| Media 1: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Power of Love | John McLaughlin | 4:19 | |
| 2 | 2 | Vision Is a Naked Sword | John McLaughlin | 14:25 | |
| 3 | 3 | Smile of the Beyond | John McLaughlin | 8:07 | |
| 4 | 4 | Wings of Karma | John McLaughlin | 6:12 | |
| 5 | 5 | Hymn to Him | John McLaughlin | 19:20 | |
| Media 2: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Elephant Steps: A Fearful Radio Show: Elephant Drone - Elephants | Michael Tilson Thomas | 3:01 | |
| 2 | 2 | Elephant Steps: A Fearful Radio Show: Elephant Heartbeats | Michael Tilson Thomas | 2:03 | |
| 3 | 3 | Elephant Steps: A Fearful Radio Show: Don't You Believe? - My Ears | Michael Tilson Thomas | 2:20 | |
| 4 | 4 | Elephant Steps: A Fearful Radio Show: All Shook Up | Michael Tilson Thomas | 1:34 | |
| 5 | 5 | Elephant Steps: A Fearful Radio Show: Read My Palms - My Hands Are Inside the Wall - Gavotte | Michael Tilson Thomas | 3:51 | |
| 6 | 6 | Elephant Steps: A Fearful Radio Show: Read My Palm - Watch Me Move - I'm No Closer - Look at My Hands | Michael Tilson Thomas | 6:34 | |
| 7 | 7 | Elephant Steps: A Fearful Radio Show: Stop Seeing Reinhardt | Michael Tilson Thomas | 5:24 | |
| 8 | 8 | Elephant Steps: A Fearful Radio Show: Entr'Acte - Watch Me Put My Right Foot | Michael Tilson Thomas | 5:27 | |
| 9 | 9 | Elephant Steps: A Fearful Radio Show: I Am No Longer Beautiful - Beautiful as Is | Michael Tilson Thomas | 4:43 | |
| 10 | 10 | Elephant Steps: A Fearful Radio Show: We Sit in the Window | Michael Tilson Thomas | 4:14 | |
| 11 | 11 | Elephant Steps: A Fearful Radio Show: Gypsy Tango - Shoot Them | Michael Tilson Thomas | 3:31 | |
| 12 | 12 | Elephant Steps: A Fearful Radio Show: You're on the Radio - Radio Waves | Michael Tilson Thomas | 3:34 | |
| 13 | 13 | Elephant Steps: A Fearful Radio Show: Dreaming of Reinhardt | Michael Tilson Thomas | 1:04 | |
| 14 | 14 | Elephant Steps: A Fearful Radio Show: Midnight Sun | Michael Tilson Thomas | 4:05 | |
| 15 | 15 | Elephant Steps: A Fearful Radio Show: Photograph Song | Michael Tilson Thomas | 1:29 | |
| 16 | 16 | Elephant Steps: A Fearful Radio Show: Madrigals | Michael Tilson Thomas | 2:50 | |
| 17 | 17 | Elephant Steps: A Fearful Radio Show: Vaudeville Chase - Stirring Soup - A Strange Thing | Michael Tilson Thomas | 4:32 | |
| 18 | 18 | Elephant Steps: A Fearful Radio Show: Finale | Michael Tilson Thomas | 4:35 | |
| Media 3: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Carmina Burana: Fortuna Imperatrix Mundi: no. 1 "O Fortuna" | Carl Orff | 2:24 | |
| 2 | 2 | Carmina Burana: Fortuna Imperatrix Mundi: no. 2 "Fortune plango vulnera" | Carl Orff | 2:44 | |
| 3 | 3 | Carmina Burana: I. Primo vere: no. 3 "Veris leta facies" | Carl Orff | 4:32 | |
| 4 | 4 | Carmina Burana: I. Primo vere: no. 4 "Omnia Sol temperat" | Carl Orff | 2:15 | |
| 5 | 5 | Carmina Burana: I. Primo vere: no. 5. "Ecce gratum" | Carl Orff | 2:29 | |
| 6 | 6 | Carmina Burana: Uf dem anger: no. 6 Dance | Carl Orff | 1:41 | |
| 7 | 7 | Carmina Burana: Uf dem anger: no. 7 "Floret silva nobilis" | Carl Orff | 3:03 | |
| 8 | 8 | Carmina Burana: Uf dem anger: no. 8 "Chramer, gip die varwe mir" | Carl Orff | 3:25 | |
| 9 | 9 | Carmina Burana: Uf dem anger: no. 9a Reie | Carl Orff | 2:19 | |
| 10 | 10 | Carmina Burana: Uf dem anger: no. 9b "Swaz hie gat umbe" - "Chume, chum geselle min" - "Swaz hie gat umbe" | Carl Orff | 3:04 | |
| 11 | 11 | Carmina Burana: Uf dem anger: no. 10 "Were diu werlt alle min" | Carl Orff | 0:49 | |
| 12 | 12 | Carmina Burana: II. In taberna: no. 11 "Estuans interius" | Carl Orff | 2:21 | |
| 13 | 13 | Carmina Burana: II. In taberna: no. 12 "Olim lacus colueram" | Carl Orff | 3:30 | |
| 14 | 14 | Carmina Burana: II. In taberna: no. 13 "Ego sum abbas" | Carl Orff | 1:46 | |
| 15 | 15 | Carmina Burana: II. In taberna: no. 14 "In taberna quando sumus" | Carl Orff | 2:58 | |
| 16 | 16 | Carmina Burana: III. Cour d'amours: no. 15 "Amor volat undique" | Carl Orff | 4:08 | |
| 17 | 17 | Carmina Burana: III. Cour d'amours: no. 16 "Dies, nox et omnia" | Carl Orff | 2:50 | |
| 18 | 18 | Carmina Burana: III. Cour d'amours: no. 17 "Stetit puella" | Carl Orff | 1:51 | |
| 19 | 19 | Carmina Burana: III. Cour d'amours: no. 18 "Circa mea pectora" | Carl Orff | 1:57 | |
| 20 | 20 | Carmina Burana: III. Cour d'amours: no. 19 "Si puer cum puellula" | Carl Orff | 0:53 | |
| 21 | 21 | Carmina Burana: III. Cour d'amours: no. 20 "Veni, veni, venias" | Carl Orff | 0:52 | |
| 22 | 22 | Carmina Burana: III. Cour d'amours: no. 21 "In trutina" | Carl Orff | 2:36 | |
| 23 | 23 | Carmina Burana: III. Cour d'amours: no. 22 "Tempus est iocundum" | Carl Orff | 2:19 | |
| 24 | 24 | Carmina Burana: III. Cour d'amours: no. 23 "Dulcissime" | Carl Orff | 0:45 | |
| 25 | 25 | Carmina Burana: Blanziflor et Helena: no. 24 "Ave, formosissima" | Carl Orff | 2:00 | |
| 26 | 26 | Carmina Burana: Fortuna Imperatrix Mundi: no. 25 "O Fortuna" | Carl Orff | 2:30 | |
| Media 4: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | König Stephan, op. 117: Overture. Andante con moto - Presto | Ludwig van Beethoven | 6:49 | |
| 2 | 2 | König Stephan, op. 117: Chorus: "Ruhen von seinen Thaten" | Ludwig van Beethoven | 2:11 | |
| 3 | 3 | König Stephan, op. 117: Chorus: "Auf dunkelm Irrweg in finstern Hainen" | Ludwig van Beethoven | 1:14 | |
| 4 | 4 | König Stephan, op. 117: Siegesmarsch | Ludwig van Beethoven | 3:42 | |
| 5 | 5 | König Stephan, op. 117: Chorus: "Wo die Unschuld Blumen streute" | Ludwig van Beethoven | 2:40 | |
| 6 | 6 | König Stephan, op. 117: Chorus: "Eine neue strahlende Sonne" | Ludwig van Beethoven | 0:40 | |
| 7 | 7 | König Stephan, op. 117: Melodrama | Ludwig van Beethoven | 1:12 | |
| 8 | 8 | König Stephan, op. 117: Geistlicher Marsch / Chorus: "Heil unserm Könige" | Ludwig van Beethoven | 3:00 | |
| 9 | 9 | König Stephan, op. 117: Chorus: "Heil! Heil!" | Ludwig van Beethoven | 2:16 | |
| 10 | 10 | Elegischer Gesang, op. 118 | Ludwig van Beethoven | 7:03 | |
| 11 | 11 | Opferlied, op. 121b | Ludwig van Beethoven | 7:47 | |
| 12 | 12 | Bundeslied, op. 122 | Ludwig van Beethoven | 4:02 | |
| 13 | 13 | Meeresstille und glückliche Fahrt, op. 112 | Ludwig van Beethoven | 8:37 | |
| Media 5: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Rhapsody in Blue | George Gershwin | 13:50 | 143.6982 |
| 2 | 2 | An American in Paris | George Gershwin | 18:39 | |
| Media 6: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | The American Flag, op. 102: I. The Colors of the Flag | Antonín Dvořák | 5:24 | |
| 2 | 2 | The American Flag, op. 102: II. First Hymn to the Eagle | Antonín Dvořák | 1:36 | |
| 3 | 3 | The American Flag, op. 102: III. Second Hymn to the Eagle | Antonín Dvořák | 1:36 | |
| 4 | 4 | The American Flag, op. 102: IV. Orchestral Interlude: March | Antonín Dvořák | 2:08 | |
| 5 | 5 | The American Flag, op. 102: V. First Address to the Flag [The Foot-Soldier] | Antonín Dvořák | 2:16 | |
| 6 | 6 | The American Flag, op. 102: VI. Second Address to the Flag [The Cavalryman] | Antonín Dvořák | 2:21 | |
| 7 | 7 | The American Flag, op. 102: VII. Third Address to the Flag [The Sailor] | Antonín Dvořák | 2:35 | |
| 8 | 8 | The American Flag, op. 102: VIII. Apotheosis [Prophetic] | Antonín Dvořák | 2:27 | |
| 9 | 9 | Suite in A Major, op. 98a, B. 190 "American": I. Andante con moto | Antonín Dvořák | 4:56 | |
| 10 | 10 | Suite in A Major, op. 98a, B. 190 "American": II. Allegro | Antonín Dvořák | 3:50 | |
| 11 | 11 | Suite in A Major, op. 98a, B. 190 "American": III. Moderato alla polacca | Antonín Dvořák | 4:32 | |
| 12 | 12 | Suite in A Major, op. 98a, B. 190 "American": IV. Andante | Antonín Dvořák | 4:02 | |
| 13 | 13 | Suite in A Major, op. 98a, B. 190 "American": V. Allegro | Antonín Dvořák | 3:08 | |
| Media 7: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Overture to "Oh, Kay!" | George Gershwin | 7:11 | |
| 2 | 2 | Overture to "Funny Face" | George Gershwin | 5:54 | |
| 3 | 3 | Overture to "Girl Crazy" | George Gershwin | 5:45 | |
| 4 | 4 | Overture to "Strike Up the Band" | George Gershwin | 7:11 | |
| 5 | 5 | Overture to "Of Thee I Sing" | George Gershwin | 4:40 | |
| 6 | 6 | Overture to "Let 'em Eat Cake" | George Gershwin | 8:18 | |
| Media 8: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Toys (for voice and piano) | Carl Ruggles | 1:41 | |
| 2 | 2 | Vôx Clamans in Deserto (for chamber orchestra and mezzo-soprano): I. Parting at Morning | Carl Ruggles | 1:15 | |
| 3 | 3 | Vôx Clamans in Deserto (for chamber orchestra and mezzo-soprano): II. Son of Mine | Carl Ruggles | 1:37 | |
| 4 | 4 | Vôx Clamans in Deserto (for chamber orchestra and mezzo-soprano): III. A Clear Midnight | Carl Ruggles | 3:27 | |
| 5 | 5 | Men | Carl Ruggles | 2:21 | |
| 6 | 6 | Angels (original trumpet version) | Carl Ruggles | 2:57 | |
| 7 | 7 | Men and Mountains: I. Men | Carl Ruggles | 2:45 | |
| 8 | 8 | Men and Mountains: II. Lilacs | Carl Ruggles | 3:02 | |
| 9 | 9 | Men and Mountains: III. Marching Mountains | Carl Ruggles | 4:32 | |
| 10 | 10 | Angels (trumpet/trombone version) | Carl Ruggles | 3:23 | |
| 11 | 11 | Sun-Treader | Carl Ruggles | 16:33 | |
| Media 9: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Portals (for string orchestra) | Carl Ruggles | 6:45 | |
| 2 | 2 | Evocations (original piano version): I. Largo | Carl Ruggles | 1:58 | |
| 3 | 3 | Evocations (original piano version): II. Andante con fantasia | Carl Ruggles | 2:54 | |
| 4 | 4 | Evocations (original piano version): III. Moderato appassionato | Carl Ruggles | 1:42 | |
| 5 | 5 | Evocations (original piano version): IV. Adagio sostenuto | Carl Ruggles | 3:07 | |
| 6 | 6 | Evocations (orchestral version): I. Largo | Carl Ruggles | 2:33 | |
| 7 | 7 | Evocations (orchestral version): II. Andante con fantasia | Carl Ruggles | 3:43 | |
| 8 | 8 | Evocations (orchestral version): III. Moderato appassionato | Carl Ruggles | 1:45 | |
| 9 | 9 | Evocations (orchestral version): IV. Adagio sostenuto | Carl Ruggles | 3:58 | |
| 10 | 10 | Organum | Carl Ruggles | 6:23 | |
| 11 | 11 | Exaltation | Carl Ruggles | 6:17 | |
| Media 10: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Orchestral Suite no. 3 in G major, op. 55: I. Elégie. Andante molto cantabile | Pyotr Ilyich Tchaikovsky | 10:30 | |
| 2 | 2 | Orchestral Suite no. 3 in G major, op. 55: II. Valse mélancolique. Allegro moderato | Pyotr Ilyich Tchaikovsky | 5:39 | |
| 3 | 3 | Orchestral Suite no. 3 in G major, op. 55: III. Scherzo. Presto | Pyotr Ilyich Tchaikovsky | 4:47 | |
| 4 | 4 | Orchestral Suite no. 3 in G major, op. 55: IV. Tema con variazioni. Andante con moto | Pyotr Ilyich Tchaikovsky | 19:39 | |
| Media 11: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Symphony no. 6 in F major, op. 68 "Pastorale": I. Allegro ma non troppo "Awakening of cheerful feelings upon arrival in the country" | Ludwig van Beethoven | 12:02 | |
| 2 | 2 | Symphony no. 6 in F major, op. 68 "Pastorale": II. Andante molto mosso "Scene at the brook" | Ludwig van Beethoven | 12:17 | |
| 3 | 3 | Symphony no. 6 in F major, op. 68 "Pastorale": III. Allegro "Happy gathering of country folk" | Ludwig van Beethoven | 5:18 | |
| 4 | 4 | Symphony no. 6 in F major, op. 68 "Pastorale": IV. Allegro "Thunderstorm" | Ludwig van Beethoven | 3:06 | |
| 5 | 5 | Symphony no. 6 in F major, op. 68 "Pastorale": V. Allegretto "Shepherds' song: Cheerful and thankful feelings after the storm" | Ludwig van Beethoven | 9:57 | |
