| Media 1: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Samson, oratorio, HWV 57: Act 1. Scene 1. No. 1. Overture. Andante - Adagio - Allegro - Menuetto | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 7:47 | |
| 2 | 2 | Samson, oratorio, HWV 57: Act 1. Scene 1. No. 2. Recitative. This day, a solemn feast to Dagon held, | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 0:32 | |
| 3 | 3 | Samson, oratorio, HWV 57: Act 1. Scene 1. No. 3. Chorus. Awake the trumpet's lofty sound! | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 1:54 | |
| 4 | 4 | Samson, oratorio, HWV 57: Act 1. Scene 1. No. 4. Air. Ye men of Gaza, hither bring | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 3:52 | |
| 5 | 5 | Samson, oratorio, HWV 57: Act 1. Scene 1. No. 5. Chorus. Awake the trumpet's lofty sound! | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 0:29 | |
| 6 | 6 | Samson, oratorio, HWV 57: Act 1. Scene 1. No. 6. Air. Loud as the thunder's awful voice, | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 3:07 | |
| 7 | 7 | Samson, oratorio, HWV 57: Act 1. Scene 1. No. 7. Air. Then free from sorrow, free from thrall, | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 2:35 | |
| 8 | 8 | Samson, oratorio, HWV 57: Act 1. Scene 1. No. 5. Chorus. Awak the trumpet's lofty sound! | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 0:28 | |
| 9 | 9 | Samson, oratorio, HWV 57: Act 1. Scene 1. No. 8. Recitative. Why by an angel was my birth foretold, | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 0:52 | |
| 10 | 10 | Samson, oratorio, HWV 57: Act 1. Scene 1. No. 9. Air. Torments alas! are not confin'd | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 3:57 | |
| 11 | 11 | Samson, oratorio, HWV 57: Act 1. Scene 2. No. 10. Recitative. O charge beyond report, thought, or belief! | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 0:57 | |
| 12 | 12 | Samson, oratorio, HWV 57: Act 1. Scene 2. No. 11. Air. O mirror of our fickle state! | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 2:44 | |
| 13 | 13 | Samson, oratorio, HWV 57: Act 1. Scene 2. No. 12. Recitative. Whom have I to complain of but myself, | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 2:36 | |
| 14 | 14 | Samson, oratorio, HWV 57: Act 1. Scene 2. No. 13A. Air. Total eclipse! No sun, no moon, | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 3:29 | |
| 15 | 15 | Samson, oratorio, HWV 57: Act 1. Scene 2. No. 13B. Recitative. Since light so necessary is to life, | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 1:12 | |
| 16 | 16 | Samson, oratorio, HWV 57: Act 1. Scene 2. No. 14. Chorus. Oh first created beam! And thou great word | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 3:35 | |
| 17 | 17 | Samson, oratorio, HWV 57: Act 1. Scene 2. No. 15. Recitative. Ye see, my friends, how woes enclose me round | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 2:00 | |
| 18 | 18 | Samson, oratorio, HWV 57: Act 1. Scene 3. No. 16. Recitative. Brethren and men of Dan, say, where is my son, | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 0:33 | |
| 19 | 19 | Samson, oratorio, HWV 57: Act 1. Scene 3. No. 17. Recitative. Oh miserable change! Is this the man, | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 0:45 | |
| 20 | 20 | Samson, oratorio, HWV 57: Act 1. Scene 3. No. 18. Recitative. Oh ever failing trust in mortal strength! | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 0:15 | |
| 21 | 21 | Samson, oratorio, HWV 57: Act 1. Scene 3. No. 19. Air. God of our fathers, what is man? | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 3:01 | |
| 22 | 22 | Samson, oratorio, HWV 57: Act 1. Scene 3. No. 20. Recitative. The good we wish for, often proves our bane, | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 1:04 | |
| 23 | 23 | Samson, oratorio, HWV 57: Act 1. Scene 3. No. 21. Air. Thy glorious deed inspir'd my tongue | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 4:36 | |
| 24 | 24 | Samson, oratorio, HWV 57: Act 1. Scene 3. No. 22. Recitative. Justly these evils have befall'n thy son; | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 1:36 | |
| 25 | 25 | Samson, oratorio, HWV 57: Act 1. Scene 3. No. 23. Recitative. My griefs for this | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 0:54 | |
