: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Los Caujaritos, pasaje | John Williams | 2:36 | | | | | |
2 | 2 | Totumo de Guarenas | John Williams | 1:37 | | | | | |
3 | 3 | Como llora una estrella, valse-canción | John Williams | 3:58 | | | | | |
4 | 4 | Seis por derecho, for guitar | John Williams | 3:19 | | | | | |
5 | 5 | No me olvides, canción | John Williams | 3:09 | | | | | |
6 | 6 | Las Perdices, for guitar | John Williams | 2:18 | | | | | |
7 | 7 | Alma llanera | John Williams & Alfonso Montes | 2:50 | | | | | |
8 | 8 | Salve | John Williams | 2:15 | | | | | |
9 | 9 | Venezuelan Pieces (5) for guitar: Cántico | John Williams | 1:33 | | | | | |
10 | 10 | Venezuelan Pieces (5) for guitar: Cantemos, cantemos (Aguinaldo) | John Williams | 1:21 | | | | | |
11 | 11 | Venezuelan Pieces (5) for guitar: Si de noche ves que brillan (Canción) | John Williams | 1:32 | | | | | |
12 | 12 | Venezuelan Pieces (5) for guitar: Malhaya la cocina (Aire Venezolano) | John Williams | 0:57 | | | | | |
13 | 13 | Venezuelan Pieces (5) for guitar: Ave Maria !Que muchacho! (Galerón) | John Williams | 1:10 | | | | | |
14 | 14 | Quirpa Guatireña, for voice & piano | John Williams | 1:56 | | | | | |
15 | 15 | Angostura, for guitar | John Williams | 1:47 | | | | | |
16 | 16 | El diablo suelto | John Williams | 2:19 | | | | | |
17 | 17 | Virgilio (Bambuco Tachirense), for guitar | John Williams | 2:36 | | | | | |
18 | 18 | Pasaje "Aragueño", for guitar | John Williams | 1:50 | | | | | |
19 | 19 | Que no te quiera más, serenata | John Williams | 2:25 | | | | | |
20 | 20 | Romanza for guitar | John Williams | 2:49 | | | | | |
21 | 21 | Priva Resuello, pasaje | John Williams | 2:16 | | | | | |
22 | 22 | María Carolina, for guitar | John Williams | 2:33 | | | | | |
23 | 23 | Vals Venezolano, for guitar | John Williams | 3:22 | | | | | |
24 | 24 | Nelly, for guitar | John Williams & Alfonso Montes | 2:21 | | | | | |
25 | 25 | El Marabino (The Half-caste) | John Williams & Alfonso Montes | 1:20 | | | | | |
26 | 26 | Preludio de Adiós, for guitar | John Williams | 3:40 | | | | | |
Media 57: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Introduction by Paul Herriot | John Etheridge | 0:25 | | | | | |
2 | 2 | Extra Time | John Etheridge | 2:49 | | | | | |
3 | 3 | Extra Time | John Etheridge | 3:04 | | | | | |
4 | 4 | Extra Time | John Etheridge | 4:27 | | | | | |
5 | 5 | Strange Comforts | John Etheridge | 3:14 | | | | | |
6 | 6 | Sangara | John Etheridge | 3:51 | | | | | |
7 | 7 | Slow Dub | John Etheridge | 4:09 | | | | | |
8 | 8 | God bless the child | John Etheridge | 5:03 | | | | | |
9 | 9 | La última canción | John Etheridge | 3:19 | | | | | |
10 | 10 | Aire de Joropo | John Etheridge | 2:05 | | | | | |
11 | 11 | Triangular Situations | John Etheridge | 4:03 | | | | | |
12 | 12 | Malinke Guitars | John Etheridge | 8:12 | | | | | |
13 | 13 | Places Between | John Etheridge | 3:47 | | | | | |
14 | 14 | Peace, Love and Guitars | John Etheridge | 5:38 | | | | | |
15 | 15 | Peace, Love and Guitars | John Etheridge | 7:18 | | | | | |
16 | 16 | Peace, Love and Guitars | John Etheridge | 3:33 | | | | | |
17 | 17 | Djandjon | John Etheridge | 2:55 | | | | | |
18 | 18 | Mitopa | John Etheridge | 3:38 | | | | | |
Media 58: CD |
Position |
# |
Title |
Track Artist |
Duration |
Bpm |
# |
Discogs Title |
Track Artist |
Discogs Duration |
1 | 1 | Songs (3) for soprano, E flat clarinet & guitar, Op. 18: I. Schatzerl klein | John Williams, Colin Bradley, Halina Łukomska, Pierre Boulez | 1:03 | | | | | |
2 | 2 | Songs (3) for soprano, E flat clarinet & guitar, Op. 18: II. Erlösung | John Williams, Colin Bradley, Halina Łukomska, Pierre Boulez | 1:07 | | | | | |
3 | 3 | Songs (3) for soprano, E flat clarinet & guitar, Op. 18: III. Ave, Regina coelorum | John Williams, Colin Bradley, Halina Łukomska, Pierre Boulez | 1:26 | | | | | |
4 | 4 | Song for Martin | John Williams & Ralph McTell | 3:33 | | | | | |
5 | 5 | Streets of London | John Williams & Ralph McTell | 4:34 | | | | | |
6 | 6 | Asturias (Leyenda), instrumental arrangement after Suite española No. 1, Op. 47/5 | John Williams | 5:49 | | | | | |
7 | 7 | The Prayer Cycle, choral symphony: V. Grace | John Williams, Michael Sherwood, James Taylor, English Chamber Choir | 5:57 | | | | | |
8 | 8 | Edelweiss, song (from "The Sound of Music") | John Williams & Angelika Kirchschlager | 2:09 | | | | | |
9 | 9 | Cantiga de Nimar (Baby's Goodnight Song) | John Williams & Angelika Kirchschlager | 3:40 | | | | | |
10 | 10 | Laß mich schlummern, song for voice & guitar (for Kotzebue's drama "Der arme Minnesinger"), J. 112 (Op. 25/3) | John Williams & Angelika Kirchschlager | 0:57 | | | | | |
11 | 11 | The Little Horses, song for voice & piano (Old American Songs II) | John Williams & Angelika Kirchschlager | 2:29 | | | | | |
12 | 12 | Siete canciones populares española (7 Popular Spanish Songs), for voice & piano, G. 40: Nana | John Williams & Angelika Kirchschlager | 1:45 | | | | | |
13 | 13 | Jeux Interdits ("Spanish Romance"), for guitar | John Williams & William Goodchild | 3:21 | | | | | |
14 | 14 | Pavane, for orchestra & chorus ad lib in F sharp minor, Op. 50 | John Williams & William Goodchild | 5:08 | | | | | |
15 | 15 | El condor pasa, song | John Williams | 3:49 | | | | | |
16 | 16 | Mazurka for piano No. 38 in F sharp minor, Op. 59/3, CT. 88 | John Williams & Béla Fleck | 3:42 | | | | | |
17 | 17 | Variations (7) on "God Save the King," for piano in C major, WoO 78 | John Williams & Béla Fleck | 9:04 | | | | | |