| Media 12: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Feste romane: I. Circenses | Ottorino Respighi | 4:26 | |
| 2 | 2 | Feste romane: II. The Jubilee | Ottorino Respighi | 7:32 | |
| 3 | 3 | Feste romane: III. The October Festival | Ottorino Respighi | 7:44 | |
| 4 | 4 | Feste romane: IV. The Epiphany | Ottorino Respighi | 4:56 | |
| 5 | 5 | Fountains of Rome: I. The Fountain of Valle Giulia at Dawn | Ottorino Respighi | 4:39 | |
| 6 | 6 | Fountains of Rome: II. The Triton Fountain in the Morning | Ottorino Respighi | 2:26 | |
| 7 | 7 | Fountains of Rome: III. The Fountain of Trevi at Midday | Ottorino Respighi | 3:15 | |
| 8 | 8 | Fountains of Rome: IV. The Villa Medici Fountain at Sunset | Ottorino Respighi | 6:06 | |
| Media 13: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Manfred Symphony in B minor, op. 58: I. Lento lugubre | Pyotr Ilyich Tchaikovsky | 16:23 | |
| 2 | 2 | Manfred Symphony in B minor, op. 58: II. Vivace con spirito | Pyotr Ilyich Tchaikovsky | 9:37 | |
| 3 | 3 | Manfred Symphony in B minor, op. 58: III. Andante con moto | Pyotr Ilyich Tchaikovsky | 10:28 | |
| 4 | 4 | Manfred Symphony in B minor, op. 58: IV. Allegro con fuoco | Pyotr Ilyich Tchaikovsky | 18:52 | |
| Media 14: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Orchestral Suite no. 2 in C major, op. 53 "Suite caractéristique": I. Jeu de Sons | Pyotr Ilyich Tchaikovsky | 11:15 | |
| 2 | 2 | Orchestral Suite no. 2 in C major, op. 53 "Suite caractéristique": II. Valse | Pyotr Ilyich Tchaikovsky | 5:50 | |
| 3 | 3 | Orchestral Suite no. 2 in C major, op. 53 "Suite caractéristique": III. Scherzo burlesque | Pyotr Ilyich Tchaikovsky | 5:10 | |
| 4 | 4 | Orchestral Suite no. 2 in C major, op. 53 "Suite caractéristique": IV. Rêves d'enfant | Pyotr Ilyich Tchaikovsky | 10:01 | |
| 5 | 5 | Orchestral Suite no. 2 in C major, op. 53 "Suite caractéristique": V. Danse baroque | Pyotr Ilyich Tchaikovsky | 4:02 | |
| 6 | 6 | Orchestral Suite no. 4 in G major, op. 61 "Mozartiana": I. Gigue | Pyotr Ilyich Tchaikovsky | 1:35 | |
| 7 | 7 | Orchestral Suite no. 4 in G major, op. 61 "Mozartiana": II. Menuet | Pyotr Ilyich Tchaikovsky | 3:56 | |
| 8 | 8 | Orchestral Suite no. 4 in G major, op. 61 "Mozartiana": III. Preghiera | Pyotr Ilyich Tchaikovsky | 4:31 | |
| 9 | 9 | Orchestral Suite no. 4 in G major, op. 61 "Mozartiana": IV. Théme et variations | Pyotr Ilyich Tchaikovsky | 13:08 | |
| Media 15: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Petrouchka: Scene I. The Shrovetide Fair | Igor Stravinsky | 5:33 | |
| 2 | 2 | Petrouchka: Scene I. The Magic Trick | Igor Stravinsky | 1:59 | |
| 3 | 3 | Petrouchka: Scene I. Russian Dance | Igor Stravinsky | 2:45 | |
| 4 | 4 | Petrouchka: Scene II. Petrouchka's Room | Igor Stravinsky | 4:30 | |
| 5 | 5 | Petrouchka: Scene III. The Moor's Room | Igor Stravinsky | 3:05 | |
| 6 | 6 | Petrouchka: Scene III. Dance of the Ballerina | Igor Stravinsky | 0:42 | |
| 7 | 7 | Petrouchka: Scene III. Waltz. The Ballerina and the Moor | Igor Stravinsky | 3:19 | |
| 8 | 8 | Petrouchka: Scene IV. The Shrovetide Fair | Igor Stravinsky | 1:04 | |
| 9 | 9 | Petrouchka: Scene IV. The Wet Nurses' Dance | Igor Stravinsky | 2:37 | |
| 10 | 10 | Petrouchka: Scene IV. The Peasant and the Bear | Igor Stravinsky | 1:29 | |
| 11 | 11 | Petrouchka: Scene IV. The Jovial Merchant with Two Gypsy Girls | Igor Stravinsky | 1:13 | |
| 12 | 12 | Petrouchka: Scene IV. Dance of the Coachmen and the Grooms | Igor Stravinsky | 2:21 | |
| 13 | 13 | Petrouchka: Scene IV. The Masqueraders | Igor Stravinsky | 1:34 | |
| 14 | 14 | Petrouchka: Scene IV. The Fight. The Moor and Petrouchka | Igor Stravinsky | 0:48 | |
| 15 | 15 | Petrouchka: Scene IV. Death of Petrouchka | Igor Stravinsky | 0:52 | |
| 16 | 16 | Petrouchka: Scene IV. The Police and the Juggler | Igor Stravinsky | 1:27 | |
| 17 | 17 | Petrouchka: Scene IV. Apparition of Petrouchka's Ghost | Igor Stravinsky | 0:54 | |
| 18 | 18 | Scherzo à la russe | Igor Stravinsky | 3:54 | |
| Media 16: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Medley from Porgy and Bess: Introduction - Summertime - It Ain't Necessarily So - I Loves You, Porgy | George Gershwin | 7:32 | |
| 2 | 2 | Medley: But Not for Me - Love Is Here to Stay - Embraceable You - Someone to Watch Over Me | George Gershwin | 9:16 | |
| 3 | 3 | Sweet and Low-Down | George Gershwin | 3:21 | |
| 4 | 4 | Fascinating Rhythm | George Gershwin | 3:38 | |
| 5 | 5 | Do It Again! | George Gershwin | 5:00 | |
| 6 | 6 | My Man's Gone Now | George Gershwin | 5:33 | |
| 7 | 7 | The Man I Love | George Gershwin | 9:47 | |
| 8 | 8 | Medley: Nice Work If You Can Get It - They Can't Take That Away From Me - 'S Wonderful - Swanee - Strike Up the Band | George Gershwin | 6:02 | |
| 9 | 9 | Encore: I've Got a Crush on You - A Foggy Day | George Gershwin | 7:34 | |
| Media 17: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace | Ludwig van Beethoven | 12:18 | |
| 2 | 2 | Symphony no. 4 in B-flat major, op. 60: II. Adagio | Ludwig van Beethoven | 9:52 | |
| 3 | 3 | Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace | Ludwig van Beethoven | 6:05 | |
| 4 | 4 | Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo | Ludwig van Beethoven | 6:32 | |
| 5 | 5 | Scene and Aria for Soprano and Orchestra, op. 65 "Ah! perfido!" | Ludwig van Beethoven | 13:26 | |
| Media 18: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Symphony no. 2: I. Andante moderato | Charles Ives | 5:47 | |
| 2 | 2 | Symphony no. 2: II. Allegro | Charles Ives | 11:11 | |
| 3 | 3 | Symphony no. 2: III. Adagio cantabile - Andante | Charles Ives | 8:15 | |
| 4 | 4 | Symphony no. 2: IV. Lento maestoso | Charles Ives | 2:46 | |
| 5 | 5 | Symphony no. 2: V. Allegro molto vivace | Charles Ives | 9:42 | |
| Media 19: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Lieutenant Kijé Suite, op. 60: I. The Birth of Kijé | Sergei Prokofiev | 4:06 | |
| 2 | 2 | Lieutenant Kijé Suite, op. 60: II. Romance | Sergei Prokofiev | 4:48 | |
| 3 | 3 | Lieutenant Kijé Suite, op. 60: III. The Wedding of Kijé | Sergei Prokofiev | 2:48 | |
| 4 | 4 | Lieutenant Kijé Suite, op. 60: IV. Troika | Sergei Prokofiev | 2:45 | |
| 5 | 5 | Lieutenant Kijé Suite, op. 60: V. Burial of Kijé | Sergei Prokofiev | 6:00 | |
| 6 | 6 | Suite from "The Love for Three Oranges", op. 33a: I. Les ridicules | Sergei Prokofiev | 2:49 | |
| 7 | 7 | Suite from "The Love for Three Oranges", op. 33a: II. Le magicien Tchélo et Fata Morgana jouent aux cartes (Scène infernale) | Sergei Prokofiev | 3:01 | |
| 8 | 8 | Suite from "The Love for Three Oranges", op. 33a: III. Marche | Sergei Prokofiev | 1:30 | |
| 9 | 9 | Suite from "The Love for Three Oranges", op. 33a: IV. Scherzo | Sergei Prokofiev | 1:23 | |
| 10 | 10 | Suite from "The Love for Three Oranges", op. 33a: V. Le prince et la princesse | Sergei Prokofiev | 4:04 | |
| 11 | 11 | Suite from "The Love for Three Oranges", op. 33a: VI. La fuite | Sergei Prokofiev | 2:17 | |
| 12 | 12 | Overture in B-flat major, op. 42 "American" | Sergei Prokofiev | 7:45 | |
| Media 20: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Ludwig van Beethoven | 7:49 | |
| 2 | 2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | Ludwig van Beethoven | 9:45 | |
| 3 | 3 | Symphony no. 5 in C minor, op. 67: III. Allegro | Ludwig van Beethoven | 4:49 | |
| 4 | 4 | Symphony no. 5 in C minor, op. 67: IV. Allegro | Ludwig van Beethoven | 11:03 | |
| 5 | 5 | Egmont Overture, op. 84 | Ludwig van Beethoven | 8:30 | |
| Media 21: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | La Mer, L. 109 : I. De l'aube à midi sur la mer | Claude Debussy | 9:26 | |
| 2 | 2 | La Mer, L. 109 : II. Jeux de vagues | Claude Debussy | 7:19 | |
| 3 | 3 | La Mer, L. 109 : III. Dialogue du vent et de la mer | Claude Debussy | 8:17 | |
| 4 | 4 | Nocturnes, L. 91 : I. Nuages | Claude Debussy | 8:43 | |
| 5 | 5 | Nocturnes, L. 91 : II. Fêtes | Claude Debussy | 6:27 | |
| 6 | 6 | Nocturnes, L. 91 : III. Sirènes | Claude Debussy | 12:22 | |
| Media 22: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Concerto for Violin and Orchestra in E minor, op. 64: I. Allegro molto appassionato | Felix Mendelssohn | 13:29 | |
| 2 | 2 | Concerto for Violin and Orchestra in E minor, op. 64: II. Andante | Felix Mendelssohn | 8:23 | |
| 3 | 3 | Concerto for Violin and Orchestra in E minor, op. 64: III. Allegretto non troppo - Allegro molto vivace | Felix Mendelssohn | 6:48 | |
| 4 | 4 | Concerto for Violin and Orchestra no. 3 in B minor, op. 61: I. Allegro non troppo | Camille Saint-Saëns | 9:36 | |
| 5 | 5 | Concerto for Violin and Orchestra no. 3 in B minor, op. 61: II. Andantino quasi allegretto | Camille Saint-Saëns | 8:49 | |
| 6 | 6 | Concerto for Violin and Orchestra no. 3 in B minor, op. 61: III. Molto moderato e maestoso - Allegro non troppo | Camille Saint-Saëns | 11:26 | |
| Media 23: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto, Vivace | Ludwig van Beethoven | 15:11 | |
| 2 | 2 | Symphony no. 7 in A major, op. 92: II. Allegretto | Ludwig van Beethoven | 8:24 | |
| 3 | 3 | Symphony no. 7 in A major, op. 92: III. Presto | Ludwig van Beethoven | 10:15 | |
| 4 | 4 | Symphony no. 7 in A major, op. 92: IV. Allegro con brio | Ludwig van Beethoven | 9:15 | |
| Media 24: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Symphony no. 3 "The Camp meeting": I. Old Folks Gatherin'. Andante maestoso | Charles Ives | 8:04 | |
| 2 | 2 | Symphony no. 3 "The Camp meeting": II. Children's Day. Allegro | Charles Ives | 6:46 | |
| 3 | 3 | Symphony no. 3 "The Camp meeting": III. Communion. Largo | Charles Ives | 8:26 | |
| 4 | 4 | Orchestral Set no. 2: I. An Elegy to Our Forefathers. Very slowly | Charles Ives | 5:43 | |
| 5 | 5 | Orchestral Set no. 2: II. The Rockstrewn Hills Join in the People's Outdoor Meeting. Allegro | Charles Ives | 4:47 | |
| 6 | 6 | Orchestral Set no. 2: III. From Hanover Square North, at the End of a Tragic Day, the Voice of the People Again Arose. Very slowly | Charles Ives | 9:56 | |
| Media 25: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | West Side Story: Prologue | Leonard Bernstein | 3:59 | |
| 2 | 2 | West Side Story: Something's Coming | Leonard Bernstein | 2:36 | |
| 3 | 3 | West Side Story: Maria | Leonard Bernstein | 2:43 | |
| 4 | 4 | West Side Story: Tonight (Balcony Scene) | Leonard Bernstein | 6:39 | |
| 5 | 5 | West Side Story: Cool | Leonard Bernstein | 4:04 | |
| 6 | 6 | West Side Story: One Hand, One Heart | Leonard Bernstein | 4:44 | |
| 7 | 7 | West Side Story: I Feel Pretty | Leonard Bernstein | 3:56 | |
| 8 | 8 | West Side Story: Somewhere | Leonard Bernstein | 5:19 | |
| 9 | 9 | On the Town: Subway Ride | Leonard Bernstein | 3:46 | |
| 10 | 10 | On the Town: Some Other Time | Leonard Bernstein | 4:26 | |
| 11 | 11 | Mass: A Simple Song | Leonard Bernstein | 4:51 | |
| 12 | 12 | Mass: Pax: Communion ("Secret Songs") | Leonard Bernstein | 5:59 | |
| Media 26: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Rhapsody in Blue | George Gershwin | 15:51 | |
| 2 | 2 | 3 Preludes for Piano | Michael Tilson Thomas | 7:17 | |
| 3 | 3 | Short Story | Michael Tilson Thomas | 2:59 | |
| 4 | 4 | Melody no. 40 "Violin Piece" | Michael Tilson Thomas | 3:49 | |
| 5 | 5 | Second Rhapsody for Orchestra with Piano | George Gershwin | 14:19 | |
| 6 | 6 | Melody no. 79 "For Lily Pons" | Michael Tilson Thomas | 2:05 | |