| 26 | 26 | Samson, oratorio, HWV 57: Act 1. Scene 3. No. 24. Air. Why does the God of Israel sleep? | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 4:35 | |
| 27 | 27 | Samson, oratorio, HWV 57: Act 1. Scene 3. No. 25. Recitative. There lies our hope! True prophet may'st thou be, | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 0:21 | |
| 28 | 28 | Samson, oratorio, HWV 57: Act 1. Scene 3. No. 26. Chorus. Then shall they know, that he whose name | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 2:19 | |
| 29 | 29 | Samson, oratorio, HWV 57: Act 1. Scene 3. No. 27. Recitative. For thee, my dearest son, must thou meanwhile / No. 28. Recitat | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 2:57 | |
| 30 | 30 | Samson, oratorio, HWV 57: Act 1. Scene 3. No. 29. Air. Then long eternity shall greet your bliss | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 5:27 | |
| 31 | 31 | Samson, oratorio, HWV 57: Act 1. Scene 3. No. 30. Chorus. Then round about the starry throne | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 2:10 | |
| Media 2: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Samson, oratorio, HWV 57- Act 2. Scene 1. No. 31. Recitative. Despair not thus! You once were God's delight, | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 1:26 | |
| 2 | 2 | Samson, oratorio, HWV 57- Act 2. Scene 1. No. 32. Air. Just are the ways of God to man, | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 3:26 | |
| 3 | 3 | Samson, oratorio, HWV 57- Act 2. Scene 1. No. 33. Recitative. My evils hopeless are! One pray'r remains- | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 0:46 | |
| 4 | 4 | Samson, oratorio, HWV 57- Act 2. Scene 1. No. 34. Air. Return, oh God of hosts! Behold - No. 35. Chorus. To dust his glory th | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 8:39 | |
| 5 | 5 | Samson, oratorio, HWV 57- Act 2. Scene 2. No. 36. Recitative. But who is this, that so bedeck'd and gay | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 3:16 | |
| 6 | 6 | Samson, oratorio, HWV 57- Act 2. Scene 2. No. 37. Air. With plaintive notes and am'rous moan, | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 7:06 | |
| 7 | 7 | Samson, oratorio, HWV 57- Act 2. Scene 2. No. 38. Recitative. Alas! Th'event was worse than I foresaw; | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 0:55 | |
| 8 | 8 | Samson, oratorio, HWV 57- Act 2. Scene 2. No. 39. Air. Your charms to ruin led the way, | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 3:37 | |
| 9 | 9 | Samson, oratorio, HWV 57- Act 2. Scene 2. No. 40. Recitative. Forgive what's done, nor think of what's past cure | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 0:30 | |
| 10 | 10 | Samson, oratorio, HWV 57- Act 2. Scene 2. No. 41. Duet. My faith and truth, oh Samson, prove, - No. 42. Chorus. Her faith and | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 6:15 | |
| 11 | 11 | Samson, oratorio, HWV 57- Act 2. Scene 2. No. 43. Air. To fleeting pleasures make your court, - No. 42. Chorus. Her faith and | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 4:54 | |
| 12 | 12 | Samson, oratorio, HWV 57- Act 2. Scene 2. No. 44. Recitative. Ne'er think of that! I know thy warbling charms | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 1:27 | |
| 13 | 13 | Samson, oratorio, HWV 57- Act 2. Scene 2. No. 45. Duet. Traitor to love! I'll sue no more - Scene 3. No. 46. Recitative. She' | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 1:57 | |
| 14 | 14 | Samson, oratorio, HWV 57- Act 2. Scene 3. No. 47. Air. It is not virtue, valour, wit, | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 4:13 | |
| 15 | 15 | Samson, oratorio, HWV 57- Act 2. Scene 3. No. 48. Recitative. Favour'd of Heaven is he, who finds one true, | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 0:22 | |
| 16 | 16 | Samson, oratorio, HWV 57- Act 2. Scene 3. No. 49. Chorus. To man God's universal law | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 2:31 | |
| 17 | 17 | Samson, oratorio, HWV 57- Act 2. Scene 4. No. 50. Recitative. No words of peace, no voice enchanting fear, | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 1:38 | |