| 7 | 7 | Melody no. 17 "Sleepless Night" | George Gershwin | 4:34 | |
| 8 | 8 | Promenade ("Walking the Dog") | Michael Tilson Thomas | 2:55 | |
| Media 27: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio | Ludwig van Beethoven | 12:57 | |
| 2 | 2 | Symphony no. 2 in D major, op. 36: II. Larghetto | Ludwig van Beethoven | 12:38 | |
| 3 | 3 | Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro - Trio | Ludwig van Beethoven | 3:35 | |
| 4 | 4 | Symphony no. 2 in D major, op. 36: IV. Allegro molto | Ludwig van Beethoven | 6:15 | |
| 5 | 5 | Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio | Ludwig van Beethoven | 9:43 | |
| 6 | 6 | Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto | Ludwig van Beethoven | 8:30 | |
| 7 | 7 | Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace - Trio | Ludwig van Beethoven | 3:34 | |
| 8 | 8 | Symphony no. 1 in C major, op. 21: IV. Finale. Adagio - Allegro molto e vivace | Ludwig van Beethoven | 5:46 | |
| Media 28: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Piano Quartet In G minor, op. 25: I. Allegro | Johannes Brahms | 13:55 | |
| 2 | 2 | Piano Quartet In G minor, op. 25: II. Intermezzo. Allegro ma non troppo | Johannes Brahms | 7:41 | |
| 3 | 3 | Piano Quartet In G minor, op. 25: III. Andante con moto | Johannes Brahms | 9:51 | |
| 4 | 4 | Piano Quartet In G minor, op. 25: IV. Rondo alla Zingarese. Presto | Johannes Brahms | 8:17 | |
| 5 | 5 | Chorale Prelude "Schmücke dich, o liebe Seele", BWV 654 | Johann Sebastian Bach | 4:58 | |
| 6 | 6 | Chorale Prelude "Komm, Gott Schopfer, Heiliger Geist", BWV 631 | Johann Sebastian Bach | 2:18 | |
| Media 29: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Symphony no. 8 in F major, op. 93: I. Allegro vivace con brio | Ludwig van Beethoven | 9:22 | |
| 2 | 2 | Symphony no. 8 in F major, op. 93: II. Allegretto scherzando | Ludwig van Beethoven | 4:11 | |
| 3 | 3 | Symphony no. 8 in F major, op. 93: III. Tempo di menuetto | Ludwig van Beethoven | 4:57 | |
| 4 | 4 | Symphony no. 8 in F major, op. 93: IV. Allegro vivace | Ludwig van Beethoven | 7:18 | |
| Media 30: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso | Ludwig van Beethoven | 15:42 | |
| 2 | 2 | Symphony no. 9 in D minor, op. 125 "Choral": II. Molto vivace | Ludwig van Beethoven | 11:52 | |
| 3 | 3 | Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile | Ludwig van Beethoven | 15:14 | |
| 4 | 4 | Symphony no. 9 in D minor, op. 125 "Choral": IV. Presto - | Ludwig van Beethoven | 6:30 | |
| 5 | 5 | Symphony no. 9 in D minor, op. 125 "Choral": Rezitativo: "O Freunde, nicht diese Töne!" | Ludwig van Beethoven | 17:10 | |
| Media 31: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Old American Songs, Set I: no. 1. The Boatmen's Dance | Aaron Copland | 3:03 | |
| 2 | 2 | Old American Songs, Set I: no. 2. The Dodger | Aaron Copland | 2:06 | |
| 3 | 3 | Old American Songs, Set I: no. 3. Long Time Ago | Aaron Copland | 3:11 | |
| 4 | 4 | Old American Songs, Set I: no. 4. Simple Gifts | Aaron Copland | 1:23 | |
| 5 | 5 | Old American Songs, Set I: no. 5. I Bought Me a Cat | Aaron Copland | 2:13 | |
| 6 | 6 | Old American Songs, Set II: no. 1. The Little Horses | Aaron Copland | 3:13 | |
| 7 | 7 | Old American Songs, Set II: no. 2. Zion's Walls | Aaron Copland | 1:46 | |
| 8 | 8 | Old American Songs, Set II: no. 3. The Golden Willow Tree | Aaron Copland | 3:21 | |
| 9 | 9 | Old American Songs, Set II: no. 4. At The River | Aaron Copland | 2:44 | |
| 10 | 10 | Old American Songs, Set II: no. 5. Ching-a-ring Chaw | Aaron Copland | 1:35 | |
| 11 | 11 | Canticle of Freedom | Aaron Copland | 13:48 | |
| 12 | 12 | Four Motets: no. 1. Help Us, O Lord | Aaron Copland | 2:50 | |
| 13 | 13 | Four Motets: no. 2. Thou, O Jehovah, Abideth Forever | Aaron Copland | 2:31 | |
| 14 | 14 | Four Motets: no. 3. Have Mercy on Us, O my Lord | Aaron Copland | 4:13 | |
| 15 | 15 | Four Motets: no. 4. Sing Ye Praises to Our King | Aaron Copland | 1:42 | |
| Media 32: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Of Thee I Sing: Overture | George Gershwin | 4:30 | |
| 2 | 2 | Of Thee I Sing: Wintergreen for President | George Gershwin | 1:29 | |
| 3 | 3 | Of Thee I Sing: Who Is the Lucky Girl to Be? | George Gershwin | 1:28 | |
| 4 | 4 | Of Thee I Sing: The Dimple on My Knee | George Gershwin | 1:32 | |
| 5 | 5 | Of Thee I Sing: Because, Because | George Gershwin | 1:19 | |
| 6 | 6 | Of Thee I Sing: Never Was There a Girl So Fair | George Gershwin | 5:00 | |
| 7 | 7 | Of Thee I Sing: Some Girls Can Bake a Pie | George Gershwin | 1:44 | |
| 8 | 8 | Of Thee I Sing: Love Is Sweeping the Country | George Gershwin | 3:36 | |
| 9 | 9 | Of Thee I Sing: Of Thee I Sing | George Gershwin | 2:05 | |
| 10 | 10 | Of Thee I Sing: Supreme Court Judges | George Gershwin | 2:36 | |
| 11 | 11 | Of Thee I Sing: A Kiss for Cinderella - Some Girls Can Bake a Pie (Reprise) - Of Thee I Sing (Reprise) | George Gershwin | 9:13 | |
| 12 | 12 | Of Thee I Sing: Hello, Good Morning | George Gershwin | 3:37 | |
| 13 | 13 | Of Thee I Sing: Who Cares? | George Gershwin | 2:22 | |
| 14 | 14 | Of Thee I Sing: The Illegitimate Daughter - Because, Because (Reprise) | George Gershwin | 6:26 | |
| 15 | 15 | Of Thee I Sing: Who Cares? (Reprise) | George Gershwin | 1:00 | |
| 16 | 16 | Of Thee I Sing: The Senator from Minnesota | George Gershwin | 2:20 | |
| 17 | 17 | Of Thee I Sing: The Senate | George Gershwin | 2:08 | |
| 18 | 18 | Of Thee I Sing: Jilted - I'm About to Be a Mother | George Gershwin | 5:40 | |
| 19 | 19 | Of Thee I Sing: Posterity Is Just Around the Corner | George Gershwin | 1:16 | |
| 20 | 20 | Of Thee I Sing: Trumpeter Blow Your Golden Horn | George Gershwin | 4:00 | |
| 21 | 21 | Of Thee I Sing: Finale Ultimo | George Gershwin | 3:57 | |
| 22 | 22 | Of Thee I Sing: Of Thee I Sing (Reprise) | George Gershwin | 1:23 | |
| Media 33: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Let 'Em Eat Cake: Overture | George Gershwin | 7:14 | |
| 2 | 2 | Let 'Em Eat Cake: Tweedledee for President | George Gershwin | 4:43 | |
| 3 | 3 | Let 'Em Eat Cake: Union Square | George Gershwin | 4:34 | |
| 4 | 4 | Let 'Em Eat Cake: Store Scene: Shirts by the Millions | George Gershwin | 2:31 | |
| 5 | 5 | Let 'Em Eat Cake: Comes the Revolution | George Gershwin | 2:44 | |
| 6 | 6 | Let 'Em Eat Cake: Mine | George Gershwin | 3:15 | |
| 7 | 7 | Let 'Em Eat Cake: Climb Up the Social Ladder (The New Blue D.A.R.) | George Gershwin | 2:09 | |
| 8 | 8 | Let 'Em Eat Cake: The Union League (Cloistered from the City Noise) | George Gershwin | 2:39 | |
| 9 | 9 | Let 'Em Eat Cake: On and On and On | George Gershwin | 2:52 | |
| 10 | 10 | Let 'Em Eat Cake: Introduction | George Gershwin | 0:41 | |
| 11 | 11 | Let 'Em Eat Cake: I've Brushed My Teeth | George Gershwin | 3:36 | |
| 12 | 12 | Let 'Em Eat Cake: The General's Gone to a Party | George Gershwin | 1:15 | |
| 13 | 13 | Let 'Em Eat Cake: Mothers of the Nation | George Gershwin | 5:35 | |
| 14 | 14 | Let 'Em Eat Cake: Let 'Em Eat Cake | George Gershwin | 2:07 | |
| 15 | 15 | Let 'Em Eat Cake: Blue, Blue, Blue | George Gershwin | 3:58 | |
| 16 | 16 | Let 'Em Eat Cake: Who's the Greatest? | George Gershwin | 1:15 | |
| 17 | 17 | Let 'Em Eat Cake: The League of Nations | George Gershwin | 1:04 | |
| 18 | 18 | Let 'Em Eat Cake: No Comprenez, No Capish, No Versteh? | George Gershwin | 0:31 | |
| 19 | 19 | Let 'Em Eat Cake: When Nations Get Together | George Gershwin | 1:23 | |
| 20 | 20 | Let 'Em Eat Cake: Why Speak of Money? - Who's the Greatest? (Reprise) | George Gershwin | 3:36 | |
| 21 | 21 | Let 'Em Eat Cake: Up and at 'Em | George Gershwin | 1:46 | |
| 22 | 22 | Let 'Em Eat Cake: The Trial of Throttlebottom: That's What He Did | George Gershwin | 1:38 | |
| 23 | 23 | Let 'Em Eat Cake: I Know a Foul Ball | George Gershwin | 1:29 | |
| 24 | 24 | Let 'Em Eat Cake: Throttle Throttlebottom | George Gershwin | 1:01 | |
| 25 | 25 | Let 'Em Eat Cake: The Trial of Wintergreen: It Isn't What You Did | George Gershwin | 2:25 | |
| 26 | 26 | Let 'Em Eat Cake: Mine (Reprise) | George Gershwin | 1:08 | |
| 27 | 27 | Let 'Em Eat Cake: First Lady and First Gent | George Gershwin | 1:44 | |
| 28 | 28 | Let 'Em Eat Cake: Hanging Throttlebottom in the Morning | George Gershwin | 1:57 | |
| 29 | 29 | Let 'Em Eat Cake: Fashion Show | George Gershwin | 2:16 | |
| 30 | 30 | Let 'Em Eat Cake: Finale Ultimo - Of Thee I Sing (Reprise) | George Gershwin | 1:22 | |
| Media 34: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | A Symphony: New England Holidays, S. 5: I. Winter: Washington's Birthday | Charles Ives | 10:29 | |
| 2 | 2 | A Symphony: New England Holidays, S. 5: II. Spring: Decoration Day | Charles Ives | 10:00 | |
| 3 | 3 | A Symphony: New England Holidays, S. 5: III. Summer: The Fourth of July | Charles Ives | 6:05 | |
| 4 | 4 | A Symphony: New England Holidays, S. 5: IV. Autumn: Thanksgiving and Forefathers' Day | Charles Ives | 15:01 | |
| 5 | 5 | The Unanswered Question, S. 50 (revised version) | Charles Ives | 7:14 | |
| 6 | 6 | Central Park in the Dark, S. 34 | Charles Ives | 7:28 | |
| 7 | 7 | The Unanswered Question, S. 50 (original version) | Charles Ives | 7:01 | |
| Media 35: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio | Ludwig van Beethoven | 16:50 | |
| 2 | 2 | Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre. Adagio assai | Ludwig van Beethoven | 15:43 | |
| 3 | 3 | Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo. Allegro vivace - Trio | Ludwig van Beethoven | 5:43 | |
| 4 | 4 | Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale. Allegro molto - Poco Andante - Presto | Ludwig van Beethoven | 11:40 | |
| 5 | 5 | 12 Contredanses for Orchestra, WoO 14: no. 1 in C major | Ludwig van Beethoven | 0:26 | |
| 6 | 6 | 12 Contredanses for Orchestra, WoO 14: no. 2 in A major | Ludwig van Beethoven | 0:28 | |
| 7 | 7 | 12 Contredanses for Orchestra, WoO 14: no. 3 in D major | Ludwig van Beethoven | 0:57 | |
| 8 | 8 | 12 Contredanses for Orchestra, WoO 14: no. 4 in B-flat major | Ludwig van Beethoven | 0:27 | |
| 9 | 9 | 12 Contredanses for Orchestra, WoO 14: no. 5 in E-flat major | Ludwig van Beethoven | 1:00 | |
| 10 | 10 | 12 Contredanses for Orchestra, WoO 14: no. 6 in C major | Ludwig van Beethoven | 1:11 | |
| 11 | 11 | 12 Contredanses for Orchestra, WoO 14: no. 7 in E-flat major | Ludwig van Beethoven | 0:33 | |
| 12 | 12 | 12 Contredanses for Orchestra, WoO 14: no. 8 in C major | Ludwig van Beethoven | 0:25 | |
| 13 | 13 | 12 Contredanses for Orchestra, WoO 14: no. 9 in A major | Ludwig van Beethoven | 0:25 | |
| 14 | 14 | 12 Contredanses for Orchestra, WoO 14: no. 10 in C major | Ludwig van Beethoven | 0:57 | |
| 15 | 15 | 12 Contredanses for Orchestra, WoO 14: no. 11 in G major | Ludwig van Beethoven | 0:27 | |
| 16 | 16 | 12 Contredanses for Orchestra, WoO 14: no. 12 in E-flat major | Ludwig van Beethoven | 1:35 | |
| Media 36: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Symphony no. 3 in D minor, Part I: I. Kräftig. Entschieden | Gustav Mahler | 7:09 | |
| 2 | 2 | Symphony no. 3 in D minor, Part I: I. Langsam. Schwer | Gustav Mahler | 2:45 | |
| 3 | 3 | Symphony no. 3 in D minor, Part I: I. Tempo I | Gustav Mahler | 4:53 | |
| 4 | 4 | Symphony no. 3 in D minor, Part I: I. A Tempo | Gustav Mahler | 6:22 | |
| 5 | 5 | Symphony no. 3 in D minor, Part I: I. Immer dasselbe Tempo (Marsch) | Gustav Mahler | 3:12 | |
| 6 | 6 | Symphony no. 3 in D minor, Part I: I. Allegro Moderato | Gustav Mahler | 5:04 | |
| 7 | 7 | Symphony no. 3 in D minor, Part I: I. Tempo I | Gustav Mahler | 4:39 | |
| 8 | 8 | Symphony no. 3 in D minor, Part II: II. Tempo di Menuetto. Sehr mäßig | Gustav Mahler | 2:56 | |
| 9 | 9 | Symphony no. 3 in D minor, Part II: II. A Tempo. | Gustav Mahler | 3:32 | |
| 10 | 10 | Symphony no. 3 in D minor, Part II: II. Ganz plötzlich gemächlich. Tempo di Menuetto | Gustav Mahler | 3:27 | |
| 11 | 11 | Symphony no. 3 in D minor, Part II: III. Comodo. Scherzando. Ohne Hast | Gustav Mahler | 2:22 | |
| 12 | 12 | Symphony no. 3 in D minor, Part II: III. Wieder sehr gemächlich, wie zu Anfang | Gustav Mahler | 2:47 | |
| 13 | 13 | Symphony no. 3 in D minor, Part II: III. Sehr gemächlich (Posthorn) | Gustav Mahler | 5:13 | |
| 14 | 14 | Symphony no. 3 in D minor, Part II: III. Tempo I | Gustav Mahler | 2:52 | |
| 15 | 15 | Symphony no. 3 in D minor, Part II: III. Wieder sehr gemächlich, beinahe langsam | Gustav Mahler | 5:05 | |
| Media 37: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Symphony no. 3 in D minor, Part II: IV. Sehr Langsam. Misterioso. Durchaus ppp "O Mensch! Gib Acht!" | Gustav Mahler | 5:13 | |
| 2 | 2 | Symphony no. 3 in D minor, Part II: IV. Più mosso subito | Gustav Mahler | 4:56 | |
| 3 | 3 | Symphony no. 3 in D minor, Part II: V. Lustig im Tempo und keck Im Ausdruck "Es sungen drei Engel" | Gustav Mahler | 4:25 | |
| 4 | 4 | Symphony no. 3 in D minor, Part II: VI. Langsam. Ruhevoll. Empfunden | Gustav Mahler | 3:51 | |
| 5 | 5 | Symphony no. 3 in D minor, Part II: VI. Nicht mehr so breit | Gustav Mahler | 3:26 | |
| 6 | 6 | Symphony no. 3 in D minor, Part II: VI. Tempo I. Ruhevoll | Gustav Mahler | 3:52 | |
| 7 | 7 | Symphony no. 3 in D minor, Part II: VI. A Tempo (Etwas bewegter) | Gustav Mahler | 3:59 | |
| 8 | 8 | Symphony no. 3 in D minor, Part II: VI. Tempo I | Gustav Mahler | 3:09 | |
| 9 | 9 | Symphony no. 3 in D minor, Part II: VI. Langsam. Tempo I | Gustav Mahler | 8:07 | |
| 10 | 10 | Rückert-Lieder: Ich atmet' einen linden Druft | Gustav Mahler | 2:30 | |
| 11 | 11 | Rückert-Lieder: Blicke mir nicht in die Lieder! | Gustav Mahler | 1:24 | |
| 12 | 12 | Rückert-Lieder: Um Mitternacht | Gustav Mahler | 6:39 | |
| 13 | 13 | Rückert-Lieder: Liebst du um Schönheit | Gustav Mahler | 2:58 | |
| 14 | 14 | Rückert-Lieder: Ich bin der Welt abhanden gekommen | Gustav Mahler | 7:14 | |
| Media 38: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Die Sieben Todsünden: Prologue | Kurt Weill | 3:20 | |
| 2 | 2 | Die Sieben Todsünden: I. Faulheit | Kurt Weill | 4:28 | |
| 3 | 3 | Die Sieben Todsünden: II. Stolz | Kurt Weill | 4:29 | |
| 4 | 4 | Die Sieben Todsünden: III. Zorn | Kurt Weill | 4:07 | |
| 5 | 5 | Die Sieben Todsünden: IV. Völlerei | Kurt Weill | 3:30 | |
| 6 | 6 | Die Sieben Todsünden: V. Unzucht | Kurt Weill | 5:15 | |
| 7 | 7 | Die Sieben Todsünden: VI. Habsucht | Kurt Weill | 2:58 | |
| 8 | 8 | Die Sieben Todsünden: VII. Neid | Kurt Weill | 4:17 | |
| 9 | 9 | Die Sieben Todsünden: Epilogue | Kurt Weill | 1:29 | |
| 10 | 10 | Kleine Dreigroschenmusik: I. Overture | Kurt Weill | 1:56 | |
| 11 | 11 | Kleine Dreigroschenmusik: II. Die Moritat von Mackie Messer | Kurt Weill | 1:57 | |
| 12 | 12 | Kleine Dreigroschenmusik: III. Anstatt-dass-Song | Kurt Weill | 1:54 | |
| 13 | 13 | Kleine Dreigroschenmusik: IV. Die Ballade vom angenehmen Leben | Kurt Weill | 3:08 | |
| 14 | 14 | Kleine Dreigroschenmusik: V. Pollys Lied | Kurt Weill | 2:45 | |
| 15 | 15 | Kleine Dreigroschenmusik: VI. Tango-Ballade | Kurt Weill | 2:45 | |
| 16 | 16 | Kleine Dreigroschenmusik: VII. Kanonen-Song | Kurt Weill | 2:35 | |
| 17 | 17 | Kleine Dreigroschenmusik: VIII. Dreigroschen-Finale | Kurt Weill | 4:13 | |
| Media 39: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Ma mère l'Oye, M. 60 : Prélude | Maurice Ravel | 3:35 | |
| 2 | 2 | Ma mère l'Oye, M. 60 : Tableau I : Danse du rouet et scène | Maurice Ravel | 3:39 | |
| 3 | 3 | Ma mère l'Oye, M. 60 : Tableau II : Pavane de la Belle au bois dormant | Maurice Ravel | 3:03 | |
| 4 | 4 | Ma mère l'Oye, M. 60 : Tableau III : Les Entretiens de la Belle et de la Bête | Maurice Ravel | 6:14 | |
| 5 | 5 | Ma mère l'Oye, M. 60 : Tableau IV : Petit Poucet | Maurice Ravel | 4:54 | |
| 6 | 6 | Ma mère l'Oye, M. 60 : Tableau V : Laideronnette, impératrice des pagodes | Maurice Ravel | 4:52 | |
| 7 | 7 | Ma mère l'Oye, M. 60 : Apothéose : Le Jadin féerique | Maurice Ravel | 4:02 | |
| 8 | 8 | Fanfare from ballet "L'Éventail de Jeanne", M. 80/1 | Maurice Ravel | 1:44 | |
| 9 | 9 | Rapsodie espagnole, M. 54 : I. Prélude à la nuit | Maurice Ravel | 5:14 | |
| 10 | 10 | Rapsodie espagnole, M. 54 : II. Malagueña | Maurice Ravel | 2:07 | |
| 11 | 11 | Rapsodie espagnole, M. 54 : III. Habanera | Maurice Ravel | 3:14 | |
| 12 | 12 | Rapsodie espagnole, M. 54 : IV. Feria | Maurice Ravel | 6:38 | |
| 13 | 13 | Vocalise-étude en forme de habanera, M. 51 | Maurice Ravel | 3:19 | |
| 14 | 14 | Boléro, M. 81 | Maurice Ravel | 15:23 | |
| Media 40: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Ein Heldenleben, op. 40: I. Der Held | Richard Strauss | 4:07 | |
| 2 | 2 | Ein Heldenleben, op. 40: II. Des Helden Widersacher | Richard Strauss | 3:33 | |
| 3 | 3 | Ein Heldenleben, op. 40: III. Des Helden Gefährtin | Richard Strauss | 7:31 | |
| 4 | 4 | Ein Heldenleben, op. 40: Mäßig langsam | Richard Strauss | 6:38 | |
| 5 | 5 | Ein Heldenleben, op. 40: IV. Des Helden Walstatt | Richard Strauss | 8:10 | |
| 6 | 6 | Ein Heldenleben, op. 40: V. Des Helden Friedenswerke | Richard Strauss | 5:48 | |
| 7 | 7 | Ein Heldenleben, op. 40: VI. Des Helden Weltflucht und Vollendung | Richard Strauss | 11:31 | |
| 8 | 8 | Till Eulenspiegels lustige Streiche, op. 28 | Richard Strauss | 15:23 | |
| Media 41: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Concerto for Piano and Orchestra no. 1 in D-flat major, op. 10: I. Allegro brioso | Sergei Prokofiev | 3:38 | |
| 2 | 2 | Concerto for Piano and Orchestra no. 1 in D-flat major, op. 10: II. Meno mosso | Sergei Prokofiev | 3:30 | |
| 3 | 3 | Concerto for Piano and Orchestra no. 1 in D-flat major, op. 10: III. Andante assai | Sergei Prokofiev | 3:58 | |
| 4 | 4 | Concerto for Piano and Orchestra no. 1 in D-flat major, op. 10: IV. Allegro scherzando | Sergei Prokofiev | 4:39 | |
| 5 | 5 | Concerto for Piano and Orchestra no. 2 in G minor, op. 16: I. Andantino | Sergei Prokofiev | 11:51 | |
| 6 | 6 | Concerto for Piano and Orchestra no. 2 in G minor, op. 16: II. Scherzo. Vivace | Sergei Prokofiev | 2:44 | |
| 7 | 7 | Concerto for Piano and Orchestra no. 2 in G minor, op. 16: III. Intermezzo. Allegro moderato | Sergei Prokofiev | 7:03 | |
| 8 | 8 | Concerto for Piano and Orchestra no. 2 in G minor, op. 16: IV. Finale. Allegro tempestoso | Sergei Prokofiev | 11:23 | |
| 9 | 9 | 10 Pieces for Piano from "Romeo and Juliet", op. 75: No. 10. Romeo and Juliet before Parting | Sergei Prokofiev | 6:56 | |
| Media 42: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Concerto for Guitar & Orchestra "The Mediterranean": I. Rhythmic | John McLaughlin | 12:00 | |
| 2 | 2 | Concerto for Guitar & Orchestra "The Mediterranean": II. Slow & Sad | John McLaughlin | 15:35 | |
| 3 | 3 | Concerto for Guitar & Orchestra "The Mediterranean": III. Animato | John McLaughlin | 8:43 | |
| 4 | 4 | 5 Duos for Guitar and Piano: No. 1. Brise de cœur | John McLaughlin | 7:47 | |
| 5 | 5 | 5 Duos for Guitar and Piano: No. 2. Montana | John McLaughlin | 4:29 | |
| 6 | 6 | 5 Duos for Guitar and Piano: No. 3. Two Sisters | John McLaughlin | 3:54 | |
| 7 | 7 | 5 Duos for Guitar and Piano: No. 4. Until Such Time | John McLaughlin | 4:30 | |
| 8 | 8 | 5 Duos for Guitar and Piano: No. 5. Zakir | John McLaughlin | 4:13 | |
| Media 43: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Tosca: Atto I. "Ah ! Finalmente!" | Giacomo Puccini | 2:08 | 128.5867 |
| 2 | 2 | Tosca: Atto I. "È sempre lava!" | Giacomo Puccini | 3:27 | 147.9448 |
| 3 | 3 | Tosca: Atto I. "Dammi i colori! Recondita armonia" | Giacomo Puccini | 4:12 | 114.0191 |
| 4 | 4 | Tosca: Atto I. "Gente là dentro!" | Giacomo Puccini | 1:10 | 151.9034 |
| 5 | 5 | Tosca: Atto I. "Mario! Mario! Mario!" | Giacomo Puccini | 3:01 | 163.0966 |
| 6 | 6 | Tosca: Atto I. "Non la sospiri la nostra casetta" | Giacomo Puccini | 4:20 | 172.2656 |
| 7 | 7 | Tosca: Atto I. "Ah, quegli occhi!" … "Qual occhio al mondo" | Giacomo Puccini | 5:51 | 152.3155 |
| 8 | 8 | Tosca: Atto I. "È buona la mia Tosca" | Giacomo Puccini | 3:36 | 142.6715 |
| 9 | 9 | Tosca: Atto I. "Sommo giubilo, eccellenza!" | Giacomo Puccini | 1:40 | 117.2312 |
| 10 | 10 | Tosca: Atto I. "Un tal baccano in chiesa!" | Giacomo Puccini | 3:44 | 140.2641 |
| 11 | 11 | Tosca: Atto I. "Or tutto é chiaro" … "Tosca? Che non mi veda" | Giacomo Puccini | 3:23 | 155.0992 |
| 12 | 12 | Tosca: Atto I. "Ed io venivo a lui tutta dogliosa" | Giacomo Puccini | 4:35 | 178.2058 |
| 13 | 13 | Tosca: Atto I. Finale I: "Tre sbirri, una carrozza" | Giacomo Puccini | 4:04 | 136.388 |
| Media 44: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Tosca: Atto II. "Tosca è un buon falco!" | Giacomo Puccini | 3:17 | 172.2657 |
| 2 | 2 | Tosca: Atto II. "Ha più forte sapore" | Giacomo Puccini | 1:21 | 178.2058 |
| 3 | 3 | Tosca: Atto II. "O galantuomo, come andò la caccia?" | Giacomo Puccini | 1:05 | 172.2658 |
| 4 | 4 | Tosca: Atto II. "Meno male!" | Giacomo Puccini | 2:42 | 123.0359 |
| 5 | 5 | Tosca: Atto II. "Ov'è Angelotti?" | Giacomo Puccini | 3:10 | 103.8055 |
| 6 | 6 | Tosca: Atto II. "Ed or fra noi parliam da buoni amici" | Giacomo Puccini | 1:12 | 133.1986 |
| 7 | 7 | Tosca: Atto II. "Sciarrone: che dice il cavalier?" | Giacomo Puccini | 2:56 | 117.8317 |
| 8 | 8 | Tosca: Atto II. "Orsù, Tosca, parlate" | Giacomo Puccini | 3:07 | 117.1456 |
| 9 | 9 | Tosca: Atto II. "Nel pozzo, nel giardino!" | Giacomo Puccini | 1:38 | 118.0335 |
| 10 | 10 | Tosca: Atto II. "Nel pozzo del giardino! Va', Spoletta!" | Giacomo Puccini | 1:46 | 143.9389 |
| 11 | 11 | Tosca: Atto II. "Salvatelo!" … "lo? Voi!" | Giacomo Puccini | 2:08 | 172.2654 |
| 12 | 12 | Tosca: Atto II. "Se la giurata fede devo tradir" | Giacomo Puccini | 3:45 | 178.2057 |
| 13 | 13 | Tosca: Atto II. "Vissi d'arte" | Giacomo Puccini | 3:33 | 163.9891 |
| 14 | 14 | Tosca: Atto II. "Vedi" … "le man giunte io stendo" | Giacomo Puccini | 3:44 | 143.5247 |
| 15 | 15 | Tosca: Atto II. "E qual via scegliete?" | Giacomo Puccini | 7:06 | 135.4482 |
| 16 | 16 | Tosca: Atto III. "lo de' sospiri te ne rimanno tanti" | Giacomo Puccini | 7:08 | 178.2058 |
| 17 | 17 | Tosca: Atto III. "Mario Cavaradossi? A voi" | Giacomo Puccini | 2:56 | 123.1776 |
| 18 | 18 | Tosca: Atto III. "E lucevan le stelle" | Giacomo Puccini | 3:17 | 139.8424 |
| 19 | 19 | Tosca: Atto III. "Ah! Franchigia a Floria Tosca" | Giacomo Puccini | 2:46 | 130.043 |
| 20 | 20 | Tosca: Atto III. "Oh dolci mani mansuete e pure" | Giacomo Puccini | 1:44 | 100.0852 |
| 21 | 21 | Tosca: Atto III. "Senti, l'ora è vicina" | Giacomo Puccini | 4:06 | 151.3982 |
| 22 | 22 | Tosca: Atto III. "E non giungono" | Giacomo Puccini | 2:59 | 164.0371 |
| 23 | 23 | Tosca: Atto III. "Come è lunga l'attesa!" | Giacomo Puccini | 2:25 | 126.0365 |
| 24 | 24 | Tosca: Atto III. "Presto, su! Mario!" | Giacomo Puccini | 1:21 | 103.8918 |