| 18 | 18 | Samson, oratorio, HWV 57- Act 2. Scene 4. No. 51. Air. Honour and arms scorn such a foe | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 5:41 | |
| 19 | 19 | Samson, oratorio, HWV 57- Act 2. Scene 4. No. 52. Recitative. Put on your arms, | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 0:11 | |
| 20 | 20 | Samson, oratorio, HWV 57- Act 2. Scene 4. No. 53. Air. My strength is from the living God | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 2:54 | |
| 21 | 21 | Samson, oratorio, HWV 57- Act 2. Scene 4. No. 54. Recitative. With thee! A man condemn'd, a slave enroll'd, | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 0:42 | |
| 22 | 22 | Samson, oratorio, HWV 57- Act 2. Scene 4. No. 55. Duet. Go, baffled coward, go, | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 2:17 | |
| 23 | 23 | Samson, oratorio, HWV 57- Act 2. Scene 4. No. 56. Recitative. Here lie the proff- if Dagon be thy God, | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 0:47 | |
| 24 | 24 | Samson, oratorio, HWV 57- Act 2. Scene 4. No. 57. Chorus. Hear, Jacob's God, Jehovah, hear! | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 3:15 | |
| 25 | 25 | Samson, oratorio, HWV 57- Act 2. Scene 4. No. 58. Recitative. Dagon, arise! Attend thy sacred feast! | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 0:14 | |
| 26 | 26 | Samson, oratorio, HWV 57- Act 2. Scene 4. No. 59A. Air. To song and dance we give the day, | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 4:05 | |
| 27 | 27 | Samson, oratorio, HWV 57- Act 2. Scene 4. No. 59B. Chorus. To song and dance we give the day, | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 1:58 | |
| 28 | 28 | Samson, oratorio, HWV 57- Act 2. Scene 4. No. 60. Chorus. Fix'd in his everlasting seat, | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 3:03 | |
| Media 3: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Act 3 - More trouble is behind: for Harapha | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 1:24 | |
| 2 | 2 | Presuming slave, to move their wrath | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 3:01 | |
| 3 | 3 | Reflect then, Samson | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 0:51 | |
| 4 | 4 | With thunder arm'd, great God, arise! | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 2:55 | |
| 5 | 5 | Be of good courage | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 2:24 | |
| 6 | 6 | Thus when the sun from's wat'ry bed | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 3:54 | |
| 7 | 7 | With might endued above the sons of men | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 0:26 | |
| 8 | 8 | The Holy One of Israel be thy guide | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 2:23 | |
| 9 | 9 | Old Manoa with youthful steps | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 0:26 | |
| 10 | 10 | Great Dagon has subdued our foe | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 4:29 | |
| 11 | 11 | What noise of joy was that? | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 0:48 | |
| 12 | 12 | How willing my paternal love | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 3:37 | |
| 13 | 13 | Your hopes of his deliv'ry seem not vain | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 1:57 | |
| 14 | 14 | Noise call you this? | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 0:41 | |
| 15 | 15 | Where shall I run? | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 3:49 | |
| 16 | 16 | Ye sons of Israel, now lament | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 3:21 | |
| 17 | 17 | Proceed we hence | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 0:47 | |
| 18 | 18 | A Dead March | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 3:06 | |
| 19 | 19 | The body comes | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 1:11 | |
| 20 | 20 | Glorious hero, may the grave | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 5:12 | |
| 21 | 21 | Come, come! | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 1:02 | |
| 22 | 22 | Let the bright Seraphim in burning row | George Frideric Handel; Thomas Randle; Mark Padmore; Lynda Russell; Lynne Dawson; Catherine Wyn-Rogers; Michael George; Jonathan Best; Orchestra of The Sixteen; Harry Christophers | 6:26 | |