| Media 45: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Serenade no. 1 in D major, op. 11: I. Allegro molto | Johannes Brahms | 13:01 | |
| 2 | 2 | Serenade no. 1 in D major, op. 11: II. Scherzo. Allegro non troppo - Trio. Poco più moto | Johannes Brahms | 7:21 | |
| 3 | 3 | Serenade no. 1 in D major, op. 11: III. Adagio non troppo | Johannes Brahms | 13:10 | |
| 4 | 4 | Serenade no. 1 in D major, op. 11: IV. Menuetto I - Menuetto II | Johannes Brahms | 3:52 | |
| 5 | 5 | Serenade no. 1 in D major, op. 11: V. Scherzo. Allegro - Trio | Johannes Brahms | 2:41 | |
| 6 | 6 | Serenade no. 1 in D major, op. 11: VI. Rondo. Allegro | Johannes Brahms | 4:59 | |
| 7 | 7 | Tragische Ouvertüre, op. 81 | Johannes Brahms | 13:42 | |
| 8 | 8 | Akademische Festouvertüre, op. 80 | Johannes Brahms | 10:33 | |
| Media 46: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Symphony no. 1 in D minor, S. 1: I. Allegro | Charles Ives | 11:45 | |
| 2 | 2 | Symphony no. 1 in D minor, S. 1: II. Adagio molto (sostenuto) | Charles Ives | 6:46 | |
| 3 | 3 | Symphony no. 1 in D minor, S. 1: III. Scherzo: Vivace | Charles Ives | 4:29 | |
| 4 | 4 | Symphony no. 1 in D minor, S. 1: IV. Allegro molto | Charles Ives | 12:43 | |
| 5 | 5 | Sweet By and By | Joseph Philbrick Webster | 1:52 | |
| 6 | 6 | Beulah Land | John R. Sweney | 0:58 | |
| 7 | 7 | Ye Christian Heralds | Heinrich Christopher Zeuner | 1:09 | |
| 8 | 8 | Jesus, Lover of My Soul | Simeon Butler Marsh | 1:49 | |
| 9 | 9 | Nearer, My God, to Thee | Lowell Mason | 2:05 | |
| 10 | 10 | Symphony no. 4, S. 4: I. Prelude: Maestoso | Charles Ives | 3:50 | |
| 11 | 11 | Symphony no. 4, S. 4: II. Comedy: Allegretto | Charles Ives | 11:39 | |
| 12 | 12 | Symphony no. 4, S. 4: III. Fugue: Andante moderato con moto | Charles Ives | 7:34 | |
| 13 | 13 | Symphony no. 4, S. 4: IV. Finale: Very slowly - Largo maestoso | Charles Ives | 10:29 | |
| Media 47: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Also sprach Zarathustra, op. 30: Introduction | Richard Strauss | 1:49 | |
| 2 | 2 | Also sprach Zarathustra, op. 30: Of the Backworldsmen | Richard Strauss | 3:40 | |
| 3 | 3 | Also sprach Zarathustra, op. 30: Of the Great Longing | Richard Strauss | 1:58 | |
| 4 | 4 | Also sprach Zarathustra, op. 30: Of Joys and Passions | Richard Strauss | 2:03 | |
| 5 | 5 | Also sprach Zarathustra, op. 30: The Song of the Grave | Richard Strauss | 2:30 | |
| 6 | 6 | Also sprach Zarathustra, op. 30: Of Science and Learning | Richard Strauss | 4:43 | |
| 7 | 7 | Also sprach Zarathustra, op. 30: The Convalescent | Richard Strauss | 1:42 | |
| 8 | 8 | Also sprach Zarathustra, op. 30: Ziemlich langsam | Richard Strauss | 3:32 | |
| 9 | 9 | Also sprach Zarathustra, op. 30: The Dance-Song | Richard Strauss | 8:02 | |
| 10 | 10 | Also sprach Zarathustra, op. 30: Song of the Night Wanderer | Richard Strauss | 1:11 | |
| 11 | 11 | Also sprach Zarathustra, op. 30: Langsam | Richard Strauss | 4:02 | |
| 12 | 12 | Don Juan, op. 20 | Richard Strauss | 18:13 | |
| Media 48: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Swan Lake: Introduction: Moderato assai - Allegro non troppo - Tempo I | Pyotr Ilyich Tchaikovsky | 3:23 | |
| 2 | 2 | Swan Lake: Act I, I. Scène: Allegro giusto | Pyotr Ilyich Tchaikovsky | 2:50 | |
| 3 | 3 | Swan Lake: Act I, II. Valse: Tempo di valse | Pyotr Ilyich Tchaikovsky | 7:19 | |
| 4 | 4 | Swan Lake: Act I, III. Scène: Allegro moderato | Pyotr Ilyich Tchaikovsky | 3:46 | |
| 5 | 5 | Swan Lake: Act I, IV. Pas de trois: I. Intrada: Allegro | Pyotr Ilyich Tchaikovsky | 2:18 | |
| 6 | 6 | Swan Lake: Act I, IV. Pas de trois: II. Andante sostenuto | Pyotr Ilyich Tchaikovsky | 2:39 | |
| 7 | 7 | Swan Lake: Act I, IV. Pas de trois: III. Allegro simplice - Presto | Pyotr Ilyich Tchaikovsky | 1:08 | |
| 8 | 8 | Swan Lake: Act I, IV. Pas de trois: IV. Moderato | Pyotr Ilyich Tchaikovsky | 1:16 | |
| 9 | 9 | Swan Lake: Act I, IV. Pas de trois: V. Allegro | Pyotr Ilyich Tchaikovsky | 1:04 | |
| 10 | 10 | Swan Lake: Act I, IV. Pas de trois: VI. Coda: Allegro vivace | Pyotr Ilyich Tchaikovsky | 1:39 | |
| 11 | 11 | Swan Lake: Act I, V. Pas de deux: I. Tempo di valse ma non troppo vivo, quasi moderato | Pyotr Ilyich Tchaikovsky | 2:26 | |
| 12 | 12 | Swan Lake: Act I, V. Pas de deux: II. Andante - Allegro | Pyotr Ilyich Tchaikovsky | 5:25 | |
| 13 | 13 | Swan Lake: Act I, V. Pas de deux: III. Tempo di valse | Pyotr Ilyich Tchaikovsky | 1:27 | |
| 14 | 14 | Swan Lake: Act I, V. Pas de deux: IV. Coda: Allegro molto vivace | Pyotr Ilyich Tchaikovsky | 1:56 | |
| 15 | 15 | Swan Lake: Act I, VI. Pas d'action: Andantino quasi moderato - Allegro | Pyotr Ilyich Tchaikovsky | 2:21 | |
| 16 | 16 | Swan Lake: Act I, VII. Sujet | Pyotr Ilyich Tchaikovsky | 0:34 | |
| 17 | 17 | Swan Lake: Act I, VIII. Danse des coupes: Tempo di polacca | Pyotr Ilyich Tchaikovsky | 5:19 | |
| 18 | 18 | Swan Lake: Act I, IX. Finale: Sujet: Andante | Pyotr Ilyich Tchaikovsky | 3:03 | |
| 19 | 19 | Swan Lake: Act II, X. Scène: Moderato | Pyotr Ilyich Tchaikovsky | 3:12 | |
| 20 | 20 | Swan Lake: Act II, XI. Scène: Allegro moderato - Moderato - Allegro vivo | Pyotr Ilyich Tchaikovsky | 5:22 | |
| 21 | 21 | Swan Lake: Act II, XII. Scène: Allegro - Moderato assai quasi andante | Pyotr Ilyich Tchaikovsky | 3:40 | |
| 22 | 22 | Swan Lake: Act II, XIII. Danses des cygnes: I. Tempo di valse | Pyotr Ilyich Tchaikovsky | 2:30 | |
| 23 | 23 | Swan Lake: Act II, XIII. Danses des cygnes: II. Moderato assai | Pyotr Ilyich Tchaikovsky | 1:38 | |
| 24 | 24 | Swan Lake: Act II, XIII. Danses des cygnes: III. Tempo di valse | Pyotr Ilyich Tchaikovsky | 1:45 | |
| 25 | 25 | Swan Lake: Act II, XIII. Danses des cygnes: IV. Allegro moderato | Pyotr Ilyich Tchaikovsky | 1:28 | |
| 26 | 26 | Swan Lake: Act II, XIII. Danses des cygnes: V. Pas d'action: Andante - Andante non troppo - Tempo I - Allegro | Pyotr Ilyich Tchaikovsky | 7:20 | |
| Media 49: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Swan Lake: Act II, XIII. Danses des cygnes: VI. Tempo di valse | Pyotr Ilyich Tchaikovsky | 1:37 | |
| 2 | 2 | Swan Lake: Act II, XIII. Danses des cygnes: VII. Coda: Allegro vivo | Pyotr Ilyich Tchaikovsky | 1:43 | |
| 3 | 3 | Swan Lake: Act II, XIV. Scène: Moderato | Pyotr Ilyich Tchaikovsky | 3:22 | |
| 4 | 4 | Swan Lake: Act III, XV. Allegro giusto | Pyotr Ilyich Tchaikovsky | 2:33 | |
| 5 | 5 | Swan Lake: Act III, XVI. Danses du corps de ballet et des nains: Moderato assai - Allegro vivo | Pyotr Ilyich Tchaikovsky | 2:26 | |
| 6 | 6 | Swan Lake: Act III, XVII. Scène. Sortie des invites et valse: Allegro - Tempo di valse | Pyotr Ilyich Tchaikovsky | 8:04 | |
| 7 | 7 | Swan Lake: Act III, XVIII. Scène: Allegro - Allegro giusto | Pyotr Ilyich Tchaikovsky | 1:34 | |
| 8 | 8 | Swan Lake: Act III, XIX. Pas de six. Intrada: Moderato assai | Pyotr Ilyich Tchaikovsky | 2:41 | |
| 9 | 9 | Swan Lake: Act III, XIX. Pas de six: Variation I: Allegro | Pyotr Ilyich Tchaikovsky | 1:19 | |
| 10 | 10 | Swan Lake: Act III, XIX. Pas de six: Variation II: Andante con moto | Pyotr Ilyich Tchaikovsky | 3:07 | |
| 11 | 11 | Swan Lake: Act III, XIX. Pas de six: Variation III: Moderato | Pyotr Ilyich Tchaikovsky | 0:42 | |
| 12 | 12 | Swan Lake: Act III, XIX. Pas de six: Variation IV: Allegro | Pyotr Ilyich Tchaikovsky | 0:53 | |
| 13 | 13 | Swan Lake: Act III, XIX. Pas de six: Variation V: Moderato - Allegro simplice | Pyotr Ilyich Tchaikovsky | 1:23 | |
| 14 | 14 | Swan Lake: Act III, XIX. Pas de six: Coda: Allegro molto | Pyotr Ilyich Tchaikovsky | 1:51 | |
| 15 | 15 | Swan Lake: Act III, XX. Danse hongroise. Czardas: Moderato assai - Allegro moderato - Vivace | Pyotr Ilyich Tchaikovsky | 3:11 | |
| 16 | 16 | Swan Lake: Act III, XXa. Danse russe: Moderato - Andante simplice - Allegro vivo - Presto | Pyotr Ilyich Tchaikovsky | 4:42 | |
| 17 | 17 | Swan Lake: Act III, XXI. Danse espagnole: Allegro non troppo (Tempo di bolero) | Pyotr Ilyich Tchaikovsky | 2:39 | |
| 18 | 18 | Swan Lake: Act III, XXII. Danse napolitaine: Allegro moderato - Andantino quasi moderato - Presto | Pyotr Ilyich Tchaikovsky | 2:10 | |
| 19 | 19 | Swan Lake: Act III, XXIII. Mazurka: Tempo di mazurka | Pyotr Ilyich Tchaikovsky | 4:38 | |
| 20 | 20 | Swan Lake: Act III, XXIV. Scène: Allegro - Valse - Allegro vivo | Pyotr Ilyich Tchaikovsky | 3:30 | |
| 21 | 21 | Swan Lake: Act IV, XXV. Entr'acte: Moderato | Pyotr Ilyich Tchaikovsky | 1:42 | |
| 22 | 22 | Swan Lake: Act IV, XXVI. Scène: Allegro non troppo | Pyotr Ilyich Tchaikovsky | 1:48 | |
| 23 | 23 | Swan Lake: Act IV, XXVII. Danses des petits cygnes: Moderato | Pyotr Ilyich Tchaikovsky | 5:13 | |
| 24 | 24 | Swan Lake: Act IV, XXVIII. Scène: Allegro agitato - Molto meno mosso - Allegro vivace | Pyotr Ilyich Tchaikovsky | 2:58 | |
| 25 | 25 | Swan Lake: Act IV, XXIX. Scène finale: Andante - Allegro agitato - Alla breve. Moderato e maestoso - Moderato | Pyotr Ilyich Tchaikovsky | 6:31 | |
| Media 50: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Giselle: 1. Act: no. 1. Introduction | Adolphe Adam | 2:20 | |
| 2 | 2 | Giselle: 1. Act: no. 2. Joyful entrance of the grape-pickers | Adolphe Adam | 1:26 | |
| 3 | 3 | Giselle: 1. Act: no. 3. Albrecht enters, accompanied by his squire Wilfried | Adolphe Adam | 1:27 | |
| 4 | 4 | Giselle: 1. Act: no. 4. Albrecht is left alone, Gisele enters | Adolphe Adam | 1:27 | |
| 5 | 5 | Giselle: 1. Act: no. 5. Love scene | Adolphe Adam | 4:09 | |
| 6 | 6 | Giselle: 1. Act: no. 6. The grape-pickers return | Adolphe Adam | 1:02 | |
| 7 | 7 | Giselle: 1. Act: no. 7. Valse | Adolphe Adam | 3:04 | |
| 8 | 8 | Giselle: 1. Act: no. 8. Pas de deux, Giselle and Albrecht | Adolphe Adam | 1:38 | |
| 9 | 9 | Giselle: 1. Act: no. 9. The hunt | Adolphe Adam | 2:58 | |
| 10 | 10 | Giselle: 1. Act: no. 10. The wine-pickers' march | Adolphe Adam | 3:37 | |
| 11 | 11 | Giselle: 1. Act: no. 11. Variation Giselle | Adolphe Adam | 2:14 | |
| 12 | 12 | Giselle: 1. Act: no. 12. Galop général | Adolphe Adam | 3:04 | |
| 13 | 13 | Giselle: 1. Act: no. 13. Hilarion rushes into the crowd | Adolphe Adam | 2:40 | |
| 14 | 14 | Giselle: 1. Act: no. 14. Scene of dilirium | Adolphe Adam | 2:16 | |
| 15 | 15 | Giselle: 1. Act: no. 15. Scene of dilirium | Adolphe Adam | 1:33 | |
| 16 | 16 | Giselle: 1. Act: no. 16. Memories return to Giselle, she dies | Adolphe Adam | 1:39 | |
| 17 | 17 | Giselle: 2. Act: no. 1. Introduction | Adolphe Adam | 1:04 | |
| 18 | 18 | Giselle: 2. Act: no. 2. Hilarion finds Giselle's grave | Adolphe Adam | 2:16 | |
| 19 | 19 | Giselle: 2. Act: no. 3. Myrtha makes her ghostly appearance | Adolphe Adam | 2:08 | |
| 20 | 20 | Giselle: 2. Act: no. 4. Myrtha plucks a branch of rosemary | Adolphe Adam | 6:40 | |
| 21 | 21 | Giselle: 2. Act: no. 5. Apparition of Giselle | Adolphe Adam | 1:33 | |
| 22 | 22 | Giselle: 2. Act: no. 6. The Wilis are startlet by sounds of men approaching and hide, Albrecht enters | Adolphe Adam | 2:04 | |
| 23 | 23 | Giselle: 2. Act: no. 7. Albrecht perceives the spectre of Giselle | Adolphe Adam | 1:33 | |
| 24 | 24 | Giselle: 2. Act: no. 8. Pas de deux, Giselle and Albrecht | Adolphe Adam | 3:07 | |
| 25 | 25 | Giselle: 2. Act: no. 9. Pas de deux, Giselle and Albrecht | Adolphe Adam | 2:00 | |
| 26 | 26 | Giselle: 2. Act: no. 10. Scene of the Wilis, Hilarion enters | Adolphe Adam | 2:06 | |
| 27 | 27 | Giselle: 2. Act: no. 11. The Wilis notice Albrecht | Adolphe Adam | 1:27 | |
| 28 | 28 | Giselle: 2. Act: no. 12. Grand Pas de deux, Giselle and Albrecht | Adolphe Adam | 4:22 | |
| 29 | 29 | Giselle: 2. Act: no. 13. Grand Pas de deux, Giselle and Albrecht | Adolphe Adam | 1:37 | |
| 30 | 30 | Giselle: 2. Act: no. 14. Variation Albrecht | Adolphe Adam | 0:54 | |
| 31 | 31 | Giselle: 2. Act: no. 15. Variation Giselle | Adolphe Adam | 1:25 | |
| 32 | 32 | Giselle: 2. Act: no. 16. Ensemble of the Wilis | Adolphe Adam | 1:49 | |
| 33 | 33 | Giselle: 2. Act: no. 17. Finale | Adolphe Adam | 4:16 | |
| Media 51: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Serenade no. 2 for Small Orchestra in A major, op. 16: I. Allegro moderato | Johannes Brahms | 9:20 | |
| 2 | 2 | Serenade no. 2 for Small Orchestra in A major, op. 16: II. Scherzo. Vivace - Trio | Johannes Brahms | 3:07 | |
| 3 | 3 | Serenade no. 2 for Small Orchestra in A major, op. 16: III. Adagio non troppo | Johannes Brahms | 9:10 | |
| 4 | 4 | Serenade no. 2 for Small Orchestra in A major, op. 16: IV. Quasi menuetto - Trio | Johannes Brahms | 5:32 | |
| 5 | 5 | Serenade no. 2 for Small Orchestra in A major, op. 16: V. Rondo. Allegro | Johannes Brahms | 6:11 | |
| 6 | 6 | Variations on a Theme by Joseph Haydn, op. 56a: Chorale St. Antoni. Andante | Johannes Brahms | 2:09 | |
| 7 | 7 | Variations on a Theme by Joseph Haydn, op. 56a: Variation I. Poco più animato | Johannes Brahms | 1:18 | |
| 8 | 8 | Variations on a Theme by Joseph Haydn, op. 56a: Variation II. Più vivace | Johannes Brahms | 0:57 | |
| 9 | 9 | Variations on a Theme by Joseph Haydn, op. 56a: Variation III. Con moto | Johannes Brahms | 1:59 | |
| 10 | 10 | Variations on a Theme by Joseph Haydn, op. 56a: Variation IV. Andante con moto | Johannes Brahms | 2:19 | |
| 11 | 11 | Variations on a Theme by Joseph Haydn, op. 56a: Variation V. Vivace | Johannes Brahms | 0:52 | |
| 12 | 12 | Variations on a Theme by Joseph Haydn, op. 56a: Variation VI. Vivace | Johannes Brahms | 1:19 | |
| 13 | 13 | Variations on a Theme by Joseph Haydn, op. 56a: Variation VII. Grazioso | Johannes Brahms | 3:06 | |
| 14 | 14 | Variations on a Theme by Joseph Haydn, op. 56a: Variation VIII: Presto non troppo | Johannes Brahms | 1:02 | |
| 15 | 15 | Variations on a Theme by Joseph Haydn, op. 56a: Finale. Andante | Johannes Brahms | 3:42 | |
| 16 | 16 | Hungarian Dance no. 1 in G minor: Allegro molto | Johannes Brahms | 2:56 | |
| 17 | 17 | Hungarian Dance no. 3 in F major: Allegretto | Johannes Brahms | 2:23 | |
| 18 | 18 | Hungarian Dance no. 10 in F major: Presto | Johannes Brahms | 1:47 | |
| 19 | 19 | Hungarian Dance no. 17 in F-sharp minor: Andantino | Johannes Brahms | 3:48 | |
| 20 | 20 | Hungarian Dance no. 18 in D major: Molto vivace | Johannes Brahms | 1:27 | |
| 21 | 21 | Hungarian Dance no. 19 in B minor: Allegretto | Johannes Brahms | 1:58 | |
| 22 | 22 | Hungarian Dance no. 20 in E minor: Poco Allegretto - Vivace | Johannes Brahms | 3:10 | |
| 23 | 23 | Hungarian Dance no. 21 in E minor: Vivace | Johannes Brahms | 1:24 | |
| Media 52: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Glagolitic Mass: I. Úvod (Introduction) | Leoš Janáček | 3:18 | |
| 2 | 2 | Glagolitic Mass: II. Gospodi pomiluj (Kyrie) | Leoš Janáček | 3:25 | |
| 3 | 3 | Glagolitic Mass: III. Slava (Gloria) | Leoš Janáček | 6:30 | |
| 4 | 4 | Glagolitic Mass: IV. Věruju (Credo) | Leoš Janáček | 12:14 | |
| 5 | 5 | Glagolitic Mass: V. Svet (Sanctus) | Leoš Janáček | 5:54 | |
| 6 | 6 | Glagolitic Mass: VI. Agneče Božij (Agnus Dei) | Leoš Janáček | 5:49 | |
| 7 | 7 | Glagolitic Mass: VII. Varhany solo (Organ) | Leoš Janáček | 2:15 | |
| 8 | 8 | Glagolitic Mass: VIII. Intrada | Leoš Janáček | 1:57 | |
| 9 | 9 | Sinfonietta: I. Allegretto | Leoš Janáček | 2:18 | |
| 10 | 10 | Sinfonietta: II. Andante - Allegretto | Leoš Janáček | 5:44 | |
| 11 | 11 | Sinfonietta: III. Moderato | Leoš Janáček | 5:19 | |
| 12 | 12 | Sinfonietta: IV. Allegretto | Leoš Janáček | 2:51 | |
| 13 | 13 | Sinfonietta: V. Andante con moto | Leoš Janáček | 6:49 | |
| Media 53: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Prélude à l'après-midi d'un faune, L. 86 | Claude Debussy | 10:58 | |
| 2 | 2 | La boîte à joujoux, L. 128 : Prélude. Le Sommeil de la boîte | Claude Debussy | 3:04 | |
| 3 | 3 | La boîte à joujoux, L. 128 : I. Le Magasin de jouets | Claude Debussy | 11:02 | |
| 4 | 4 | La boîte à joujoux, L. 128 : II. Le Champ de bataille | Claude Debussy | 9:42 | |
| 5 | 5 | La boîte à joujoux, L. 128 : III. La Bergerie à vendre | Claude Debussy | 7:09 | |
| 6 | 6 | La boîte à joujoux, L. 128 : IV. Après fortune faite | Claude Debussy | 1:31 | |
| 7 | 7 | La boîte à joujoux, L. 128 : Épilogue | Claude Debussy | 1:36 | |
| 8 | 8 | Jeux, L. 126 | Claude Debussy | 17:59 | |
| Media 54: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Symphony no. 5 in B-flat major, op. 100: I. Andante | Sergey Prokofiev | 14:31 | |
| 2 | 2 | Symphony no. 5 in B-flat major, op. 100: II. Allegro marcato | Sergey Prokofiev | 9:22 | |
| 3 | 3 | Symphony no. 5 in B-flat major, op. 100: III. Adagio | Sergey Prokofiev | 12:54 | |
| 4 | 4 | Symphony no. 5 in B-flat major, op. 100: IV. Allegro giocoso | Sergey Prokofiev | 9:45 | |
| 5 | 5 | Symphony no. 1 in D major, op. 25 "Classical": I. Allegro | Sergey Prokofiev | 4:20 | |
| 6 | 6 | Symphony no. 1 in D major, op. 25 "Classical": II. Larghetto | Sergey Prokofiev | 3:40 | |
| 7 | 7 | Symphony no. 1 in D major, op. 25 "Classical": III. Gavotta. Non troppo allegro | Sergey Prokofiev | 1:42 | |
| 8 | 8 | Symphony no. 1 in D major, op. 25 "Classical": IV. Finale. Molto vivace | Sergey Prokofiev | 4:10 | |
| Media 55: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Le Martyre de saint Sébastien, L. 124 : I. La cour des lys : No. 1. Prélude. Lent - "Frère, que sera-t-il le monde" | Claude Debussy | 7:47 | |
| 2 | 2 | Le Martyre de saint Sébastien, L. 124 : I. La cour des lys : No. 2. "Sébastien! Sébastien! Sébastien!" | Claude Debussy | 2:06 | |
| 3 | 3 | Le Martyre de saint Sébastien, L. 124 : I. La cour des lys : No. 3. "Danse extatique de Sébastien sur le charbons embrasés'" | Claude Debussy | 6:12 | |
| 4 | 4 | Le Martyre de saint Sébastien, L. 124 : II. La chambre magique : No. 1. Prélude. Très modéré | Claude Debussy | 3:46 | |
| 5 | 5 | Le Martyre de saint Sébastien, L. 124 : II. La chambre magique : No. 2. "Je fauchais l'épi de froment" | Claude Debussy | 2:17 | |
| 6 | 6 | Le Martyre de saint Sébastien, L. 124 : II. La chambre magique : No. 3. "Qui pleure mon enfant si doux" | Claude Debussy | 5:40 | |
| 7 | 7 | Le Martyre de saint Sébastien, L. 124 : III. Le concile des faux dieux : No. 1. Prélude - No. 2. Modéré | Claude Debussy | 1:58 | |
| 8 | 8 | Le Martyre de saint Sébastien, L. 124 : III. Le concile des faux dieux : No. 3. "Paian, Lyre d'or, Arc d'argent!" | Claude Debussy | 1:46 | |
| 9 | 9 | Le Martyre de saint Sébastien, L. 124 : III. Le concile des faux dieux : No. 4. "Avez-vous vu celui que j'aime" | Claude Debussy | 8:50 | |
| 10 | 10 | Le Martyre de saint Sébastien, L. 124 : III. Le concile des faux dieux : No. 5. "Ne pleurez plus!" - "Cessez! Ô pleureuses!" | Claude Debussy | 1:24 | |
| 11 | 11 | Le Martyre de saint Sébastien, L. 124 : III. Le concile des faux dieux : No. 6. "Io! Io! Adoniastes!" | Claude Debussy | 0:43 | |
| 12 | 12 | Le Martyre de saint Sébastien, L. 124 : III. Le concile des faux dieux : No. 7. "Il est mort, le bel Adonis" | Claude Debussy | 3:05 | |
| 13 | 13 | Le Martyre de saint Sébastien, L. 124 : IV. Le laurier blessé : No. 1. Prélude. Sombre et Lent | Claude Debussy | 4:22 | |
| 14 | 14 | Le Martyre de saint Sébastien, L. 124 : IV. Le laurier blessé : No. 2. "Il est là, le pasteur. Regardez" | Claude Debussy | 3:56 | |
| 15 | 15 | Le Martyre de saint Sébastien, L. 124 : IV. Le laurier blessé : No. 3. "Hélas!" | Claude Debussy | 6:36 | |
| 16 | 16 | Le Martyre de saint Sébastien, L. 124 : V. Le Paradis : No. 1. Interlude. Modéré | Claude Debussy | 1:14 | |
| 17 | 17 | Le Martyre de saint Sébastien, L. 124 : V. Le Paradis : No. 2. "Gloire! sous nos armures" | Claude Debussy | 4:40 | |
| Media 56: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Concerto for Violin and Orchestra no. 2 in B minor, Sz. 112: I. Allegro non troppo | Béla Bartók | 17:46 | |
| 2 | 2 | Concerto for Violin and Orchestra no. 2 in B minor, Sz. 112: II. Andante tranquillo | Béla Bartók | 11:45 | |
| 3 | 3 | Concerto for Violin and Orchestra no. 2 in B minor, Sz. 112: III. Allegro molto | Béla Bartók | 12:30 | |
| 4 | 4 | Rhapsody for Violin and Orchestra no. 1, Sz. 87: I. "Lassù". Moderato | Béla Bartók | 4:50 | |
| 5 | 5 | Rhapsody for Violin and Orchestra no. 1, Sz. 87: II. "Friss". Allegretto moderato | Béla Bartók | 5:19 | |
| 6 | 6 | Rhapsody for Violin and Orchestra no. 2, Sz. 90: I. "Lassù". Moderato | Béla Bartók | 4:58 | |
| 7 | 7 | Rhapsody for Violin and Orchestra no. 2, Sz. 90: II. "Friss". Allegro moderato | Béla Bartók | 6:10 | |
| Media 57: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Concerto for Piano and Orchestra no. 1 in C major, op. 15: I. Allegro con brio | Ludwig van Beethoven | 14:49 | |
| 2 | 2 | Concerto for Piano and Orchestra no. 1 in C major, op. 15: II. Largo | Ludwig van Beethoven | 11:11 | |
| 3 | 3 | Concerto for Piano and Orchestra no. 1 in C major, op. 15: III. Rondo. Allegro scherzando | Ludwig van Beethoven | 9:27 | |
| 4 | 4 | Concerto for Flute, Harp and Orchestra in C major, K. 299: I. Allegro | Wolfgang Amadeus Mozart | 10:56 | |
| 5 | 5 | Concerto for Flute, Harp and Orchestra in C major, K. 299: II. Andantino | Wolfgang Amadeus Mozart | 9:35 | |
| 6 | 6 | Concerto for Flute, Harp and Orchestra in C major, K. 299: III. Rondeau. Allegro | Wolfgang Amadeus Mozart | 9:15 | |
| Media 58: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Concerto for Piano and Orchestra no. 2 in C minor, op. 18: I. Moderato | Sergei Rachmaninoff | 10:56 | |
| 2 | 2 | Concerto for Piano and Orchestra no. 2 in C minor, op. 18: II. Adagio sostenuto | Sergei Rachmaninoff | 11:33 | |
| 3 | 3 | Concerto for Piano and Orchestra no. 2 in C minor, op. 18: III. Allegro scherzando | Sergei Rachmaninoff | 11:15 | |
| 4 | 4 | Le Cygne from "Le Carnaval des animaux", R. 125 | Camille Saint-Saëns | 3:26 | |
| 5 | 5 | Concerto for Cello and Orchestra no. 1, op. 33: I. Allegro non troppo | Camille Saint-Saëns | 5:38 | |
| 6 | 6 | Concerto for Cello and Orchestra no. 1, op. 33: II. Allegretto con moto | Camille Saint-Saëns | 4:39 | |
| 7 | 7 | Concerto for Cello and Orchestra no. 1, op. 33: III. Molto allegro | Camille Saint-Saëns | 8:26 | |
| 8 | 8 | Concerto for Clarinet and String Orchestra | Aaron Copland | 16:51 | |
| 9 | 9 | Goodbye (In Memory of Benny) | Gordon Jenkins | 4:26 | |
| Media 59: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Symphony of Psalms: I. Exaudi orationem meam, Domine | Igor Stravinsky | 3:10 | |
| 2 | 2 | Symphony of Psalms: II. Expectans expectavi Dominum | Igor Stravinsky | 6:45 | |
| 3 | 3 | Symphony of Psalms: III. Alleluja, laudate Dominum | Igor Stravinsky | 12:13 | |
| 4 | 4 | Symphony in C: I. Moderato alla breve | Igor Stravinsky | 9:03 | |
| 5 | 5 | Symphony in C: II. Larghetto concertante | Igor Stravinsky | 5:50 | |
| 6 | 6 | Symphony in C: III. Allegretto | Igor Stravinsky | 4:47 | |
| 7 | 7 | Symphony in C: IV. Largo - Tempo giusto, alla breve | Igor Stravinsky | 7:23 | |
| 8 | 8 | Symphony in Three Movements: I. Overature. Allegro | Igor Stravinsky | 9:21 | |
| 9 | 9 | Symphony in Three Movements: II. Andante - Interlude. L'istesso tempo | Igor Stravinsky | 6:23 | |
| 10 | 10 | Symphony in Three Movements: III. Con moto | Igor Stravinsky | 6:16 | |
| Media 60: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Brentano-Lieder, op. 68: No. 1. An die Nacht | Richard Strauss | 3:35 | |
| 2 | 2 | Brentano-Lieder, op. 68: No. 2. Ich wollt ein Sträußlein binden | Richard Strauss | 3:20 | |
| 3 | 3 | Brentano-Lieder, op. 68: No. 3. Säusle, lieb Myrthe! | Richard Strauss | 5:10 | |
| 4 | 4 | Brentano-Lieder, op. 68: No. 4. Als mir dein Lied erklang | Richard Strauss | 3:39 | |
| 5 | 5 | Brentano-Lieder, op. 68: No. 5. Amor | Richard Strauss | 3:00 | |
| 6 | 6 | Brentano-Lieder, op. 68: No. 6. Lied der Frauen | Richard Strauss | 6:54 | |
| 7 | 7 | Zueignung, op. 10 no. 1 | Richard Strauss | 1:49 | |
| 8 | 8 | Muttertändelei, op. 43 no. 2 | Richard Strauss | 2:16 | |
| 9 | 9 | Meinem Kinde, op. 37 no. 3 | Richard Strauss | 2:41 | |
| 10 | 10 | Die heiligen drei Könige aus Morgenland, op. 56 no. 6 | Richard Strauss | 6:52 | |
| 11 | 11 | Frühlingsfeier, op. 56 no. 5 | Richard Strauss | 3:23 | |
| 12 | 12 | Vier letzte Lieder, TrV 296: No. 1. Frühling | Richard Strauss | 2:57 | |
| 13 | 13 | Vier letzte Lieder, TrV 296: No. 2. September | Richard Strauss | 4:36 | |
| 14 | 14 | Vier letzte Lieder, TrV 296: No. 3. Beim Schlafengehen | Richard Strauss | 5:22 | |
| 15 | 15 | Vier letzte Lieder, TrV 296: No. 4. Im Abendrot | Richard Strauss | 7:10 | |
| Media 61: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Romeo and Juliet, op. 64: No. 1. Introduction to Act I | Sergei Prokofiev | 2:46 | |
| 2 | 2 | Romeo and Juliet, op. 64: No. 2. Romeo (reflective). Andante | Sergei Prokofiev | 1:42 | |
| 3 | 3 | Romeo and Juliet, op. 64: No. 3. The Street Awakens. Allegretto | Sergei Prokofiev | 1:26 | |
| 4 | 4 | Romeo and Juliet, op. 64: No. 5. The Quarrel. Allegro brusco | Sergei Prokofiev | 1:47 | |
| 5 | 5 | Romeo and Juliet, op. 64: No. 6. The Fight. Presto | Sergei Prokofiev | 2:36 | |
| 6 | 6 | Romeo and Juliet, op. 64: No. 7. The Prince's Decree. Andante | Sergei Prokofiev | 1:40 | |
| 7 | 7 | Romeo and Juliet, op. 64: No. 8. Interlude | Sergei Prokofiev | 2:12 | |
| 8 | 8 | Romeo and Juliet, op. 64: No. 9. Preparations for the Ball (Juliet and the Nurse). Andante assai. Scherzando | Sergei Prokofiev | 2:16 | |
| 9 | 9 | Romeo and Juliet, op. 64: No. 10. Juliet the Young Girl. Vivace | Sergei Prokofiev | 3:37 | |
| 10 | 10 | Romeo and Juliet, op. 64: No. 11. Arrival of the Guests (Minuet). Assai moderato | Sergei Prokofiev | 4:12 | |
| 11 | 11 | Romeo and Juliet, op. 64: No. 13. The Knights' Dance (Juliet's and Paris's Dance). Allegro pesante | Sergei Prokofiev | 4:35 | |
| 12 | 12 | Romeo and Juliet, op. 64: No. 15. Mercutio. Allegro giocoso | Sergei Prokofiev | 2:16 | |
| 13 | 13 | Romeo and Juliet, op. 64: No. 16. Madrigal. Andante tenero | Sergei Prokofiev | 2:01 | |
| 14 | 14 | Romeo and Juliet, op. 64: No. 18. Gavotte (Departure of the Guests). Allegro | Sergei Prokofiev | 2:47 | |
| 15 | 15 | Romeo and Juliet, op. 64: No. 19. Balcony Scene. Larghetto | Sergei Prokofiev | 8:15 | |
| 16 | 16 | Romeo and Juliet, op. 64: No. 37. Introduction to Act III. Andante | Sergei Prokofiev | 1:14 | |
| 17 | 17 | Romeo and Juliet, op. 64: No. 22. Folk Dance (Introduction to Act II). Allegro giocoso | Sergei Prokofiev | 4:07 | |
| 18 | 18 | Romeo and Juliet, op. 64: No. 25. Dance with Mandolins. Vivace | Sergei Prokofiev | 1:55 | |
| 19 | 19 | Romeo and Juliet, op. 64: No. 30. The People Continue to Make Merry. Vivo | Sergei Prokofiev | 2:48 | |
| 20 | 20 | Romeo and Juliet, op. 64: No. 32. Tybalt Meets Mercutio. Moderato | Sergei Prokofiev | 1:45 | |
| 21 | 21 | Romeo and Juliet, op. 64: No. 33. Tybalt and Mercutio Fight. Precipitato | Sergei Prokofiev | 1:23 | |
| 22 | 22 | Romeo and Juliet, op. 64: No. 35. Romeo Resolves to Avenge Mercutio's Death. Andante. Animato - Presto | Sergei Prokofiev | 1:14 | |
| 23 | 23 | Romeo and Juliet, op. 64: No. 36. Finale of Act III (Cortège with Tybalt's Body). Adagio dramatico | Sergei Prokofiev | 2:21 | |
| 24 | 24 | Romeo and Juliet, op. 64: No. 38. Romeo and Juliet. Lento | Sergei Prokofiev | 1:17 | |
| 25 | 25 | Romeo and Juliet, op. 64: No. 39. The Last Farewell. Andante - Adagio | Sergei Prokofiev | 3:25 | |
| 26 | 26 | Romeo and Juliet, op. 64: No. 43. Interlude. Adagio (L'istesso tempo) | Sergei Prokofiev | 1:25 | |
| 27 | 27 | Romeo and Juliet, op. 64: No. 47. Juliet Alone. Andante - Adagio - Andante | Sergei Prokofiev | 1:54 | |
| 28 | 28 | Romeo and Juliet, op. 64: No. 51. Juliet's Funeral (and Romeo's death). Adagio funebre | Sergei Prokofiev | 6:08 | |
| 29 | 29 | Romeo and Juliet, op. 64: No. 52. Death of Juliet. Adagio (meno mosso del tempo precedente) | Sergei Prokofiev | 3:05 | |
| Media 62: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Bachianas Brasileiras no. 4: I. Prelúdio (Introdução). Lento | Heitor Villa-Lobos | 4:02 | |
| 2 | 2 | Bachianas Brasileiras no. 4: II. Coral (Canto do Sertão). Largo | Heitor Villa-Lobos | 5:07 | |
| 3 | 3 | Bachianas Brasileiras no. 4: III. Ária (Cantiga). Moderato | Heitor Villa-Lobos | 5:45 | |
| 4 | 4 | Bachianas Brasileiras no. 4: IV. Dansa (Miudinho). Molto animato | Heitor Villa-Lobos | 3:50 | |
| 5 | 5 | Bachianas Brasileiras no. 5: I. Ária (Cantilena). Adagio | Heitor Villa-Lobos | 6:36 | |
| 6 | 6 | Bachianas Brasileiras no. 5: II. Dança (Martelo). Allegretto | Heitor Villa-Lobos | 4:36 | |
| 7 | 7 | Bachianas Brasileiras no. 7: I. Prelúdio (Ponteio). Adagio | Heitor Villa-Lobos | 7:39 | |
| 8 | 8 | Bachianas Brasileiras no. 7: II. Giga (Quadrilha Caipira). Allegretto scherzando | Heitor Villa-Lobos | 4:35 | |
| 9 | 9 | Bachianas Brasileiras no. 7: III. Tocata (Desafío). Andantino quasi allegretto | Heitor Villa-Lobos | 7:28 | |
| 10 | 10 | Bachianas Brasileiras no. 7: IV. Fuga (Conversa). Andante | Heitor Villa-Lobos | 7:21 | |
| 11 | 11 | Bachianas Brasileiras no. 9: I. Prelúdio. Vagaroso e mistico | Heitor Villa-Lobos | 2:48 | |
| 12 | 12 | Bachianas Brasileiras no. 9: II. Fuga. Poco apressado | Heitor Villa-Lobos | 6:54 | |
| 13 | 13 | Chôros no. 10 "Rasga o coração": Animé - Lent - Animé - Très peu animé | Heitor Villa-Lobos | 11:30 | |
| Media 63: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Concerto for Piano and Orchestra: I. Andante sostenuto | Aaron Copland | 7:32 | 114.3986 |
| 2 | 2 | Concerto for Piano and Orchestra: II. Molto moderato - Allegro assai | Aaron Copland | 9:37 | 96.5645 |
| 3 | 3 | Orchestral Variations | Aaron Copland | 13:37 | 151.8678 |
| 4 | 4 | Symphony no. 2 "Short Symphony": I. Incisivo | Aaron Copland | 4:24 | 138.8512 |
| 5 | 5 | Symphony no. 2 "Short Symphony": II. Espressivo | Aaron Copland | 5:01 | 105.573 |
| 6 | 6 | Symphony no. 2 "Short Symphony": III. Preciso e ritmico | Aaron Copland | 6:00 | 139.2014 |
| 7 | 7 | Symphonic Ode | Aaron Copland | 20:07 | 154.4994 |
| Media 64: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | The Star-Spangled Banner | Igor Stravinsky | 1:54 | |
| 2 | 2 | Circus Polka | Igor Stravinsky | 3:28 | |
| 3 | 3 | Ode | Igor Stravinsky | 10:22 | |
| 4 | 4 | Scherzo à la russe | Igor Stravinsky | 4:02 | |
| 5 | 5 | Scènes de ballet | Igor Stravinsky | 17:38 | |
| 6 | 6 | Concertino | Igor Stravinsky | 6:37 | |
| 7 | 7 | Agon | Igor Stravinsky | 23:56 | |
| 8 | 8 | Greeting Prelude | Igor Stravinsky | 0:51 | |
| 9 | 9 | Canon on a Russian Popular Tune | Igor Stravinsky | 0:52 | |
| 10 | 10 | Variations: Aldous Huxley in memoriam | Igor Stravinsky | 6:02 | |
| Media 65: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Das Klagende Lied: I. Waldmärchen | Gustav Mahler | 30:34 | |
| 2 | 2 | Das Klagende Lied: II. Der Spielmann | Gustav Mahler | 16:59 | |
| 3 | 3 | Das Klagende Lied: III. Hochzeitsstück | Gustav Mahler | 19:40 | |
| Media 66: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Symphonie fantastique, op. 14 : I. Rêveries - Passions | Hector Berlioz | 15:50 | 135.8596 |
| 2 | 2 | Symphonie fantastique, op. 14 : II. Un bal | Hector Berlioz | 6:57 | 154.9893 |
| 3 | 3 | Symphonie fantastique, op. 14 : III. Scène aux champs | Hector Berlioz | 17:08 | 154.3455 |
| 4 | 4 | Symphonie fantastique, op. 14 : IV. Marche au supplice | Hector Berlioz | 6:41 | 154.7703 |
| 5 | 5 | Symphonie fantastique, op. 14 : V. Songe d'une nuit du sabbat | Hector Berlioz | 9:35 | 132.473 |
| 6 | 6 | Lélio, ou Le Retour à la vie, op. 14b : II. Chœur d'ombres | Hector Berlioz | 6:29 | 107.5235 |
| 7 | 7 | Lélio, ou Le Retoiu à la vie, op. 14b : VI. Fantaisie sur La Tempête de Shakespeare | Hector Berlioz | 12:45 | 136.1384 |
| Media 67: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Catfish Row Suite With Scenes From Porgy and Bess: Catfish Row - Summertime | George Gershwin | 9:45 | |
| 2 | 2 | Catfish Row Suite With Scenes From Porgy and Bess: Porgy Sings | George Gershwin | 5:31 | |
| 3 | 3 | Catfish Row Suite With Scenes From Porgy and Bess: Fugue | George Gershwin | 1:48 | |
| 4 | 4 | Catfish Row Suite With Scenes From Porgy and Bess: Bess, You Is My Woman Now | George Gershwin | 5:51 | |
| 5 | 5 | Catfish Row Suite With Scenes From Porgy and Bess: Hurricane | George Gershwin | 4:12 | |
| 6 | 6 | Catfish Row Suite With Scenes From Porgy and Bess: My Man's Gone Now | George Gershwin | 4:31 | |
| 7 | 7 | Catfish Row Suite With Scenes From Porgy and Bess: There's a Boat Dat's Leavin' Soon | George Gershwin | 2:10 | |
| 8 | 8 | Catfish Row Suite With Scenes From Porgy and Bess: Good Mornin' Sistuh! | George Gershwin | 7:50 | |
| 9 | 9 | Second Rhapsody for Orchestra with Piano | George Gershwin | 17:35 | |
| Media 68: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | An American in Paris | George Gershwin | 18:24 | |
| 2 | 2 | Concerto in F for Piano and Orchestra: I. Allegro | George Gershwin | 13:31 | |
| 3 | 3 | Concerto in F for Piano and Orchestra: II. Adagio - Andante con moto | George Gershwin | 13:06 | |
| 4 | 4 | Concerto in F for Piano and Orchestra: III. Allegro agitato | George Gershwin | 6:59 | |
| Media 69: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Lollapalooza | John Adams | 6:41 | |
| 2 | 2 | Rhapsody in Blue | George Gershwin | 17:24 | |
| 3 | 3 | Prelude, Fugue and Riffs | Leonard Bernstein | 8:32 | |
| 4 | 4 | La Création du monde | Darius Milhaud | 17:54 | |
| 5 | 5 | Ebony Concerto | Igor Stravinsky | 9:32 | |
| 6 | 6 | Ragtime | Paul Hindemith | 3:23 | |
| 7 | 7 | A Jazz Symphony | George Antheil | 11:54 | |
| 8 | 8 | Theme from The Bad and the Beautiful | David Raksin | 3:40 | |
| Media 70: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Symphony no. 7: I. Langsam (Adagio) - Allegro risoluto, ma non troppo | Gustav Mahler | 21:48 | |
| 2 | 2 | Symphony no. 7: II. Nachtmusik. Allegro moderato | Gustav Mahler | 16:29 | |
| 3 | 3 | Symphony no. 7: III. Scherzo. Schattenhaft | Gustav Mahler | 10:30 | |
| Media 71: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Symphony no. 7: IV. Nachtmusik. Andante amoroso | Gustav Mahler | 14:08 | |
| 2 | 2 | Symphony no. 7: V. Rondo-Finale. Tempo I (Allegro ordinario) | Gustav Mahler | 18:12 | |
| Media 72: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | The Firebird: Introduction | Igor Stravinsky | 2:37 | |
| 2 | 2 | The Firebird: The Enchanted Garden of Kashchei | Igor Stravinsky | 1:38 | |
| 3 | 3 | The Firebird: Apparition of the Firebird followed by Ivan Tsarevitch | Igor Stravinsky | 2:21 | |
| 4 | 4 | The Firebird: Dance of the Firebird | Igor Stravinsky | 1:25 | |
| 5 | 5 | The Firebird: Capture of the Firebird by Ivan Tsarevitch | Igor Stravinsky | 0:57 | |
| 6 | 6 | The Firebird: Plea of the Firebird / Apparition of the Thirteen Enchanted Princesses | Igor Stravinsky | 8:27 | |
| 7 | 7 | The Firebird: Play of the Princesses With the Golden Apples | Igor Stravinsky | 2:27 | |
| 8 | 8 | The Firebird: Sudden Apparition of Ivan Tsarevitch | Igor Stravinsky | 1:30 | |
| 9 | 9 | The Firebird: Chorovod (Round) Of the Princesses | Igor Stravinsky | 4:40 | |
| 10 | 10 | The Firebird: Sunrise / Ivan Tsarevitch Penetrates the Palace of Kashchei | Igor Stravinsky | 1:25 | |
| 11 | 11 | The Firebird: Magical Chimes / Apparition of the Monsters / Guards of Kashchei and Capture of Ivan Tsarevitch | Igor Stravinsky | 5:24 | |
| 12 | 12 | The Firebird: Dance of the Suite of Kashchei Enchanted by the Firebird | Igor Stravinsky | 0:48 | |
| 13 | 13 | The Firebird: Infernal Dance of All the Subjects of Kashchei | Igor Stravinsky | 10:23 | |
| 14 | 14 | The Firebird: Disappearance of the Palace and of the Magic Spells of Kashchei / Animation of the Petrified Knights / All Rejoice | Igor Stravinsky | 3:31 | |
| Media 73: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | The Rite of Spring: Part I (The Adoration of the Earth). Introduction | Igor Stravinsky | 3:38 | |
| 2 | 2 | The Rite of Spring: Part I (The Adoration of the Earth). The Augurs of Spring (Dances of the Young Girls) | Igor Stravinsky | 3:13 | |
| 3 | 3 | The Rite of Spring: Part I (The Adoration of the Earth). Ritual of Abduction | Igor Stravinsky | 1:19 | |
| 4 | 4 | The Rite of Spring: Part I (The Adoration of the Earth). Spring Rounds | Igor Stravinsky | 3:36 | |
| 5 | 5 | The Rite of Spring: Part I (The Adoration of the Earth). Ritual of the Rival Tribes | Igor Stravinsky | 1:45 | |
| 6 | 6 | The Rite of Spring: Part I (The Adoration of the Earth). Procession of the Sage | Igor Stravinsky | 0:40 | |
| 7 | 7 | The Rite of Spring: Part I (The Adoration of the Earth). The Sage | Igor Stravinsky | 0:23 | |
| 8 | 8 | The Rite of Spring: Part I (The Adoration of the Earth). Dance of the Earth | Igor Stravinsky | 1:12 | |
| 9 | 9 | The Rite of Spring: Part II (The Sacrifice). Introduction | Igor Stravinsky | 4:48 | |
| 10 | 10 | The Rite of Spring: Part II (The Sacrifice). Mystic Circles of the Young Girls | Igor Stravinsky | 3:14 | |
| 11 | 11 | The Rite of Spring: Part II (The Sacrifice). Glorification of the Chosen Victim | Igor Stravinsky | 1:28 | |
| 12 | 12 | The Rite of Spring: Part II (The Sacrifice). Evocation of the Ancestors | Igor Stravinsky | 0:39 | |
| 13 | 13 | The Rite of Spring: Part II (The Sacrifice). Ritual Action of the Ancestors | Igor Stravinsky | 3:38 | |
| 14 | 14 | The Rite of Spring: Part II (The Sacrifice). Sacrificial Dance (Chosen One) | Igor Stravinsky | 4:29 | |
| Media 74: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Perséphone: I. The Abduction of Perséphone | Igor Stravinsky | 9:50 | |
| 2 | 2 | Perséphone: II. Perséphone in the Underworld | Igor Stravinsky | 23:19 | |
| 3 | 3 | Perséphone: III. Perséphone Reborn | Igor Stravinsky | 14:56 | |
| Media 75: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Billy the Kid Suite: I. Introduction. The Open Prairie | Aaron Copland | 3:20 | |
| 2 | 2 | Billy the Kid Suite: II. Street in a Frontier Town | Aaron Copland | 3:10 | |
| 3 | 3 | Billy the Kid Suite: III. Mexican Dance and Finale | Aaron Copland | 3:08 | |
| 4 | 4 | Billy the Kid Suite: IV. Prairie Night (Card Game at Night) | Aaron Copland | 3:35 | |
| 5 | 5 | Billy the Kid Suite: V. Gun Battle | Aaron Copland | 2:01 | |
| 6 | 6 | Billy the Kid Suite: VI. Celebration (after Billy's Capture) | Aaron Copland | 2:18 | |
| 7 | 7 | Billy the Kid Suite: VII. Billy's Death | Aaron Copland | 1:54 | |
| 8 | 8 | Billy the Kid Suite: VIII. The Open Prairie Again | Aaron Copland | 1:40 | |
| 9 | 9 | Appalachian Spring Suite: I. Very slowly | Aaron Copland | 3:12 | |
| 10 | 10 | Appalachian Spring Suite: II. Allegro | Aaron Copland | 2:46 | |
| 11 | 11 | Appalachian Spring Suite: III. Moderato | Aaron Copland | 4:06 | |
| 12 | 12 | Appalachian Spring Suite: IV. Fast | Aaron Copland | 3:37 | |
| 13 | 13 | Appalachian Spring Suite: V. Subito allegro | Aaron Copland | 4:05 | |
| 14 | 14 | Appalachian Spring Suite: VI. As at first (slowly) | Aaron Copland | 1:52 | |
| 15 | 15 | Appalachian Spring Suite: VIIa. Doppio movimento | Aaron Copland | 2:21 | |
| 16 | 16 | Appalachian Spring Suite: VIIb. Rather Slow | Aaron Copland | 6:04 | |
| 17 | 17 | Appalachian Spring Suite: VIIc. Molto allegro ed agitato | Aaron Copland | 2:03 | |
| 18 | 18 | Appalachian Spring Suite: VIId. Meno mosso ancora | Aaron Copland | 1:45 | |
| 19 | 19 | Appalachian Spring Suite: VIII. Moderato - Coda | Aaron Copland | 4:05 | |
| 20 | 20 | 4 Dance Episodes from "Rodeo": I. Buckaroo Holiday | Aaron Copland | 7:31 | 117.7903 |
| 21 | 21 | 4 Dance Episodes from "Rodeo": II. Corral Nocturne | Aaron Copland | 3:56 | 129.0956 |
| 22 | 22 | 4 Dance Episodes from "Rodeo": III. Saturday Night Waltz | Aaron Copland | 4:28 | 151.9005 |
| 23 | 23 | 4 Dance Episodes from "Rodeo": IV. Hoe Down | Aaron Copland | 3:17 | 129.1908 |
| 24 | 24 | Fanfare for the Common Man | Aaron Copland | 3:35 | |
| Media 76: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Tuck and Roll: I. Anthem | Steven Mackey | 6:29 | |
| 2 | 2 | Tuck and Roll: IIa. Guitar Solo | Steven Mackey | 2:35 | |
| 3 | 3 | Tuck and Roll: IIb. Dark Caprice | Steven Mackey | 7:39 | |
| 4 | 4 | Tuck and Roll: III. Intrigue | Steven Mackey | 6:58 | |
| 5 | 5 | Tuck and Roll: IV. Puffe | Steven Mackey | 8:33 | |
| 6 | 6 | Lost and Found | Steven Mackey | 6:32 | |
| 7 | 7 | Eating Greens: Part One: Religion, Food, Art: I. (Lethargical) Reformation | Steven Mackey | 1:58 | |
| 8 | 8 | Eating Greens: Part One: Religion, Food, Art: II. Waffling (sic) | Steven Mackey | 4:23 | |
| 9 | 9 | Eating Greens: Part One: Religion, Food, Art: III. Whim and Rigor (Homage to Henri Matisse) | Steven Mackey | 5:49 | |
| 10 | 10 | Eating Greens: Part Two: Loose Ends: I. The Title Is Almost as Long as the Piece Itself | Steven Mackey | 0:47 | |
| 11 | 11 | Eating Greens: Part Two: Loose Ends: II. Ouija (wee-gee) Baby | Steven Mackey | 2:16 | |
| 12 | 12 | Eating Greens: Part Three: Five Chords: I. Bread and Wine | Steven Mackey | 3:02 | |
| 13 | 13 | Eating Greens: Part Three: Five Chords: II. Drunk Monk (Tribute to Thelonius Monk) | Steven Mackey | 5:06 | |
| Media 77: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | From the Steeples and the Mountains, S. 65 | Charles Ives | 4:13 | |
| 2 | 2 | The Things Our Fathers Loved, S. 372 | Charles Ives | 1:47 | |
| 3 | 3 | The Pond (Remembrance), S. 40 | Charles Ives | 1:42 | |
| 4 | 4 | Memories, S. 297 | Charles Ives | 2:30 | |
| 5 | 5 | Charlie Rutlage, S. 14/iii | Charles Ives | 2:38 | |
| 6 | 6 | The Circus Band, S. 33 | Charles Ives | 3:02 | |
| 7 | 7 | Three Places in New England, S. 7: I. The "St. Gaudens" in Boston Common | Charles Ives | 8:51 | |
| 8 | 8 | Three Places in New England, S. 7: II. Putnam's Camp, Redding, Connecticut | Charles Ives | 5:22 | |
| 9 | 9 | Three Places in New England, S. 7: III. The Housatonic at Stockbridge | Charles Ives | 4:06 | |
| 10 | 10 | In Flanders Fields, S. 277 | Charles Ives | 2:41 | |
| 11 | 11 | They Are There! (A War Song March), S. 188 | Charles Ives | 2:52 | |
| 12 | 12 | Tom Sails Away, S. 378 | Charles Ives | 2:48 | |
| 13 | 13 | Symphony no. 4, S. 4: III. Fugue | Charles Ives | 6:38 | |
| 14 | 14 | Psalm 100, S. 153 | Charles Ives | 1:35 | |
| 15 | 15 | Serenity, S. 347 | Charles Ives | 2:00 | |
| 16 | 16 | General William Booth Enters into Heaven, S. 181 | Charles Ives | 5:42 | |
| 17 | 17 | The Unanswered Question, S. 50 | Charles Ives | 6:19 | |
| Media 78: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Concerto for Violin and Orchestra in D major, op. 35: I. Allegro moderato | Pyotr Ilyich Tchaikovsky | 19:38 | |
| 2 | 2 | Concerto for Violin and Orchestra in D major, op. 35: II. Canzonetta. Andante | Pyotr Ilyich Tchaikovsky | 6:34 | |
| 3 | 3 | Concerto for Violin and Orchestra in D major, op. 35: III. Finale. Allegro vivacissimo | Pyotr Ilyich Tchaikovsky | 10:56 | |
| 4 | 4 | Méditation, op. 42/1 | Pyotr Ilyich Tchaikovsky | 9:46 | |
| 5 | 5 | "Dance russe" from Swan Lake, op. 20 | Pyotr Ilyich Tchaikovsky | 4:32 | |
| Media 79: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Concerto for Piano and Orchestra no. 2 in C minor, op. 18: I. Moderato | Sergei Rachmaninoff | 10:48 | |
| 2 | 2 | Concerto for Piano and Orchestra no. 2 in C minor, op. 18: II. Adagio sostenuto | Sergei Rachmaninoff | 12:16 | |
| 3 | 3 | Concerto for Piano and Orchestra no. 2 in C minor, op. 18: III. Allegro scherzando | Sergei Rachmaninoff | 11:27 | |
| 4 | 4 | Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: I. Allegro maestoso | Franz Liszt | 5:38 | |
| 5 | 5 | Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: II. Quasi adagio | Franz Liszt | 5:00 | |
| 6 | 6 | Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: III. Allegretto vivace - Allegro animato | Franz Liszt | 4:12 | |
| 7 | 7 | Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: IV. Allegro marziale animato - Presto | Franz Liszt | 4:21 | |
| Media 80: CD |
| Position |
# |
Title |
Track Artist |
Duration |
Bpm |
| 1 | 1 | Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso | Pyotr Ilyich Tchaikovsky | 20:36 | |
| 2 | 2 | Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: II. Andantino semplice | Pyotr Ilyich Tchaikovsky | 7:44 | |
| 3 | 3 | Concerto for Piano and Orchestra no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | Pyotr Ilyich Tchaikovsky | 7:07 | |
| 4 | 4 | Pétrouchka : Tableau I. Fête populaire de la semaine grasse | Igor Stravinsky | 5:00 | |
| 5 | 5 | Pétrouchka : Tableau I. Le Tour de passe-passe | Igor Stravinsky | 1:57 | |
| 6 | 6 | Pétrouchka : Tableau I. Danse russe | Igor Stravinsky | 2:30 | |
| 7 | 7 | Pétrouchka : Tableau II. Chez Pétrouchka | Igor Stravinsky | 3:59 | |
| 8 | 8 | Pétrouchka : Tableau III. Chez le Maure | Igor Stravinsky | 2:39 | |
| 9 | 9 | Pétrouchka : Tableau III. Danse de la ballerine | Igor Stravinsky | 0:45 | |
| 10 | 10 | Pétrouchka : Tableau III. Valse de la ballerine et du Maure | Igor Stravinsky | 3:01 | |
| 11 | 11 | Pétrouchka : Tableau IV. Fête populaire de la semaine grasse (vers le soir) | Igor Stravinsky | 1:06 | |
| 12 | 12 | Pétrouchka : Tableau IV. Danse des nounous | Igor Stravinsky | 2:21 | |
| 13 | 13 | Pétrouchka : Tableau IV. L'Ours et un paysan | Igor Stravinsky | 1:37 | |
| 14 | 14 | Pétrouchka : Tableau IV. Un marchand fêtard avec deux tziganes | Igor Stravinsky | 0:52 | |
| 15 | 15 | Pétrouchka : Tableau IV. Danse des cochers et des palefreniers | Igor Stravinsky | 1:56 | |
| 16 | 16 | Pétrouchka : Tableau IV. Les Déguisés | Igor Stravinsky | 1:37 | |
| 17 | 17 | Pétrouchka : Tableau IV. La Rixe. Le Maure et Pétrouchka | Igor Stravinsky | 0:53 | |
| 18 | 18 | Pétrouchka : Tableau IV. Mort de Pétrouchka | Igor Stravinsky | 0:35 | |
| 19 | 19 | Pétrouchka : Tableau IV. La Police et le charlatan | Igor Stravinsky | 1:19 | |
| 20 | 20 | Pétrouchka : Tableau IV. Apparition du double de Pétrouchka | Igor Stravinsky | 0:50 | |